fresh relreleased ... phat funky techno / techhouse action kitchen studio 3 is a small, newborn techno/electronica label, founded on the friendship between pezzo, adaig and bettyboop and their deep passion for electronic music and club life.

joint venture between the because, edbanger and warp labels, and what a result. killer new effort from squarepusher on the jazz-funk-electro tip, on a side cryptic motion, the perfect soundtrack for a remake of zabriskie point in 2012, heavy bass that slaps your flesh and some sunset vocoder. mr oizo on the b side for an epileptic straight to the head p-funk remix only him can twist that way. limited quantities, so be quick or be sorry!

bergerac is the new record label set up by uk producer and dj red rack’em (aka danny berman) to showcase the more dancefloor end of his music productions. danny is well known for his wonky disco outings as hot coins on tirk and also his deep as hell beatdown house on untracked. his style of production and djing have recently taken a slightly more banging angle due to the influence of larger scale festival gigs such as glastonbury, snowbombing and the big chill. so it seemed like the perfect time to start a label focussing on house and techno for the more discerning dancefloor. the label artwork will feature bespoke illustrations from german artist silke eiselt of all the houses danny has lived in chronologically. how much more fucking house can you get than that? how i program is a raw, heads down, whacked out banger, which straddles the wafer thin divide between house and techno with aplomb. with a massive loud donking bass noise, seedy late night atmosphere and danny shouting about how he programs his shit - this is some freaky deaky peak time business. next up is bonn, a warm crackly rhodes driven halcyon house moment, which evokes the slightly majestic and nostalgic vibe of people dancing alone together in a hot room at the end of the night. cheering sourced directly from bonn in 1982 mixes with naive keywork and distant female chants the first bergerac ep closes with it happens to us all, which could be an ode to prematurely greying men, the onset of senility or occasional farting in public places. its definitely a prime slice of wrong house with some seriously french hi hats and dubbed out bassline action though. yes, its more syncopated than an exploding castanet factory but thats how we like that kind of funk

new 4 track disco 12 from stones throws dam-funk! featuring mc eiht on the title track, legend steve arrington from slave on >at my homies<, one jt donaldson & tim k produced track, and the instrumental come on outside, produced by devonwho (all city/fat city)!

ltd 2010 repress !!! the second new jisco after a two year hiatus is the split between the revenge and 6th burough project. on the a-side >cadillac< is a stellar re-edit of hot chocolates >heaven is in the back seat of my cadillac< done in the usual jisco-slo-mo style. on the flip 6th burough project push things up a notch tempo-wise with a super-funky workout that just keeps building ending up in theo/moodymann territory. excellent stuff

the wise-woman clarissa is a figment escaped from the imaginations of andreaferlin and matteo spedicati. from her home at the very edge of the world, clarissa is master and maker of psycedelic rituals, orgiastic ceremonies and liberating chants. according to tradition, the encounter between the hazel duo occurs in the sand amongstthe looping, grooving sounds of a nearby dancefloor where music of such strong forces,sometimes tribal, sometimes psychedelic, compelling mortals into a gruelling dance thatfrees them evermore from sleep. first ep on sleep is commercial for clarissa hazel duo. face also sign the first appereance on sic of our friend ues.

special release alert! gene hooked us up with three tracks he producedd as a teenager, together with ron hardy. rons untimely death in 1991 prevented the tracks from be released at the time. these tracks were made during various sessions at genes studio, when ron had time in between his gigs. raw, original chicago house music from the late 80s! comes with special artwork featuring an original late 80s flyer

part 3 in the voyeurhythm series! retro futuristic house tracks by ben sun and monte carlo interchange. ben delivers a great track that builds around a sweet frankie knuckles kind of bassline and sexy ny proto house percussion, topped with lush piano and vocal samples 1992 rippin old disco records style. heavy hitter! flip side is a spaced out slomo cosmic house jam with a big bass line which goes between a classic 90s carl craig and a late 80s chicago house bassline ... sweeet! another cool release from these kind australian folks!

seattle/san francisco based techno label, from 0-1, drops a smashing mini-compilation for their debut vinyl release just in time for the dog days of summer. headlining this effort is >hethradia<, the very first collaboration between techno veteran bryan zentz and somas golden boy, lets go outside. >hethradia< is a sparse, heady effort set atop a sine wave-engorged bassline rivaling californias biggest swells. acid drenched bells and synths chime in from another dimension to round off an effort that stands to be emblematic of both producers more adventurous workings.

reyf (aka suedmilch) & eidner collaborate with some real musicans to discover the boarders of jazz, dub, house and techno and make their own smokey interpretations.

immaculate expansive night music. written and recorded between hungry ghosts studios in west london and a remote kent shed the attention to gear on both tracks is really rather special. the view is from above, the lights... are they on? there is life underground: these shall not last long.

collaboration between swedish techno producers nihad tule & nima khak, bangin underground dark techno

great 1985 synth-pop / new wave album by abc. b-stock items, because cover with incision (as you can see on the cover pic - b side)

the musique d hiver pour l ete is all about warm instrumentation with a special emphasis on an intentional lo-fi production. it might even be a statement in an age of digitalism and overproduction. it rides the line between romantic techno and sultry disco!

to share and to increase the love, to let the soul speak through the music, is a feeling which can hardly be described with words. with ôloving , i want to embrace the whole world, because this journey to the origins of electronic dance music in between modern detroit, high tech soul and house is coming from the very bottom of my heart.ö (johannes heil, 2010)

finally, the live virtuoso olene kadar is back again with release #4 on his homebase mos ferry! not only the really massive kick makes the a-side >deal< a true stomper, that might put a smile on every detroit fans face also a guy called gerald would be thrilled! kadar uses common sounds and styles to stack his own unconventional sound-building - his own >house<. driving is probably the adjective that can express most accurately what constitutes the eight and a half minutes track with its funky organ chords. the b-side >sot:2< contains an equally virtuoso ass-shaker. somewhere between industrial aesthetics of the reverberated snare and the indefinable squawking sound its elements combine into a multi-dimensional piece of >club therapy< full of extremes. the unity of groovy kick and bass constitutes a high contrast to the vast extending percussion that moves at times in dramatic and absurd dimensions. approaching the drop, the almost out of control snare rolls and percussion drown any crowd in their own sweat dripping from the ceiling.

in classical geometry, the triangle is the simplest polygon. the one which can be used to construct all other polygons. the root of them all. three points define a plane in space. thus resulting in the phenomenon that a tripod always has a safe and solid stand. three musicians teamed up to produce the triangle peul. in addition to the well known mr raoul k rollercoaster ride through moods from contemplation to euphoria, producing as part of a team adds a new dimension of dialog to his work. itÆs no longer just the communication between him and the audience, this time the communication that happened during the production process shines through. the fun, the deep concentration and the energy that everyone felt and committed is recognisable for the audience with ease. unsurprisingly, the triangle peul comes in three different mixes including a drum laden beatstramental for those who still like to mix.

sorgenkint is back! tracks between harder techno and acid -- back to rave

keith tucker is also known as k-1 and for releases on direct beat and puzzlebox. here he delivers a 3 track ep that is in between straight up electro and classic detroit techno stuff. very nice and warm melodies and mysterious female vocals.

after his >true emotions ep< and the marco bailey >muzik<-remix, mb elektronics invited davy dee back to hit us with another slamming release.
starting off with the perfect combination between house and techno: >the yellow screen< twists and turns. make sure to listen all 6 minutes of it because the end is not as you would expect. a splendid remix from kaiserdisco brings a more minimal feel to the track but keep enough of the splendid original version to remain groovy.
the flipside track >sweet violence< has many great sounds, striking bass-lines and gives you that vintage warehouse-techno feeling.
what better way to start your summer!

in 2009 a series of five anonymously produced ink stamped vinyl recorded releases appeared in the global techno scene under the mysterious guise traversable wormhole. the series released exclusively on vinyl. the sound of traversable wormhole is a unique signature of sci-fi laden techno music with gaps of time, space & bass in between sound & rhythm.

espania fast becoming the techno capital of europe! slight exageration perhaps, but maybe those days won t be too far away. the transhuman label bursts onto the scene with a very impressive 5 track ep from arcanoid and the transhumans. from the off, the label plants is flag slap bang in the middle between detroit and berlin, which geographically may be somewhere in the mid atlantic, but musically, you ll probably know what we mean. check postindustrial for a killer slice of techno the likes of which robert hood could be making these days

another sureshot of edits with one side between slo house and balearic, while the flip is a bass-led, percussive disco monster. check!

known for his techno sounds as half of polder, his solo productions soar between hypnotic deep house and techno. we reckon p stands for partytime!

this is a journey into our sound! an album in a reserved spiritual cast, thats complete down to its individual tracks. spin this record any way you please. from a pure jammed out playfulness there grew a sparkling conversation between the winds and those with keys ñ sometimes a rugged funk, others a finely-sensed jazz, and then completely improvised.

supported by: mathias kaden, marco carola, brothers vibe, nick curly, lauhaus, ray okpara, nekes, anthony collins, julietta, kreon, björn wilke, v.sexion, fimo, ramiro lopez.... the newest family member on diaphan music, named roberto amormino, a very talented artist from mannheim who in his hometown is well known for his special dj sets and for his very fine taste for electronic music. thats what he also shows us on his vinyl debut on the 6th diaphan release: 2 trax lockated between duby techhouse and minimal tool. soulful and pumping! on the flip side roberto gets huge support with a 12 minutes straight and funky rmx for >new day< from his homie johnny d. who by now is a name for nearly everybody in the scene. releases on labels such as oslo, deep vibes, 8bit, safari and his unipue sound made him one of the most popular artists of the last years.

this 12inch release comes with two functional tracks which enables the electronic music scene in excitement. the a-site kicks off with >fesselfete<: the designers of the track - j÷rg dinsher and julia husler- implemented a rhythmically complex track with this release. detached from insipid song-structures, the galloping beat leads through the eight minutes of the track. shifting hi-hats and smacking beat-elements, snuggle around the groove and influence in a spectacular style the sensed speed. the extra bass- pressure catapulting the - full of character - >fesselfete< directly to the floors of the clubs, where it scores with memorable features and powerful impression. the second a-site comes with danny d.s enthralling >lederpeter<. danny doesnt dilly-dally and starts >lederpeter< with a bulletproof beat. an atmospheric mood and a deep bassline creat the perfect balance between crisp and soft. he succeeds in creating a wonderful and intelligent transparency. the spell of monotonous passages gets an individual boost from a fantastic kick.

shelter style vocal anthem. we suggest that you flip right over to quentin harris fantastic instrumental mix: with its electro bassline, great string arrangement, sweet melodies and twists and turns its a perfect cross between the organic and the electronic.

summer killer tune! big with tiefschwarz, shir khan, matt walsh, turmspringer. as a record label klasse recordings acknowledge and develop the ideas between racing, electronic music and the man vs machine relationship. the concept of artist and founder luca lozano and agent daniel zedelmair, klasse holds up the classic spoked wheel design of a racing bike as a symbol of strength and unity which contrasts with the disposable doses of instantaneous gratification found on electronic music blogs and in so many discotheques that they have encountered on their travels. located within, but not constricted by, the genres of modern house and techno, klasse aims to evoke the depth and narrative of themes such as travel, movement and repetition, fusing the rich sounds of traditional wind and string instruments with the accuracy of synthesisers and drum machines.

some things seem to have a symbiotic relationship. prime example: a low-key electronic soundscape that leaves room for roaming thoughts, inhabited by an ethereal voice that colours in the musical silhouettes conjured in the minds eye. for his first ep since the >mango remixes< in 2008, sascha funke calls upon russian nina kraviz to make a feature appearance. with her releases on rekids, b77 and underground quality, this young woman has brought a rare combination of talents to bear: she sings, plays and produces with an equally astounding level of expertise. so what we have here is an encounter between of germanys most incisive techno producers and a singer of considerable charisma.

nominated as best upcoming artist in 2009 by sebastien leger, siwell for sure is following the path to the sucessfull career in the 2010. between a format b: collaboration, and chris lake remix, here he is on sphera, with this smashing release. useless to explain why it is hammered by umek, leger, knight, popof, format b, lake, lawler, fernandez, karotte and many more not to tell about the fact that bbc1 put it on the playlist !

supported by: jade , alex flatner, martin eyerer, monoroom , jackspot, fog, butch , mihalis safras, sasch bbc, felix neuman , nick warren , george morel , dualton , florian meindl, patrick zigon , emerson and many moore. after the great success of njam njam beats and runaway we proudly present the 3rd ep of helmut dubnitzky on our imprint . well known for his releases and remixes on labels like 8bit, microfon, glückskind, session deluxe, kiddaz fm or cecille, in 2009 suttgart based artist helmut dubnitzky launched prosperous his own label brise records. but continues with yellow tail ......so here it is :awesome new ep from helmut, his sound is a perfect balance between groove and rhythm , deep bass and drifty loops. with play & sing, helmut, a great artist and friend as well, profes one time more his talent for creating the perfect groove.

support from: magda, adam beyer, troy pierce, konrad black, ellen allien, damien lazarus, camea, alexi delano, tim xavier, joell mull, someone else, dilo, ambivalent , dustin zahn - british tech-house master mark henning is back on clink with an exciting collection of deep and funky tracks, perfect for spring and summer. this new series of artful tech-house encompasses our love for immersive and psychedelic music, and stays true to the fast developing sound of our imprint. the ep kicks off with the title track -supersonic- and presents all of the right elements that we love in trippy tunes: aquatic bass, transparent atmospherics, and an orbiting vocal to boot. the next two pieces, titled -cracker- and -baby chow-, feed us groovy tech-house on a spoon, immersing listeners with cadences layered perfectly between funk and melody. mark then rounds things up with a dance floor hit titled >sweet atom<, eloquently focusing on an energetic bass line that echoes amidst hypnotic percussion and waves of shakers. it doesnt get much funkier than this

erster aber bleibender besuch von oscar bei damm records ... wir hoffen auf ein wiedersehen .. 4 tolle tracks

>twin< from wikipedia, the free encyclopedia: >a twin is one of two offspring produced in the same pregnancy.< we doubt there is a relation in bloodline between the two artists that come together in this release, but there is definitely a relation in sound even before one might have taken notice from the other. one from the empire, the other from a fallen socialist country, but both pretty much on a similar understanding for music. welcome the extraordinary robaphex!

have you heard? grandmas doing the bird to the latest rock-breaking teen sensation, the wig-flipping chain & the gang. >(i ve got) privilege< is the latest volume in our international pop underground series of 7 inch 45 rpm records. young and old alike love the beat, the cranked riffs, just the overall vibe! you may, too, as soon as this package slides under your door. ian svenonius and chums have really come up with a winner of a dance task master, a real double-a side plate. chain (o.k., ian) croons on the first side, espousing the joys of being part of the privileged class. then he gets real confused about the relationship between cars and music (isnt it obvious?) on >detroit music<. >(i ve got) privilege< was recorded by calvin johnson at dub narcotic studio here in olympia, wash. breaking all the chains, in the best possible way.

toby tobias >you know< contains three tracks as a go-between for his debut album >space shuffle< and its forthcoming follow up. once again his range is impressive from the sexy disco of >a little bit more< to the modern house of >pinot soiree<. toby enjoys collaborations and works again with kathy diamond after the previous success together with >the feeling<, also this time he brings marcus marr into the light with his vocal on >you know its something<. still receiving praise as more and more people discover his album >space shuffle<. toby has not stopped djing around the globe while promoting a night and residency in london.

will sauls aus imprint returns with the lipsmacker ep, a collaboration between bristolbased bass enthusiasts al tourettes and appleblim. continuing aus recent trend of fusing elements of traditional house and techno with the sub frequencies and rhythms of dubstep, the ep comes as a slice of forward thinking electronic music that continues to reinforce the ever-strengthening relationship between the two musical camps

the environmental radiation dose on the moon ep is the first collaboration between zooloft and aconito records. the two labels are twinned in exploring the limits of techno, experimenting with structures and sequences and ultimately arriving at the place where the deep and dark sublimes. the ep opens with the child that was watching the moon a track lifted right out of the drone-techno hymnal. it starts with muddied, subterranean bass and builds not just outwards but inwards. filled with obtuse references and metallic rasps the atmosphere created is obscure and spectral. on the reverse the moon that was watching the child sounds like its been exposed to radiation. the sounds are distorted, as if created from samples of the genome unzipping. the arrangement is stunning, bells filter in and out and the layers smelt into one another. there is awe at work here, but its an awe that remains underpinned by terror. this release, mastered in berlin at the legendary calyx studio, is something of a record collectors dream. it will be released on solid silver vinyl in a very limited edition of just 200 copies. za000ltd should be enjoyed on wax, this wont be available digitally.

massimiliano pagliara is a producer who has quickly gained a reputation as a musician who can join the gaps between house, electronica and disco. his productions have already found their way onto respected labels such as eskimo, live at robert johnson, rush hour and now needwant. the original is an electronic disco work out featuring the talents of vocalist alessandro tartari. it harks back to the early italo analogue electronic era with a modern twist. on the instrumental it’s the machines do the talking with a scattering of guitar licks for seven minute electronic groover. originally from italy but now firmly based in berlin you can hear the influences of venues such as robert johnson or ostgut that massimiliano is a regular guest dj. the remix comes from celebrated low slung house hero mark e.

becoming real is a young producer residing in a forgotten suburbia, busy channeling his very own postapocalyptic vision of london. a spectre-like entity flitting between a range of electronic frequencies, his self-termed >ghost-step< sound is as much influenced by a conceptual future dystopia as by luminaries zomby & mount eerie. re-imagining the iciest of grime synths through a warped k records aesthetic, becoming real has forged a frozen universe that still retains an unequivocally human feel. charged with future-dread, this is music for seas drowned in oil, tar-coated forest landscapes, and a prophesised world of underwater clubs and haunted dancefloors. after a sold out debut white label release last year, becoming real is ready to emerge in 2010 with the release of >fast motion< / jens clock<, backed with a scratcha dva remix of fast motion.

its summer and suol welcomes here today to the squad with >qualify & satisfy<. here today is the collaboration between well known vocalist and songwriter florian schirmacher and his partner in crime engin oeztuerk. not only because of the upcoming world cup, but especially to invite some summer feeling into our hearts we got a remix by southafricans warp artist dj mujava..

after the more then excellent label debut fit 001 (pittmann) we have the follow up for you by jamal moss (iamthatiam, aka hieroglyphic being aka the sun god aka jack-fm.) as iamthatiam, moss builds upon the sounds of his citys rich musical legacy and directs it into an area that is his most definitely his own. his sound is expressive, experimental, emotional and powerful. within this ep there are three deep, dark and dirty tracks that blend the boundaries between techno, house, industrial and ambient electronic music. fit sound is a label that strives to push the experimental nature of dance music, and that is exactly what moss has done right here.

first on decks.de !!! oliver tatsch & daniel boon together for this summer release! inclusiv andreas henneberg remix! hyper strange is a mix between hyperactiv and strange & wuap wuap! with tribal beats and minmal techno sound is this ep very interesting and variable....

italian based eclipsemusics fourth outing comes with a serious release courtesy of passenger, talented artist whose productions can be heard on night drive music, paul macs sula muse, logos recordings and echoplexs soleil. this new 12 inch confirms his interest in the deepest and more underground side of detroit techno. >black varian< was the highlight of his digital-only release on radiance records back in 2008. eclipsemusics label manager instantly fell in love with it, and now, improved and remastered by aaron-carl (wallshaker, detroit), black varian finally lands on vinyl. with its evolving and ear-catching sweet strings, its delayed cascades of cymbals and pianos, swinging synth lines and subtle bassline, this is already a little new classic for the label, crossing the borders between detroit techno and deep, groovy house. the release is completed by two strong remixes: paul mac strips down the original and builds a dancefloor number keeping a few catching elements for massive impact. just out on connaisseur with her new album, estroe takes the track on an emotional ride creating new harmonic vibes while keeping the deepness intact.

played by: laurent garnier, dave angel, djulz, boris, trevor rockcliffe... no logo is a new, secretive project started by a group of producers who have between them released records on yore, rekids, moods & grooves and more. the label is purely about releasing quality underground beats

here we go again! with the >lucky numbers ep< we proudly present the next smashing release on driving forces recordings! dfr005 features a massice collaboration between us based kyle geiger (drumcode) & and uk techno legend jamie bissmire (space djz). this fusion brought out two mental and evil techno tunes called >lucky numbers< and >potential. both made to kick asses and early featured at dave clarkes >whitenoise< radioshow.
but theres more to come! attention should be paid to the mind-blowing remixes from the mighty space djz themselves and chicagos rising talent, submerge (mote evolver, fragments)

anyone who ever has listened to a live performance or a record of illeist collective knows of the difficulty to describe the sound they come up with. some say its big beat, some say its rock, electro or dance music. and as always, the truth is somewhere in between, somewhere along the lines of bands such as soulwax, digitalism or friendly fire. and the best way to find out is to listen to their energy-loaded, genre transcending and - most importantly - uncompromising music.

>united by hardness<, supreme collaboration between the stunned guys & art of fighters, official 2010 anthem of the wellknown united hardcore forces party, is finally out now on a wonderful picture disc.
the sound of the track is powerful and effective, the middle break is built up on a slow tempo hardcore kick drum, which takes you into the massive floorfiller melody. the lyrics speak for themselves!
on the b side the aggressive and strong remix by meccano twins on their typical style, a smashing kick drum, earbleeding grooves and noisy sounds.