180 gram pressing

nice price deal !!! after >twister< and >view of life< this is the 3rd release for frank hunter on inigo kennedys instillation label.

balearia records brings up a particular sound yet again with another stunning selection of balearic deep eclectic gems. includes a classic jovonn remix, an incantations and ecstatic trip to the heavens that will leave dancefloors in raptures.

statiqbloom’s new album “kain” is embodying the true essence of industrial music, going beyond just a particular sound and encapsulating an outlook on the world. the fusion of forward-thinking, dystopian sounds, pulsating basslines, and mid-tempo rhythmic beats, all of which contribute to a masterfully crafted industrial techno experience.

ltd coloured vinyl

baldruin’s debut on buh records, reaffirms his skill in creating a particular approach to ambient.

the inauguration of zon is upon us, a fresh and original project created by zon on their eponymous label. the four track vinyl release, “keys for days” maneuvers precisely through slick minimal and summery house textures from the label founders, and features a pensive and hypnotic remix from acclaimed ukrainian producer, kirik. complimenting the originals in particular fashion and steers the release with a more mysterious narrative.

the burrito beats lp from czarface s esoteric showcases the grit, grime and flavor that rolls into his particular brand of hip-hop production. similar to the ingredients of a burrito, there s much more than a single-serving of funk crammed into this meal, it is stuffed with everything on the menu. deliciously dope drums, baked basslines, grilled grooves and savory soundbytes are chopped and served to your liking with burrito beats. expect new recipes fresh off the skillet and some old classics as well, several culled from esoteric s 2005-2009 production spree that brought us serve or suffer, egoclapper, esoteric vs. japan, and saving seamus ryan.

the inauguration of zon is upon us, a fresh and original project created by zon on their eponymous label. the four track vinyl release, “keys for days” maneuvers precisely through slick minimal and summery house textures from the label founders, and features a pensive and hypnotic remix from acclaimed ukrainian producer, kirik. complimenting the originals in particular fashion and steers the release with a more mysterious narrative.

for the first time on vinyl, here is tylas first solo album finally released on deluxe double lp with gatefold jacket and full original artwork done by tyla himself.

friends of friends presents the second album from afternoon bike ride.

to celebrate the 50th anniversary of the release of their last album, find the mythical songs of the doors reinterpreted by the jazz scene. a selection of the most beautiful covers of light my fire or riders on the storm with in particular lloyd price, samy thiébault, and larkin poe.

der rätselhafte produzent, dj und plattenaufleger hat seine musik unter anderem auf renommierten qualitätslabels wie playhouse, bio rhythm, meakusma und ilian tape veröffentlicht.

swiss producer lea lisa debuting on phonica the love to the end ep takes influence and inspiration from a particular early 90s uk techno rarity

brill 90s sound, aim 2 pleez was a label made primarily for n-zo & dj invincible to have an outlet for jungle in the early days of the genre but they definitely leaned more towards the more musical side of the sound. the label didn t last that long but the end result is that the few releases on the label are now very sought after, fetching absurd prices on second hand, and this ep is in particular demand. they are two tracks of immense proportions, that not only appeal to the junglists but to breakbeat hardcore lovers alike. a proper crossover ep that has stood the test of time, sounding just as fresh today as it did back in 1994!

batov records presents a full-length foray into the musical world of italian producer and multi-instrumentalist ayala, with particular emphasis on his love of african music, from afrobeat to disco.

180 g heavyweight black double vinyl in gatefold sleeve and incl. poster! good news! berlin calling - the soundtrack by paul kalkbrenner is available now on double vinyl for the very first time! the 10th anniversary vinyl edition on 180 g heavyweight vinyl in a beautifully made gatefold sleeve with a luxurious finish includes a brand new exclusive poster marking that particular milestone in recent electronic music history. paul kalkbrenner s eponymous soundtrack to the legendary and unique film hardly needs any introduction. the original movie and its soundtrack catapulted him into prominence as an actor and dj/ producer, spearheading his peers and being at the forefront of electronic music at the time.

the new release of sies, inspired by intimate events, is suitable for small and large rooms. available in green vinyl only, limited pressing. the tracks have hard kicks and new, more underground, sounds, which make the listener travel, the power is master, the sounds are avant-garde, aggressive. the first track presents the sensations that can be experienced during a particular event such as raves, referring to both annoying and respectful people that might be met. the following piece gives the title to this project, the predominant sounds are violent, inspired by the vibrations that can be heard on the dance floor. the third song has a mystical mark, definable psychedelic, and allows who listens to go into the unknown. the last track is more experimental than the previous ones, has ghostly sounds and a powerful and a thrilling bass. suitable for both overture and outro of a party.

wild thing records presents wltwax001 series only vinyl release. this ep is a mixture of colours and particular sounds between the fusion of the minimal and deep creating a sort of exciting transport

coloured vinyl - already a well-established presence on the outlandish fringes of experimental, alternative and dance music, celebrated israeli duo red axes make a surprise left-turn onto phantasy with a three-track 12inch, sipoor. unsurprisingly, the results are as pleasingly out-there as the occasion requires. following on from last year’s self-released lp, the beach goths, sipoor immediately announces the axes’ uncompromising return to the front and centre of the dancefloor with the raw, provocative bad time story. brazen, brash acid triggers this particular tale, as red axes briskly modulate their way through a ruff, tuff but never less than musical landscape of 303s and 808s. sipoor takes a more gradual approach to building offbeat rave tension, featuring an unknown male using his native tongue to request some kind of house, some kind of techno and some sort of release. his wish (and we hope, yours) is the axes command, as the music goes deep before seamlessly unfolds around a throbbing bassline and a playful, familiar keyboard sample, beckoning feet to the dancefloor and perhaps tongues ever so slightly to cheeks. concluding the 12inch, teroof takes each of red axes signature ingredients - deeply rhythmic ebm-inspired drums, spiralling electronics, unapologetically odd vocal distortions and reconstructs them amid what sounds like the monaco grand prix, as high-velocity motors speed past the soundscape, kicking up some serious dust.

repress 2021 - standard cover / black sleeve , heres a big reason to celebrate, as we face the 150th release on cocoon recordings! thats right, 150 prime cuts with a number of milestones. its hard to single out any one for particular praise but even so, we still have something very special planned for the anniversary. sven väth dj weapon

moments in time is gearing up for an exciting and busy schedule of releases in 2021, featuring some of the worlds greatest up and coming techno artists, this hand-picked compilation by the labels founder rudosa stands as a reminder of those rave-inspired memories we all long for. to be transported back to a particular feeling or >moment in time<.

without doubt one of the most revered metalheadz singles of all time and a pre-cursor to an album that has since been labelled as a blueprint, this is commix as a duo at their peak. originally released in 2007 and now repressed for the first time 13 years later, it’s often hard to come across music this synonymous with a whole scene with ‘be true’ in particular still reverberating across the world on dancefloors, in mixes and throughout homes.

the debut album from bonnie li on vinyl lp, housed in a gatefold sleeve.

limited repress!acid masters boston 168 are back home with another killer ep for involve records. the longterm relation between the artists and the label continues with a brand new release of the italian duo, that deliver three tracks filled with their particular vision of techno. dreamy melodies, 303 basslines and steady beats to round up a record thats a must for every wax lover out there. club focused sounds to burn the dancefloor.

limited repress! regal lands once again in his very own etiquette with a powerful statement: >still raving<. a taste of his sound in a very particular way, one of his most personal records until date. techno with trance, rave and acid influences that converge in the four tracks that give shape to this ep. a solid proof of music being bigger than words.

killer drop from matt o brien that takes influence from the terrence dixon / claude young end of detroit techno

slackk first came to the attention of most with an ep of roughneck uk house on numbers, before a series of more emotive, melody-driven records on local action and unknown to the unknown saw him emerge as one of the most unique and influential artists working in the peripheries of grime - taking the genre’s hallmarks and audio tattoos but placing them in a context that owed as much to eastern mood pieces and the complex melodies of classic jazz records, hinting at other key influences on slackks music. his debut album palm tree fire was a particular success: resident advisor calling it a beautiful glimpse into the mind of an under-appreciated producer.

emotional rescue is delighted to present a collection of works by the founding father of the modern drum movement, glen velez. collated from his first 3 solo albums from 1985 to 1989, sweet season is a snapshot in to the pioneering composing and performance of this four-time grammy winner. born in 1949, of mexican american ancestry, velez grew up in texas before moving to new york in 1967. playing jazz on the drums he soon gravitated to hand drums from around the world (frame drums in particular), seeking out teachers from many different musical traditions.

repress - already a well-established presence on the outlandish fringes of experimental, alternative and dance music, celebrated israeli duo red axes make a surprise left-turn onto phantasy with a three-track 12inch, sipoor. unsurprisingly, the results are as pleasingly out-there as the occasion requires. following on from last year’s self-released lp, the beach goths, sipoor immediately announces the axes’ uncompromising return to the front and centre of the dancefloor with the raw, provocative bad time story. brazen, brash acid triggers this particular tale, as red axes briskly modulate their way through a ruff, tuff but never less than musical landscape of 303s and 808s. sipoor takes a more gradual approach to building offbeat rave tension, featuring an unknown male using his native tongue to request some kind of house, some kind of techno and some sort of release. his wish (and we hope, yours) is the axes command, as the music goes deep before seamlessly unfolds around a throbbing bassline and a playful, familiar keyboard sample, beckoning feet to the dancefloor and perhaps tongues ever so slightly to cheeks. concluding the 12inch, teroof takes each of red axes signature ingredients - deeply rhythmic ebm-inspired drums, spiralling electronics, unapologetically odd vocal distortions and reconstructs them amid what sounds like the monaco grand prix, as high-velocity motors speed past the soundscape, kicking up some serious dust.

a configuration of self is a hypothetical construct denoting a coherent pattern of feelings thoughts and preferred behavioural responses symbolised or pre-symbolised by the person as reflective of a dimension of existence within the self. >thorne and mearns, 2000< the rationale behind the series is based on each piece of music representing emotional response to the processes feelings and self- awareness of studying psychology and counselling and becoming more aware of the multiple defences behaviours and personality traits i have. each release will be themed around a particular part of my academic journey and include media to accompany the music.

ltd 2019 repress! one of the most autochthonous and valuable pieces of our particular culture, probably the main tool to create the most simple and basic culinary items in our lovely gastronomy, but at the same time are the most precious, healthy and elemental ones. we cannot be more identified with this, and hope you can enjoy our humble musical efforts. the budare has their roots in the deeper land s of venezuela, but is developed and created for the global community.

es ist zeit für den vierten ausflug mit late night burners.

ltd 2019 repress !! folamour comes here with a crossover 12-, exploring the whole spectrum of human emotion through his personal vision of a journey. the vinyl record starts with novalaise, sweet memory of the french country where the producer s from. the track builds itself up around a slow progression of a catchy acoustic piano loop. the listen goes on with la pierre et le sabre, in which folamour spreads his love for french 90 s house vibes, paying tribute to soul and gospel, two genres that mainly influence him. b-side starts with rue d amsterdam, an undeniably hip-hop influenced track on which folamour develops keyboards, bass and vocal samples around a rough beat, taking the listener away on an inescapable urban dream. the record ends with l Île des gauchers, bewitching song inspired by folamour s literary ravings (alexandre jardin in particular). the track progression can be compared as a book reading, rocked byan ubiquitous bassline, attending its voices until the last furrow.

a configuration of self is a hypothetical construct denoting a coherent pattern of feelings thoughts and preferred behavioural responses symbolised or pre-symbolised by the person as reflective of a dimension of existence within the self. >thorne and mearns, 2000< the rationale behind the series is based on each piece of music representing emotional response to the processes feelings and self- awareness of studying psychology and counselling and becoming more aware of the multiple defences behaviours and personality traits i have. each release will be themed around a particular part of my academic journey and include media to accompany the music.

carlo ruetz has built a strong reputation for his particular brand of precision tool techno

brussels, monday 1 am. capital of a united europe, its inhabitants separated by cultural spheres along lingual lines. yet, in the back of a dimly lit pub they encounter one another surrounded by nocturnal buzz and the smell of skimpy beer. the night is a place where poets, authors and musicians dwell, in an attempt to leave everyday reality behind in favor of a universal nowhere in particular.

the law of seven refers to the spiritualist philosopher gurdjieffs idea that the evolution of phenomena proceeds according to a universal seven-step process. clay tells us that while this idea did not strictly factor into the composition of these tracks, you could abstract some elements into the musical creation process. gurdjieff was quite a thinker, but also composed music so i thought the lines i was drawing carried some weight. in particular his notion that creation proceeds through increasing restrictions which i find to be incredibly relevant to my process at least. time limitations and performance settings particularly seem to allow me to be far more productive than just working freely with no solid end point in mind

a leading light in modern club music, tini brings her musical vision and the distinctive sound of her club residencies to her new label, part of the gang - the natural extension of her beloved ‘tini and the gang’ parties. the label will be home to new productions from tini herself in addition to fellow members of the gang, with a particular focus on breaking new talent from around the globe.

hekla’s music exists singularly. a one-off talent, emerging from no particular scene, ascribing to no particular rules.
as a creative tool, the theremin - bizarre, unique, and rarely heard - can be expressive, intuitive and highly adaptable. in hekla’s hands, her instrument covers an enormous range, from skittering birdsong of high frequency chirrups and chirps, to grinding, tectonic sub-bass. we are given the throbbing, apocalyptic dread of muddle and the baroque beauty of traditional icelandic hymn “heyr himna smi&#8706,,ur” in sequential tracks on the album’s a-side. appropriately, she also writes that the album title - Á - is similarly multifaceted in her native icelandic: “a river is an á and also it means ouch like when you hurt yourself, and also when you put something on top of something you put it á (on) something.”

repress 2018, finally, i was able to be re-united with my father, rick (poppa) howard, in the studio again. he had two thoughts about the selections on this particular vinyl piece: >can your love find its way< is the track that laid out, and also, that he believed us to be blessed both in being reunited, and in what we were there to do. as my father continually offers me a knowledge that takes me time (sometimes years) to understand, i am very proud to offer this release to the world.

you may not have heard the name jackson almond before, but you will have likely heard some of his music. having released on wotnot back in 2013 under the name real, with a flurry of eps, remixes and bootlegs under this name and as part of duo boean (on bbe, warner, xvi & slowfoot among others), jackson has been delighting ears for a while now, with a particular knack for balancing hooks and earworms with original ideas and creative production. this ep began life as a series of headphone jams written when jackson was living outside of the city in self-imposed exile, tuning into the goings on in dance music from an external position. it was then polished into dancefloor gems at the wotnot studio at the total refreshment centre. the music reflects this, with the sonic palette reflecting lo-fi and outsider house, but with a warmth, depth and musicality specific to his own personal situation.

telegraph presents «classics» a concept serie available on vinyl only including tracks released during the past 20 years – all tracks are re-mastered and cut in a 160 grams vinyl for a brand new listening experience. for the vol.2 we put together a high quality ep with tracks from dandy jack (le serpent qui danse) a sweet and particular track full of colours and grooves that will keep you dancing. the b side is a track from public lover remixed by bruno pronsato together with another remix from cabanne former artist of telegraph. beauty