House music broke through in 1987, at the same time when AIDS arrived in France with the first contamination peak in gay and drug addict circles. In 1989, the founders of Act-Up Paris knew that both the fight against AIDS and triumphant house music should be joined together. From 1992 to 1995, the period covered by Ò120 BPM-, house reached its most beautiful plateau even though techno was becoming dominant. Ò120 BPMÓ is a get-together moment through clubbing, this moment where fears are forgotten by dancing with oneÕs friends, what we called Òthe chosen familyÓ at Act-Up. Boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. This is their activist recess. Arnaud Rebotini, composing the soundtrack of Robin CampilloÕs previous film, ÒEastern Boys-, is a recognized DJ, a composer and a kind man, which is for me the most important quality. Here, his work is marked by restraint of his love for house and after techno. I believe he deliberately withdrew himself in relation to the filmÕs power and the AIDS theme.
