first extract of his forthcoming album alone, words in a bottle sits right where we like to sit: at the border between house and techno. it s got the funk, the rhythm, the tribal beats and bassline that make you move. and its got the techno soul too. it s got the devil inside, but still feeds your mind with atmospheric waves of deepness. on the flipside, rodriguez jr., one half of french techno celebrities the youngsters, delivers the kind of remix you usually dream of but are never sure you re gonna get. it s a funky dark techno affair, with a killer hook.

disco tom drops these 2 smoking joints to hot up the party. no info given as to what these are, but the tracks speak for themselves. tom noble is a well respected, and even more well travelled, scholar of boogie, disco, funk, and points in between. he is also co owner of the oft celebrated lotus land record shop and label, and brother to andy noble, of the much hyped kings go forth, a 12 piece modern soul band who releases records on the mr. c record label.

here it is the first official ost on permanent vacation: gutterballs. gutterballs, by ryan nicholson, is a groovy, sleazy and pretty dang gory grindhouse revival slasher in the vein of the great 80 s horrorfilms. the film takes place during a midnight disco bowl-a-rama at a popular bowling alley, which leads directly to the great soundtrack by gianni rossi, who composed a mix between classic, goblin-esque, synthie flavoured, horror-movie soundscapes and uplifting italo pop/rock.

deep exotic tech house - incl nekes remix - played by nick curly/ luciano/ loco dice

killer release from the fbi guys. expect pure class electro between minimal and house with their recognisable touchà one for the dancefloor for sure, and a pretty good follow up to their two previous releases on the raw fusion label.

stanley anscorm has finished the follow-up to battle beyond the sun. you can expect two epic tracks on this nearly 30 minutes record. although the tracks are based on identical compositional material, they shine in very different color. the black side is of high density and impresses with remarkable bass figures which seems to grow on the fundamental principles of low frequencies. these figures are easily carrying loads of percussions and even an orchestral set of horns which does not seem to be from this world. the white side can be understand as a lighter interpretation of the same topic and it is thrill of its own to discover the intersections between the two tracks. sure, this music is nothing you listen to in an elevator - stanleys art demands attention, there is no doubt about this - but the reward you get if you listen or dance to it with an open heart is of a kind you might never come in contact with somewhere else.

this third sampler contains the excellent everyday, a collaboration between terry lee brown jnr and the timewriter. gorgeous deep house with a solid techy edge and a lot of soul! the plastic avengers remix of joeseph maliks believe and see is a raw, dirty tech-funk workout, whilst house stalwarts, 95 north, weigh in with a dubby house cut from ten years ago that screams underground! finally, man of the moment, sascha dive, has his deepest america cut remixed by samuel davis, and its a trippy, raw and minimal house swinger! a great 4 tracker, with a nice mix of deep and minimal to please most tastes

4 tracker by fiend & deathmachine. both rinse out with one heavy hardcore track, and one heavy breaks/hardcore kinda track, drum & bass/breakcore influenced. fiend - hell is an absolute dancefloor burner, even as want to know. both other tracks offer a nice mixture between beats & breaks! quality ep

forward strategy group follow up their seriously killer debut 12inch release >transect< with another fresh slab of monolithic, bass heavy techno entitled: >applied generics<. with support from surgeon, ben sims, marcel heese (tresor), samuli kemppi (berghain), grovskopa (token, audio assault) ++ applied generics has already booted a sizeable hole in the ceiling @ clubs worldwide. this new release was featured as part of ben sims and surgeons frequency 7 set on mary anne hobbs radio 1 show and as part of surgeons resident advisor podcast. the first offering is a skanking slice of techno with a shuffled re-sequenced edge delivering a cortex scrambling mess of barbed wire sounds wrapped around a linear, tracky beatstructure. this is a unique cut with a very distinct sound somewhere between berlin minimalism and dark wave uk techno. on the flip deep rumbling textures, ghostly tones and spectral, metalic chords lie in wait on the second offering, which takes on a more berlin influenced deep style pitching it somewhere in between basic channel and sandwell district. big

spagh recordÆs third release is an evolving house techno piece orchestrated by producers oil b and hip-j. the result is four tracks, between deep electro and house-techno, with a unique and gripping energy

our third release is introducing to you more intensely the musical personality of dairmount, founder & a&r of our the label. longtime independent music activist born in belgium (formerly known as philarmonix), dairmount is a natural born “freestyler” who embraced anything soulful & groovy since the late 80‘s, playing & travelling the world for 15 years. hamburg is the city where he settled down in the last 6 years and 2009 marks the accomplishment of his personal dream to found room with a view, shelter of his musical fantasies. friendship & challenge are two values that defi ne phil pretty well so it is no surprise that musical collaborations & versatility tightly express his musical approach and personal ethic. after displaying bass-ment tale, an old school house tribute produced with his partner in crime marino berardi, on the fi rst episode of the perspectives serie, dairmount is presenting subakuatik blues on his fi rst ep. recorded in 2007 with his good friend ralf petter, an “old cat” of the hamburg music scene, this track managed to capture the essence of these great studio sessions : phil’s natural obsession to create hybrid club material & ralf’s amazing engineering skills matching perfectly to create this sub-aquatic dream that resulted in the track name. lost in the world of analogue synths of ralf’s studio, they created a 9 minutes odyssey crossing the lines between deep house, disco futurism & detroit infl uences topped by a surprising “ravy” breakdown. phil approached naturally two of his longtime favorite producers to give their own perspectives of the timeless feel of the original : russ gabriel, who phil has always admired for the depth of his output on ferox, planet e or his own soul on wax, has signed a beautiful version of the track. extremely subtle & hypnotic, this remix is a true blessing & a great pride. mood music’s honcho sasse, old friend of phil, retouched with lots of love & care the track that he went crazy for and even realised 2 vers

enigmatic producer kaºpar delivers 4 tracks which vary from punchy electronics to breezy house. first track, in the club comes in a wicked gerd remix and moves forward with a driving, deep bassline aided and abetted by punchy drums, fluttering rhodes and kaspar & his friends tripping, stoned & abstract vocals. it s an 6 minute opus which navigates a shifting array of predominantly instrumental passages, featuring some fine solos and never tiring before its sudden end. house of cards and calvary centre themselves much more on kaºpar s versatile ability to create pumping house that leans to the new york sound and float between house, jazz and soul. the whole affair plots a course through a constellation of styles suitable for both home listening as well as dj-play. this is house, not the lazy off the peg kind, but music which lives up to its name!

(playgroup remix) techno as it should be, a dark, avant-garde battle between technology and emotion!

london s idjut boys (dan tyler & conrad mcconnell) and rune lindbaek of oslo are meanderthals. as longtime friends and fans of each other’s music they have discussed the idea of working together in a musical context for years and in 2008, they finally began to make those ideas a reality. throughout the year they traveled back and forth between oslo and london to create their debut album, desire lines. the album is due the 11th of may. but before that, this 12&#8243,,, taster of the andromeda (album track) as well as a idjut boys remix) a meanderthal is a theory by matthew tiessen about a human that is always in the way of others. whether it be the person on the wrong side of the escalator, the person walking slowly, the person bicycling on the pavement, it is essentially the person that stops the flow of urban daily life. on the contrary, lindbaek, tyler and mcconnell s definition does not see this person as a threat, but as a person that is completely in his own world – a slacker, musically on his own. this could also be a good description of lindbaek and the two idjut boys. meanderthals serves mellow balearic disco. a warm and dreamy blend of dub, folk, prog, kraut, psychedelia and 70s west-coast combined to invent an organic, slanted, and proggy feel. recorded live, the album features contributions from good friends, including pete z (dj harvey) on keyboards, des morgan (yamwho?) on drums and percussion, malcolm jospeh (grace jones) on bass, per martinsen (aka mental overdrive) on percussion and raj gupta (laj & quakerman) as sound engineer

having been nominated top producer of 2008 by sasha, their sound is a perfect crossover between house and techno... their remixes for fatboy slim , funkagenda ad most recently >gypsy< by steve angello have been a staple of many djs boxes. back with baroque now, and on their 3rd ep for us. kikkass is a slammin techno influenced slice of house music. with just enough melody to tease! the remix comes courtesy of russell g and steve haines, and doesnt dissapoint. a simply must have package

berlin/lausanne based avant-garde label minimood unleashes more advanced dancefloor devastation, this time featuring tokyo resident sackrai and legendary kompakt cologne techno knight heib. on a1 etecite remix heib gets serious and unveils the truth and love of techno at the same time by working a pulsating monolithic bass tugs at a pounding kick in his unique breathtaking manner! while sackrai himself dives into a rich tapestry of electronic jewel encrusted forward thinking minimal with twaye on b1. finally, sackrai provides a fine piece of beautiful understated minimal, where shuffling metallic tones recycled from a dubious eastern block factory find a home in the hypnotic space that floats between minimal and techno!supported by laurent garnier, martin eyerer, seth troxler, florian meindl, kabale und liebe, alland byallo, franco bianco and many more…

killer 12inch release from one of the best contemporary keyboards player out of the french jazz scene... somewhere between jazz, soul and funk.... blackjoy grant us with one of his secret formulas remix to take the track into other dancefloor dimentions... dont miss out!!

nice price deal !!! after releases on established labels like smallville, liebe*detail, cargo edition, freude am tanzen and more, daniel stefanik, sven tasnadi und stefan schultz (juno6) decided to provide their own basis in their hometown leipzig. oh!yeah! is supposed to be a platform for own productions that wont go with conventional and profit-oriented concepts. oh!yeah! wants to be different! somewhere between couch and dancefloor, if you like even a bit gaga. it shall reflect the freaky and humorous side of the three guys. one at a time, the releases of daniel, sven and stefan will appear in turns

it may have been fate that erphun s very first gig was on halloween, because his music is brooding, pounding, moody and transformative, as if from another realm entirely. his ability to build a mood is mesmerizing and transports the listener to that alternate spiritual level that his moniker infers. having spun around california with residencies for naked, flirt and hotel california and playing at 1015 folsom (san francisco), sevilla (las vegas), broadway (san diego), voodoo lounge (las vegas), risqu (las vegas, new year s eve 2004), and the shelbourne hotel (miami, winter music conference), erphun began to make his mark. erphun s music has been spun in clubs all over the world and is succinctly summed up by steve lawler as a deep, dark and underground unique sound that trademarks his pieces. with early releases on ingrooves, and ascension records followed by releases on viva music oliver klein s mutekki and audio therapy, his name is now instantly recognizable among the tech-house, minimal, techno world of spinning producers who globe trot his compositions to be dropped on every conceivable audience. the reaction of the listener to his slow, driving builds that weave between the almost symphonic-like movements of each of his pieces is always jaw dropping and is usually followed by an exclamatory siiiiiick! . erphun is also a highly sought after re-mixer for artists who want to hear the 4am version of their pieces. the only way to really experience this immense talent is to see him in action. a night of erphun s making heightens the listener s musical aesthetic and aurally illustrates his personal musical vision

he is italian and he is disco, whether this makes it italo-disco is up to you. the balihu act created melodic fresh music between eskimo, clone and permanent vacation. recommended

ken cesar and mario neugebauer are nuwalker, who made this 2x12 inch ep for cheap records in 2001. spaced out arrangements of voices around electronic beats form an irresistible soundscape to get lost in.

italian techno-soul promise roberto bosco has been getting the attention of many legendary artists lately. after his first works for orlando voorn and samuel l. sessionÆs labels, his talent has been soon recognized by be as one, signing his ep ôthe way is always the same , a two tracker of old school flavoured techno. the way is always the same is a stab-driven techno tune with a straight groove and an uplifiting vibe, perfect for those carefree dancing moments. already road tested by a few lucky ones.on the flipside, the slow paced dub piano is a deep number of pure emotionally-driven music, crossing boundaries between dub, house and techno. a wrapping heatwave which will warm up hearts and souls at every airplay

this is the 1st ep of rheintime records, the new label of the cologne based techno club no. 1 called elektrokueche. the release comes along with 4 peaktime floor filling tracks of minicoolboyz, demir & seymen, chisee and dompe. on side a there are 2 straight techno tracks with dark synth elements. side b is keeping a massive bassline groove combined with deep and techy chords and moves between techhouse and minimal tech. nice white vinyl!

fenou #8 - dapayk & padberg on fenou - yes! following up their brilliant >black beauty album< on fenous parent label mos ferry in 2007 and the two album remix records last year this is something new, and different. ok, the duo already had a fenou-like moment with the remix of island (feat. caro) by noze. but this a-side >sugar< shows exactly what the genre description cute minimal electronica actually means. its somewhere between clubby, but distinctive electronica beats, a vocal taht reveals a definite pop-appeal and some lounge-like tunes. the b-side >soir< by dredl kibosh is quite different from that. its a deep and relaxing track developing very slowly to leave a feeling of zero gravity in the end. thereby its not as complex as ezekiel honigs seaside pastures pt.1 on fenou06, but continues the laid-back side of fenou in a perfect way. consequently, the fenou no.8 is presented as a limited edition of 10 records

>not my cat< is a brooding fusion of bubbling acid, deep bass tones and low-down jacking rhythms that treads a line between early doors groover and late night mood setter. >demons among us< is exactly the sort of cinematic-style club production that will resonate with fans of charlies work. forging together multi-textured layers of precision crafted sonics, the overall vibe is one of minimized, robotic-funk that provides the foundations for a killer shimmering melody to do its joyous damage.

this is the 6th record from a set of 6, ranging from atlantikwall 019 to atlantikwall 024. intended to be sold as a set, but were mainly sold separately. all tracks previously released between 1992 and 1997. except for l1 and l2 which were previously unreleased

this is the 5th record from a set of 6, ranging from atlantikwall 019 to atlantikwall 024. intended to be sold as a set, but were mainly sold separately. all tracks previously released between 1992 and 1997

rare electro classics fom unit moebius. this is the 4th record from a set of 6, ranging from atlantikwall 019 to atlantikwall 024. intended to be sold as a set, but were mainly sold separately. all tracks previously released between 1992 and 1997

rare unit moebius tracks on the vinyl. this is the 3rd record from a set of 6, ranging from atlantikwall 019 to atlantikwall 024. intended to be sold as a set, but were mainly sold separately. all tracks previously released between 1992 and 1997

played by dj koze , mathias kaden, laurent garnier... philpot records proudly welcomes reggie dokes on board. the owner of awesome psychostasia recordings in detroit and well known producer for the detroit beatdown posse as well as theo parrishs sound signature drops with the >rain redemptive love< ep his first release on our label. >love< got this amazing typical reggie-groove: rollin percussions meet melodic sequences, forward-pushing beats go hand in hand with charming piano chords and lovely strings partsàvery psychedelic! the second title >rain on me< is a deep mover par excellence, an arrangement between very dry and percussive beats and twisted arpeggioà. italo without the cheese! finally >black children of the ghetto< (taken from the album >my electronic mind< as a vinyl exclusive) rounds up this 12inch, slowing down the tempo and totally trippin out on its repetition. thanks for purchasing a real copy!

markantonio s analytic trail label has been instrumental in creating what is now recognized as the neapolitan techno sound. strongly influenced by their house roots, the labels inventive approach has seen them feature the likes of rino cerrone, valentino kanzyani, the advent, davide squillace and paco osuna. analytic trails its what i like series of ep s has previously featured cuts from a mixture of household names (joy kitikonti, the advent,valentino kanzyani) as well as unearthing some of techno s most exciting new talent. this latest ep focuses on three new names who are making waves with their music. already an emerging name within the naples scene thanks to his work for labels like glowbox and capsula, francesco gemelli typifies the sound of italy with a driving goodtime romp through an array of rubbery tonal synths and acidic bass croatian, vladimir acic has forged a strong reputation playing alongside the techno greats at exit and impressing umek enough to snap up his productions. here he shows why with a fast paced trip through warped flickering tech moods mark morris completes the trio on show on this ep. choosing a style that sits between funked up tech and wobbly minimalism, play with me retains a strong identity with italian techno via a funky bassline but adds a linear restrained vibe.

big time summer release! the sd records imprint has build up a steady name with rock-solid releases that switch easily between genres like techno, house and electro. the overload ep by mark du mosch follows this tradition: it s timeless, deep, warm, melodic and above all, very danceable. titletrack overload is a dancefloor monster with a devastating low end and an almost ravey feel to it. genesis is deep and repetitive with fragments of lost melodies drifting to the surface. summer breeze has the perfect title: it s pure musical sunshine for those warm summernights. the beautiful in the clouds takes off with floating melodies that slowly develop into grooving rhythms. a perfect finishing for a perfect ep that will be in many records bags for a long time coming. summer starts early this year. don t miss it.

great dubby electronics between sven weisemann and aphex twin

tyrant is the dj duo of craig richards and lee burridge, who operate as a team in the booth, resulting in a most distinct mix previously unheard. while other mix discs might split chores between two different jocks, tyrant are very much a solid unit.

with browse dplay is pushing things forward and proof that a laidback tune can cause some serious action on the dancefloor. it is a journey into the future but always referring to the past. it is somewhere in between disco and house and even catches the spirit of legends like roy ayers. on the flipside theres a deep and techy remix by ribn, which are dplays homies langenberg and manuel tur out of essen.

enigmatic producer kaºpar delivers 6 tracks which vary from punchy electronics to breezy house. first track, in the club comes in a wicked gerd remix and moves forward with a driving, deep bassline aided and abetted by punchy drums, fluttering rhodes and kaspar & his friends tripping, stoned & abstract vocals. its an 6 minute opus which navigates a shifting array of predominantly instrumental passages, featuring some fine solos and never tiring before its sudden end. house of cards and calvary centre themselves much more on kaºpars versatile ability to create pumping house that leans to the new york sound and float between house, jazz and soul. the whole affair plots a course through a constellation of styles suitable for both home listening as well as dj-play. this is house, not the lazy off the peg kind, but music which lives up to its name

after a recent guest performance on seuil’s eklo label, michael melchner - the young producer and dj from nuremberg - is back with another stunning ep for cargo edition. melchner is the resident-dj of the ‘kiss klub“ party series at nuremberg’s famous club ‘die rakete’, and music aficionados will have had their eye on this up-and-coming artist for a while now. this time around michael melchner dishes up three top-notch house tracks for us. “you understand“ is techhouse at its best, where he deftly holds and rides that balance between deepness and the dancefloor. a continously forward-pushing bassline is combined with a mysterious vocal sample and restrained breaks. „wooob“ grabs you with its devastatingly simple rhythm, while the bassline cuts through with a high dose of funk. topping the track off we have a vocal loop that shows off michael’s affection to the musical beginnings of house. this ties in nicely with the ep closer »just a skip« which reminisces over the sound of chicago. profound melodies, skillfully arranged vocal samples and a whole heap of soul suggest that michael melchner may just have produced a modern house classic. so again, just like on his first ep for cargo edition in may last year, michael melchner has managed to paint a musical portrait combining the present and the past into one classic moment.

hudd traxx welcome romanian wizz kids mihai popoviciu, jay bliss & toygun aka hermannstadt collective to the label. between them the boys have had previous releases on immigrint, high grade, smoke city and have also had music licensed to circolocos 10 year anniversary comp on moon harbour. hottly tipped as ones to watch in 2009!! dj support: jesse rose: sounds good! laurent garnier: nice groovy house ep, works great, would love to play it pezzner: hey im totally loving it brett johnson: some quality deep house

having forged a keen army of converts to their late night audio nights & establishing a reputation as one of londons best underground parties, it was only a matter of time before they started their own label to release the music they & their party people love to dance to. expect the finest in deep electronic house, balearic boogie and italo flavours, all expertly mastered onto luxurious vinyl with slick graphic artwork. the first artist signed and to be released on the label is french/u.s producer kevin lemonnier recording under the name of das volt. this man uses no plug-ins and a resolutely old skool production philosophy. utilising all analogue signal paths through outboard and vintage gear. his music is justifiably compared to the luxuriously warm and pared down output of metro area, capturing that legendary period between disco & proto house by being a stickler for authenticity. gestures is a modern take on the electro boogie sound, pizzicato strings, silky rhodes and fat bass all blended to create a dance floor gem. fantasy is a modern italo disco classic, with epic pianos setting the mood over a driving trouser flapping bass line. remixes come courtesy of italian outfit telespazio s fabrizio mammarella - who does his deep electro funk thing with immediate dance floor effect, and toby tobias of rekids and late night audio fame, who completes the package with a killer balearic boogie interpretation

we kickstart 2009 with a big release! a collaboration between gregor salto & sidney samsons imprint samsobeats and sneakerz muzik. sidney samsons riverside is a radical piece of rhythmic techno and raw synthstabs with a dutch twist. already tried, tested and approved over the last three month by deejays like laidback luke, ericke and david guetta, this new production by sidney samson could be his international break. this remix package includes new versions by prok & fitch, rene amesz, ralvero, afrojack and randy santino.

there are two kinds of djs: those whose goal is to make a name for themselves and those whose goal is to make music. parisian chris carrier is among the latter. matter of fact chriss been an underground icon for more than a decade, churning out more than 150 records and remixes. meanwhile hes founded a whole fistful of labels, including the renowned adult only and catwash, alongside dj wild, as well as bringing his vision to labels such as get physical, robsoul, freak n chic to name but a few and - most recently - spectral sound, supplement facts, welcome to masomenos & sushitech. bringing his diverse style to the sexy, deep, techy house vibes, chris is more sought-after than ever. kailash is proud to present is new ep 3 tracks + one remix from blm & marcashken. the chris carriers tracks are really complete between funky jazztechouse and old school style. good grooves and efficient for the dancefloor. the blm & marcashkens remix is a pure techno bomb !!! support by : adams families.

lim clear sexy red vinyl! after ues three massive bombs played by the likes of richie hawtin, loco dice, luciano and mathias kaden. 24 has the percussion line hooks which wander off in a full melodic bliss of over 10 minutes and a serious dose of forward thinking club music and a must for spring 2009. for his second release on resopal, the busy italian has come up with what we believe is a perfect mix between his dancefloor side and his newer material with a more techno-ish touch. 24 is a hard-hitting piece of percussive techno, while somebody send me love is a deeper, slightly hypnotic minimal affair still with the serious injection of funk that underlines the a-side. the remix is done by cecille recording artist ilario allicante who delivers pure summer joy

since the early releases from the mid nineties, every muscial statement made by this man must be investigated. never one to put a step wrong, the sonic mind sound became instantly unique, raising the awareness of the techno community of what lay between detroit & chicago - kalamazoo.in the 21st, now residing in poland, the d knox sound continues to develop. whilst maintaining the acute instinct for getting all elements of tracks in beautiful balance for the maximum techno funk & groove, each track carries a lightness, maybe even translucent quality of sounds so characteristic of his style. once simple question - do you have a sonic mind

analogue rules !! >pay the toll< e.p is the new statement of restoration records. this e.p has been produced only with hardware equipment, no computer have been involved in the process of the creation of the music, its the fruit of the interaction between man and machines, its the exploration of a moment. music is a sacred thing.

delphic are the real deal, the missing link between the chemical brothers and new order, between underworld and muse. sounds like a classic rave anthem

heres one of the jewels in the vvwi crown - a dark, smoky collaboration between tim sheridan and king roc described by sebo k as >great. very unique<. its a moody diversion from the european sound thats been a hit from tims birthday gig at dc10 to king rocs recent fifteen-gig stint in brazil, including the nye party on pratigi beach he called >one of the gigs of my life<. and now it comes with two new remixes - a more techno king roc rereub and a bouncier retake by vvwi stalwart andre crom...

stacking up an intimidating amount of industry knowledge and skill between them, the spektre monster is storming from strength to strength, taking no prisoners… incl ahmet sendil/koen greoneveld mixes

played by luciano, lauhaus, kabale & liebe and many more. its about time! with >channel by channel< markus homm presents his first solo ep on highgrade. until now, this cosmopolitan citizen of the world, who shares his time between hong-kong, moscow, london and nuremberg – has been part of the successful collaboration: homm & popoviciu. one vinyl ep and three digital releases have already made a strong impression with the highgrade faithful. with this ep and its four groovey house tracks, markus homm signals the springtime. the title track >channel by channel< already foreshadows where this journey will end: fleet footed rhythms meet sweet chords and result in a sunny house groover that immediately kills the winter blues >torn< on the flipside is also built around an irresistible melody, while >xpander< (b2) gets things moving a little faster towards the end. proving again, how skillfully markus homm can create a deep groove from his handpicked melodic elements. it doesnt need much imagination to understand that these three classy tracks will bring their euphoric impact to every dancefloor they touch. thanks for letting the springtime roll, mr. homm!

after releases on established labels like smallville, liebe*detail, cargo edition, freude am tanzen and more, daniel stefanik, sven tasnadi und stefan schultz (juno6) decided to provide their own basis in their hometown leipzig. oh!yeah! is supposed to be a platform for own productions that wont go with conventional and profit-oriented concepts. oh!yeah! wants to be different! somewhere between couch and dancefloor, if you like even a bit gaga. it shall reflect the freaky and humorous side of the three guys. one at a time, the releases of daniel, sven and stefan will appear in turns. we save our breath and cheesy speeches the music speaks for itself. have fun with oh!yeah!001,