white vinyl reissue of the 2020 album from polish jazz trio led by druummer maciej golyzniak.

original video game soundtrack on black 180 gram double vinyl, housed in a gatefold sleeve.

the new album from kings of leon on limited cream coloured double vinyl, housed in a gatefold sleeve.

the new album from kings of leon on double vinyl, housed in a gatefold sleeve.

experimental music

tropical punk from the skints on translucent light blue vinyl.

great 2x12 inch by footsie

reissue of the 1978 album from jacky giordano.

new larry ep

cray76 aka joakim

nice chillin / jazzy heads moments

music from season 1 & 2 of the netflix original series sex education. the 180 gram vinyl lp includes a download code.

2020 repress , early support from abdulla rashim, iori, marco shuttle, dj nobu, fred p, go hiyama, samuli kemppi, svreca, sandrien, eric cloutier.
a diverse and elaborate ep from the seasoned producer wata igarashi to launch new imprint midgar records! composed of four tracks exploring the depths of deep techno and house, junctions is a restless concoction of halfway beats, which lays on background of pulsating noises and sound experimentations. fluctuating between machine stuttering techno and dusty acid-laced house.. a wicked start to the label!

obscure and forgotten gems from the 50’s and early 60’s on part 6 of stag-o-lee’s trashcan compilation.

viper patrol takes us on a psychedelic trip.

more 90s house and garage, compiled by joey negro.

vinyl lp with download code.

for listening for the club very cool 2lp

this is the new ep from the kellerbeats crew on their own label kellerbeats records with great remixes by murat acar and christina semmler.

vintage synth pop goodness

4 slabs of banging acid from johnny island.

record kicks presents the new album by juno award and polaris music prize-nominated canadian soul star tanika charles

keysound recordings are excited to present three very unique cuts from scratcha dva x gage: “flytnurse,” “piffd” and “flytnurse (darqmix)”. dark, euphoric, weighty, and somewhat restless, they defy obvious categorisation. gage has made himself a formidable reputation by releasing some of the most forward-thinking darker dance music in the last three years, predominantly on the ever-quality crazy legs imprint. “telo” was a standout dancefloor moment, equal parts impactful and experimental, quickly followed up by the -mercury ep,- -2017 stay paro- and his banger-collab with kevin jz prodigy, -bad bitch.- scratcha dva first appeared on keysound 66 releases ago with the explosive dread grime anthem “bullet a go fly” featuring badness, riko, flowdan and killa p. but in truth he has a lengthy production back catalogue both before and after that 12”, with albums on hyperdub, his new “interludes” project and a track on the recent landmark kode9 & burial fabriclive 100

the latest from the galdoors stable: cafe nostalgia takes off, a pumping slab of bubbling bleeps and bass with creeping pads to chew on as you go. conclusions like curtains keeps up the pace on the b-side driving arpeggiator-tech with fm tweaks and washes taking it deeper. looped-up rounds off, with layers of restless, twittering snippets wrapping you up in a wigged out groove. one-to-watch from junes on his own imprint.

the 2014 album from lone is back as limited edition of just 300 copies on clear double vinyl.

we want the p.a.v. to be full of house, and full of houses! through this five-tracks release, annibale o. sets the stage for a novel, genuine house music dedicated to those who suffer from restless feet syndrome.

2018 repress , new label run by chicagodeep & taelue kicks off with 4 tracks by specter, chicagodeep, taelue, and and edit from linkwood (firecracker).

fast-forward moving tracks with an engaging mesmeric sound.

the latest release on francis harris scissor & thread is another exercise in subtlety and restraint, brought to us by the emerging talents of nadia khan. with little known about the artist, this release lets the sublime music do the talking. title track ‘in gleam is a beautifully evocative drift into ambient textures - rising pads and occasion bass tones combine to set an exquisite scene. ‘local visit is a collaboration with label boss francis harris, and features some of the trademark submerged rhythm and textures the label has become known for, unfolding its deep structures over the course of the track. ‘restless sees label regular alex albrecht aka melquíades (whose previous ep on s&t was received warmly) provide the last bells remix - again muted tones and rhythmic complexity glide under ethereal piano fragments and slowly evolving pad washes. ‘sorting through finds its groove early, a deadened kick unfolds into an urgent percussion creating a thick atmosphere of melancholia. ‘sunburnt rounds out the physical release - ending how it started - with dreamy, smudged tones, and warm pads.

mdcl remixes vol.1 is a compilation of remixes by musical maverick mark de clive-lowe. bridging worlds of music from dj-led dancefloors to underground jazz clubs, mdcl is one of the most broadranging artists youll find anywhere. over his prolific career hes collaborated with the likes of kenny dope, dj spinna, joe clausell and restless soul, remixed the likes of omar, shirley horn and jody watley, and regularly takes his mind-ending live show far and wide all over the planet. with this new collection of soulful, dancefloor gems, mdcl presents his dj-friendly reworks of future classics. the selection kicks off with german trumpet master nils wülker featuring none other than jill scott vocalling the nia andrews and mocky-penned worth the wait where nils trumpet dances around jill scott, delivering with goosebumps as only she can. los angeles based moulton music collaborator vocalist nina lares gets remixed with a nod to classic late 90s house music, and songbird trio king get their song supernatural remixed with the originals lush instrumentation underpinned with a bubbling signature mdcl bassline and drums. side b launches with la multi-instrumentalist dexter storys as is reimagined as an ethereal late night dancefloor moment inspired by mdcls trips to south africa. euro-caribbean-american singer amana melomes lock & key has mdcl unleash his synths and piano keys for a full 88-keys workout, and the side closes with broken beat flavors of mdcl remixing longtime new zealand collaborator cherie mathieson with the bassline and drums pressure of games we play sounding like an undiscovered p-funk-meets-bugz in the attic anthem straight from the clubs of west london.

r&s welcome back highly-revered techno artist benjamin damage with his new double headed single ‘malfunction / binary . ‘montreal’ from his debut r&s ep proved to be one of the label s biggest techno releases of the last few years - the pummelling drums, intense atmosphere and beatuiful melodies are synonymous with the music that has made the label timeless. road tested in benjamin’s heavy artillery live shows across the globe, malfunction / binary pick up where the last ep left off - pistoning rhythms, breakneck beats and monolithic bass, but this time the mood is more reflective and optimistic - skying cloud-like pads offer a dreamy counterpoint. made between london and berlin, following recent live shows at berghain and oval space, benjamin’s wanderlust and restless studio dynamic sees him continually breaking down his gear to travel, “being on tour with all my gear i find it quite easy to work in new places,” he explains. “i like the energy of different cities and it s good to keep moving.” this new ep is announced ahead of a huge, all hardware live show at sonar by night in barcelona. with ‘malfunction/binary’ sure to do the business and an album in progress for r&s scheduled for 2019 it’s going to be an exciting year ahead!

we remain suspended, fluctuating
in these waters of unknown wellness
flooded by a silence of emotions.
emotions that make our loneliness
more deep, clear and awful.
as nails that dig died skins,
as eyes that bleed making skins acid
as hair that strangles the crowd s voices
thus we,
remain suspended
in this air rarefied by thoughts
to make us more conscious of the restless lack
of the hope from us stolen.

next release on echovolt s regular run is the debut ep by priori, co-founder of naff recordings. three cuts of large-scale psychedelia where machines get squeezed and bent for sound. it’s dynamic acid for our constantly evolving and restless minds. an ode to the environment that nurtures us, an attempt to ring mod the sun and the sea.

mighty dnaondna (heteroerotic asphyxiation, oiwa) manufactures strictly strictly s magical 3rd release and offers nothing than power, power, power: erratic opener the//grind pushes you into the flow with restless uk-ish breaks before haifa slaps you hard with its violent rhythm and epic bassline. don t move on the b-side chases you with its 145bpm acid breaks to finally eject you struggling for breath. a dangerous adventure!

rare & underrated album mixing soul, boogie, pop and synth styles together
favorite recordings presents this new official album reissue of state of emmergency by french band the fizz: a real underrated, complete and intriguing album, originally released in 1986 as a private-press lp and quite hard to find in good conditions nowadays.

the essential will & ink label continues to keep up the pressure with a new ep from museum aka anton pieete and jeroen liebregts. the pair have released on vital labels like marcel dettmann records and indigo area and make some of the most robust and powerful techno around. their three new tracks here come with a remix from resident label artist yalessa hall. opener silo is an urgent groove with warped and rumbling synth lines and frazzled textures. it s sparse and industrial as it barrels along while the list is much more wild. the drums flail around, the hits are off grid and the energy is restless and rugged. lastly from them, 1500 has punchy drum programming and watery sound effects, sci-fi motifs and a sense of turbulence that will make a real impact in the club. the raw yalessa hall remix flips the list into a freaky house track with smeared synths and big hits making for something incendiary and unhinged.

taken from gabe gurnsey’s upcoming debut solo lp, ‘physical’ on phantasy, eyes over zones in on a proto-hacienda groove that’s undistilled militant funk, loose and lucid elements of electro and dub-laden drums conspire to offer an alluring landscape for gurnsey’s restless vocals. the harder-hitting extended dub takes more precise aim at the dancefloor, allowing each disparate, analogue element more room to unfold across a throbbing baseline.

junes kicks off a new imprint, dote, with a full-length exploration of the direct yet dreamlike sound he s made his own. with his usual flair for crisp grooves and ghostly palettes, a view reveals a broader range of nuanced vibes. second wind and stop, elate show a playful buoyancy, and a sense of discovery in tracks like balancing act and two-sided embrace add a narrative pace to the collection. there s time for some of the creeping, spaced out atmospheres that hallmark some of junes previous best, but with tracks like packaging, the realisation of this sound is richer than ever. there s a restless feel throughout the work, too – especially evident in the closer spooked – and a feeling that we ve been on a trip that doesn t end here.

the hungarian shapeshifter is back after five years with a new ep on all inn black. looking back at coldfish’s discography, “the unfaithfuls” seems like another chapter of the story, after eps such as “the invisibles” and his album “the orphans”.

delsins reissue arm once again looks to the revered back catalogue of lost trax for a second 12 that picks out the best of the anonymous collectives work. the ep features five cuts taken from two highly sought after eps released on tabernacle records in 2011 and 2012. the eye opens things up with punchy drum programming and the sort of sci-fi effects and synths that immediately take you to a future intergalactic world. its a weighty but emotional opener, while pulp is more twisted and urgent, with warped synth sounds and busy, bristling drums and perc all building pressure throughout. the forest resets the mood with mystic synths and mysterious atmospheres that mix ambient beauty with suggestive skeletal beats. b01 then canes through the cosmos on a detroit electro tip with slithers of synth, swollen pads and crisp hits and dominion rounds things out in hurried fashion. the restless electro drums pound away as prickly snares and cymbals, blurts of machine noise and sweeping pads all wrestle for attention and keep you on your toes. this is high octane electro and techno designed with metallic precision but oozing plenty of human feelings.

newusg001 organizes a programme of optimistic dystopian techno and related electronic music ideal for a busy monorail or speed-travel setting. tracks veer through noise, techno, electro, industrial, ebm, and experimental improvised music, with overlapping influences and unique palettes.

marks back with three seething cuts at the state of berlin affairs. a restless message to the hands of capital. killer steppers coming off last years cult classic here comes a fucking startup campus and outings on bristols nocorner. post-modern dnb with shades of latter-day source direct and the rattle of golden-era skull disco. supported by the likes of ben ufo, lee gamble, ramzi and trevor jackson - premiered by phile, nerve and mos howieson

mit nomc15 erscheint nun eine art deluxe album des letzten studioalbums music complete von new order als live-version. zum vÖ des albums spielte die band aus manchester zwei shows in der brixton academy london. eine wahrlich großartige live-aufnahme eines der beiden ausverkauften konzerte erscheint nun als doppel-cd und 3fach lp auf mute!

the night is what makes a big city come to life. right after sundown, the hectic buzzing of downtown makes way for adventure playgrounds, bathed in neon light, revealing their countless chances and opportunities. its when youll find the subway spitting out its purpose seeking passengers by the minute. a coming and going of restless people passing through. all it takes is a few hours, before the sunrise makes it all disappear. mental bend captures the magic of that very moment in their dreamy soundtracks. if you close your eyes, you can see blurry pictures passing in slow motion, accompanied by their atmospheric songs. grainy black and white snapshots, fragments of memories lighting up somewhere in the farthest corner of the cortex. one step is the berlin-based indietronica duos visually vivid debut album, released on enfant fenou. mental bend are all about letting go. sissip (voc/synth/bass) and hendrik havekost (beats/production) know how to trust their instincts, crafting their hypnotic signature sound, somewhere in between electronica, ambient and dream pop. before founding the band in 2013, the two were already shaping their skills in all kinds of different formations and styles of music. as soon as they got together, they had a viral mini hit with their song take my hand, praised on various tastemaker blogs and generating over 100.000 likes on soundcloud in no time. the bands first long play record one step is all about important experiences and decisions, small as well as big steps, all a part of making progress, which in the end can even be life changing. it was a step, that recently got mental bend their record deal on mos ferrys sub label enfant fenou.

2017 reprint of long deleted classic - in complete original beautiful outersleve and label / art ! double vinyl

dive-bar turned record label paradise palms presents a brand new 7inch from veteran producer justin robertson, a man with over 23 years experience as an innovator and restless proponent of fascinating forward-thinking music. his tireless work ethic has ensured that he remains one of the most relevant and exciting dj/producers around, as a whole new generation of electronic enthusiasts will sweatily testify. justin s latest incarnation as the deadstock 33s has been garnishing lavish praise from figureheads such as andrew weatherall and erol alkan, as well as a diverse cross-section of fresh talent, from daniel avery to eats everything. cyborg holiday snaps is a double-whammy 7inch of alien machine funk crafted by the rave pilot himself. the titular track launches head&#64257,,,,rst into hissing electro territory with pounding rhythms and detroit-strength bass stabs, while numerical discord is a low-slung 110bpm acid weapon.

after the last years widely appreciated 12? with two extraterrestial dancefloor cuts on jon rusts levels imprint and a handful of now hard-to-find 7? releases, the estonian musician ruutu poiss returns to his minimal funk and leftfield synth-pop roots releasing a debut ep on international major label. the six selected homerecordings from 2011-2016 reflect almost a chronological and caleidoscopic journey through the authors musical explorations, instrumental storytelling and unique sound design, imaginatively non-locking to specific genres. the ep starts with a massive stadium-hype pop groove that soon descends into an unsteady bassline of emotional undercurrents just to illustrate a clear shift from public to highly private and minute. there onwards its a search for a way out of the rabbit hole, a trip of curious naviagtion and personal reflection. from haunting vocals to vicious toms, celestial soundscapes over restless rubbery bass, shimmering synths over polyrhythmic strcutures an environment of romantic futurism and organic transformation appears, surrounded by a warm psychedelic sound pallette. previous releases played and supported by secretsundaze, benji b, james blake, mary-anne hobbs, call super, omar-s and many others.

increasing access to new studio technology resulted in this splicing of dub reggae dna with cut-and-paste sampledelia. anticipating the later work of labels such as def jux, wordsound and anticon, this 1985 album paired crack jamaican session musicians such as the roots radics’ drummer style scott (by this point the instrumental leader of dub syndicate) and the congos’ ashanti roy with public image limited’s jah wobble and keith levene, not to mention the restless mixing desk boundary-pushing of producer and de facto member adrian sherwood. a more reggaefied take on the industrial funk sherwood was making with tackhead during the same period, lovers of digidub, outernational sounds and even the wilder reaches of 80s hip-hop will find much to get lost in here