florida rapper denzel curry teams up with producer kenny beats for “unlocked”.

new lp by tecwaa

showcase on cosmo vitellis im a cliche label

a compilation of tracks from the first 6 albums by jimi tenor, released between 1994 and 2001.

soulful cosmic indigenous dance music presented by afrofuturistic, a chicago crew known for spreading their vibe on the dance floor in chicago. to further push their sound afrofuturistic has teamed up with jordan fields & expanded into a label with this special edition vinyl produced by sean.

shipwrec returns with a brand new release of metamatics!

no 3 of the nightmoves

francois x präsentiert irregular passion reshape, eine 12 track lp, die sein gleichnamiges album überarbeitet und im dezmeber auf demented xxx erscheinen soll.

>>> t e c h n o .

remastered reissue of the 2003 stereolab album. comes on triple vinyl, including download code and poster.

early-electronic experimentation.

180gr in printed sleeve - shrink wrapped

vol.3

more secret edit weapons from the vaults of djs like manfredas, iñigo vontier, simple symmetry, dreems and thomas von party, aka the multi culti family. new wave latino body music, peak power extended space disco and wiggly electro funk combine for definitive dance floor approval and chin-stroking trainspottery

brtainfeeder presents the new album from bay area musician salami rose joe louis. the 180 gram vinyl includes a download code.

pressing on white coloured vinyl. includes code for download of the binaural audio files.

massive dbl header ! tipp

manchesters yadava steps up to the plate for the next installment of the high praise edits series. a member of the cities infamous party collective so flute collective, yadava has steadily been making a name for himself as a incredible selector with productions to match (including recent release on the likes of church and banoffee pies records). he also holds down the expansions show on nts radio alongside co-host contours. with his incredible knack for weaving spiritual, soulful and uplifting energies throughout his music, it s no wonder we had to get him on board for high praise edits vol iv.

the 2016 album from casablanca based beatmaker and guitarist saib. finally available on vinyl.

more classics from the dream dance series on double vinyl, housed in a gatefold sleeve.

the modulator aka freddy fresh-slider freddy fresh delivers a sonic piledriver of unparalleled intensity with this big room stormer! christening the first dance sacred release mr. fresh demonstrates cunning, prowess & wisdom. acid jakal - cosmic bump known to certain beings as a highly sustainable fuel source for both intergalactic & interdimensional time/space travel. the sonic structure dr.turbo has developed allows for extreme gain with maximum galactic resonance, many have reported loading this formula into the mix gives them enough momentum to sonically bump them into the next nebula & beyond. mucci gain - slow punk debut track from dance sacred s premier sonic prodigy mucci gain. cold calculated, sonic articulation crafted with clean laser precision. another fine non fascist product from the u.s. of a!

inner sea ist eine reise nach innen, zu unbewussten träumen und erinnerungen des künstlers und pendelt musikalisch zwischen ambient, broken beats, downtempo, elektronisch und lo-fi. inner sea erscheint auf limitiertem, doppeltem blauem vinyl (inklusive download-code).

shrink wrapped 12 inch vinyl with a picture sleeve

the italo-space-disco saga continues! the new album from laserdance on double vinyl, housed in a gatefold sleeve.

reclaiming her original moniker of kittin, electroclash pioneer - formerly known as miss kittin - presents cosmos, a continuous twelve-track lp of organic, leftfield wave informed electronica..

this rare record repress opens with the lysergic - cosmic disco prototype - anthem chi sei?, leaded by the vocals of pietro carrus and by franco montalbano’s hendrix-influenced riffs on a typical disco drum beat.

the debut release of uk dj duo “secretsundaze” on mule musiq. james priestley&giles smith delivered two modern deep house versions and one melodic ambient version. it’s all-round for house music lover.

6 tracks from techno to dub house

it is time to close a first chapter with the 4th release of the label inviting all founding artists to contribute a track to form an eclectic but surprisingly coherent e.p. this is the definition of jazz cabage’s liberated club music.

reissue of the groundbreaking 1983 debut album from detroit based cybotron (juan atkins and richard davis).

back in stock !! double pack from rick wilhite on mahogani. act quick! 1 per customer

lay-far returns to gamm with three slices of jazzy disco numbers that got joyful dancing written all over them. he s carefully selected his fave disco, jazz-funk and fusion tracks from herbie mann (etagui), fsb (morning) and mass production (cosmic lust) that were just asking for that special moscow edit touch. gentle perfection!

completing the recent lp reissue of black voices by tony allen, comet presents a 2 tracks remix ep by folamour and nit. the two rising french producers provide great new versions of “get together” and “the same blood”.

great return of the classic and pioneer band of the french funk scene! after a long absence, malka family reformed, burned some scenes and composed a new album without changing anything to its magic formula. recomposed with almost all original musicians, they come back today with a new album, le retour du kif. at the heart of a still popular and multicultural marais area in paris, young musicians gather to jam. this is where malka family is formed. their first self-produced album, malka on the beach, was released in 1991, and gigs were immediately chaining up all over france and europe, famous for their eccentric costumed performance and after-parties. in 1992, warner france signs them for a second album tous des oufs, a real p-funk space opera with guests such as sidney, dee nasty, marco prince (fff), or juan rozoff. they will then traveled france, switzerland, italy, holland, denmark, namibia, japan ... and in 1994, the band becomes independent again and records an ep for big cheese records, titled fricassee de funk. after a final tour for the third album, fotoukonkass (bmg) recorded with renaud létang the band finally broke up. at a time when daft punk is using funk artists to support their performance, when bruno mars & mark ronsons uptown funk continues to make the crowds dance, it s time for the original funkateers families to come back and teach a lesson to new generations. after the band reformed and started touring again since 2015, they quickly decided to record a new album and to leave on the roads again

stash 01 is the debut release of stash trax, a brand new imprint based in france. the label focuses on deep and groovy visions of house music produced exclusively on wax. this first various delivers 4 tracks one from each member of the label. each artist offering a different definition to the word deepness.

for years nathan church has been cutting up floors in his native bilbao. recently the basque man s attention has turned from the dj booth to the studio. under his wldv (we love dolce vita) this iberian electronic inspiration has cast long shadows and brightened rooms with his blend of horror score intensity and disco exuberance. wldv arrives at the bordello with a four tracker of serious intent. sepulchral and sinister synthlines characterise a dying feast, nowhere more than in the haunting samples and clean drums of -a bucket of blood-. cold chords gleam with icy menace while crisp claps punctuate the entrancing funk of -danza macabra-. ecclesia toys with set parameters, exploring what lurks in the twilight between terror and titillation. this flirtation with the divine and the profane is plain to hear in the uneasy elegance and uplifting elation of -far, far away-, a work of steady kicks, unsettling extracts and soaring strings. this -feast- ends on a delectable note. keys dance and spiral in the intoxicating -laying down on cosmic dust-, an enthralling end to and enthralling ep.

vision songs vol. 1 (1984) is the laraaji album like no other, located at the intersection of new age and gospel. it is both his outlier and magnum opus, the feel-good diy tape of the century. discovered busking in washington square park by brian eno in the late 70s, engagement with the eternal flow has led laraaji to, seemingly by magic, emerge as the most beloved avatar of the unstoppable new age music revival of recent years. now vision songs rewrites laraaji’s musical history. unlike the many instrumental, free form albums upon which his reputation was built, this is an album of songs, with lyrics, verses, choruses. vision songs is literally a revelation -- of a master songwriter whose unbelievably catchy best compositions such as “we shall be lifted”, “all of a sudden”, and “is this clear?” belong in any great american songbook. casio synth jams recorded at spiritual retreat guest rooms and a tiny bedroom on the upper west side, lysergicallyspectacular anthems for a continually arriving new moment, “channeled,” as laraaji states in the album’s eloquent liner notes, “from the sky,” previously available in an edition of 100 cassettes sold at yoga retreats and on the streets of new york city, vision songs is humbly offered on vinyl, cd, and streaming for the very first time. this is where this is going on, this is where this is taking place, this is how this is going on. is this very clear?

a benchmark project that has been in fruition over the past year, one against time is the magnum opus of john dimas career. it is a pivotal milestone that embodies his depth of knowledge and his personal fascination with the mysteries of life and the universe. spread across 14 tracks, one against time sees dimas really broaden his artistic capabilities, drawing from a melting pot of influences and woven together by his desire to channel a feeling of intrigue and curiosity taking a journey outward into the deepest recesses of outer space while simultaneously traveling inward to that same area of deep space inside his own soul...

francis harris is a founding member of the scissor & thread label a brooklyn-based imprint established 2011 as an outlet for deeper, more personal sounds, as well as music from a range of associated artists including black light smoke, bob moses, frank & tony, dj aakmael, desert sound colony and aris kindt, to name a few. harris own output has gone from tightly wound tech house cuts as adultnapper in the early days, sublime deep house as frank & tony, intricate and expressive musical journeys as evident in his two solo-albums ‘leland and ‘minutes of sleep, and ambient shoegaze with two aris kindt albums, co-produced with gabe hedrick. most recently harris branched out with a new label kingdoms a home for his love of a more adventurous sound. now we are proud to present his new solo single, the first since the release of ‘minutes of sleep, ‘minor formswhich includes two remarkable remixes by valentino mora. more we cannot do is a perfect example of harris feel for depth and dynamics a track that feels submerged in a warm amniotic fluid cocooning the listener in a thick subby bassline, providing much of the groove, with skittering percussion on top and intricate fragments of melody throughout leading to a wonderful moment with live vibraphone provided by new york player will shore. minor forms, the eps title track is cut from similar cloth emerging from a subtly distant place to inhabit a melancholic, beautifully evocative space somewhere between ambient, jazz and the dancefloor. joining harris is greg paulus on trumpet, a long time friend and collaborator adding his signature touch to an already moving piece.

jonny nash (guissian curve / melody is truth) and firecracker s lindsay todd get barefoot and turn out a stunner of an lp. over the course of twelve compositions we find the pair utilising their recordings in a whole host of ways, avoiding the well-trodden cliches of the exotic and instead attempting to achieve a personal interpretation of the flora, fauna and climate of the island. spending time amidst the insects, rice fields and scorching sun, the pair gathered a library of found sounds which were then taken back to a studio space to be stretched, mangled and manipulated alongside a variety of electronic and acoustic instruments. the outdoor studio itself became a living instrument, with the duo setting up multiple microphones for durations of up to 12 hours around the space, layering and processing the results in tracks such as fauna mapping and a series of small frogs

five dazzling remixes of population one s classic hippnotic culture lp by the detroit minimalist himself. kicking off with a 20th anniversary mix of rush hour, the track that inspired our company name! big big tip and a great honor.play it loud!objekt: these are wonderful. no surprise though- population one, also known as terrence dixon, offered a first remix of his mysterious, minimal detroit track rush hour for the celebration of the label s 10th anniversary and now blesses us with new takes on five hippnotic culture album tracks. the impressive hippnotic culture lp was originally released in 1995 on the long defunct utensil label, which was run by claude young.

for their first release of 2017 and third edition of the series, the parisian crew, discomatin, dug harder than ever to propose edits still in the spirit of the afterparty they organize. the ep is composed by four tracks, finely picked and slightly edited by the djs of the crew. they cover a wide range of genres, from french boogie, to cosmic disco, through west-indies or new-wave influenced lyrics. there is definitely something for all tastes on this ep. it’s fresh, it’s french, so don’t sleep on

orbe is no stranger to the hypnotic side of techno, and his newest release on eric cloutier’s recently created palinoia label properly allows the spanish artist to do what he does best. four tracks of deep, psychedelic techno, all slightly twisted and quirky in their own way, the entire ep is perfect for those headsdown nights deep in to the morning on the dancefloor of your favorite darkened club.

damon wild and david sumner (aka functions) relationship dates back to 1991 at lord michaels future shock, limelight, new york city when damon was running experimental records via northcott productions. at the time, he first saw something in dave and added him to brand x, a record pool run by moneypenny. but their bond is based around a period 5 years later when dave had an apartment above rogue music at 251 west 30th street in midtown, manhattan. it was during this time damon developed him as a synewave artist and released his first ep as function in the fall of 1996 catalog number sw-24. falling in and out of touch over the years, across continents, the two have somehow remained on the same cosmic path. so itÕs not a coincidence that now damon has turned to dave to release his first album in 13 years, during the time he is reissuing that first synewave ep on recompiled i/ii & ii/ii (a-ton lp02/03). this is where those paths cross again. 21 years later, this fall, dave will release cosmic path on infrastructure. the cosmic connection.

timeless release from spokenn back in stock.

since jim coles took on the mantle of om unit, the english producer has sought to challenge himself and his audience by going beyond the confines of genres and styles he has so far explored. in the process he has found success by striving for more feeling, for a more human and daring electronic music. this journey continues with ÔselfÕ, colesÕ third album as om unit and a true follow-up to his 2013 debut ÔthreadsÕ.
ÔselfÕ captures coles in a period of growth, change, and experimentation. inspired by personal psychological and emotional healing work, and a vision of the self as an egg Ñ which coles later on discovered is a jungian archetype Ñ the album blends dubwise, bass-heavy music with the space of experimental ambient compositions and the daring imagination of a cold wave science fiction soundtrack.
the first om unit album on colesÕ own cosmic bridge label, ÔselfÕ offers new forms amid familiar touches. stripping away what people might expect, coles deconstructed and reimagined his work so far as a challenge to himself and, in turn, to his fans.

funkadelic have created an enduring legacy, and the power of their impact is visceral in detroit. their records not only played with genre, but possessed a diabolical sense of humour that led to music domination by the late 70s with parliament, funkadelic, parlet, bootsy’s rubber band and the brides of funkenstein all releasing albums the same year for two years in a row. the music itself is beyond stereotype, but equally huge is that they were a black band not allowing themselves to be limited by anyone else’s notions of who they could be, having a massive impact on the next generation of detroit music, detroit techno. but more than just techno, it is a freedom of thinking that extends beyond boxes, so we included all sorts of today s generation of detroit musicians and producers to show the wide range of music that was funkadelic and how these ideas are still contemporary, they endure and inspire.