2lp gatefold vinyl+extensive spot varnish+ sticker, second album from ame, first album since 2004, featured guests: matthew herbert, gudrun gut, planningtorock, jens kuross (ex drummer ryx), roedelius. in the world of electronic dance music, ame stand apart. since 2003, the duo of frank wiedemann and kristian beyer have cut a singular path through techno, house, minimal, ambient and more with their anthemic singles and mixes. but 2018 reveals their finest achievement yet, their debut full-length album dream house. it both sounds unmistakably like Âme and unlike anything youve ever heard from the duo, an evocative home listening journey enacted after 15 years spent crafting dancefloor weapons.

deep club resident dj and head strobe controller lone dancer marks our label s 4th entry with his first solo 12- on vinyl. after finishing two quality tape albums in 2017 already for jacktone and always human tapes, -house is a tunnel- arrives packed with 4 club-ready jagged tekno bangers and one cut for the chillout room. side a - communication: the title track is a sure-fire party starter centered around a thick kickdrum and a repeating synth rhythm laced with weird percussion and synth stabs trickling through the texture. next, -po12-3- combines crisp claps, hats, and a central synth theme that calls for an intergalactic rave. -colony dwelling- kicks off the transportation side, taking our extraterrestrial dancers to a new dimension steeped in fog juice and flangers. -floor- has a chill intro until it launches into a gritty track that throws broken kickdrums and distorted synths in every direction. finally, -night rain- puts the party to rest utilizng soft pads while hinting at moments from the night before. overall, -house is a tunnel- is a fitting dance-centric conglomeration of lone dancer s unique style of jacking techno, broken beats, and spaced out tracks that has set him apart in 2017. —ryan scannura

at long last, mr. jacob korn gets drafted into team lph! technically,hes been in our orbit since 2015, when he remixed a leo wölfel track for lph white, but it s only now that we re presenting an ep of originals by him. about time! my business is classic korn a little nerdy (intricate arrangements twisty, turny top-line melodies), a little ravey, a little goofy, a little feisty, and a lotta fun. four sure-shot firebombs that ll slip into any set, hand in glove, real nice. try em out. wield em well.

the original ep was released from -techno queen- moniker ellen allien imprint -bpitch control- in 2016. dj shufflemaster and chester beatty have brought retro style house up to date with latest sound shape featuring dj funk. 4 artists who dwell in tokyo done superb remixes. masterring and cutting by dj misjah(x-trax, missile records) from netherland with clearly massive edge sound.

leading lady and artistic talent deniz kurtel returns to crosstown rebels to explore new production sounds, venturing deeper into the realms of dub and beyond with the fifth house. it’s also with huge honour that the release includes a stunning remix from highly sophisticated producer trevino following his recent passing. since her first album music watching over me was released on crosstown rebels back in 2011, deniz kurtel has continued to push boundaries creatively through her art and music. focusing on led light installation, deniz has travelled the world with her stunning live show, which incorporates both of her talents. her second album the way we live dropped on wolf + lamb in 2012 which received high acclaim. more recent releases have also appeared on rumors and no.19. marcus julian kaye is better known by his drum and bass stage name marcus intalex, and also his house and techno pseudonym trevino. he founded the record labels soul:r, revolve:r and birdie which served as a platform for his music with notable recent releases also on the likes hotflush, the nothing special, aus music and klockworks. such a highly respected figure in the industry, many have been shaken by marcus’ passing and in his honor all profits from his remix will be donated to the charity of his family’s choice.

born and raised on the southside of chicago and known as king les, lester represents chitown with a passion for music producing tracks for over 25 years with records pressed, and crowds rocked from the usa to the united kingdom. from relief records to ukr, he is currently producing and dropping lps in 2016 and beyond. lesters been on labels spanning the globe from relief records, ukr, mad house records, state of mind records, synewave, missile, minimalistix, music man, dust trax, ihr, modular records, brooklyn music, audio textures, home recordings, we call it hard records, dark house music, morpheus, impact mechanics, kick & clap records, chiwax and many more. his greatest influences have been farley jack master funk, larry heard, mike dunn, joey beltram, adam beyer, robert armani, jamie principle, derrick may, green velvet, drew sky, paul johnson, cari lekebusch, steve stoll, mike dearborn and speedy j. lester fitzpatrick’s sound can be described as a combination of techno and house with distinct elements of jacking, sci-fi, disco, acid infused grooves that keep the dancefloor locked in and bangin.

2016 repress , black vinyl ,
heavy pounding functional tracks balanced with some fresh adventurous techno tracks. the young and passionate french producer making his debut on dj deeps deeply rooted. french forces combined!. great follow up from roman on his releases on len fakis figure. recommended!

deeply rooted house welcomes french techno veteran zadig! 2016 repress

were not only kicking off the new year 2016 in some bootylicious fashion, but with a special release by the axis tokyo-chicago-berlin. both the japanese techno legend dj shufflemaster as well as his compatriot and partner-in-crime chester beatty will debut on bpitch. since their first joint ep from 1997 on robert armanis label cloned vinyl, the duo held a special connection to chicago, the origins of house music.

we’re finishing 2015 with what is pretty much a mini lp by borrowed identity, an inspired producer based in freiburg. there’s a lot here and we think you should just listen to and enjoy the record, draw your own conclusions, but what we will say here is the a is ballsy house and the b is tough techno that touches on trance occasionally. get why it’s called the contrast?

every wph summer brings us…the wph summer special! well, some summer specials have been known to be released in the winter, with huge acclaim from the cold masses who had something to warm their hearts and souls to. so we figured we would release another summer special in the winter… the mysterious-but-not-really harry baldi kicks things off with ‘something for your mind’, a sample-ridden up tempo house workout that will also go down a treat on techno floors. solid yamaha bass anyone? up next we introduce a new belgian member to the wph family. dj miclem has quietly been working on his music and now it’s time to let some of it out of the studio and onto your decks. this is the vintage wph sound that got us on the map!

another slamming cut selected from kelli hand s impressive discography, this time she dons her etat solide pseudonym for some raw, no nonsense, jacking detroit techno. with 4 mixes to choose from -think about it- is an essential weapon for any dj worth their salt. released on the mysteriously named uk house records and boasting the text - -special thanks to underground resistance-, mixed by mike -agent-x- clark and featuring the engineering skills of one robert -the vision- hood you know this is some serious business. -think about it- captures the early essence of detroit techno, it s nagging, raw bass-line and backwards drums sound like they are about to lose control any second, the record sounds somewhat unhinged and is all the better for it! this style is often imitated but never bettered, pure %100 dance-floor energy from 1990, rare and essential! released with the permission of and in conjunction with kelli hand and acacia records, detroit usa. re-mastered, re-pressed and re-released for 2015 s dance-floors and record bags.

limited 2014 repress
sudden drop ditch the techno sounds their release and head back to the more classic deep house sounds that signified the launch of the label. ivano tetelepta is the man chosen to lead the way back to house with this excellent double header of super slick sounds. throwdown house treads a hypnotic path whilst flipsides that deep shit opts for a more traditional deep house vibe.

ultraphat raw analogue techno / house tracks, 2015 repress

viva espana - with the best wishes to the new year from our friends danny serrano, hector couto and piek (saved / break new soil / noir), which presents two groovy tracks between techhouse and deephouse for a great startup. welcome 2012

the back on track vinyl collection takes one of the most seminal and classic new york house labels of the late eighties and early nineties and lets the sort after producer nicholas painstakingly update the sound for 2011. this special edition collection is made of three limited edition heavy weight 180 gram vinyls with printed sleeves. each four track ep is individually coloured to make the complete set of three, light blue, orange and dark blue. on each ep there are four nu groove tracks re-edited by nicholas that include vinyl only exclusives. the collection reinterprets classic nu groove artists including bas noir, roqui and n.y house n authority.

** very limited 2015 repress**
only 1 copy per customer / nur 1 platte pro kunde
raw & heavy hitting 1990s rave house/techno reminiscent club bombs.

dj deep is know as one of the key players in the french house and techno scene for many years now! recently he found some old recordings on dat tapes. going through these tapes he heard several tracks that somehow still sounded fresh!. after listening he got fascinated. he describes some of the cuts as raw and somehow naive tracksand as something naive, authentic and honest. so here we are... with a nice piece of wax that has 2 great tracks produced around 1994-1997, and 2 solid 2011 remixes. rootstrax comes with an excellent mix that is an emotional deep take that really captures the emotion of the original and brings it to a much more mature and deep territory. the marcelus mix gives us a much more radical, uncompromising techno interepretation. another stunner on deeply rooted house!!

limited upfront copies on stock , release date : 2010 !!! after a few excellent remixes for radioclit or milke, some perspiring mixtapes and a handful of trakcs already playlisted by brodinski, jess & crabbe or zombie disco squad even before an official release, qoso signs his first ever ep with fool house. qoso is our wild yet clean cut child. in sync with the african and rave obsessions of his generation, he takes them in with a definite recklessness. martial coupe-decale or tropical techno, this is material to help our youth not taking dance for granted.

limited 2017 repress !! first release from upcoming parisian label unlearn: chris mitchell (vanguard sound! - plan b recordings) was given total freedom for this ep. he delivers 3 massive tunes between house and techno while xdb takes care of remix duty. the ep was mastered at mb mastering. vinyl only.

in the world of electronic dance music, åme stand apart. since 2003, the duo of frank wiedemann and kristian beyer have cut a singular path through techno, house, minimal, ambient and more with their anthemic singles and mixes. but 2018 reveals their finest achievement yet, their debut full-length album dream house. it both sounds unmistakably like åme and unlike anything youve ever heard from the duo, an evocative home listening journey enacted after 15 years spent crafting dancefloor weapons.

die neue -house lessons- ausgabe kommt von tech-house-pionier russ yallop, der bislang mit dancefloor-granaten auf hot creations, no 19 und crosstown rebels fźr aufsehen sorgte. yallop macht diese mix-cd zu seinem debźtalbum, indem er nur eigenes, zumeist unveršffentlichtes material verwendet, das er oftmals in kollabos mit namhaften kollegen produzierte, darunter jamie jones, art department, mihalis safras und house-veteran kenny glasgow.

die ausgewählte werke die zwischen 2010-2022 entstanden sind bieten eine moderne interpretation des britischen underground-künstlers, die raffinierte breaks, verspielten tech-house und modulare experimente auf dieser 8 track lp umfasst.

2021 repress ,allen saei, also known as aubrey, has the experience of a record shop owner mixed to the one of a warned label manager. his music tastes are very varied. with his first love of hip hop as a teenager moving quickly onto the emerging acid house scene from chicago, then to detroit techno and new york house, his music productions testify the perfect knowledge of all three genres.

killer house classic , with unreleased mixes

limited clear vinyl copies, file under breakbeat, detroit, hardcore, house, jungle, techno

wow log awaitet repress - this time black vinyl!!! we have here a release that s so good... made by simon hinter and release on this new label from rotterdam called phil. amazing hybrid between melodic electronica and deeper house and classic detroit techno. one per customer

!! repress 2019 !! der stuttgarter produzent danilo plessow, der kopf hinter motor city drum ensemble, ist stark von jazz, soul, funk, hip hop und house beeinflusst. zu beginn seiner karriere veröffentlichte er zunächst auf pulver records, später gründete er gemeinsam mit joachim tobias das house/broken beat-project inverse cinematics und veröffentlichte sieben 12 inches und ein album. trendsetter wie gilles peterson, rainer trüby, michael rütten oder benji b zählen zu den vielen prominenten fans. danilos solo-projekt motor city drum ensemble ist dagegen so etwas wie die musikalische umsetzung seiner tiefen liebe zu house music, soul, detroit techno und chicago house. der exclusive motor city drum ensemble track für dei dj kicks heisst >l.o.v.e.< für fans von caribou, fourtet, kyle hall, theo parrish...

noir music is back with their sub-label nm2 focusing on melodic house & techno.

2019 repress! scan 7 debuts on transmat with a sound you have never heard before. the ep features four cuts of jazzy gospel infused techno. sunday on a saturday perfectly captures the bounce of house and gospel, bound to be a dance floor classic. so b it is a groovy techno cut with a secy hypnotic bass line. he s able adds a riotous preacher to the mix to complete the sermon. here after revolves around an exuberant organ phrase burning on a slow beat. center leaf art by haqq of third earth visuals.

b-stock! cover with bent corner. 2018 repress! after two big ep s, dj/producer powerhouses steffi and martyn team up once again for their debut lp on 3024! punchy, straight forward house and techno with a broken twist and beautiful layers of melodies and sound, dedicated to those who feel..

electronic experimental, house, techno, album live recorded to a tascam 134 tape deck at da/icif studio in lichtenberg berlin 2018. design and hand printed covers by erik jäähalli. stamped and numberd label. limited 303 copies. mastered by emanuel lauria for in city and in forest

malik hendricks second solo ep features four club ready originals, merging influences from house, techno and jazz. black chakra is a warm, soulful collage of dance selections with driving percussion and a deep low end. malik hendricks is a rhythmically inclined aesthetic enthusiast born in the 80 s, and raised in the 90 s. a dj for over a decade, he has always approached music with a rigorous curiosity and views the dancefloor as the ideal arena for collective cultural appreciation, a place where the quest for knowledge meets the quest for experience. dance is the true language of the body, and a gateway to the recognition of our shared humanity. money cat records - round black records bringing good luck. linking motion with emotion, dance unites the body and soul of all who participate. music from brooklyn to the world. established in 2018.

the 2015 debut album from gunship on double vinyl, housed in a gatefold sleeve.

frazer campbell has been on a prolific run since first emerging in 2016, showcasing a keen instinct for sleek, refined deep house with a techy edge.

classic house and techno

repress 2019 - all that jelly and no toast - like when you find a bomb tune that s unavailable on 12-. the new sublabel of smile for a while is exactly about this. clubby house music by well-established producers as well as from lesser-known guys. french guy alex agore opens the ep with the lowtone remix of -what did i do- - cut-up garage house to the maxx. max chapman from london delivers another belter, a bassline-driven organ house tune with a minimalistic but very effective set-up. oleg poliakov - aka skat and one of the guys behind circus company - comes up with a sublime but powerful tech house tune, in the original sense of the genre name. -jazzve- is a tune by russian producer mutenoise. it s maybe the most original, innovative tune on this ep. full of surprises and cutting-edge elements - hard to compare to anything else around these days.

2019 repress - this year kevin saunderson, ann saunderson and paris grey, collectively known as the legendary band inner city, release >future<, their first entirely new material since parting company in 2001, written and produced in collaboration with another detroit legend, namely kenny larkin. the track marks a welcome return for a group that combined the tough, futuristic grooves of the detroit scene with the vocal energy of r&b and gospel and helped to define the period in which house and techno moved from underground phenomena to top 10 material, paving the way for hundreds of dance hits to come. >future< is devastatingly catchy and highly emotional, exhibiting all the soulful flavours and qualities you would expect from these celebrated producers and singers. masterfully re-edited by carl craig this track ascends to a higher place whilst kenny larkin is on remix duties, beautifully reworking the original into a techno infused monster with intoxicating staccato vocals.

after releasing hvl s away from everything we know 12inch back in 2015, organic analogue welcome the georgian producer back to present his long-awaited debut album. as a resident of the much-vaunted club bassiani, hvl conceived ostati as a document of the sound of tbilisi - centred on warm, outboard house and techno but with a noticeably understated mood. the club tracks take a pared down approach that favours space and meditation over bold brush strokes, but between the teeth-gnashing bite of -askinkila- or the rough and ready acid workout -continuum,- the sound is gutsy and dripping with character. ostati spells out a space where dim lights and mysterious corners provide a playground for wild ideas to dart around in the dark. the overall atmosphere may appear subdued, but it s merely a cover for the fiery spirit lurking underneath.

todd osborn returns to spectral sound in his osborne guise with his first release on on the label since 2013 s hold up (feat. joe goddard). fools finds osborn in his best self, as a shapeshifter bringing together strands of various genres. the title track is a lesson in house reduction, while -different- is a chunk of bassline-led techno. on the b-side, -back whenever- kicks off in proto-idm electro form, all melody and light, and -integrate- slows it down to a walking pace for a dash of synth funk.

die geilste minimaltechno platte von allen ist wieder da !! yo
2019 reedition based on the 2013 re-master by stefan betke (pole) using tube-tech compressors and weiss eq’s. which was an improvement from the 2003 original! carefully re-cut 1:1 and edited in 140g vinyl housed in thick brown carton bags.

poker flat recordings drop a new four track ep from greek techno / house producer thanasis voulgaris. under his kindimmer moniker, voulgaris has been putting out quality dancefloor music since 2010, including a handful of releases already for steve bugs iconic poker flat label. ‘merge, the title track sets the tone with a killer, propulsive rhythm, adding chopped up organ stabs and shuffling funky percussion. ‘swift changes has a similar deft touch, all slinky chords that bring about thoughts of the classic detroit sound, while adding his own signature take. ‘its coming is a little harder, with a booming kick and tricky hats, before opening up into another deep bomb that will keep the more discerning floors in raptures. ‘ride with me flexes its funk - the groove jacks a little harder and the vibe is definitely ready to make the basements sweat.

frigio consistently plumb the depths of electronics to find new material, and this time the madrid imprint has unearthed, in the murky currents, a real gem. tecwaa is the solo project of york based producer paul fawcett, a musician who discovered his sound in the british warehouse parties of the early nineties and went on to nurture it with movie scores, detroit techno and homegrown electronica. his debut brings together three pieces of original machine music alongside a very special remix. the menacing -the eighth circuit- broods into being. looming synthwork is further darkened by distant vocals, house percussion keeping time in this sinister opener. -mantra & machine- has similar attributes. adopting clean rhythms, the track refuses to sit comfortably in any genre pigeonhole as tecwaa weaves a work of cerebral depth. charles manier introduces the flip with his take on -fervour-, tadd mullinix returning to frigio for the first time since his superb remix as jtc of juanpablo s -dream- in 2010. a funk laden work of hip hop breaks and industrial distortion where manier explores blackened moods and horrorshow grooves. the original of -fervour- closes, showing another side of fawcett s style, bpms drop as foundations are laid bare in this stark conclusion.

as i m always evolving, every now and again i need to make a point about my latest sound. curveballs has been especially written to showcase the full range of my current sound and features a carefully selected collection of tracks designed for a club environment. riva starr dance musics prolific italian-born london-based sharpshooter riva starr set to release fourth artist album curveballs via adam beyer s revered truesoul records. riva starr has been shaking up the world of dance music with his eclectic and unpredictable palette of sounds and styles for over a decade. over the years, he has racked up numerous accolades and achievements including releasing 3 acclaimed albums (if life gives you lemons, make lemonade in 2010, hand in hand in 2013 and definition of sound in 2016), having a myriad of single/ep releases on some of dance music s most established labels (snatch! records, hot creations, relief, crosstown rebels, dirtybird) and amassing an impressive remix resume of artists including audion, groove armada, dennis ferrer, usher, estelle, london grammar, fatboy slim, reboot and david morales. with all of this success and experience under his belt, the time has come for the talented italian to deliver his much awaited fourth long-player, curveballs comprising of 12 stellar tracks inspired by current club sounds and old school music elements, driven by starr s endeavor to produce music that stands the test of time. the lp s striking opener, always gets things underway and sets the tone with its powerful house groove, warm chord stabs and divine soulful vocal courtesy of legendary house diva jocelyn brown. elsewhere, there s the funk-driven disco-tinged piknik, the uplifting needin u esque disco loco, the dark and commanding the hole (release your soul) and the pounding peak-time synth-laden roller give me love. other highlights include, the infectious breakbeat workout britcoin, the techy electro-tinged fresh and the experimental synth-driven techno gem analhog. the album concludes with 3 fine cuts in the form of the bass heavy tr-909 laden ride, the funk-fueled house groover mantra (early in the morning) and an exclusive deep-house-esque dub version of give me love to round off yet another essential long-player from one of dance music s much-loved artists

hove’s first record on light of other days gets a second pressing. the first pressing was self-distributed and only 150 copies were made. enjoy! hove’s debut ep is full of fuzzy melodies fused with shimmering arpeggios and reduced cosmic beats. produced at the light of other days headquarters in the heart of zurich, hove developed his sound out of various live-jams, which he recorded onto a tascam cassette recorder. these recordings alongside numerous field recordings build the foundation of the ep journey to arendal. influenced by the sound aesthetic of early electronic producers from the 80’s and 90’s, as well as contemporary house, disco or techno, hove’s music always has a certain kind of warmth to it. dusty, shuffling grooves meet woozy guitar chords while crystal clear synth melodies are paired with field recordings of rivers, birds or nocturnal city atmospheres. journey to arendal is out on january 29th, 2016 on light of other days.

forever cursed with deep and tech-house labels by the press due to decisions taken 10 years ago before he had any idea how this industry worked, avatism returns mildly angrier than ever before with ate-up, an ep the producer actually started writing during an mdma-induced lucid dream after vakant label boss spiked his drinks in 2011. to give his poor soul some credibility, weve enlisted aqxdm (aquarian & deapmash, fresh from their storming debut on bedouin records) and the mysterious maenad veyl (veyl, pinkman, death & leisure) on remix duties.

brassfoot makes his dba debut following a number of appearances at the dba presents parties. since breaking through with his apron ep on funkinevens world-leading label in 2015, brassfoot has turned heads with releases on uttu, paul du lac s bio rhythm, and his own seminal nca recordings. on the indentured servitude ep brassfoot showcases his own unique stepping house and techno flavour across six tracks, with time to meditate and reflect between the party-starting peak timers also included. blinds down, crouched over my desk, i switch on my machines. whatever the final result is, i wouldn t even bother unless i was having fun first. sometimes theres just one tiny portion of magic after a long recording session, but its always about the enjoyment first. its dark inside and it influences the mood of the music. it s also dark outside and it s obvious where that leaves its mark. (brassfoot, 2018)

rekids regular markus suckut drops his third album entitled heaven is a state of mind this september. when not helming his own imprints, sckt and pattern research, the dusseldorf artist has been releasing on rekids since 2015 and is now a core member of the labels family. earlier this year saw the arrival of new life ep, a mesmerising release exemplary of the producer’s knack for making imaginative house and techno complete with a compelling groove. no stranger to the long player format having released two albums previously, markus suckut returns to radio slaves label with a quality nine-track album. from the word go suckuts album demonstrates his versatility as a musician, initiating with a beatless intro named escape, before breeze comes into play with its skipping percussion and loopy atmospherics. crunchy snares and crystalline synths make up suns out whilst future is not always bright drives forward with its sultry low-end, ethereal pads and sci-fi bleeps, leading into take a break and its medley of elaborate drums, living up to its name. above the clouds is comprised of intricate notes and soothing chords whilst the machinelike orchid features electro inspired melodies, contrasting to the albums title track, heaven is a state of mind, with its bumpy bass and warping textures. wonderland (version) is a ghostly acid cut which suitably closes the album

late night techno, deep house, ambient soundscapes, introspective electro and sci-fi soundtracks with strong influence from the music of detroit and chicago. obscure australian imprint offworld records reactivates after a 21-year hiatus to issue the still tomorrow ep by producer tim jackiw as a label follow-up to the rare science of sound vol 1 touted as one of the best deep techno 12inch singles of the 1990s, reissued in 2016 on the recondite label and now highly sought after by collectors worldwide. a series of archival dat and tape recordings produced in tim’s adelaide-based home studio during the same mid-90’s period as science of sound and the recent memory feedback release on slow life berlin, this 6-track extended play 12inch covers a broad spectrum of electronic sounds including late night techno, deep house, ambient soundscapes, introspective electro and sci-fi soundtracks with strong infl uence from the music of detroit and chicago.