seattle hip-hop collective are back with their new album “the don of diamond dreams”. limited loser edition on sky blue vinyl with download code included.

seattle hip-hop collective are back with their new album “the don of diamond dreams”. regular edition on black vinyl with download code included.

first release of 2019 for ice city and this one needs no special introduction. one of the ultimate -crossover- soul records - ever. mid 70s chicago masterpiece pamoja written and produced by keith stevenson. -oooh, baby- is an uptempo soul groover designated to light up any proper dancefloor. due to its scarcity and overall demand, it has become a treasure hunt nightmare for cratediggers worldwide. finally, the official reissue is here! and if that s not enough, flip the 45 over and go deep on the ballad -only the lonely know-, with the throbbing, shrill falsetto vocals from keith himself.

after releasing hvl s away from everything we know 12inch back in 2015, organic analogue welcome the georgian producer back to present his long-awaited debut album. as a resident of the much-vaunted club bassiani, hvl conceived ostati as a document of the sound of tbilisi - centred on warm, outboard house and techno but with a noticeably understated mood. the club tracks take a pared down approach that favours space and meditation over bold brush strokes, but between the teeth-gnashing bite of -askinkila- or the rough and ready acid workout -continuum,- the sound is gutsy and dripping with character. ostati spells out a space where dim lights and mysterious corners provide a playground for wild ideas to dart around in the dark. the overall atmosphere may appear subdued, but it s merely a cover for the fiery spirit lurking underneath.

repress incoming! snts is an underground techno label, commitment to the vinyl format as the main pillar and overall bring the electronic in the anonymity.

stemming from a period of reflection and adaption, “of time and actuality” expands imbue’s embrace of fusing contemporary minimal house grooves with original instrumentation, resulting in a multi layered and modern interpretation of electronic music.
the miami-based trio, consisting of maximiliano cortes, ignacio vallejo & eduardo j. alvarez, presents “of time and actuality” as the second vinyl release (“imbue” - feb. 2017) on their eponymous imprint, and third overall (“abstractions” - digital, dec. 2017). after several collaborations receiving notable support, ota features a joint composition with rojid (uvar, algorythmic, why so series?) titled “everybody”.
grey marbled 180 gram vinyl only release, housed in a printed sleeve.

the noir music sub-label relaunches itself with a bang – a heavy double a-sider with strong remixes from skudge and andré kronert – finished off with a nice new overall cover artwork.

two of the most refreshing artists in drum & bass today, villem & mcleod deliver their lp vision on spearhead records. having made waves throughout the scene in recent years with releases on a multitude of labels, their musicality mixed with dance floor flare sets the scene for the debut long player. funky, introspective at times, the album travels across v&m’s sound palette to create a beautifully crafted showcase that cements their status in 2018.
-we wrote the lp over a two year period of dramatic changes for us both, girlfriends, marriages, births, and deaths, it was this that fed back into the album. us trying to navigate our way through life, using that as inspiration to complete a dream we’d always talked about. writing an album is a different challenge than writing singles or an ep, it takes you deeper into how we want our sound to be remembered, more thought of the overall aesthetic, and ultimately more satisfying once we had completed it.- villem & mcleod 2018

2018 repress on black vinyl incoming!
snts is an underground techno label, commitment to the vinyl format as the main pillar and overall bring the electronic in the anonymity.

we are proud to present the first ever vinyl issue of jon krocker’s debut album ‘monolog’ originally released on cassette in 1983. the 12 instrumental tracks are stark and minimal, at times anxious but overall space orientated and flexible. all songs are remastered for vinyl by george horn at fantasy studios in berkeley. each copy includes an 8-page newsprint zine featuring ephemera, press clippings, photos and liner notes by jon.

new yorker electronic producer dj spider is back on itay’s out-er with a muggy, abstract techno release “human erosion field ep”, similarly to its debut “v ep”, released in september 2017 and produced in featuring with his longtime friend phil moffa.
italian label out-er presents its twenty-sixth release continuing to explore the diverse musical path between house, techno and experimental electronic - which appears in most cases on out-er’s sub-label pregnant void. “human erosion field ep” otherworldly showcases both a radiant take on electronic as well as gloomy and wild-eyed pieces, an aesthetic approach for which dj spider has been most known in the scene. overlooking to the style of the tracks, the release does contain a sinister mood and a dense, solid sense of groove overall, a typical recurring feature of the producer’s previous outputs.

repress - snts is an underground techno label, commitment to the vinyl format as the main pillar and overall bring the electronic in the anonymity.

external assessment vs. self-conception by robag wruhme: people always think, im that serene and quiet guy, but actually i’m quite a noisemaker. could be that the majority of the material he put out in recent years, most notably the thora vukk album, led to the overall apprehension of robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. well, thats far from being a misconception, but still just one side of the coin. the other side is embossed with his most current productions, consolidated to a double ep, captioned with the enchanting name wuzzelbud ff. wait a second wuzzelbud devoted fans will instantly prick up their ears. we’ve heard that before. back in 2004 robag wruhme released his first longplayer named wuzzelbud kk. as theres no such scenario robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. and it is. wruhme presents wuzzelbud ff as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. wruhme cuts to the chase: i wanted to put out some straightforward music for the dancefloor, something for the primetime. well, for the primetime of my sets, at least.

4th tilly jam with four deep disco / house slammer
folks, here is tilly jam number four, served by till von sein with a striking can’t stop, won’t stop attitude. as if the first three fourtrackers were just heating things up, he’s firing out another ensemble of four to bring serious exercise to the floor. “say say say”, the opening title track of this ep checks many trademarks its originator is known and praised for. an explicitly soulful affair, even flexing some g-funk muscles here and there. crackling vinyl noise in the background, warm and thick bass footing, a bassline doing the filterhouse-routine and a sample heavy arrangement that even gets a boost-up after half of its running time. then there is “shadrach”. go do some exegesis if interested where that name stems from. we can assure you, this jazz-infused build-up including nervous hi-hat patterns, a boldly bass groove, a frenzy drum-solo, inciting chants and a horn section scaling things up, stems directly from peaktime heaven. and on b1, “impala” is taking up the thread of this rather outgoing vibe, tvs is going for with this set of tunes. find an energetic beat providing the ground work for filtered adlibs that kinda nail what comes to mind when this track gets mixed in. “whoo-hoo-hoo” – that’s right. just add some subtle percussive lining and let a saxophone take over and you’ll have another trigger for floor-ecstasy at hand. cooling things off a little bit it’s “baden powell dr” as closing cut. tilly is winding up the melancholy-meter on this one, reversing elements and by adding pianochords and synth-pads, infusing an overall mood of wind-whistling summertime-sadness

label head steven rutter joins forces with john shima (fs005) on this bright ep with its direction turned towards the light. the heavenly ‘skywards’ leads the way upwards with tenderly treated spacious drum programming and light-as-air atmospherics while darker and deeper cavernous tones create the yin-yang balance of lightness and dark. ‘broken spell’ continues the uplifted vibe of a spell that when broken, blooms open with an intoxicating permeating sweetness like an exotic fragrance that lingers in one’s memory. ‘a new day’ leans slightly more towards a heavier driven track featuring a funky bassline with bright electronic notations as counterpoint while drifting, dreamy pads keep the overall mood airy and light. the off-kilter knob is turned way right on the bouncy final track ’disjointed route’, injecting dashes of wry quirk alongside a lightly moving groove.

lab personnel is a very intriguing collaboration between a number of producers hailing from croatia. members include zarkoff (member of sumerian fleet), neon lies, ikonal many more (total eight members). the tracks were recorded during synth lab 4 improvisational sessions in pisak in 2017. the album is a dense and stormy affair overall with mesmerizing and dark synths. the styles presented drift between genres including acid techno, electro, ebm, and other hybrids. all instrumental, the lp is a brooding journey into diverse techno soundscapes with eight strong tracks that will not disappoint.

after the launch of her own label, frizner electric, ladymonix takes another step forward with her debut release. the opener & title track bc i want to is a deep and sensual body mover, anchored by empowering vocal samples that make no apologies. . the mood cascades from curiosity into downright permission. know what then takes over with a potent house beat and more strapping vocal cuts. the temper of this track begins liberating and lush, spiraling into a mirage of uplifting sounds for the final 3 minutes. tying the threads of the ep into a final knot is in flight, a soaring track that blends the energy of an evening into the power of the night. charming and eccentric beats run smoothly from takeoff to landing, making for a steadily blissful atmosphere. overall, bc i want to is a divisive house recording that can be admired from the dancefloor & from the bedroom alike.

holic trax takes a trip to the far east to celebrate the finest in japanese house music culture with a split 12inch from veteran producer takecha (aka takeshi fukushima) and label boss tomoki tamura. takechas productions roll out like reams of silk, peppered with cheery midi horns but not at the expense of the overall deepness of the tracks. kiara to sarara is especially infectious with its sprightly jazzy demeanour. tamura takes a tougher stance on the b side with the techy tones of taiyo mo nai and then hits up a classic house tone for the subdued but focused prhthemic.

ascetic limited is shifting gears, focusing on solo eps dedicated to the artists that form the collective. to kick it off they present an ep from renowned milanese techno producer wrong assessment, who throughout his career in techno has proven himself to be one of the most interesting producers coming out of italy. from his collaborative works with the late max_m as overall severity to his solo works as wrong assessment, his tracks are always unique. influences ranging from minimal to hard pounding techno bangers, through house grooves and ambient arrangements, he still is able to transmit his sound and vision with his music.

out-er sub-label pregnant void is proud to announce the release of hi.mo’s debut album “urtiis”. landing on double vinyl in june 2018, it is a fantastically absorbing showcase of the italian’s weird and wonderful fusion of various strains of sound from jazz to hip hop to classical. “the alteration of conventional musical patterns thrills me”, says the artist who is classically trained in piano and uses that knowledge to play with rules, structures and forms. influenced by idm, african drums, jazz and the interplay of chords, rhythm and harmony, hi.mo infuses his electro-acoustic productions with found sound samples and analogue and digital tools. this is a spelling-binding and intimate album that is filled with invention, but never at the expense of the overall experience, which is beautiful and beguiling throughout.

repress - snts is an underground techno label, commitment to the vinyl format as the main pillar and overall bring the electronic in the anonymity.

when harold boue aka abstraxion invited fantastic man into his studio after playing together the night before he didnt knew he was planting the seed for a new project. as he recalls, it was a day of intense sun in marseille with not enough sleep, but the result was so great that it inspired harold to work on new tracks around the idea of creating music to reflect his city: a bit rough, but luminous and influenced by elements of mediterranean, african and northern european cultures. this has translated into a heavily percussive sound, in which tribal disco grooves invoke the spirits of voodoo-techno. three cuts driven by warmly distorted rhythms, bursts of primitive drums, rubbery synths and uplifting chants that overall feel like the first sunrays after an excursion through a dark cave: both blinding and blissful. the projects name is a tribute to the astrological sign of harolds son, who was born at the same time as the music on the ep. it was the definitive signal he needed to convince himself it was the right time to start something new and different. and an event that for sure helps understanding the vibes that this music transmits: as pure, fresh and powerful as only a new beginning can be.

coming from different regions in france, violent quand on aime’s members have joined forces to canalize their energies into something truly essential. far away from hype and expectation they have created their own peculiar world. expect a certain electronic griminess with hints of 90’s hiphop, postpunk alienation and an affinity for musique concrète. the overall experience is similar to the excitement one feels when hearing something genuinely original. this mini-album is the follow-up to their very impressive 7” on le syndicat des scorpions.

northsouth records invite emergent talents chris geschwinder and henry hyde to whip up some dazzling peak time house fare, with each artist presenting themselves across two tracks. geschwinder is up first with the charging modern axis of evil, matching the haunting purr of the lead synths with an insistent kick and clap combo that can t be argued with. hes no slouch on in 2 either, getting into a subtly lopsided and seriously swinging spot that its hard to wriggle out of. henry hyde too seems to have a focused vision for what they create, fusing the pops and wobbles of minimal and matching it with the overall bulbous nature of the music on northsouth.

pushing movies is a collaborative project from jeffrey sire and dimitri soemotional that celebrates the vintage tones of italo disco, synth pop and all things slick and 80s. -thinking about you- does indeed sound like it could have been made 30 years ago - from the slap bass to the reverse drum fills, plastic fm synth lines and overall aspirational tone, it s the consummate extended 12- mix track. lauer takes the original and smacks it up sharp with some tougher drums and a greater sense of urgency, and then fort romeau takes a subtle approach that keeps much of the original spirit of the track intact while honing the edges for maximum club play and using some cosmic synth flourishes to devastating effect.

known for releases on labels like overall music, innercircle and frole records, back to basics regular barnsley begins 2018 by returning to his vessel records imprint with big move ep . consisting of two low-slung originals, the release also includes remixes from bass culture founder d julz and cabinet records bosses cabdrivers. a compelling groove lays the foundation of time whilst quivering synths operate throughout, leading into d julz s remix that twists the original into a moody roller with tightly executed 808s at its core. forgiveness starts with clanking percussion as melodies add to the heightening atmosphere, while the cabdrivers remix takes the key elements of the original and plays with the harmonies to make them coarser.

a freshly constructed something analog disk has landed on planet earth in good faith and with the target to shift emotions, bones and your interiors. join the overall thrilling tune of this 12? with open ears and it will flow neat-sticky through your ready made receivers directly into intuitive grounds with the purpose to move, amaze and captivate. the sounds on stephan laubners new something vinyl are raining down straight out of deep blue skies. its unusual approach is coming nice yet mind-boggling and will vibrate your inner corners as soon as youve spotted the musical language within these stl translated rills. experimental circuits entangled with friendly sick delightful noises are navigating the record grooves of this lovely vinyl from first touchdown, up to the loop driven never-ending eternal endings. its like a cat-eyed walk with your exclusive night vision goggles in well known districts, deep down to the center or your senses. stls patched up noise has been machined and operated solely with modular gear plot-wise, and also includes those infamous stl drum momentums and dirty dim trademark touch, that you can find nearly everywhere with his sound sculptures. something vinyl series 30 is ready now to broadcast from your turntables, in order to send out joy & sincere emotions. it will silently knock on your secret shelter with the best & positive intentions.

since the release of their critically acclaimed debut album in 2013 on names you can trust, la mecánica popular has quietly been contemplating the evolution of the group s sound, philosophy, and overall approach to making music. band leader efraín rozas experimental nature has continually pushed the boundaries of his own definition of not only latin american music, but its broader relationship with music s global culture and history. the sound of -psychedelic salsa- that lmp helped capture in their debut was destined for further outside-the-box interpretations, and with the formation of a new quintet lineup over the last few years, lmp began to incorporate a more free, improvised and instrumental-focused performance of rozas increasingly radical compositions. the band subsequently took this liberated approach directly into the studio, recording roza cruz live, in its entirety. it was a cathartic experience, a necessary methodology for the new album s concept that embraced the intimate performance of its players and did away with standard techniques of isolation and overdubs. the evolution of the band s sound on roza cruz brings forth a blend of styles rarely heard together, a touch reminiscent of electric-era miles davis or eddie palmieri at his most experimental, as the driving force of timbales and congas provide a bed for a wave of lush, analog amplification that mirrors the dueling leads of fuzz guitar and electric piano. but as far out as those instruments take the listener, the raw rhythm the clave always keeps it tethered to the earth and the dance, a cerebral yet visceral gift for the mind and feet.

cititrax is excited to present the third in a series of four song samplers showcasing the talents of some of the most innovative producers of the moment. cititrax: tracks volume three features the a powerful new collaboration between amato (aka the hacker) and mariana saldana (medio mutante, boan), the brutal industrial techno of barcelona based british producer the sixteen steps, a polish mastermind based in miami known as his dirty secrets, and the nyc underground duo further reductions (shawn o’sullivan and katie rose). the overall sound can be described as modern, uncompromising and guttural. each artist reinvents dance music by bringing their own unique vision to the floor. artwork designed by veronica vasicka and sourced from polaroids shot in nyc clubs in the 1980s, cititrax: tracks volume three is pressed on blood red clear vinyl – limited to 999 copies and housed in a matte printed sleeve.

as a polychrome composer, laurent perrier is developing his work through a large number of projects which, although they often share many common points, are all built on a strong identity. thus, zonk t has always been a way of exploring the most ambient fringes of dub, and the transition from the all-digital to compositions made entirely on modular synthesizers has overall not changed its approach in depth. yet, banburismus, whose unlikely title comes from the crypto-analytical process developed by alan turing during the second world war, begins by taking us by surprise with a long luminescent drone that seems to rise endlessly before dissolving little by little in a wall of echoes, glitches and distorted voices then make way to round and deep basses disturbed by metal peaks on which float distant blips, like farway echoes of the secret messages decoded by turing. real master stroke, this track occupying the first face of the lp is a trip in an ether much more populated than it seems. shorter, the three pieces of the b side participate in the same atmosphere, but still extend the sonic field. more stripped, more airy, more cosmic, banburismus achieves there new heights with ease. we could be tempted to play the game of references and try to put zonk t somewhere amongst the great experimenters of electronic dub. but who cares,, banburismus is well beyond categories, and laurent perrier, by cracking the code, opens for us the doors of a universe of disturbing and fascinating vastness.

spanish techno artist aiken is back on his own timeline label with another ep that offers up four more of his evocative takes on the genre. it comes after previous outings on non series and semantica and is his label’s first release since 2016. “basic principles” is up first and mesmerises with a pulsing lead synth line that forever changes shape. pummelling drums power along below and add up to a disorientating and hypnotic overall effect. “theory” is deeper and more rubbery, with manic synths and pads all racing along and pilling on the pressure while “midline” is right out fo the jeff mills playbook with its molten sci-fi synths journeying through outer space. clean, crips drums are upright and taught and get you on your toes, then “restriction” closes things out in superb minimalist fashion. this ep covers plenty of ground, and all of it is utterly compelling.

deepartsound, perpetual rhythms, osunlade s -yoruba-, and many others – -about u- is trinidadian deep s first release for croatian label burek.

born and raised on the island of trinidad and tobago, today a place this producer calls -home- is found on various locations scattered all over the globe and a variety of influences is what is immediately evident by rich sounds and textures engraved onto this piece of vinyl.

a side, -i want- is the most laid-back moment, in lack of a better term. warm-sounding tribal percussions supporting the interaction of deep chords and wonderfully lush synths running thought the whole track only to get enriched with a beautiful piano line in the 2nd half. if there is track fitting to represent the sunset, that transition from day to night moment – -i would- is the one.

b1 -ghost- is the track on the record with the most forward-momentum. deep tribal rhythms and lush synth lines are a sort-of a leitmotif on this record and are present here as well, with an occasional vocal snippet that only deepens the magic.

b2 -abourisha- makes good use of those leitmotifs in a similarly effective but overall quite different manner. broken rhythm gives it a slightly different energy, making it an ideal track for those 5 am moments when a track like this marks the night.

just as groovence 001 had come down for landing after a successful mission in the far reaches of spaced out house, the french label will be launching 002 just in time to keep the success going with another incredible ep. the label began with a various artist release which contained slamming house from big names like luvless, tour maubourg and more that was a joy ride through the reaches of house. the 002 release features artists who have been hitting home runs consistently with their production style. embezzlement society, mangabey & cody currie all bring forth a unique sound to this va release as sounds of hip-hop scratches, house high hats, smooth vocal samples and rhythmic 4x4 kicks clamp you down and get you ready for another tour out into the far reaches of space. groovence secures another powerful release that somehow combines a variety of unique sounds from different artists, yet still retains a wholesome overall vibe. in stores soon ! ! ! !

bridging instrumental tact with melodic mysticism, live act and dj duo hidden empire present their debut album mind palace, the fruit of their labour of one whirlwind year. on stil vor talent they find a welcome home, having already gained traction with several releases on the label as well as other renowned imprints such as suara and filth on acid. ranging from downtempo electronica to iterative techno with groovy house incursions, the diversity of the genres explored across the 12 tracks mirror the cologne-based artists’ own sonorous influences as well as their diverse musical sympathies. fluid, atmospheric tracks set a consistently lush vibe overall, from the esoteric kickoff track journey into self to subtle warm-up tools like the oriental-instilled hummus and fafnir, or the couple’s first vocal collaboration pure

nick anthony simoncino is synonymous with the revival of italian house music over the past five years or so, and so it feels right for him to be delivering this album to vibraphone. of course, simoncino has more than enough skills (and hardware) to make something truly special, and that s apparent from the opening strains of -mystic adventures- onwards. there s a sense of urgency and mystery woven into tracks like -righteous rule-, where haunting leads wobble over sizzling drum machines, and the overall mood is redolent of 80s soundtracks mixed with the uneasy side of chicago house music. maintaining a punchy finish throughout and constantly reaching for the spooky side of machine soul, simoncino has more than delivered for the legendary italian label.

after a track, a tape and an ep released on acid waxa, opal tapes and dream ticket, respectively, binary digit logically sees his first lp, 38000 summer hits, released on stochastic releases.
this new album comprises 6 tracks of edm: emotional dance music. they were made and recorded during the hot summers of 2016 and 2017. everything you need then is freshness and coolness and this is exactly what they are giving. they combine the overall positivity of the summer and the melancholy caused by the insistence of the heat, of the light, of the endless nights. they were played directly from the machine to a 1/4’’ tape, which explains their very natural and direct development. 303-like bass, gnarly hi-hats, heavy kicks and digital licks are still to be expected here.

here is the debut release by italian duo r a d k o… their music is a blending of post/cold wave and shoegaze elements… both the songs and the production have a typical nostalgic feeling but are rather modern at the same time… instead of being overtly dark the sound and overall mood is much more melancholy and dreamy… for sure these two tracks make up for an impressive debut and addictive little 7&#8243,,,, record…

deep club resident dj and head strobe controller lone dancer marks our label s 4th entry with his first solo 12- on vinyl. after finishing two quality tape albums in 2017 already for jacktone and always human tapes, -house is a tunnel- arrives packed with 4 club-ready jagged tekno bangers and one cut for the chillout room. side a - communication: the title track is a sure-fire party starter centered around a thick kickdrum and a repeating synth rhythm laced with weird percussion and synth stabs trickling through the texture. next, -po12-3- combines crisp claps, hats, and a central synth theme that calls for an intergalactic rave. -colony dwelling- kicks off the transportation side, taking our extraterrestrial dancers to a new dimension steeped in fog juice and flangers. -floor- has a chill intro until it launches into a gritty track that throws broken kickdrums and distorted synths in every direction. finally, -night rain- puts the party to rest utilizng soft pads while hinting at moments from the night before. overall, -house is a tunnel- is a fitting dance-centric conglomeration of lone dancer s unique style of jacking techno, broken beats, and spaced out tracks that has set him apart in 2017. —ryan scannura

on opulence s second release the label welcomes grammy nominated artist james teej with his the only constant ep. inspired by his budding years djing, james revisits his early house influences and delivers two powerful cuts of disco infused grooves laced with an overall contemporary touch. the first track the only constant is change is a highly infectious dance floor number reminiscent of classic filtered disco house, arranged with a patient and contemporary restraint. the tracks hypnotic and repetitive nature draws the listener in, and keeps the attention throughout with subtle changes that slowly grow to a tasteful and rewarding climax. on remix duties opulence has invited apollonias house music legend dan ghenacia who delivers a slick deep house rework that keeps the vibes intact of the original with the french artist s signature groovy machine touch. already road tested over the summer at dc10, dan s remix helps bring the original to a place closer to the clubs dance floor. the 3rd and final song is life goes on, a grooving disco infused classic deep house cut that features no regular plays greg paulus on trumpet. the song perfectly blends the sounds of yesterday with a modern touch and feel, and provides an uplifting soundtrack for any dance floor, especially those magic moments outdoors on the beach. once again, james continues to show his passion and diversity in his music with this expertly crafted ep that will surely be a welcomed addition to any house lover s record collection.

it s been a while since we last heard from flord king, who has popped up on junk yard connections as well as regularly featuring on lyssna. it s the latter label he returns to now, and he s got some focused, stripped down club fare to impart. -el klassiko- is a shuffling, funky minimal house jam with some wriggling melodies and a subby bass throb, while -avocado in blue- does a quirkier turn with some crafty synth flex that really stands out from the crowd. -bob- too is a distinctive cut with some detailed layers of dubby ripples and errant computer debris quivering and shaking over the mellow pads and steady beat. -deep diff- twists out some cheeky bass and an overall emotive mood that ends the record on a poignant tip.

moc’s alek s returns to the mothership with his third full ep, dropping just in time for the label’s third birthday. kicking off the release in style, „consciousness outline“ lays down the groundwork for a solid slice of punchy techno. featuring a minimal array of elements, which aptly intertwine instead of seeing new layers pile up, it’s a gradual build up of a powerful groove. hypercolour & soma records alum roberto clementi takes on remix duties, revamping „consciousness outline“ into a cavernous techno affair. switching the main focus on the percussive leads proves a good venture, as it results into a piece with major dance appeal. „penny drop“ dives in with a spacious loop, which keeps centre stage throughout the entire construction. overall, it’s an airy track, with ample pads and a loose yet gripping melody. „neverending“ rounds off the pack in an atmospherical, upbeat fashion. ascending synth pads make for an uplifting ambiance, all set on a backbone of electrifying percussion.

check floorfriendly b1: petre inspirescu remix (aripar, amphia... ),
next up on francis harriss newly-founded record label kingdoms comes something very special from brooklyn-based film composer, songwriter, producer and performer leah lazonick. movimenti della luna doro (movements of the moon of gold translated from italian) is a four-track ep from one of the most exciting musicians and performers around - a beautiful quartet of contemporary classical music with a twist. lazonick is something of a polymath, having composed and conducted orchestral and electronic scores for short films and commercials as well as being a classically-trained pianist. lazonick is also a connoisseur of analog synths and vintage drum machines, and will release a second ep focussing on these passions during the course of 2018. here we are treated to three luscious works for piano and string quartet, written for a one-off performance at studio off interarts, an art gallery in montreal. the piece was performed in a forest-like immersive environment, and was originally called in a forest (a piece in three movements). lazonick performed the piano parts along with a string quartet she had assembled for the performance/recording. lazonick explains: as opposed to most of the other songs/compositions i have written, i have no concrete sentimental story behind writing this piece. the motivation, inspiration and overall idea behind composing it was of a more technical nature, attempting to relay the music in my head at its purest form, without any compromises, by primarily making use of melodic and harmonic dissonances whilst still keeping the content captivating, musical and continuous.

mannequins newest project and 100th release overall: the waves of the future double lp compilation... more info soon!

on their second 12-, the honey butter crew prove themselves to be experts in the arts of mellifluous house jams, just like their name suggests. leipzig s m.ono has previously been spotted on rose records, heist and nite grooves amongst others, and sounds in fine fettle on this smooth sailing 12- of feel good house jams. -peanut butter lover- has it all - dreamy pads, throbbing bassline, lingering piano. -bummi- meanwhile aims for a clubbier feel offset by chirpy vibraphone notes, and then -made in montana- rounds the ep off with some deft keys and an overall deep atmosphere.

prolific producer mathis mootz is very well known within the drum/bass and hardcore techno arenas as being one of the innovative pioneers to merge both genres with an unique approach. his contribution to the electronic music community is not limited to his explorations within only the drum and bass and hardcore genres, mathis also has various experimental projects, most noteworthy being his m2 ( squaremeter ) project with releases on mille pleateux, ant-zen and hands productions. the sound of m2 is defined as a combination of micro sound and industrial soundscapes. the panacea is no stranger to the world of techno as some may suspect, his command of the position chrome record label came from his close relationship with force inc. music works which was one of the earliest german record labels to fuel the underground techno/rave scenes in the early 90’s. since position chrome came under his guidance in 1997 it has become one of the most important labels in electronic music due to it’s integrity and an impressive release of quality music for it’s genre. more recently, he has been investigating the techno landscape with david frisch together known as new frames, their latest release on hands productions is essential for those interested in contemporary electronic music of the dark techno/industrial kind. “ above the absolute “ is a 12’’ of mercenary techno produced with expert skill. the opening track “ above the absolute 96 “ is pure sound wave balance with all the components for what is sure to light any dance floor on fire. “ most basic resolution “ is a dark, mood shifting, hard acid techno reminder of what it means to create music for warehouses, pure old school for the hardcore. “ overdrive ee “ continues in a more contemporary direction and demonstrates a mastery of percussive elements in tune with the kind of atmosphere that brings people together in the dark. the final track “ walter “ goes back into the future with a track aimed at the headstrong, an exceptional closing chapter that hits dead centre on the search of the perfect beat. an overall completely impressive work from an artist who has set no limitations for himself.

the original, the inspirational, the bombastic, the never bettered, the one. don t make me wait is all of the above and so much more. classic to the core. huge earth shattering record right here. ok, so the scoop, for the uninitiated is this - the peech boys were larry levan s group, we re talking early 80 s nyc here, 1982 to be precise, around the height of the paradise garage as larry was making the transition from superstar dj to producer. he brought a sparse, dubbed out, narcotic late night feel to the overall sound of this record. this was a short-lived project, but the influence is still felt today, the peech boys dna is inside the veins of modern dance music, as is larry s. there is no underestimating what an impact this record had. 7+ minutes of electronic bliss, trailblazing stuff, and don t get us started on the dub. do yourself a favour, buy this classic if you don t own it already, you ll keep coming back to it time and time again. guaranteed. this essential 12inch is repressed here in it s original 1979 glory, an essential classic that has stood the test of time for the last 30+ years & is now available again, remastered & repressed for 2017 in conjunction with west end records, nyc.

2017 has seen many a debutant on toolroom and this could be the most exciting one yet as we welcome format:b to the toolroom family! the german tech house duo have been ruling dance floors for over 10 years now and most recently had their biggest success story when dance giants ministry of sound snapped up their chunky release that went on to hit the overall top 40 in the uk charts. this ep see s 2 slabs of pure tech house hedonism with the scoop leading the way. quirky, catchy synth hooks, powerful drums, a driving bass line and bundles of energy ensure that this track causes absolute carnage on the dance floor every time it s dropped! the flip continues where this leaves off with a raucous tech house groove and some great little vocal hooks and again, as we have come to expect with every format:b production, the energy levels are through the roof.

design default makes a contemplative debut lp blending ambient soundscapes with electronica & jazz hints. entitled dawn chorus, the record sounds like a reflexion on awakening to new feelings and ideas as well as reminiscing and looking at those that came in the past. the lp opens in a playful and harmonious way with bells play, bringing forward the idea of awakening. the rest of the record designs a world in which slow unfurling soundscapes with heavy bass like the forest or two mirrors consistently stand alongside glitchy atmospheres like the distorted ecce or the celestial escale. tracks like peaks and notes or wood caving put the accent on harmonic and textural content. overall, the record is rooted in a cosmic almost new age ambient tradition, but focuses more on the idea of renewal than vagrancy and languishing. if ecstasy and euphory do not describe the feeling here, darkness doesnt either. the result is a balanced, mature and diverse lp, bringing many beautiful sonic atmospheres to life, and telling a journey of wonder of openness.

a tripped-out batch of hard jamming tracks from ex-mutante rita lee – recorded with assistance from all the members of the group at the time, but in a mode that’s quite different overall! lee is clearly the star of the show here – singing all lyrics with a much fiercer vocal approach than on her earlier solo album – pushing things hard to keep up with the jamming keyboards of arnaldo baptista and guitar of sergio dias – both of whom are working with the energy that would show up in the mutantes styles in the years after lee departed. one of the most compelling aspects of the record is the structure of the tunes – less conventionally rockish overall than the direction os mutantes were moving towards – and still with that strong dramatic flair that lee always provided when in the group. titles include -vamos tratar da saude-, -amor branco e preto-, -superficie do planeta-, -teimoisia-, -tapupukitipa-, -beija me amor-, and -frique como-.