the fourth album from belgian band intergalactic lovers.

full soundtrack from the the video game Òdemon turfÓ on double cd.

3xcd of funky house music on 3 cds which are unmixed

new album of quality edits and remixes from dr packer plus bonus cd with a continuous dj-mix.

new album by stella rose bennett aka benee from new zealand

subset is the featured artist for the 17th greyscale full-length. named >this quiet earth<, this 9 track heavyweight of dubby goodness offers a consistent variety of spatialness while the atmosphere clearly surrounds you with its innate charm. heavy chords are consistent characteristic here while the beats are strong and favor more of a steady low tempo. tracks like >the rivers are dry< and >trippy specs< are soaked in reverb with an old skool dub sound while >the community of worlds< and >two halves< are another pair of deep-seated scenic heaters. the steady static over many tracks give off a language of communication to the listener that balances the organic elements extremely well. >lucys sky dreams< is not unlike a classic echospace track with tremendous depth that has you on the edge of your seat. a gentle album across the board that still has a reserved serious tone to it. another fine addition to the camp, subsets debut with us is a memorable one.

freestyle associations from jonathan meese over beats and loops from dj hell. cd in digipak with 29-page artist booklet.

solid electro dancefloor tracks

5xcd box set + booklet

cd, 24p booklet + movie download code

perc trax presents the debut longplayer from ghost in the machine.

16 tracks incl. just her, trafik und dale middleton

kabar is a compilation from electronic from reunion island (right in the middle of the indian ocean). tropical sounds, sunny moods and crŽole dialect from mostly unknown artists from the island. worth mentionning jako maron ( nyege nyege tapes), alex barck (of jazzanova) or labelle though and some artists with a profile in world music (christine salem, maya kamaty). perfect summer opening compilation for both rare groove diggers and demanded djs in search of the best tropical beats. a musical electronic snapshot from an exotic and unknown part of the globe. half of the tracks on the compilation have never been officially released.

jay-jay manages to capture us with his melancholy voice, singing haunting melodies, dressed up in mysterious sounds and experimental drum beats.

next oliver koletzki dropout straight from berlin

incl tim weeks, danny hwells, catz n dogz, eelke kleijn, chus & cheballus, kerri chandler and more

das album spiegelt die vielseitigkeit im musikalischen universums dirty doerings wieder das nicht nur aus einer gerade 4/4- bassdrum, sondern auch aus gebrochenen beats, hip hop, jazz, weltmusik, gitarren, klavier, klassischen elemente und vielem mehr besteht. es Ÿberrascht uns mit sounds, wie zum beispiel die downtempo-stŸcke timeless, &#769,,,,,luisa way und monday only. zusammen mit den clubbigeren tracks wie black forest, &#769,,,,,burning ham oder high level road und purple disco entsteht ein spannungsbogen, der einen unwiderstehlich in den bann zieht.

luke viberts technicolor-schwenk durch die welt des modernen funk. kerrier district nennt sich das funkige acid-dance-projekt des englischen elektronikkŸnstlers luke vibert. nach einem debŸtalbum - erschienen 2004 auf dem label rephlex und zwei maxis erscheint mit 4 erneut ein longplayer. die 14 tracks sind eine gro§artige collage aus samples und beats, old-school-drum-loops, sehr viel acid-funk und intensiver elektronik-disco. inspirieren lie§ sich vibert zum teil von der legendŠren ep -black devil disco club- von bernard fevre aus dem jahr 1978, die seitdem viele musiker beeinflusst hat. schaut man sich die trackliste mit titeln wie treacle tits und -discuntek an, erkennt man zwar eine portion kauzigen humors, doch sollte das nicht zur fehlannahme verleiten, vibert wŸrde seinen job nicht ernst nehmen. im gegenteil: 4, das auf cd und als trippel-lp erscheint, ist ein technicolor-schwenk durch die welt des modernen wohlfŸhl-funk, basierend auf einer unmenge an material, lustvoller programmierung und fetten bŠssen. der sommer kann kommen.

essential- ist ein album, das ursprŸnglich fŸr pete tongs bbc radio 1 essential mix im mai 2017 im soulwax eigenen studio deewee in gent aufgenommen wurde und in weniger als zwei wochen entstand. seit der grŸndung von soulwax im jahr 1995 sind die dewaele brŸder stets neue und kreative wege gegangen. im vergangenen jahr haben sie nicht nur den soundtrack fŸr -cafŽ belgica- geschrieben und sŠmtliche auftretenden bands erfunden und produziert, sondern waren auch weltweit mit 2manydjs unterwegs. mit deewee betreiben sie ihr eigenes record label und studio, veršffentlichten als radio soulwax online diverse mixe, arbeiteten mit james murphy (lcd soundsystem) unter dem projektnamen despacio zusammen und hosteten auf beats 1 ihre eigene radiosendung 2x2 - nicht zu vergessen die innovativen remixe fŸr acts wie warpaint, tame impala, metronomy, arcade fire, daft punk, gossip, hot chip, mgmt und viele mehr.

nach bescheidenen, ersten acid-house-sets in der legendŠren hacienda bis zu dj-residenzen in weltberŸhmten superclubs, nach einer umfangreichen diskografie mit studioalben, mixsamplern und remixes (darunter fŸr madonna und the chemical brothers), nach grammy-nominierung, eigenem studio in new york und eigenem label (last night on earth), kršnt der britische dj/produzent sasha seine karriere nun (vorlŠufig) mit einer fabric-ausgabe. mit klassikern von carl craig, mathew johnson und exercise one und jŸngeren juwelen von dj koze, dj hell und objekt beweist sasha einmal mehr seine fŠhigkeiten, broken beats und ambient-trips komfortabel neben dub-techno und euphorischem house zu platzieren.

der sommer naht und mit ihm die gro§en goa festivals und partys. waldfrieden wonderland, voov festival, alice im wummerland oder psychedelic experience und psychedelic circus sind immer ausverkauft und auch kleinere partys finden seit jahren regelmŠ§ig statt. hier kann man zu den beats von progressive trance und psytrance feiern und tanzen und den goa-spirit zelebrieren. goa summer festival 2018 bringt in einem energiegeladenen dj-mix den spirit der festivals und parties direkt zu den fans des genres.

it s been around three years since jpattersson opened up a whole new horizon of formerly unheard possibilities between the worlds of dub and techno. a lot has been happening ever since, and thatÕs very noticeable on his second album. it still has all the signature elements of jpattersson: there s his dreamy, virtuous trumpet play and his witty vocals, there s his dubby delays and heavyweight beats which often line up in a downbeat rhythm. however, besides his fanfares there s now also many folks, many musical friends who contribute to the vibe of this album. there s a track with berlin mc longfingah, latin-flavoured rhythms from polish reggae and dancehall producer dreadsquad as well as a stylistically wide range of remixes that reflect the symbiotic cooperation and mutual inspiration of these last years.

detroit love are proud to present the inaugural release on their newly founded eponymous imprint Ð a collaborative venture from planet e and !k7 which aims to capture the essence of carl craigÕs superb event series of the same name. detroit love mixed by stacey pullen is a sixteen track journey that exemplifies the diversity of the city, as well as the essence of the parties, championing

die rohe essenz globaler clubmusik: transkulturelle kollaborationen zwischen 90 und 130 bpm.
nach -they made us do it- von 2011 ist -lost on earth- das dritte studioalbum von andi und hannes teichmann. man kennt die beiden exilbayern nicht nur seit den spŠten neunzigern als nimmermŸde djs der berliner technolandschaft (berghain, panorama bar, wmf, watergate, bar 25), sondern auch durch workshops, konzerte und projekte in Ÿber 60 lŠndern - reine clubmusik zu produzieren war den zwei brŸdern nie genug. unter anderem initiierten sie mit dem goethe institut die vielbeachteten projekte blnrb (nairobi/berlin) sowie ten cities, das afrikanische und europŠische szenen verband. zuletzt machten die umtriebigen wanderer zwischen den welten durch ihr kollaborationsgro§projekt -karachi files- auf sich aufmerksam. -lost on earth- wurde in zimbabwe, mexiko, nigeria, kenia und berlin mit gŠsten wie abe duque (nyc), mc psychotek (bulawayo), wura samba (lagos), santiago rodrigues & signal deluxe (mexico city), sasha perera (berlin), max turner (noland) und dem kunstkollektiv masai mbili aufgenommen. es enthŠlt elektronische stŸcke, die zwischen 90 und 130 beats per minute angesiedelt sind und mit gerader vierviertel, hip-hop und spirituellen afrikanischen sounds die rohe essenz globaler clubmusik einfangen. -lost on earth- erscheint auf dem familieneigenen label noland.

3 cd compilation. essetial 12inch and extended mixes of 80s groove classics! incl. grandmaster fash, midnight star, raze, fatback band, the whispers and more

scuba continues his uncompromising scb moniker with caibu, a twelve track lp of cerebral techno, darkened disco and broken beats. paul roses career has enjoyed a unique trajectory that affords his reputation as one of the scenes most forward-thinking artists, label heads and promoters. always the risk taker, his hotflush imprint is credited as a key force behind the evolution of bass music, whilst his ground-breaking booking policy for the sub:stance night at berghain opened up one of the worlds most revered venues to new sounds and musical possibility. today he continues to challenge the status quo of electronic music through a packed touring schedule, various artistic projects of his own and a weekly radio show platforming new material. caibu is his first album as scb and incorporates material from the below the line and Ôold media new society eps of last year. preceding the release, a third ep - engineered morality - continuing to explore the fictional narrative in which a climate-related disaster corrupts a hypothetical timeline. the title of the album itself refers to an imagined surgical procedure where cognitive ability is augmented through transplant from one brain to another. as such, caibu and its accompanying eps invite the listener to forge their own ideas on the development of society in the context of crisis. within this dystopic setting, caibu draws strength from introspection. at times trapped in a pressurized container, at others floating through vast spaces, scb merges subdued hypnotism, syncopated basslines and visceral ambience to find his centre.

for over a decade, defected miami mix albums have brought together the best new underground house music, championing upcoming talent and highlighting material from established artists. defected miami 2018 continues the tradition of forecasting the records that will soundtrack the miami winter music conference and go on to remain playlist fixtures for tastemaker djs throughout the summer. diving right in with the sunshine-ready beats, riton & kah-lo fake i.d., the collaborators follow-up to their grammy nominated rinse & repeat, sets the tone for the opening quarter, maintaining the high energy through to first lady sam divines joint effort with cassimm, what god has chosen. it wouldnt be a miami album without some soaring vocals, delivered by kandace springs on the latest kings of tomorrow anthem ÔfadedÕ (sandy rivera classic mix) and by the gospel-powered dames brown on sophie lloyds calling out. more direct club-focussed highlights include rapson featuring nathan thomas heat (scott diaz remix) and claptone featuring ben duffy in the night, taken from the berlin hit makers forthcoming album fantast. mella dees future hit techno disco tool provides jumping tech with a cheeky disco nod while the glorious new york-styled the people by eli escobar off his acclaimed album shout ensures that the album takes a trip through the full house spectrum. spread across two expertly constructed mixes, defected miami 2018 is an essential collection that brings the florida vibes to wherever you may be.

shakarchi & stranŽus inhabit a secret place in the universe of music, one existing at the intersection of scandinavian poplands, hisingen forest raves and outernational placelessness. faik shakarchi and daniel stranŽus famously started making beats together in the gothenburg tapas-joint coat check where they both worked as clerks. their now 10 years old friendship is the story of legends, their sparse vinyl output the secret love of deep house 12 enthusiasts round the globe the warm, vibrant sounds found on those records a stark contrast to the stripped-down effectiveness of their marathon dj sets, frequently heard within the more nefarious examples of gbg nightlife.

oltrarno raw presents electric anthillman, a nervous flickering berlin-based band who play fast weird disco funk-new wave from outer space ... have fun!

its that time of year when thoughts turn to lazy afternoons down the beach, early evenings sat watching white isle sunsets and sticky nights of loved-up debauchery. in other words, it s the perfect time to dive into the latest volume in the consistet balearic compilation series. there s naturally much to admire in the now-familiar cafe del mar/cafe mambo style, from the horizontal, flute-laden samba shuffle of the madrigals the ride to the moon and shay lovers exceedingly drowsy black & white, to the warm chords and head-nodding beats of steve cobby s remix of tradewinds by penelope antena, and tropical exuberance of maajos musa paradisa. best of all, though, is mudd s impeccable mix for emma of zee erf s blissful cover of southern freeez, which is one of the most stunning tracks you ll hear all year.

kuf create emotion-laden dialogues across layers of time and dimensions of sound. voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. glowing synths push forward. basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio sessions deep flowÉ a vortex of quirky hands, responsive ears and glowing circuits. since thomas a. edison first recorded the human voice in 1877, the recording arts have changed music forever. musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. an era of sampling offered a cubistic analysis of the recorded past and djs took dancers onto intricately fractured time travels. this is the historic foundation that kuf keep probing. just like the sampler and the dj before them, they found new ways to re-allocate where machine and man stand when making music together. most importantly, they turn the resulting friction into sparkling bursts of energy. Ôuniverse digs deeper into the android vocal chords. the album offers sweeping melodies, different beats and persistent bass. immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during berlin lichtenberg warehouse rehearsals. by striking the keys, kuf squeeze out and serve up all the soul accumulated in those savory phonetic shreds.

the night is what makes a big city come to life. right after sundown, the hectic buzzing of downtown makes way for adventure playgrounds, bathed in neon light, revealing their countless chances and opportunities. its when youll find the subway spitting out its purpose seeking passengers by the minute. a coming and going of restless people passing through. all it takes is a few hours, before the sunrise makes it all disappear. mental bend captures the magic of that very moment in their dreamy soundtracks. if you close your eyes, you can see blurry pictures passing in slow motion, accompanied by their atmospheric songs. grainy black and white snapshots, fragments of memories lighting up somewhere in the farthest corner of the cortex. one step is the berlin-based indietronica duos visually vivid debut album, released on enfant fenou. mental bend are all about letting go. sissip (voc/synth/bass) and hendrik havekost (beats/production) know how to trust their instincts, crafting their hypnotic signature sound, somewhere in between electronica, ambient and dream pop. before founding the band in 2013, the two were already shaping their skills in all kinds of different formations and styles of music. as soon as they got together, they had a viral mini hit with their song take my hand, praised on various tastemaker blogs and generating over 100.000 likes on soundcloud in no time. the bands first long play record one step is all about important experiences and decisions, small as well as big steps, all a part of making progress, which in the end can even be life changing. it was a step, that recently got mental bend their record deal on mos ferrys sub label enfant fenou

hot off the heels of the beautiful obsolete machines lp released this month, radiuss cassette demo restoration project returns to form with the interpolation tapes series. the original source tapes had aged, warped and degraded and as a result we ve preserved the best segments, sampled and reprocessed with a vintage prophet 2000 sampler, studio 440 and various linn samplers to add depth and range to the original source material. we ve spent nearly an entire year restoring and interpolating over 100 hours of music, processing sound and redesigning the blueprints of this long forgotten project. every track was originally recorded down to an old tascam 688, an 8 track cassette recorder purchased and abused since 1992 and to our ears still sounds quite impressive even by modern standards. we ve had nearly every component replaced and re-calibrated to bring this obsolete machine back to life. it s been a truly nostalgic experience re-visiting and re-arranging these masters, regardless of the time passed, there s so much depth in sound design, raw emotions and when considering the limitations of hardware in the era these were recorded, they ve truly aged like a fine wine. we hope you enjoy this magical time in music, as we are very inspired by all that was happening in those years, theres undeniably something in the air, a mystifying energy, long may it live on.

raw, distorted and naive techno tracks by spanish producer primitivo. this sounds like industrial gabber eaten to the bone by a bunch of industrial zombies.

zwei jahre lang hat der in san francisco beheimatete produzent giraffage in seinem schlafzimmer an seinem debŸtalbum gewerkelt, das von seiner persšnlichen reise der selbstheilung erzŠhlt, bei dem jeder song eine andere periode in seinem leben reprŠsentiert. kaleidoskopische beats und vertrŠumte synth-pop- und r&b-melodien umrahmen das neue werk, bei dem japanese breakfast, body language s angelica bess und viele andere mitgewirkt haben. der sohn zweier taiwanesischer einwanderer ist schon frŸh zur musik gekommen - einer deutlichen abweichung der sonstigen kulturellen erwartungen innerhalb seiner familie. doch schnell schaffte er mit ganz speziellen remixen seiner r&b-lieblingslieder, die im internet regelrecht explodierten, den aufstieg vom regional bekannten act, der blo§ in kleinen auskennerblogs beachtung fand, hin auf die bŸhnen der weltweit grš§ten festivals.

the fourth installment of the escapism is here. featuring sixteen tracks by artists like flite, monrroe, nymfo, and many more.

recording and touring together on and off for several years now, sonic journeyman dj vadim and californian songwriter katrina blackstone unveil their long awaited full-length album Ôdouble sidedÕ, released on bbe music. after providing a pair of stellar guest appearances on vadim s 2014 dubcatcher album, katrina blackstone joined vad on tour and the duo have been steadily laying down tracks ever since. eschewing samples in favour of drum machines, guitars and a dizzying array of synths, vadim s compositions on Ôdouble sidedÕ range from dubby downtempo grooves to upbeat afroboogie business. katrina s crystal clear vocals, catchy melodies and highly relatable lyrics provide the perfect foil for vadim s raw productions.

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by Ò120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. Ò120 bpmÓ is a get-together moment through clubbing, this moment where fears are forgotten by dancing with oneÕs friends, what we called Òthe chosen familyÓ at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campilloÕs previous film, Òeastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the filmÕs power and the aids theme.

cd jewel-box with 12 pages stapled booklet. keziah jones (born olufemi sanyaolu on 10 january 1968) is a nigerian singer-songwriter and guitarist. he describes his musical style as blufunk, which is a fusion between raw blues elements and hard, edgy funk rhythms. also his nigerian roots in yoruba music and soul music can be considered a major influence on his sound. he is known for his distinctive style of guitar playing, including his percussive right-hand technique which is similar to a bass guitaristÕs slapping technique. his music blends sounds and influences from many sources, including fela kuti, miles davis or jimi hendrix.

mit seinem fŸnften album auratones wendet sich der detroiter dub-techno-produzent deepchord wieder dem technoiden sound zu und liefert 12 erstklassige neue tracks, deep, organisch und cineastisch, auf denen unterirdische bŠsse, abgefangene alien mitteilungen und verkŸrzte beats den hšrer wie sanfte wellen am strand Ÿberrollen. auratones wurde im sommer 2016 in barcelona aufgenommen und anfang 2017 in port huron, michigan abgemischt und finalisiert.

fee fire ist der neue film von ben wheatley (high rise, sightseers,kill list, down terrrace) mit brie larson und cillian murphy in den hauptrollen und martin scorsese als ausfŸhrendem produzenten. der titel bezieht sich auf den epischen shoot-out in diesem coolen 70er jahre gangster-movie. der score stammt von geoff barrow (portishead, beak) und ben salisbury. das album enthŠlt zudem dialoge aus dem film und lizensierte stŸcke von kŸnstlern wie the real kids, creedence clearwater revival und john denver. cd wie doppel-lp enthalten eine zusŠtzliche download card, die nicht nur die stŸcke des albums sondern auch zusŠtzliches material enthalten. die doppel-lp (140g) erscheint in einem gatefold-sleeve, das vinyl ist silberfarben

on limited edition compact disc. no. the disorganisation founded by atomª + material object in 2013 to advance the cause of faceless audio output by no. one in particular are cataloging their 3rd year of existence with no. iii no. iii continues the centuries long tradition, invented by the label masterminds in 2013, of remixing the very concept of a ÔcompilationÕ by slicing, remixing, autotuning and youtubing the entire year of the labelÕs output into the blender for a completely new cocktail that goes beyond merely re-packaging previously released product. although 2016 was a relatively light year for no. in terms of hours of audio output, a famous german philosopher once wrote Ôa samuraiÕs life is not measured in lengthÕ and the mix features two previously unreleased works by the label owners: Ôstill d/aÕ by atomª and ÔiiiÕ by material object. no. iii successfully represents the material released on the label between may 2016 - may 2017 as well as some now declassified transcripts of past communications and unreleased excerpts from future efforts, stitched together with frankensteinian precision and brought to life on the operating table with a blast of atomic energy

hier kommt die neue -beso beach 2017- ausgabe, benannt nach dem gleichnamigen club auf der baleareninsel formentera. resident-dj jordi ruz prŠsentiert zwei wohltemperierte sets: eine chill-selektion auf cd1 und eine deep-variante auf cd2. mit knapp 40 groovy-entspannten tracks von jan blomqvist, m…we, dirtcaps, dropout, autograf, frank pole, goldfish, armin van buuren, sander kleinenberg, u.v.a.

* back with the heat, chicago native dj jana rush kicks off objects limitedÕs 2017 with her debut album ÔpariahÕ. jana rush received attention for her mind-bending drum acrobatics on last year s Ômpc 7635Õ ep also released by objects ltd. jana started djing aged just 13, releasing her first record on dance mania back in 1996 but having a hiatus from music between 2000 to 2013. with ÔpariahÕ she has created an album rooted in chicago s footwork sound, but with a myriad of influences, such as jungle, acid, soul, jazz and house, developing her sound on from Ômpc 7635Õ. * we kick off with Ômidline shiftÕ whose breathy, clipped erotic vocals intertwine with a pulsing bass and dry 808 rims creating a shimmering robotic effect. moving on, the frantic Ôbeat mazeÕ confuses the mind with white noise rushes and interlocking snares. changing the scene, ÔdivineÕ is sweetly soporific and charming, a beautiful, almost eerie track. the pace picks right back up with Ô??? ??Õ, whose warbling jazz clarinets cut into a juke bounce. the stripped back beats of Ôbreak itÕ give one room to breathe before the croaking bass and distorted acid of Ôno fuks givenÕ. Ôold skoolÕ is exactly what you d expect, its sample syncopated around a feverish rhythm throughout. both Ôrapid fire and Ôacid tech 2Õ are bangers, hitting you deep in that sweet spot. jana brings it back down with ÕcpuÕ s computer noises and sub bass hits. Ôchill modeÕ gives time for reflection after all that fire, but its no ambient track, theres still that chi-town vibe. we finish with Ôfrenetic snareÕ whose amen breaks will have brits thinking of jungle, but it s a different beast altogether

3cd compilation - a best of and exclusives from belgiums freshest house label. 10 years anniversary of we play house recordings