limited to 250 hand-numbered copies on transparent red coloured vinyl!
killekill welcomes a new duo on board. skew and satirist are not newcomers. nor are they a well-guarded techno secret. but for this initial outing they want the music to come first. both artists have a background in sonic and technological innovation and have started this project for their left-of-centre techno manoeuvres. berlin s killekill is the natural launching-pad. the ep visits idm-dipped dark techno, a track built around a malfunctioning feedback matrix and a wide-angle, subtly melodic adventure

publicist is longtime producer/performer/musician sebastian thomson. his tracks approach house music from a darker angle, adding processed vocals and noise to a raw foundation that also takes cues from new beat, acid house, and detroit techno. when performing live publicist sequences the synths and not the drums, preferring to play an electronically treated drum kit in the middle of the dance floor. this adds an element of sweat, excitement and virtuosity not found in most electronic producer s live performances. sebastian thomson is also known as a founding member of post rock pioneers trans am and as the drummer of heavy metal innovators baroness. living in brooklyn by way of buenos aires, washington dc and london, publicist has spent the last four years touring europe extensively.

killekill welcomes a new duo on board. skew and satirist are not newcomers. nor are they a well-guarded techno secret. but for this initial outing they want the music to come first. both artists have a background in sonic and technological innovation and have started this project for their left-of-centre techno manoeuvres. berlin s killekill is the natural launching-pad. the ep visits idm-dipped dark techno, a track built around a malfunctioning feedback matrix and a wide-angle, subtly melodic adventure

in contrast to his *heart* release, scrases *another* ep provides a dark and twisted journey down more alien avenues - the streaming melodies & warm atmospheres of the previous ep supplanted by arcane wooden rhythms and mechanised bass movements. *another* delivers a slab of crawling, warehouse-weight with an eastern flavour, *movon* provides a minimal take on uk bass music fine-tuned to devastating effect. the three percussive tracks littered throughout the release explore a very different angle, combining dusty wooden rhythms with dread-filled tones and complex manipulations, lending the diverse collection of tracks a strong ritualistic feeling, topped off with a brooding remix of the title track by the ever consistent irish techno duo lakker.

this is for those with hard heads, black lungs, and scarred hearts. it is for the dreamers who construct darts on loose-leaf and those revolting against corporate life and casual fridays. it is castles return of the gasface, released on mello music group, remixed by has-lo with a new track and revamped verses. the new record tilts at a different angle, but the beats still bludgeon without sacrificing soul. the raps are rugged yet introspective. the north carolina natives voice is grizzled and shot through with the fatigue that comes from late nights, cigarettes and coffee. has-los beats coax a deeper melancholy out of castles hymns.

his eclectic background provides him with a fresh angle on classic techno, pushing the envelope for the genre in a manner we love..early support from laurent garnier, angel molina, samuel l sessions, pfirter and dj deep.

fifth label compilation with four proper deep house / house music tracks

having fully devoted the better part of 2 decades tearing music apart from every conceivable angle and putting it back together as only he can, the wanderer also known as jerome has constructed some of the tuffest house abstractions using only what will fit in the backseat of his 81 rabbit.

yukazu, a band formed by lenuschka krueger and mike hermann, look to combine the charm of french chanson with gypsy balkan groove. the band was completed with the addition of rafaele castiglione who united the group like a kindred musical spirit. he reworked each track affectionately, telling his side of the story so you can look at it from a different angle.

following a slew of acclaimed releases on left blank and tri angle, as well an album with the much lauded young echo collective, vessel debuts on the burgeoning liberation technologies imprint with three diverse cuts of inimitable off-kilter electronics. *misery is a communicable disease* serves as a euphoric opener, primed for moments of escapism on or off the dancefloor with resonant hats and an exultant synth line laid bare upon a bed of gauzy pads and valve-warmed kicks. vmi is a different beast altogether, channeling the visceral spirit of minimal wave and punk aesthetic to create a sordid call to arms before the frenzied acid and lingering menace of *not for design* closes the record in typically deranged fashion.

samuli kemppi played live twice at suicide circus, and since his energetic sound really fit well with our club, we started talking to each other about a release on our dark series imprint. so here we go now, after releases on labels such as prologue, mote evolver and perc trax, samuli kemppi now is ready to rock your boat with three tracks on our label, which define a very particular sound of their own. last day on earth brings samulis apocalyptic vision to the dancefloors. dark hisses, well scaped spaces and a hookline with the pull of a spacecraft make up for a track that with no doubt will be one of the techno anthems of the next months. a killer of a track! on the b-side spacing has similar sound aesthetics as last day on earth, but comes along more playful whereas calling approaches the apocalyptic theme from a very different angle. bleepy synths over a banging beat let you think of laser shots in the dark, haunting and scary.

balkan tribe, the two traveller sounds thorugh the angle of an unknown tchek artists wishing to keep his music anonymous. underground cirkus sound! hide your chickens away... because we might be intown some day!

without your love is the long awaited debut lp from ooooo. the lp further develops - in sometimes very unexpected ways - the sounds ooooo has become known for through previous releases with tri angle records. the lp will be the first release from ooooos own label nihjgt feelings.

xhin returns to token with new savagery. early support from untold, norman nodge, rrose & dave clarke.

pragues visky recordings continues to present to you high quality music from its fellow producers, this time from the essen based and highly with talent gifted producer kai von glasow. you might know him from his past releases on terpsiton or mild pitch. the solid roots ep features three deep and diverse tracks including the interpretation of solid angle by the moscows hero anton zap. play it loud!

vs take on house music comes at the listener from an outsiders perspective, as his native ukraine traditionally hasnt been a hotbed of this genre. consequently, his new album on nuearth kitchen, 13th district, hits your ears at an odd angle, as v (aka vakula, aka mikhaylo vityk) bends somewhat familiar tropes into fascinating, fresh shapes. clearly enamored of american funk, soul, and jazz, v recalibrates these familiar elements—the amino acids of house—into dream-logic, hypnotic scenarios that accentuate their visceral and cerebral qualities.

brand new from mindset records, biome steps up with a surprising release considering his strong affiliation with the dungeon step sound, here we see him unleash 3 techno influenced tracks on indigos manchester based label, a new angle for biome and on the strength of this release i’m sure well see many more productions from him on this tip.

the alfur ep is the second in the trilogy of records written by individual members of the old apparatus collective, which will be released in three month-by-month instalments.
alfur, produced by a. levitas, offers a view of the rusted old apparatus universe from another angle, a suite of songs that weave together deep feeling and influence into a complex and very listenable ep, built for deep listening at loud volumes. alfur is a mystical, deeply atmospheric five track set, recalling the spooked ambience of third eye foundation and earlier tricky material, with gauzy layers filtered through electronica and hip hop’s modern digital mechanics.

as the range, james hinton has released previously on astro nautico, alongside other such rhythmic alchemists as obey city (now signed to lucky me), time wharp and howse (now signed to tri angle) as well as appearing on remix duties for kuhn on the london based civil music label. outside of this moniker he released >cower<, a full length under the alias stegosaurus, on his own sqwal recordings imprint.
operating out of providence ri, james hinton fuses snapshots of global electronic music into a heady brew of deep sub bass, rattling footwork drums, juiced up junglism and dirty south rap beats. here we present the five track >disk< release, bristling with frenetic energy, complex percussion and cerebral melodies – >disk< is as suitable for the home as it is for the club and marks the latest evolution of the range sound.

vessel returns to left_blank with 3 tracks of mind bending house & techno for the labels 5th release. after inaugurating the label almost a year ago with his critically acclaimed nylon sunset ep, vessel aka sebastian gainsborough went on to release a sold out split cassette with fellow left_blanker el kid, and a stunning digital only set for a future without. as a result of this the all conquering tri angle records snapped him up in early 2012 to release his debut album. this eps title track standard spans the length of the a-side: 5 minutes of low-slung, smacked out death disco, coming over like john carpenter meets newworldaquarium, pure valium vibes. merge on the b-side is positively sprightly in comparison, all rattling and metallic before a drop at the halfway point brings a welcome dose of detroit influenced machine funk. zero closes the ep in abstraction, whirring and stumbling along while showcasing sebs intricate sound design, a teasing glimpse at what is in store for his album later in the year.

limited to 300 copies. available only on vinyl.
for the fourth ep on austere, irelands slowburn are welcomed into the fold. having impressed us with releases on uzuri and elektrosouls this ep will not disappoint fans of the label to kick things off we have the the hustle which sounds like something that prescription forgot to release back in the day! next up is broken document which delivers lovely warm analogue chords and pads interlaced with an 808 groove. the b-side starts off with do it using various samples to great effect to culminate in a unique deep house sound. finishing things off in much the same territory is from another angle which again brings the warm chords and pads, but also brings to the table some really delicate synth lines to create a surreal effect.

if you have heard daniel martin-mccormicks name recently, it would probably have been either in association with his disco/punk/echo band mi ami, or as sex worker on the not not fun label, or finally as ital on nnfs sister label 100% silk, recording quite different sounding house music to this album. raised in washington dc, daniel has a history in the citys hardcore scene, he was in the dischord records signed black eyes, but was also making dance inspired tracks at the same period, but coming from a very different angle from your average guy with a copy of logic and a working knowledge of dance musics history.
double 12 inch vinyl, including code for free download of this release.

next up on nang we-re honoured to introduce -2am- the new ep by sheffield scenester producers hiem along with another of the cities finest fellows- phil oakey of the human league. the original track is a synth pop powerhouse about those twilight club nights that you never wanted to end- complete with a epic guitar solo- computer blips and glistening synth rushes. oakey is as accomplished as ever- bringing his signature tones to full effect and it-s nothing short of sensational. to accompany- we-ve enlisted the skills of four producers to give us some cracking remixes. fernando and toomy disco are first up- and they ramp up the tempo and vibe for a loose -n- live rework that-s perfect for the dance floor. hiem themselves give it a go with his -1984 rework- bringing 80-s power drums- van halen solos and some atmospheric subtleties to the table. nang-s italian uber-cool-cat brioski steps up next giving us the italian angle with a brilliant walking bassline and luscious wide mix. the heels of love bring us frivolous percussion and stomping disco beats layered between emosh pads and slick keys. ace. to finish- our good friends free school take things down a notch for a beautiful leftfield excursion that only they could pull off.

psych-y, droning disco aces from birminghams free school duo, backed with mark e and nutaike remixes. coming from a similar angle as caribou or four tet, >unravelling after the lottery< layers droning, almost noisy synths over bass-loaded kicks in a trippy cosmic disco miasmah sure to shock the dance.
mark es remix tames the drones for a more heads-down, molasses jacker arranged with his hypnotic evolutions.

winter is here meaning cold snaps, gritters, snowmen and of course, fina 006. the new record takes a different angle than previous releases, enlisting a few friends and local leeds gents to bring a cool little french-filtered number to the fina repertoire.

new release from label head honcho jakes featuring the one and only beezy whos nutty vocal style is adding a psychopathic new angle to alot of dubstep tracks right now. this is signature jakes to the core, coki-esque wobbles, psychedelic melodies and rip-rawing bass, been a wee while since we have been graced with new jakes material so dont sleep on these 12 inch badbwoys!

fina has been soaking up the sunshine over the past few weeks procrastinating over the best time to release its next summer cut. with global warming rubbing everyone up the right way, we feel now is as good a time as any to drop fina 004. originally from south africa, esa mervin granger may now be more glasgow concrete towers than table top mountain but his grooves are pure house pedigree. from his releases under his mervin granger moniker to exclusive remixes for ooft! the cape town cat was a natural choice for a very >summer< shuffling three track jaunt.title track veloore is immediately recognisable from its soft analogue piano chords, amalgamated with a dreamy filtered vocal and a bass line which nods to the acidic side of deep house. on the remix is erefaan pearce, a fellow south african who pins soul to every production he lays his hands on. reworking vocals and bass lines into an infectious frenzy that is almost impossible to resist, erefaan draws that sunshine feeling from every angle. think las salinas and you are nearly there. completing the ep on the flipside is galaxy, a deep vocal number paying homage to all the lazy dogs. cosmic deep house aimed purely at the terrace. fina records 004: we present… esa

the second serving from schmorgasbord brings together two relatively disparate and unrelated artists, but who both share a uniquely twisted approach to making music. s-max has been doing his thing for some time, running legendary home all things bizarre in house and techno, boogizm, and releasing a special kind of groove on labels such as telegraph, 7th city and karloff. his original track, >ms. rosen dub<, swaggers and sways with the spirit of classic yorkshire bleeps and bass. the groove is house, but the spirit of adventure is most definitely techno. his remix of spatials >corti< takes a very different approach, taking a rolling, jungle-like approach to dubstep and nailing it to the groove with stabbing bass notes. spatial leapt onto the bass music radar late 2008 with his shadowy infrasonics imprint, and quickly snapped heads with his crisp, refined approach to 2-step rhythms. since then he’s done things on his own terms, only releasing for himself and mutating his sound over a series of 10 inches. >corti< perfectly demonstrates spatials unconventional tendencies, lurching and buckling around a perfectly honed splatter of beats, off-centre synths and delirious vocal snippets. meanwhile on his remix of s-max, spatial flips the script once again with a stomping, swung techno angle that hammers the original into an uptempo, fist-pumping banger.

the first immerse release of 2011 sees the label taking on a fresh approach while retaining the same atmospherics that have made it an essential fixture in the bristol music canon. outboxx are made up of jacob martin and matt lambert, and their sound is rooted in groovy, analogue house music. with an emphasis on jamming, theres a loose, live feel to these tracks that has an instant appeal but drags you deeper with each listen. >kate libby< kicks off on a swung beat and warm pads, before dropping down to p-funk bass and sparse synth flourishes. >berties groove< places jazzy rhodes playing at the front of the mix with a classic drum machine workout ticking away in the background. this is soulful, authentic house music with not a clinical midi pattern in earshot. despite coming from a different angle, the outboxx tracks slip neatly into the immerse legacy thus far, pointing the way for a year filled with more of the spacious, haunting club music the label has become renowned for.

up next on balans is a brazilian old school house & techno talent extraordinaire. he operates under the monniker betek and has only one release on black stripe under his belt so far. this is about to change, because he will be a regular on the imprint from now on.
hailing from beautiful rio de janeiro, you might not expect an artist who is dedicated to old school roland drumcomputers and bassline machines. betek clearly has a big love for the edm past, but takes it well into the new millennium with a fresh angle.
you can expect more of betek this year!

satyr - roadrunner liebedetail welcomes new artist satyr, who will remain anonymous for the time being, yet we assure you he is a figure embedded deep with the scene, producing and djing worldwide for the last 8 years. this new creative angle does as his teasing artist bio promises, stay true to his acid house roots, and roadrunner is a fittingly excitable, frenetic synthesiser trip that rises and climbs with great intensity and clarity of sound. wareika - rumba swing the trio of wareika return with rumba swing, their second outing on the label. perfectly jazz infected, with of course a healthy measure of that rhumba timing, this lazy, psychedelic journey track meanders through lush fields of guitar improvisations, tumbling drums, piano refrains and eerie pitching elements, all neatly strung together with wareikas impeccable production.

bergerac is the new record label set up by uk producer and dj red rack’em (aka danny berman) to showcase the more dancefloor end of his music productions. danny is well known for his wonky disco outings as hot coins on tirk and also his deep as hell beatdown house on untracked. his style of production and djing have recently taken a slightly more banging angle due to the influence of larger scale festival gigs such as glastonbury, snowbombing and the big chill. so it seemed like the perfect time to start a label focussing on house and techno for the more discerning dancefloor. the label artwork will feature bespoke illustrations from german artist silke eiselt of all the houses danny has lived in chronologically. how much more fucking house can you get than that? how i program is a raw, heads down, whacked out banger, which straddles the wafer thin divide between house and techno with aplomb. with a massive loud donking bass noise, seedy late night atmosphere and danny shouting about how he programs his shit - this is some freaky deaky peak time business. next up is bonn, a warm crackly rhodes driven halcyon house moment, which evokes the slightly majestic and nostalgic vibe of people dancing alone together in a hot room at the end of the night. cheering sourced directly from bonn in 1982 mixes with naive keywork and distant female chants the first bergerac ep closes with it happens to us all, which could be an ode to prematurely greying men, the onset of senility or occasional farting in public places. its definitely a prime slice of wrong house with some seriously french hi hats and dubbed out bassline action though. yes, its more syncopated than an exploding castanet factory but thats how we like that kind of funk

spaced out breaks anthem!! includes new school wrecked angle remix!

the sunshine coast?s resident electronic maverick, milanese is back on with his heavy-as-fuck 2nd album on the mighty planet mu, and a snapshot of the continued evolution of his unique, fresh angle on streetwise uk bass music.
having pioneered the heavy, dark and twisted experimental dubstep sound with his previous releases on warp, combat, mg77, arcola, seed and planet mu, this new lp sees a shift towards collaboration. with strong vocal artists like ben sharpa (pioneer unit, cape town) and rqm (al haca, vienna), who deliver interesting lyrics in a unique style, melded perfectly with milanese?s own fat swerving basslines, solid drums full of attitude and odd, mangled samples.
melting dubstep?s earth shaking frequencies with hip hop & grime vocals and hard edged timbaland influenced drums and percussion, the result defies categorization: neither dubstep, grime, hip hop nor idm - you could call it a mashup of all these, but it?s more accurate to say it sounds like streetwise bass music for the year 3000. incredibly strange beats and sounds but keeping the funk, fury and bounce 100% on lockdown.
challenging, menacing and forward thinking like his previous releases 1up on warp (2004) and extend on planet mu (2006), its also 31 year old steve milanese?s most dancefloor record yet.

the first release for 2009 on universal vibes welcomes new artist keep the secrets. after a long history of musical trial and error, john renfrow and deric jones decided that it was time to take a different direction in their musical vision. it started two years ago with a simple beat and a slow jazz guitar, and soon developed into an eclectic fusion of musical expression. each note ebbs and flows with hints of many different styles and genres. both members of keep the secrets have found level ground in creating a sound that ambitiously exceeds the musical standards of today, and have vowed to honor their dreams by releasing songs that they love. with a definite balearic vibe running throughout, they compliment the uv vibe perfectly while adding a new stylistic angle. label head paddy freeform provides two edits which stretch the tracks out into dancefloor heaven.

dual shaman sind ein sehr talentiertes duo aus rumaenien, welche zuvor auf wolfskuil und wide angle rec. fuer aufsehen gesogrt haben. inkl. remixe von tigerskin und taras van de voorde. auf 400 stk. limitiert

fresh from their debut on warm-up recordings, counterpart unleashes the next monster on audio sculpture. solid techno with a serious angle. perfectly sculptured beats with an unresistable drive and harmonic soundscapes that will make you beg for more! definitely a must-have for all the lovers off serious driving techno in the style of surgeon, advent etc..

jim rivers s mishift records returns with another storming release.. this time in the form of >vapour< and >haze< to equally different beats. >vapour< opts for a powerful main room angle, with 80 s synths and pulsing bassline, while >haze< takes things deeper, techy and very cool. essential stuff

well known dnb artist with finest minimal trax!! but than there is always room for input from a different angle! the label is simply pushing quality music, wherever its coming from. therefore luxaflex presents a known dnb player who goes by the name of sunchase, but who turns out to be an extremely talented minimal/techno producer with a very pleasant and distinct sound!

>life is the only drug i wont ever give up<. this is probably the most life-affirming claim ever forwarded by ware- labelboss matthias schaffhäuser and its made to fit the party. and as hes being the guest on a very special label hes going all the way. totally in accordance with the wir-label-philosophy, the title track shows off lots of modern producing skills, never sticking to just one rigid idea but coming along with a whole bunch of attitudes. pop-induced vocals are artfully woven into minimal beats, housy strokes meet sound concrète, and the whole combines to one neverending track, leaving the elitist style ghetto behind and delivering itself to the pulsating life outside, leading to a truly beautiful work clearly thats one hell of a challenge for every remixer, but lovable atom smahing mathias kaden is the right man at the right place, as he knows how to deal with emotional content under the influence of the contemporary raw. his eleven-minute-opus tightens, focalizes, piles and moves around the original material, but without betraying its spirit. this remix seems larger than life but still maddingly gripping and you get the overwhelming impression that here every angle leads to another, every bit communicating. its a nation under the groove, all in one track, and its here to be heard

the irrepressible cobblestone jazz present the first single from their debut album >23 seconds<, forthcoming in september on wagon repair. cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. >lime in da coco nut< is a potion brimming with transformation. cobblestone approach a simple key melody from every angle imaginable, with the harmonies, disharmonies, bubbling accents and rhythmic permutations exposing the otherworldly potential of the simplest of tunes. a sinister whispered vocal conducts affairs, seemingly flustered at its inability to contain the unruly elements in this wonderful experiment. on >saturday night< a deep synth line and ghostly vocoded moans progress through a jungle of percussion and falling echoed tones, steadily approaching a beat that enlivens like water on a desert journey, or rather, like vodka on a saturday night. the dizzy finale spins around your ears, a bit like the ceiling after a particularly heavy weekend adventure… be sure to be well rested before tackling this sensory safari

holds a laptop and slim-line dj-controller, accommodates all laptop sizes (12”-17”) and other gear as cd-players, keyboards, drum pads and controllers, extractable tray to place slim-line dj-controllers, adjustable angle of inclination 90 or 45 degrees, continuously adjustable height: 30 cm - 36 cm, non-slippery rubber surface and base leg, including additional clamps (two angle settings) for horizontal and vertical mounting, e.g. to a table top or case /dj-coffin, including padded 12 transportation-pouch ls-pouch , optional accessories: ls-tray (#75890) und ls-bar (#75891), the shown laptop is not included

peter van hoesen creates his technoid tracks from a refreshingly different angle and immediatly struck a nerve at the lan muzic crew. this very skilled producer grabs a dark and pleasent atmosphere to create his songs with striking sounds and shifting arrangements that grow on you with every listen. on top the ep delivers a remix of the in-house top jocks exercise one that prove once again how to nail a track without cracking the surface

third release on intec for sebastien leger provides a new angle on production ideas. after the recent run of super high-octane 12s all figuring prominently in the dj boxes of the international techno cognoscenti, intec take a slight detour and once again show their willingness to release new and exciting material. this is an awesome ep that is hard to define

after releasing the 1rst trenton record samuel rouanet and christophe clause aka reynold and aspro are back.. great mixture of aspro s strong bass line and tight grooves and reynold s soulful chords and minimal beats!!!

compiled by angel alanis and straight out of his udg cd book he travels and plays out is this collection of unreleased tracks. as angel alanis' remix on dj colette's last om release has increased his fan base among tech house shoppers everywhere! alanis comes forth and proves he can work it on every angle. if thats not enough the dave armstrong mix is a winner every time. tech house joints your dj's can pump with their tango, double down and low down records

killing classic stuff in house, soul, oldschool, hip hop and black collected by the glimmers twins here part 4

summerhouse delivers a sublime chunky house version which has you reaching for the sun cream. the vixen mix on the same disc takes an electroclash angle