ltd one sided, bicep remix! slammin piano house anthem

maw mastermind with a next house bomb

fresh from argentina

limited copies

experimental electronics

the new album from iggy pop on blue vinyl, housed in a gatefold sleeve.

a slammin’ selection of cincinnati funk, hand picked by bootsy collins.

limited 2019 repress.

electro split ep from faceless mind and aquatronics. transparent red vinyl, housed in a screen printed sleeve.

modern electro(nics) from alek stark on clear vinyl, housed in a screen printed sleeve.

les enfants terribles presents their new release free until 4, produced by david delgado and including a remix by steve o sullivan

letztendlich ein legaler re-release von joe hicks all-time-classic don t it make you feel funky. seite b ist das rare und gesuchte i gotta be free

early 70s funk from indianapolis based band amnesty on double vinyl, housed in a gatefold sleeve.

fully restored reissue of the 1985 afro-disco-rap gem from free youth.

two new tracks from the juan maclean for dfa, with remixes from massimiliano pagliara and man power. the vinyl ep includes a download code.

dritte ep in folge für das neue conte-petrella-projekt, das die themen und sounds ihrer bisherigen zusammenarbeit mit stark westafrikanisch beeinflussten rhythmen und kosmisch anmutender musikalität weiter untersucht, wiederum unter beteiligung von bridgette amofah und ihrer unglaublichen stimme. ein werk, das zwischen fröhlichem, geradlinigem party jam und spiritueller atmosphäre schwebt, wo man sich im treibenden groove genauso verirrt wie auf der intergalaktischen klangpalette, die darüber schwebt.

limited to last 50 copies! this is not the lp but an exclusive package of the 12 inch with 2 dubmixes and cd-r of the complete sound voyage “en route to thailand” album (free soul inc 002).

the old dreg of born free still trying to force that melancholic, life-saving, house-hits in to the human body of cold heart investments. singing in pitched voices, sampling ballroom queens, stealing the most expensive chord.. oh well.

highly limited double a-side from the chemical brothers.

after his previous banger love saves the day got hands in the air on dance floors all over the world, well, it turns out that casbah 73 was just warming up.

a new blockhead album on white vinyl.

80s disco classics

free soul 1969 the groove is heavy too ñ and a popular hip hop sample ñ but really itís all about klemmerís blisteringly intense, stream of consciousness freak-out. been sampled over 16x from ini to ed o g & da bulldogs to kurious, akinyele, dred scott to name a few. klemmer just wyles out on the sax keep that psychedelic funk moving!! side b. up above the rock edit 1968 you wonít find too many jazz songs that start with a drum break, but then this is probably one of the better jazz/soul hybrids iíve heard in some time. produced by richard evans this song is a perfect display of acoustic jazz funk with ron carter & grady tate filling out the rhythm section. dance floor classic!

raw chicago infect house by dj sling

killer wackies from 1978, originally released on the jumbo caribbean disco label run by brooklyns african record center shop. deep roots discomixes on both sides. essential and finally back out

brian auger, karma auger and dan lutz live at bogie’s.

patch free, a new zealand born producer, takes the mysterious imprint hubplate out on its maiden voyage. free skirts the ins and outs of house and techno to drive the tone for animalistic dance-floor adventure.

generic white sleeve / no artwork. please welcome frankfurts very own einzelkind as the latest addition to our artist pool. his first single 12inch contribution for cocoon recordings seems to be endless and gets nicely spiced up with hypnotic vocal elements and discoide space sounds. free savioni already made the terrace floor on one of our cocoon ibiza nights move big time. it actually had such a strong impact that we immediately had to sign it after einzelkind played it! aya curanderito on the flip side sounds like a late night party deep in the forest witch trolls dancing around a fire, this is deep shamanic business with a slight villalobos touch (no wonder as the two joined forces before for some other releases already). cool and trippy, something for the long nighs at the infamous robert johnson club or berlins panoramabar. welcome se±or einzelkind!

volume 5 in the tempo dreams series from bastard jazz is compiled by la based free the robots aka chris alfaro.

percussion heavy dubs by grrrr. exchange of natural resources over bank transfer. hot!!!

on ultra satans second 7inch release on hoga nord rekords, the band is developing a new genre and concept: “freedom rock”, which is also the title on one of the tracks. “freedom rock” is a step beyond world music which would be the wrong label when ultra satan sounds too spaced out and out of this world.
on the second track “anti clock”, ultra satan hit strikes against the hysterical swedish mortgage market, how safety destroys creativity and also against the worthless tokens of appreciation you receive from our corrupt and ultra capitalistic society.
ultra satan is like a space being, living alone in an enormously big and empty space station, orbiting our planet. with mathematical precision this genius creates music that effects us earthlings on a transcendental plane and shakes the foundation we lead or lives upon.

ltd 1 per customer - previously unreleased disco funk & modern soul from the total experience and capricorn labels. cut to vinyl from the original master tapes on limited edition hand-stamped white labels. 300 copies pressed and then gone.. check!!

rough house rosie starts its year by introducing area, a project that has seen action on adventurous underground labels like idle hands, sequencias, ethereal sound, and umhs. the moody four track ep opens with sinuous acid house and a rubbery bassline techno stomper, then gets raw and abstract on the b side. visceral and varied electronic music for the soul.

the moscow duo is back with an other dose of hunted industrial techno punches. from a navy fit republic of love!

sami baha is a turkish producer based in south east london. his music was introduced to the world via his 2016 ep “mavericks” (planet mu), recorded while he was moving from istanbul to london where he’s now been living the last 3 years. sami got into producing through being a rapper himself, working with local rappers in turkey and producing beats for them, before setting his sights outside the country.
while his first record was focused around a more familiar trap based hiphop sound, “free for all” expands its range into more unfamiliar territory and also brings his production into focus by featuring a number of mcs from all corners of the globe: uk drill squad 67’s dimzy, stockholm’s yung lean and chicago rapper and singer dj nate (aka flexxbabii) who’s previously recorded on planet mu as a footwork producer. the record also features the rowdy sing-song of egyptian mcs dawsha and abanob from cairo whom sami met while on tour in egypt.

sphonica’s white label series returns with a real deep house excursion by chilean producer massiande in the form of his ‘freedom ep’. massiande is an artist of multicultural roots. he was born in santiago, chile, yet he has lived most of his life alongside us american people and has dutch family roots, which has greatly affected the way he perceives and lives music. growing as a big fan of us soul, jazz and disco, he found his way into music production through house and his biggest influences have been artists such as larry heard, ron trent and chris brann (aka wamdue project).

two edited monster jams that you actually need. a side adjusted by berliner discos affiliated hanoben aka benji df, while b side is delivered by eastern promise olta karawane.

the 20/20 vision offshoot basic vision continues to mine the folklore of the legendary back to basics with a selection of carefully selected deep cuts from the history of house music. chris cuevas hip hop already sounded strong when masters at work chunked it up in dub form, and then rob mello perfected the jam when he performed an extended edit on the breakbeat fuelled jam. eddie fowlkes where will i be? is a classic slice of 90s vocal house, while free energy is an uptempo deep house jam for those feel good peak time moments. black science orchestra sound utterly timeless on the soaring new jersey deep, laying the soul on thick and keeping things fresh and funky throughout.

on the back of their acclaimed debut album which was shortlisted for bbc 6 music ‘album of the year’, the hempolics release their latest offering for a record store day 2018 exclusive on limited edition 12” vinyl. on the a-side john holt’s version of ‘riding for a fall’, a song originally released by the tams, is given the full hempolics treatment featuring a powerful vocal from nubiya brandon. on the flip-side is a reinterpretation of nirvana classic ‘come as you are’ but with an original hempolics riddim drenched in atmospheric dub. both songs come with an instrumental so the soundsystems can get their own players involved.

the streets’ second album, “a grand don’t come for free”, was instantly hailed as another masterpiece to equal his initial clarion call, “original pirate material. whereas “original pirate material was a record that garnered acclaim from the electronic/dance fraternity and the forward-thinking wings of the rock/mainstream press, “a grand don’t come for free” swept the board in prompting critical praise.

a californian psychedelic surf on a wave that breathes dream-pop. a desire to fly above the himalaya mountains and go down the andes in summer toboggan. with the promising release of their debut ep -the world is in your hands-, there is a wave not to be missed for any good self-respecting surfer.-

official re-edition of distant planet & sync done by attias brothers. -distant planet- released on neroli in 2000 & licensed on daniel bell mix -the button down mind strikes back -in 2003 is incredible emotional track. -sync- produced on alex attias alias freedom soundz in 2003 for west london vibes.

schauspieler und musikliebhaber martin freeman (the hobbit, sherlock, the office) wurde in seiner teenagerzeit in den 80er jahren durch musik von bands wie brand new heavies und dem james taylor quartet geprägt. “jazz on the corner” bündelt die beinahe obsessive liebe von eddie piller, mitgründer des einflussreichen londoner labels acid jazz, und martin freeman zu jazz. cd1 ist von freeman kompiliert, cd2 von piller. auf vinyl sind die tracks durchmischt und über die 4 seiten verteilt. das doppel-vinyl erscheint im klappcover.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. for the first time, past due records is reissuing lees incredible free & easy lp which was only released as a handful of test pressings in 1981 because lee thought the record was too good to release on his score records label. it is a pure memphis modern soul / boogie funk masterpiece that features countless artists from the stax crew, al greens vocalists and even herbie hancocks keyboard player. the 1981 test pressing has commanded huge sums of money on the used vinyl market and is one for the real soul connoisseur

flawless, direct , pure techno

black suitcase over bank transfer. music for the vodka booth. presented to you by max gee & funkycan.