gerardo frisina goes back to the roots of the sound which has made him famous worldwide: the latin sound of classics like >descarga< or >the latin kick< (both previously released on schema). >moderno primitivo< is an ep about the encounter of the ancient afro-cuban tradition (the core of frisinas artistic dna) with a refined electronic taste. this component enriches drums and percussions and gives more edge to the whole production with details like pads and effects. in >moderno primitivo< the latin ensemble headed by frisina takes us into a jam session where percussions, piano and trombone play happily. the latin house mix is a club version where the rhythmic element and the groove take control of the mix. the melody is broken and a hammond plays over a ostinato bass. the flavour is definitely tribal. >cogele el ritmo< is a trip into frisinas latin world. slower than >moderno primitivo<, still has a solid hook to the dance-floor and is a triumph of joy and colour.

the 2nd innerbird starts with a huge deep atmospheric house track.permanento is a mental break between bass waves,wild birds in the sky and analog obscenity. life changes on the flip answers the question for banging deep laden techno. it creates the illusion of walls breaking down in the panoramabar

wir brauchen bass: die münchner weltenbummler mischen die clubs auf.
pressung auf schwerem 180 gramm vinyl, inklusive cd-version des albums und aufkleber.

support from umek, jon rundell, dubfire, patrick kunkel, butch, harada, slam, electric rescue and many others! the first unionlabel compilation comes out as a hot 12inch

after a 5 year gap, vince watson released what is now his 7th! album to the world in march to great critical acclaim. 5 years is a long time to wait for something ... but some things in life are worth waiting for.
here on this ep, vince has selected 3 of the albums tracks, as well an exclusive. starting with a club version of the albumâ€,™,s title track, every soul needs a guide. its got roots in house, techno and latin jazz, but in reality its a fusion of all of the above and displays some wonderful production techniques along the way. the word inspiring is overly used these days, but it defines the soul of this track perfectly. following this is the quite breathtaking never too late with its lounge and jazz track roots, cementing vinceâ€,™,s one-man band status as intact. beautiful chilled out percussion and double bass soak up the timely keys and give you a real sense of the manâ€,™,s artistic prowess. stunning ...

dro & lodzy are back! this is their second single on absolut freak, the follow up to the successful >not yet now< with the remixes by dilemn and gooseflesh.
after the guys reworked play pauls ryskee project (alongside bloody beetroots), autodidakt or nrotb on coco machete, they now return with a new massive track >paradis artificieux<. huge remixes by malente & slap in the bass teaming up under the alias bashed out, hostage and klipar get pressed on vinyl.

these days is proud to announce the signing of the mysterious venezuela-born, 20 year-old artist moony me, currently living in munich. his disco-influenced pop-house track filled the label’s office with so much love that we couldnt resist giving it a proper release and at the best possible moment for the spring-time.on the remix duties, label owner and house music protagonist argy crafted a much heavier and u.k.rave inspired dance-floor destroyer that is applicable to almost every moment of the night and anywhere in the world.for those who are into more new-school balearic atmospheres combined with old school new york style bass-lines, quell delivered a remix which once played at the right time, may change peoples lives.it changed ours.

lifestyle records is such a good label and only normally releases on digital but as a treat they have released this cut from ed.it and helix which as done really well on promo. this techy number squelches along providing big bass and clicky beats.

einmusika015 comes with three new tracks from einmusik itself. the opener qazaqustan is already club checked, this dancefloor-track with a foreign guitar next to a peak time bass and distinctive melodic finesse in every second, will not go out of your head for sure. die oni and bambataa are poppy numbers taken from the new album oceans bottom summer-openers with dizzying atmospheric parts and a lot of power. the einmusika15 is the third part of the ocenas bottom vinyl serial.

the fifth release on baud music is the 2029 ep by dario zenker aka 4.26 from munich. distorted dub imitations rooted in a rhythmic foundation, supplemented with penetrating driving shakes, shape the character of the first track the chief. a floating, thumping bass line and claps with elegant dreamy strings characterize the second track least one on the a side. the flip side welcomes us with sherhood with his straight solid beat and a dominant, catchy hook. alen combines dubtechno and dupstep into free-floating wave elements and obscures the perception of the 4/4 time, which transfers the listener into a state of suspense.

yellow machines latest release brings us into futuristic sci-fi territory with four slabs of bass heavy electronics. scanones original track >andromeda< is pure science fiction electro, where thumping drums collide with hoovers and twisted emotive space melodies. radioactive mans remix cuts straight to the chase with a full on robotic electro bass workout with wonky undertones, guaranteed to smash the floor. adjs remix is stripped back, intelligent and heavy, with intricate glitch patterns denoting uality future music. finally, sync24s remix is a minimal, dark and menacing beast, demanding heads down in the crowd, and watch out for the sub.

a1 – flufftronix featuring 215 the freshest kidz – bassface (kanji kinetic remix) – kanji kinetic works his magic on flufftronix, transforming the original track into a drumstep monster with his trademark mutant bass sound. previously released digitally on play me 2, tthis has been causing some serious damage.

well roundeds unrestricted by genre label present to you 3 hype juke vibed bangers from atlantas distal. on >stuck up money< he hooks up with one of jukes leading talents dj rashad. dirty south battles chicago juke and everyone comes out a winner. drawled vocals against frenetic footwerkin beats makes for a fresh combination. on >behold the jungle< a massive musical quotation is submerged by a swarm of angry hoovers whereupon all manner of musical madness kicks off!! >short & sweet< cuts up the breaks over a rollercoaster of sub bass. belgian techno stabs contribute to the mayhem.

nice price deal !!! young legionnaire is paul mullen (yourcodenameis:milo, the automatic) on vox and guitar, gordon moakes (bloc party) on vox and bass, and dean pearson on drums. this ep is the follow up to their highly acclaimed debut album, >crisis works< (released by wichita in 2011). it features five brand new tracks and is released in a strictly limited edition of 500 copies on 10 inch vinyl. recorded in london and newcastle, it was mixed by alex newport (frank turner, death cab for cutie, two gallants) in new york. for fans of bloc party, yourcodenameis:milo, queens of the stone age, the bronx.

in over 10 years of experience in the hard electronic music scene, stormtrooper has scored releases on labels such as industrial strength, artillery, deathchant and several others, always bringing a different sound which has shocked the crowds of many countries. now, after his appearance on sana 10, the man strikes back on the 17th release of cerebral destruction with 4 intense, multifaceted tracks which contain the result of his latest sound research. nice and quiet sound e.p. is not just an alchemic mixture of hardcore and drum and bass, but blends also everything in between in a way only stormtrooper can. another dancefloor cleaner? no way! while having his sound fresh and experimental, peter kept the vibe which moves the crowd always avoiding the obvious combinations. the truth is that there are no words for this record the only way to fully understand is to listen for yourself the nice (and not so quiet) sound of stormtrooper!

the first release for their rogue cat sounds imprint is the >no stress express!<, a beautiful piece of swampy psychedelic disco/rock. the 11min original takes you on a dark ethereal adventure thru spiky guitar riffs, mutant brass stabs, melting warm fender rhodes piano, silky deep synth chords, an array of sexy afro percussion, heavy dub live bass, and a lush but eerie live string section which all comes on like a dinosaur l jam session via a david mancuso loft party! so go on and take a walk on the rogue side of town baby!

nice price deal !!! i knew as soon as the track was complete what kinda remix i was after. pauls remix is exactly that. a percussive stripped back, moody full of bass workout. pretty much as far underground as you can go. - komonazmuk

steyoyokes second release truly shows the labels love for eloquent and surprising house music. the labels second release by their own dahu comes in strong with an atmospheric ep called >deep in the woods<, two crisply produced tracks likely to arouse the senses. berlin-based dahu describes his music as >atmospheric house with delicate melodies and bass-driven sound< and with this, his first release on steyoyoke, he certainly stays true to his word. craftily blending a shuffling percussion with a resonating lead, dahu creates a hypnotic journey reminiscent of rustling leaves and a walk through a dark wood at night. an exciting and atmospheric ep from dahu provides a solid second release for berlins newest imprint: steyoyoke records.

bass alert! deep-house hit machine yse detonate a futuristic beatbomb on everyones favourite winding road records

following their second album >demiurge< released in may 2011, >medium< arrives as the first non-studio based production by emptyset, recorded on location in the remote woodchester mansion in gloucestershire. the collection of tracks explores the duos preoccupations with the elemental properties of sound and bare rhythmic structures and overlays it onto the textural possibilities of space and material. the project marks their first act of adapting their analogue-based studio system into an architectural intervention, pushing extreme bass and feedback into the irregular spaces of the unfinished building.

bristol based mensah anderson delivers something a little different from his current output and dj sets for his first release on deep medi. the gambia was picked up by mala almost two years ago and has yet to leave his record bag. it featured heavily in mala?s xlr8r?s podcast, which was voted best of 2011. ?the gambia? is a slow burning, dark minimal and heavily tribal journey taking in elements of techno, afrobeat with a touch of danchall, this output leans more towards mensah?s alias ?new york transit authority? than previous mensah releases and also shows the diversity of mensah as a producer. ?trailing moons of saturn? on the flip takes on a more laid back and cinematic approach with it?s subtly layered synths, thunderous bass stabs and intergalactic rave vibes and effects.

like hardly any other ambassador of modern rhein main house music, christian burkhardt has experienced a true rocket-like takeoff in the last year. burkhardts cocoon debut ep stopover goa has, after one year, still a place of honour in many djs record cases. also his legendary live set in the pouring rain at last years green & blue may belong to the lasting memories of a life dedicated to electronic music. the heidelberg-born producer has already worked for la peña, raum…musik and oslo, and his collaborations with einzelkind and sascha dive became a talking point, too. with his second ep for cocoon, he again sets new standards. theres nobody around who is able to alienate vocals from the collective memory of afro-american culture into a hallucinogenic cocktail without harmful side effects in such a way than burkhardt is. nevertheless, and despite the massive, forward-pushing bass drum and hand claps, he never loses the focus of his soul. so - open your mind, we wish you lots of fun with heart and mind and the considerably acid-like waffles, while the tropical-hypnotic seagull atmosphere of twentysecondcenturydrama already whets the appetite for the upcoming club summer season of 2012.

limited reissue of this highly sought-after krautrock masterpiece from german musical genius richard schneider jr. also featuring the mighty wolfgang maus on bass, this lp takes you on an amazing journey through luscious pulsating psychedelic soundscapes providing a great showcase for mr schneiders exceptional skills on a huge range of instruments including glockenspiel, acoustic 12 string guitar, synthesiser, tubular bells, tambourine and cowbells. includes the crazily ethereal high the wonderful hello beach girls which sounds like the best beach trip ever - meaningless giggling lyrics on a lazy day in a paradise the gorgeous acid-tinged visions the more up-tempo groover samba session plus the achingly beautiful synth symphony crazy world. one of the super-rare cosmic/balearic holy grails, this whole album is a pure aural treat - lie back and enjoy the ride

manmakemusic continue their adventure into the musical hinterland beyond bass, techno, house and garage with two cuts from new signing, trikk. hailing from porto, portugal, and a recent addition to londons kaleidoscopic music scene, trikk effortlessly marries old school charm with new school edge. a-side, ‘jointly’, takes robert hood-esque jackin’ techno drums and unites them with twisted garage vocal chops and relentless bass. on the flip, ‘i fall down’ takes things down a gear with an emotive mix of cavernous synth lines, heartbroken vocals and skipping drums which harks back to the finest moments of broken beat.

sophisticated bass re-rubs on two classic tracks by mieux, club material par excellence. 200 hand-stamped whitelabels only, no digital. act fast.

last year’s ‘the age of compassion’ by chicago underground house don tevo howard was one of the standout tracks for buzzin’ fly in 2011with widespread dj and media support. it joined his burgeoning body of work on other acclaimed labels such as rush hour and his own beautiful granville. now tevo returns with his follow-up for buzzin’ fly. if ‘the age of compassion’ was a simple and elegant dancefloor bump wrapped in warm analogue melancholia, then the ‘monument ep’ is its nemesis - a stark future-retro reinterpretation of the origins of house music build from the bare components of machines: raw drums, sub bass, sine waves, square waves and oscillators. and yet there is still a burnished beauty to this ep. all three tracks seems to find echoes of each other in their arrangements and brittle harmony. machine music for the modern age edged with passion and feeling, and another fresh step for its producer.

nice price deal !!! hailing from perth, australia, this talented and prolific producer is no stranger to the music scene. following his first taste of an akai sampler to drop film samples on the intros of songs in his metal band, the dirty whittler, rregula eventually found himself drawn into the world of drum and bass and formed one half of bad robot in 2003, a monster collaboration with future technique and viper superstar, phetsta. with a number of releases on subsonik sound, black sun empire, and drumsound & bassline smiths popular technique recordings as bad robot, followed by solo projects on vampire records, dsci4, citrus recordings, icarus audio, climate recordings, and too many others to name, rregula has been scaling new heights with his output in the past year. having just released an album project in 2011 on trust in music entitled echoes from the future with dementia and collaborations from the likes of smooth, trei and optiv, one might think of calling it a year.. rregula is not one of those people. now set to unleash his highly anticipated debut lp on climate recordings, rregula presents: the barramundi experiment.an album extraordinaire, with over 30 tunes of deep and dirty rolling drum and bass, halftime and drumstep. the vinyl ep features 4 groundbreaking tracks of the album. the a-side holds 2 superb drum n bass tracks for the dancefloor, while on the flip you will find 2 massive bass tracks that will do equal damage on the dancefloor! the vinyl ep also includes the full doublepack cd in the sleeve!

gabriel ananda was captivated by the sound of classical music by the early age of 8. he was encouraged by his family to practice the cello, but it was through playing the guitar that fueled his motivation to continue to learn about music. the guitar became a useful tool to express his creativity, but gabriel was not finished searching for his musical direction. in 1995 that changed. a dj set by sven väth was the pivotal moment that ended gabriels search to find his passion and two years later, the new producer celebrated his first release for the german label hörspielmusik. he went on to release singles on treibstoff, trapez, platzhirsch, and karmarouge before producing what was for him, a life changing track

awesomely executed take on uk bass, footwork, house & techno - highly recommended

endlich! nach unfassbar tollen konzerten folgt nun ein erster tonträger des duos viktor marek und ashraf sharif khan. der eine nicht umsonst als der >madlib von der waterkant< gefeiert, der andere aus einer sitar-spieler-dynastie in pakistan durch zufall in hamburg-city gelandet. zusammen produzieren sie einen sitar-getriebenen clubstep, der alle länder, völker, ja beide gehirnhälften ein für alle mal vereinigt! auf dieser maxi befinden sich neben den zwei originalstücken remixe vom legendären britischen dub/ step/ uk garage/ drum & bass-vater benny ill aka horsepower productions und dem hamburger kollektiv small people um die smallville-gang. ein must have

prinzhorn dance schools sophomore album, clay class, releases a quiet energy amongst a dark landscape, inarguably in tune with the downtrodden economic situations that have permeated modern life in the bands native britain, and conversely, along our shores. tobin prinz and suzi horn form a compelling duo whose shout-and-answer approach, paired with edgy and steady bass/drum patterns, achieves perfection in songs such as >seed, crop, harvest< and >your fire has gone out<. the album is constructed on the emblem of empty space, as songs such as >i want you< bridge the gap between musical minimalism and cold intimacy. the oscillation between starkness and warmth pays homage to the bands debut 2007 release, while also creating a modern, if not postmodern, musical snapshot of life across the pond, as well as in our own backyards.
includes full cd-version of this album.

nice price deal !!! having established himself as one of the most exciting new talents around with a series of genre busting singles akira kiteshi, aka glasgows tommy forrest, steps up to the plate with the release of his debut album, industrial avenue.
blurring the lines between 2-step influenced dubstep, electronica, bass music, whatever you want to call it, industrial avenue is a joyous tour de force that defies categorisation.
cd version of the full album included.

it marks the long awaited reunion of electronic pioneers vince clarke (erasure/ yazoo/ depeche mode) and martin l. gore (depeche mode), who have joined forces for the first time in over thirty years to craft an album which, demonstrating their mutual love of electronic music. after initial tentative discussions, and a meeting at short circuit presents mute festival in london, where they both performed, these two influential musicians and songwriters, began work on the 10-track album, working in a typically unique way with the pair working alone in their respective studios, communication only via email, exchanging files until the albums was ready. the album includes the recent 12inch ep1 / spock, described by the quietus as one of the best tracks of 2011, plus the forthcoming ep 2 / single blip. the album was produced by vince clarke and martin l. gore and mixed by the influential californian electronic artist Überzone / q.
comes as double 12 inch in full artwork gatefold cover, including cd-version of this album.

oliver klein is back again! after his fabulous album release in 2011 he teamed up again with his mate kolombo to present you some new tunes. with party party they present a stunning minimalistic techno banger that we loved from the first second! the remixes are done by 2 of the hottest youngster in he scene. harvey mckay and fabian argomedo. harvey is responsible for the techno site, the most people already should know him for his great releases on drumcode, soma, saved and more. his remix is a true techno monster made for the prime time. his sound is very charismatic and thats what we really like! fabian is a really nice guy, very down to earth and absolutely focused on his music! the man from chile turned the original into a techhouse smasher! he produced a hypnotic beat, bass, groove and combined them with the fantastic vocal snippets. mr. argomedo has also just released a stunning remixed for fatboy slim & riva starr and had massive releases on label like snatch, takt records, monique musique and many more.

shawn osullivan of up and coming new york new wave bands led er est and further reductions, brings us the latest release on wt. the easiest description would be drop bass network meets berghain dub techno meets the new sound of amsterdam with a little bit of acid and industrial sprinkled in, but you should listen to the clips yourself to decide. shawn takes synths, drummachines, a sequencer and some effects and records one take on a stereo track. this leaves room for wild mistakes, personal moments, and blown out sound. its a classic techno sound that sounds like it should have been done before, but hasnt.

an incredible u.s.a.-belgium collaboration between the dirtiest mc juan huevos and phranteek. all started when phranteek was sound engineering a juan live act. he just says >man? i guess you ll like to records some miami bass tracks?<. juan was like >of course!<. at the end of is tour, kick the lyrics on some phranteeks 808 beat. and the magic happened! phranteek says that mr. huevos is a studio beast… and we can feel it.
on b-side, daveluxes dubstep remix is incredibbly fat. we never thought releasing dubstep music, but this is not dubstep… this is deep schizophrene robot sounds highly doped on bootybass music!
winner of octaves de la musique award in 2011, dj elephant power remix sounds like a travel in a futuristic india. while listening to it, you can imagine some elephants in disguise dancing on ghettomusic!

three ways to move is a collection of delicate dub and chord driven tracks by pablo bolivar,barcelona based one half of pulshar - the band who released remarkable album inside on desolat in 2010 - and avantroots productions.feel free to find your way to move in the world of smooth pulsating bass lines, tender frequencies,echoes and sweet melodies.

having been wowed by tinis dissonant debut,label chief marc antona returns with his first new work since the november release of his fantastic long-player,rules of madness.a brand new double-header from the frenchman is lead by in flagrante. joining forces with aber costa, the pair present yet another joyful example of marcs innate ability to harness the most exotic of grooves whilst showering us with a dizzying array of sounds and samples.its nordic conversation is wrapped in beautiful organic percussion,as handclaps and rubbery basslines ripple throughout before ghostly chains ring out the closing beats.ipso facto on the flip is a pure example of stripped back house.beats, hats and an elasticated filtered riff open the show before the snare rolls usher in from the depths a throbbing wave of bass.

the slat blinds in berlins panorama bar are part of the vjs equipment, and when the mood is right (usually around sunday afternoon),he opens them up to allow slices of sunshine to penetrate the smoky club air.it doesnt happen all too often,remaining something special amongst hours of darkness.but as ruede played the first version of shades in his last p-bar set, it seemed to happen just for him, as if he had written this tracks distinct break especially for this moment:everyone was mesmerized. re.you & rampa with a rmx for shades are also no strangers to such euphoria, and as ruede recently lent them his voice,they return the favor by building a robust, custom-made bass mobile for the a2.then, on the b-side, ruedes fellow band members from the noblettes make an appearance.as with shades,the focal point is also the big break,only this one has nothing to do with techno - its more of an indie-house ballad with dance ambition.

nice price deal !!! the record opens with “origins”, and we hit the ground running with an obese bass-line dipping through a sparse rhythm .this is a deeply touching jack-attack, infused with stripped-down, cold-wave hysterics and touched by that very distinct meschi charm. science-fiction synth-lines smash through a rugged beat, wailing at you with such force that you can’t help but take notice.

new established audio innovation records stands for sonorous names in connection with new ideas launching the electronic sound sphere! bass-boost, playfully adapted melodies, remarkable sound always moving forward! that is what we know and what we can expect, on krischmann&klingenberg next ep!

the young record label foul & sunk from zurich and freiburg im breisgau leaves the winter behind with > still in love<, an ep from the producer-duo paskal & urban absolutes. alexander kastner and adrian hoffmann, the heads behind it, have both opened their hearts and fell in love: they fell in love with steady house grooves, based on a powerful bass foundation, in love with warm tones that convey sensuality, as well as sensitive vocal loops and fragile percussion.

the long 45rpm side is a solid acid 140 bpm techno killer. b side starts with a 33rpm 138 bpm (45 boostable for a olschool acidcore effect - recommended). the records ends with a 140 bpm electro acid hard techno kicker.

after his sublime remix for hitsafes >let the acid out< on shaddocks first release, tin man makes a deadly return to shaddock records, delivering his most dancefloor oriented record to date. opening track >t_dd_t_rr_y< sees kicking beats with a genealogy harking back to finest chicago house, yet done with contagious feather-light energy of uk funky and a naughty bassline gliding perfectly between cheeky rave chords and their moody older brother. >s_mple_house< continues with this blindingly effective simplicity, dreamily muted chord stabs, rolling congas in ecstatic space over a warm round bass. on the flip on >aut_repeat<, crystalline synth shards coalesce in complex forms and continue in icey determination as the beat sneaks up underneath, propelling into an absolutely blistering workout. >djsn_k< rounds up on a perky high, an ebullient synthline with crunch and a punchy beat so frontal it might make you blush. rave bones akimbo – tin man steals the pure dance!

this is the first vinyl release for standard fair. its excellent tech house! and its deep, at the same time!
standard fair was born in 1980 in sapporo, japan, and played the bass in a punk band until he was 20. he is very influenced by various genres of music but now he produces sophisticated deep house. after some excellent releases on resopal and little helpers he returns on joyfull with some great dance tracks.
ep includes 2 remixes produced by someone else (the philadelphia based dj and producer, co-founder of the tuning spork and fuzzy box record labels and owner of little helpers) and aldo cadiz (one of the leading producers of electronic underground in chile and one of the most respected djs in south america).

great 12 inch featuring two superb rarities from renowned disco label sound of new york. run by legendary producer peter brown, this small harlem-based imprint garnered a massive reputation in the late 70s and early 80s turning out some of the best disco tracks ever made. first up here is ny disco funk favourite >dance freak< from chain reaction. produced by peter brown himself, this is pure dancefloor dynamite, as raw and funky as it gets with pumping horns, grinding bass, wild percussion and crazy synths building steadily to a high-octane blistering dancefloor freakout! on the flip is the equally fantastic >shout at the disco< from little scotty, another relentless rough grooving jam, also produced by the prolific mr b. with both these tracks super-expensive and extremely hard to find in the original, don t miss this chance to get your copy!

next amazing thoughtless moover by stare5 aka bryan zentz with a huge remix of noah pred. known for his distinctive productions over the years as barada, cyan and under his own name on seminal techno labels such as primate, tronic, jericho, plus 8 and cmyk, bryan zentz reprises his stare5 role for thoughtless with three tracks of dub-fueled deepness. pushing ever outward on tides of subsonic bass, >the sprawl< emerges from cover of night, a vast expanse of sleepless chords illuminating the darkness as ripples of reverberant effects reach toward the stars. label boss noah pred adds another layer to the low end to imbue his remix with a swinging pulse, then intensifies the hypnosis with a sinuous synth that snakes its way through a winding labyrinth built from the materials of the original. >frozen fog< opens with cold yet insistent stabs that keep pace atop a bouncing dub bass line, responsive chords building pressure amidst gradually rising vapors. with equal nods to detroit and berlin, bryan zentz successfully presents his own unique vision of a classic form with >the sprawl< - solidifying his reputation as a master of the style in the process.

classic techno album from the network vaults. featuring the biggest names from detroit who pioneered the techno sound. derrick may, juan atkins, kevin saunderson they are all here on this superb ground breaking album

vinyl only release from lobster boy. immense production on this new 12 inch. taking in influences from the full spectrum of uk music. from uk funky, to garage to dubstep to house and even some jungle bass vibes. truly a unique piece of studio work. dj support from redlight & oneman.