following some now cult releases on mutli culti, turbo recordings (with the much-acclaimed “mz”) and his recent lp “lotos land” on japanese imprint endless flight, our favourite east-berlin born child sascha funke is finally coming up with an ep on hippie dance’s sister label your and your hippie friends. “i guess more than one of you have noticed my obsession with sascha funke’s music over the past years since it is an essential part in my dj sets. after the pause he gave his solo work to put his attention into his amazing band project saschienne together with julienne dessagne (aka fantastic twins, also his partner in life), he came back with a really cool ep on kompakt records which i played over and over and left me wanting for more. being close friends gave me the luxury of having access to his material before other people and when i would visit the coolest couple in berlin, sascha would always play me his new tunes in the car while rolling through the city. every time i would ask for those tracks to play them and in the club, people that i would play with would often ask who was behind them, as it happened with tiga one night in cologne, and eventually led to sascha’s music being released on turbo recordings and multi culti the following months. now i finally got the chance and honour to release a sascha funke ep on our own humble label... acatenango. like every time, it all started with me visiting berlin, sascha playing his new material while cruising around on board of his german car, me getting in trance while listening to it, asking for it and playing it right away in my next sets. three super cool tracks, all very different from each other but somehow connected with the inimitable funke touch. powerful yet elegant, hypnotic yet fun, brutal yet sophisticated. sascha funke... he’s a hippie and he’s a friend.” rebolledo

a new heart-stopping piece of work by visonia in which sadness, happiness, hopeful and desperation are in a continuous battle. as a result of this distress and ad nauseam the chilean artist has asked himself about the sense of life and figured out how to look on the bright side. doubtless, if we talk about -fake wings- we could point out that this one is an epic and thought-provoking album composed of 6 wicked tunes and released on lovely pinkwhite vinyl.

“resist the categories that define and divide.”
uncanny valley ep sonically explores the uneasy, obscure but familiar relationships between human and machine in contemporary life. this is the debut release on resist, the record label launched by experimental club/art hybrid event from belfast, northern ireland. this debut release is by resist event and label founder, koichi. remix comes from electronic music innovator and eotrax label owner, eomac in an anxiety driven, frenzied remix of the title track.

30+ minutes of life affirming ambient and drone coming from zen zsigo, otherwise known for his work under the cremation lily alias and as one of the spearheads of the current uk tape scene, where he has been mixing things up for 7 years via his strange rules label. winter orbit was inspired by science fiction and its relation to modern life, recorded in 2015 using a mix of both modern and archaic equipment it was later released on belgian tape label audio. visuals. atmosphere. on an initial run of 33 tapes. winter orbit is now newly presented via an expanded re-issue, chronicling the original material, re-issued on one side (fragments in hologram snow) while showcasing new material (for artifice rose) which was created in response to the initial release by zsigo in 2017. as usual, remastered and cut @ dubplates and mastering, berlin and pressed at record industry, holland to ensure optimum listening quality.

grammy award winner louie vega is known worldwide as one of the finest creators and purveyors of house music, both as an individual artist / producer / dj and as partner with kenny dope in the renowned production team known as masters at work. his multiple musical talents have also brought him much acclaim in the genres of salsa, afro-beat, jazz, hip-hop and soul. last year he reached another career milestone when his album “louie vega starring...xxviii” was nominated at the 2017 grammys for best dance album, which further solidified his position as one of the industry’s premier artist / producers. but not everyone knows about louie’s deep respect, admiration and knowledge of the disco genre that laid the foundation for so much music that moves crowd on dancefloors and festivals today.

ever dreamt to travel to trinidad&tobago? disco segreta makes this dream come true with its 6th release: the muchawaited officially licensed reissue of this tropicalo-disco synth bass boogie atomic bomb, from the original analog masters.

written in late 1983 by mario baldoni aka miro (of -real life games- lp(1977) and brina s -stranamore- (1984) 7- fame, was originally released in july 1984 on the small pineapple label – a sublabel of armando sciascia s-vedette- – with close to no success and a pressing fault: a glitch on the vocal version, that affected all copies.
this tropical summerish blend of italo and boogie, along with the male/femalealternate spanish/english singing, turned into a true classic of the genre over the years, slowly making the playlists of the most respected djs and diggers worldwide.

the 4-tracks 12- features the original vocal and instrumental versions in theiroriginal lenght, carefully dubbed from the analog stereo masters and takenback to new life through disco segreta s usual respectful mastering. also, two new remixes are featured.

two of russian electronic music’s rising stars, phil gerus and alexander lay-far, invite you to join them at the solitary high social club. while table service is provided, they’d much rather you throw caution to the wind and head to the dancefloor.
before joining forces in the studio, both moscow-based musicians have delivered a string of memorable solo productions. lay-far has previously released a wealth of material on such labels as local talk, city fly, lazy days and 4lux black, while synthesizer fetishist gerus has showcased his electrofunk and disco-fired cuts on futureboogie recordings, sonar kollektiv, public release and superior elevation records.
the five tracks that make up solitary high social club deliver a perfect marriage of the two producers’ distinctive solo styles, combining the rich musicality of lay-far’s house productions with the spacey, intergalactic electronics of gerus’s discoid adventures. in many ways, it’s a marriage made in heaven – or in lay-far’s celebrated in-beat-ween studio, at least.

>your mind makes it real.< ahwlee. extensive global sticker promo campaign special bonus tracks release full-life april 2018 (digital only) life2 quotes : once you press play you want to listen to it from front to back. danny veekens (the find mag) life2 embodies the essence of the ancestors. the marriage of his kicks, snares and hi hats with those lush soul chops reminds me of the first time i fell in love with hip hop.

giovanni damico keeps amazing things coming and takes it with this release on the mighty label kalakuta soul records to the next level. joining forces with the mighty gabriele spagnuolo and francesco di domenico on guitars and saxophone, the italian boogie doctor brings to life three filthy stompers inspired by amazing artists from the african continent who have shaped what we now call (dance) music. to felas people is one of three stompers delivered for this joint teaming up with mr. villy odili - lead singer of the amazing nigerian band villy and the extreme volumes - whos precise lyrics and drifty voice joins forces with a charging afrobeat rhythm hailing from giovanni damicos bad ass laboratory. afro stomp and baba on the other side come with the most furious drums and bassline one could ever imagine accompanied by a celestial instrumentation that hits the mind, the soul and the hips.

180g-vinyl für liebhaber und kenner mit remasterten highlights der größten jazzstars.

the third release on the sister label, new york trax imports, comes from the legendary dutch producer and founder of one of the most eclectic underground record labels, vincent koreman aka drvg cvltvre of new york haunted. since 2009, drvg cvltvre has been working on his own blend of dystopian acid, no wave, and experimental house. respected in the international underground for his groundbreaking work in experimental techno as ra-x in the 90&#8242,,s on labels like bunker and kk records, drvg cvltvre comes from a diy punk background and opts for hard work rather than hollow pose. the 4-track ep for new york trax imports is an accurate representation of his style: dark and melancholic, but also uncompromisingly intense.

"soundboy a-go dead tonight! skrsintl crew load up their dub boxes deep and deliver a wide-ranging, rapid-fire display of their unique vision for musical murderation. pulling the best from their clashes and world travels they weave together a bewildering barrage inna dance leaving a soundboy downright dazed and dusted. and yet within this deadly encounter, there is deliverance when the smoke settles, unscathed, only life remains sekkle urself in this infinity; tune can’t run out."

ahead of a full-length album coming on glitterbox recordings, the king of disco re-edits dr packer presents the second instalment of this 12inch series. different strokes part 2 features four dr packer versions of soulful house favourites, giving a flavour of whats to come from the lp. kicking off with a bonafide classic, dr packers take on soulsearchers cant get enough! maintains all its most iconic elements, the euphoric vocals and timeless groove given a fresh-sounding elasticity. next up is dr packers remix of the shapeshifters evergreen lolas theme recut appearing for the first time on vinyl. an exclusive to this vinyl release, a remix of johnny corporates sunday shoutin picks up the pace with a funking bassline to suit any dynamic disco set. rounding off this foursome of impeccable remixes is cleptomaniacs featuring bryan chambers all i do, a vocal house classic from the early noughties, reinterpreted masterfully for todays glitterbox dancefloor which was originally featured on the labels a disco hï compilation. dr packer has done it again, breathing new life into your most beloved dance records so you can fall in love with them all over again.

mix kruskova with julischka and a hint of maraska and you get bodin s striking three track ep zabawa.
cevape for your life your life for cevape.

with »redsuperstructure«, robert lippok created a new foundation for his musical endeavors. now – 7 years later – this system properly comes to life on »applied autonomy«. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks. »applied autonomy« orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible. layers are key when it comes to understanding »applied autonomy«. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance. rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the ems studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is »samtal«, 14 minutes of a constantly evolving state of poise, magically connecting all the dots lippok had already defined as »applied autonomy«. the artwork for »applied autonomy« has been created by the berlin-based argentinian artist luca gutierrez. over the last couple of years, he has made a name for himself with his spectacular av performances.

mamas gun are masters of modern soul music. their blend of classic and contemporary influences have sparked millions of streams worldwide and garnered praise from the sunday times, billboard, the guardian, and uncut magazine. collectively, the london-based group’s first three albums, routes to riches (2009), the life and soul (2011), and cheap hotel (2014), spawned top 10 hits on four continents, including #1 singles in japan and hong kong, propelled by the band’s sold-out tours and funky, full-tilt performances at the billboard music awards (tokyo), plus global music festivals like womad, greenroom, java jazz, and pentaport. with the release of golden days (2018), mamas gun have delivered their defining masterpiece.

tradition verpflichtet: bill wells schwebt ganz sanft in die vierte harmonierunde.

available again! soul jazz records new 2018 edition of their long out of print classic first “deutsche elektronische musik – experimental german rock and electronic music 1972-83” is ‘a near-definitive guide to some of the world’s most extraordinary music’ (the guardian).
featuring a stunning line-up of groups including cluster, can, faust, popol vuh, neu!, amon düül, harmonia, la düsseldorf and tangerine dream as well as a host of lesser known groups such as kollectiv, ibliss, between and many more. this new edition is fully re-mastered and features all the original artwork and tracks.
the vinyl edition is made up of two separate volume heavyweight loud gatefold double albums (now + free download codes) featuring all sleevenotes and text.

“struggle artist” is the new album from justin c. meyers, the minneapolis-based composer, artist, and head of the sympathy ltd. label. meyers is a unique, underappreciated talent in contemporary electronic music. his greatest strengths are twofold: his compositions have a meticulous structural logic, revealing a hermetic and austere formalism, concurrently, his compositions have a deep, introspective narrativity grounded in his lived experience, evoked with a mature clarity. together, they make meyers one of the most interesting electronic musicians working with cutting-edge sonics today, unlocking their latent powers of metaphor and figuration. his previous album, 2016’s “negative space (1981–2014)”, deals with the onset of chronic illness and near-death experience. its careful, anechoic meditations on the failing body are a resounding achievement, and the album remains a high watermark of acousmatic music in the 21st century. “struggle artist” portrays meyers’ expectations and disappointments arising from making art in his free time. created initially during lunch breaks and in hospital waiting rooms, and finished after being laid off from his job, it catalogues the despondency of the precarious life. if “negative space” was about the fallible body, “struggle artist” is its violent collision with late capitalism.

glasgow based producer, galaxian, is set to drop the 11th release of helena hauff s return to disorder imprint. paradise engineering is an ambitiously psychedelic piece of machine mastery that will be right at home on hauffs label, with which she set out to bring punk rock and techno together in 2015. the label s name refers to the reactionary post-ww1 art movement, return to order, which called for a rejection of the avant-garde in favor of conservatism and classicism. return to disorder has embraced experimentation and genre bending with releases from the likes of children of leir, morah and umwelt. galaxian s proximity to the sharp edge of quantum chaos and belief in the anarchism of nature make him a fitting addition to the hamburg based label.

“hypocrisy is the greatest luxury” is the debut album by the industrial hip hop formation the disposable heroes of hiphoprisy. years after its release it was recognized as one of most underrated albums from 1992. pressing on 180 gram audiophile double vinyl, includes insert with lyrics.

emotional especial returns in 2018 after a supremely quiet 2017 as batteries were recharged and life happened. in mind is the introduction of new duo, weird weather and their debut ep, bamboo room. slotting perfectly in the label family with 4 cuts covering dark basement club music through to calmer, balmier moments.

“i’ve spent many days wondering why unfortunate things happen. wondering why things didn’t work out, why i deserved a broken heart, or why the world is the way it is. every song on my album points to an underlying gift in the painful experiences i’ve endured. without the hardships, i’d lack the lessons i’ve gained that have cultivated who i am today. i hope “pendulum” opens a window that allows my listeners to see how the dark and light aspects of life form a marriage that serves as a catalyst that initiates tremendous growth.” - aisha badru

a little while before metro area came into life, there was acronym city

dmt aka dorian paic, markus fix and tobi neumann dig a little deeper on their next offering. -ride- does exactly what it says on the tin, taking you on a nine-minute journey that starts with an extended build-up, offering a tantalising glimpse of what s to come. from then on, house chords and dub elements abound, complemented throughout by beguiling melodic lines, hypnotic vocal samples, effects and some smooth filter action. this co-production from three tech house specialists harmonises perfectly, creating a well-rounded, homogeneous track that leaves you craving for more! born in berlin but living the life in mannheim, fabe is the next insider tip on cocoon worth keeping an eye on. already shaking up clubs around the world, he s also part of the cocoon ibiza line up this year! however he s not only turning heads as a dj, his productions also work on an extremely high level featuring a unique sound signature. his cocoon recordings track -last shot for bob- creaks, growls, clatters, squeaks and knocks in all directions creating an incredibly cool and, above all, groovy sound. it s electronic noise-funk served up in the best techno and house fashion, that drags you onto the dance floor and drenches you in pleasure.

a man of many alias, the multi-faceted talent behind juxta position finally finds his way to figure, leaving us an eps worth of highly infectious, acid-festered analogue techno runs. feeding on the raw and dynamic energy of live hardware production, these jams hit the sweet spot where constant modulation and spontaneous changes transform a bunch of loops into something much more than the sum of its parts. whether its a bouncy ride around the rings of saturn with elixir, the frantic sledge hammer-assault of stepping, cascading down into the machines bowels on automated reproduction, or the non-stop, all-out overdrive that is pestered - every track on this record takes on a whole life of its own, making for some seriously potent dj-weapons!

hmot aka stas sharifullin is siberian-born, moscow-based musician, curator, educator and multi-disciplinary artist from siberia. using modular synthesizer, field recordings and visual programming languages, hmot collects sounds and organizes them into structures, pushing traditional electronic music genres beyond their comfort zones. “permanent imbalance” is his ep debut on the berlin imprint oqko following a single contribution to the label’s “form_1” compilation. structurally, “permanent imbalance” is disorderly and elusive, it’s a techno record which has undergone a gregor samsaesque metamorphosis. embedded with dizzying polyrhythmics, the discontinuity at the heart of the record might also be its central directive – interrupting the ecstatic clubbing experience in favor of a contradictory reality which is impossible to describe with regular rhythms. boldly submitted to the niche of dance music deviations, “permanent imbalance” also reveals techniques directly derived from early institutional electronics and musique concrete. but where others would pile on the layers, sharifullin keeps it trim. these are just some finishing touches enhancing his rickety and multifaceted soundscapes. subject to constant deviations of its own temporality, this music proves to mirror the crisis in which modernity resides – a state of life out of balance which now appears to be permanent as never before.

killer album by the amazing christy essien. check out take life easy and the hit you cant change a man. must have nigerian lp!

it s been around three years since jpattersson opened up a whole new horizon of formerly unheard possibilities between the worlds of dub and techno. a lot has been happening ever since, and that’s very noticeable on his second album. it still has all the signature elements of jpattersson: there s his dreamy, virtuous trumpet play and his witty vocals, there s his dubby delays and heavyweight beats which often line up in a downbeat rhythm. however, besides his fanfares there s now also many folks, many musical friends who contribute to the vibe of this album. there s a track with berlin mc longfingah, latin-flavoured rhythms from polish reggae and dancehall producer dreadsquad as well as a stylistically wide range of remixes that reflect the symbiotic cooperation and mutual inspiration of these last years.

this eight-track double vinyl album collects the strongest disco mixes to appear on the label. five are by moulton and others are by issy sanchez and hippie torales. generally only originally available as promo 12”s or within commercially released albums, they are fine demonstrations of the skills of the mixers as well as the talents of the artists. the music stretches from the extended soul groove of the detroit emeralds’ “feel the need”, to the proto electro sounds behind the clark sisters’ “you brought the sunshine”, and includes cj & co’s “devil s gun” - the first record to be played at the iconic studio 54 - as well as obscurities by eramus hall and the crowd pleasers.

memories — places, vacancies, allusions — are fundamental characters in mary lattimore’s evocative craft. inside her music, wordless narratives, indefinite travelogues, and braided events skew into something enchantingly new. the los angeles-based harpist recorded her breakout 2016 album, at the dam, during stops along a road trip across america, letting the serene landscapes of joshua tree and marfa, texas color her compositions. in 2017, she presented collected pieces, a tape compiling sounds from her past life in philadelphia: odes to the east coast, burning motels, and beach town convenience stores. in 2018, from a restorative station — a redwood barn, nestled in the hills above san francisco s golden gate bridge — emanates hundreds of days, her second full-length lp with ghostly international. the record sojourns between silences and speech, between microcosmic daily scenes and macrocosmic universal understandings, between being alien in promising new places and feeling torn from old native havens. it’s an expansive new chapter in lattimore’s story, and an expression of mystified gratitude. a study in how ordinary components helix together to create an extraordinary world.

recorded in philadelphia in 1969, the deirdre wilson tabac’s sole album is a beautiful blend of funk, jazz and soulful pop. possessing the complex grooves, thrilling breaks and ethereal weirdness that the rotary connection pedalled so brilliantly, the lp failed to connect with audiences upon its original release.
in the decades since, it has deservedly attracted a considerable cult following. however, almost inevitably, it has become increasingly tricky to pick up a copy in good condition for anything less than eye-watering sums. as such, we’re delighted to present the first officially licensed vinyl reissue of this undoubted masterpiece of freaky funk-rock, limited to just 500 copies.

the corner and this time we welcome aboard benny rodrigues which has been completely on fire and this project sees him with his own approach to deep house in vein of ny and chicago influences but in his own unique style and across the 4 tracker ep we hear benny rodrigues in a very deep driving & emotive way talking to us through his music!

two seminal 12” mixes of a pair of enormous tracks from the whispers. both boogie/street-funk flavoured, these sought-after versions have never been paired on the same record. side a features the notorious anthem “keep on lovin me” (the one with *that* life affirming video) whilst side b houses the outstanding, semi-slept-on “turn me out”.

sphonica’s white label series returns with a real deep house excursion by chilean producer massiande in the form of his ‘freedom ep’. massiande is an artist of multicultural roots. he was born in santiago, chile, yet he has lived most of his life alongside us american people and has dutch family roots, which has greatly affected the way he perceives and lives music. growing as a big fan of us soul, jazz and disco, he found his way into music production through house and his biggest influences have been artists such as larry heard, ron trent and chris brann (aka wamdue project).

limited tour edition of 2500 individually numbered copies on transparent audiophile 180 gram vinyl.
the soundtrack was composed by the german ramin djawadi, best known for his grammy-nominated score for iron man, pacific rim, clash of the titans and for the tv series prison break. the fourth season soundtrack also features a single “the rains of castamere” by icelandic post-rock band sigur rós.

limited coloured double vinyl in gatefold sleeve with dvd and download code included.

field of dreams are field theorys chris kentish and dj al mackenzie. field theory have recently had tracks on respected labels such as futureboogie and secret life gaining rave reviews and even garnering plays on bbc radio 6 music. al has been a dj since the late 80s, now resident at birminghams great outdoors. he s made numerous records over the years but will probably be remembered primarily for his 90s band d:ream making number one all over the world and remixing for emf and duran duran amongst others. bumping into each other in the street one dayand realising they lived opposite each other, they seized upon the chance to combine their favourite passions, making music and drinking.

we present to you the second release on minor notes recordings. this is the brainchild of moscow s guydee, who is part of the new breed of excellent house artist s coming out of russia at the moment. romantik ep is an intimate groove collection direct from the heart of anton bogomolov aka scruscru, based in nizhny novgorod. scruscru has been quietly going about his business for the past few years releasing on labels like vintage, jazzve & vensa recordings. he s an actor in both his everyday life and music. on this wax you can find all shades of his emotion accurately packed into his true school house beats. the ep comes complete with 4 cuts that will rock any dancefloor including a remix from traxsource number 1 deep of 2017 black loops with a divine take of finding all your love to round the package off nicely. dj support - laurent garnier, gerd, dj nature, hot toddy, jimpster, aroop roy, seven davis jr., simbad, lay-far, jacques renault, art of tones, shur-i-kan, and many many more.

we proceed with ‘selectors assemble volume three’. the latest release from the coop presents label headed by ig culture and alex phountzi, and the latest instalment of eps featuring an array of artists, focusing on the wealth of talent that exists within the london bruk scene and beyond, a continuation of the sonic spirit brought to life by the legendary west london movement. selectors assemble is an ever-growing family - this six-track selection seeks to introduce more of the collective to the masses, and bring further heat from some of the squad already established. call it what you will genre-wise, this ep sweeps styles, and shamelessly laces up another assortment of certified dancefloor fire. the previous two volumes were supported by a wide-ranging squad of djs in recent times, including toddla t, mr. scruff, benji b, josey rebelle, alex nut, shy one, marc mac, lefto, kev beadle, nick luscombe, simbad, thristian, stuart patterson, bradley zero & mr thing, to name a few

constantin xenakis work possesses exactly what i really love about intelligent electronic music. its stylishly repetitive, coded, mechanical but, at the same time, very organic and playful. this is how argyris theofilis, also known as zodiac free arts club, explains his fascination with european artist constantin xenakis. born in cairo, xenakis work often includes written script, in particular symbols andcodes of everyday life, traffic signs, alchemy, the zodiac, mathematical and chemical symbols, egyptian hieroglyphics as well as letters from the greek, phoenician, hebrew and arabic alphabets.a balance between human and inhuman that makes his art somehow mystical. after becoming fixated by xenakis, the greek music producer searched and eventually met him for the first time in 2012. after several meetings in paris and athens, they both decided to present structures + codes, a concept album conceived as an homage to the painters vision. each one of the eight songs in the album corresponds to a painting by xenakis, translating its intricate shapes and patterns into spirit-lifting compositions filled with elliptic arpeggios, repetitive drum machines and esoteric melodies in proper kosmische manner. but this is not a mere exercise in style. as xenakis paintings, its music that transcends its own codes to become an esoteric experience. this record should be heard comfortably.

in einer limitierten neuauflage gibt es dieses gesuchte album von 1982 noch einmal zum erschwinglichen preis. aufgenommen im channel one studio mit der roots radics band, und im king tubby’s studio abgemischt, entstand hier vielleicht das beste dubalbum von prince jammy der frühen 80er. für das artwork war tony mcdermott verantwortlich, der u.a. die cover für die legendären scientist-alben kreierte.

(180 gr, purple/pink/white marbled coloured vinyl) morning star is a combination of the sound of the congos and the pura vida sound. it features 6 new congos songs, 3 songs from pura vida and a dubversion called dub love. the album has the vintage lastark sound and was mixed the oldschool way using the mixer as an instrument.

birmingham hardcore badman deathmachine back with a 3 track monster vinyl on prspct xtrm! nasty is a 190 bpm nasty as f*** industrial hardcore killer and the worlds end on the flip seriously takes the piss in a good way. that 210 bpm atmospheric/euphoric uk infused hardcore we all love so much and have been missing these days. all killer no filler. you need this in your life! pressing on clear and solid purple mixed vinyl.

crown of brahma are charles stella, nicole willis & daniel wyatt. the songs “an angel on my shoulder” & “and i’ll be free as a bird” were recorded in the period between 1995-1997, originally set for release on an lp on rawkus records in 1997. this album would have followed the release of the group, repercussions, album charmed life (pony canyon, 1997). nicole willis was the lead singer / songwriter of this group. charles stella & daniel wyatt worked together at temple of soul in new york city, where some of charmed life was also recorded. these two vocal tracks have never been commercially released, however were heard by tommi grönlund of sähkö recordings and leftfield, who requested to work with ms willis in result. the two tracks have been remastered in 2017 by charles stella.

snow patrol are returning with their seventh studio lp, wildness.

nice price deal !!! nice price deal !!! the third release on volphonie is resolutely techno, with three ultra dancefloor tracks from the french artist sØlaxid, completed by a remix from children of tomorrow label head arnaud le texier. moon light opens this ep with a deaf and martial bass drum, a binary rhythm and a heady melody. sense of life and cultura are based on powerful loops and twisting bass drums. the remix is totally electric and will certainly be one of the most played tracks of the record…