we produced both two signature tracks that define our sound. beau didier with a more old school and groovy vibe and flits who focuses more on underground and hypnotic sounds. this vinyl is a must have for every dj out there!
mondsalto ep by rejtek from komabano oscillation lab. founded by shu okuyama formally released eps such label as milnormodern. melodic deep house track with some acoustic sounds. including a remix by the label owner shu okuyama.
the japanese producer shu okuyama has previously released his music from the labels like milnor modern, minimood, also with his another name, ragout de lapin from compost records. now he sets up his own label komabano oscillation lab with its first release kellnerthought ep. 2 tracks with shuffled beats and bass with his funk mixed with unique voice samples and jazzy feeling synth.
vinyl only release! sakadat records return with their third release presenting you two kaitaro minimal deep house tracks with extraordinary groove. dj support: raresh, shlomi aber, oshana, ody, dan noel, ittetsu, faster, vid, dan farserelli, nima gorji, fabio ferro, tulbure, negru, piticu & rhadoo
lewis fautzi new alias non cyclic’s debut album happens in his own imprint and is the reflection of the profile stablished beforehand of a faster and more physical techno.
hadone’s nine-track lp shares a first glimpse of his immersive things we never did concept. pressed on green 180 gram double vinyl, housed in a printed sleeve.
repress! arpanet returns with new lp >inertial frame<. this album for record makers develops their conceptual electronic fragmentation into yet another evocative and mysterious strand of sub-marine electro. though inertial frame serves the usual amount of killer loops, mysterious percussive treads and midnight melodies. inertial frame talks the listener into derivative reflections on quantic physics and pays tribute to the works of 20th century great scientists
boris brenecki and darko kolar (aka katran) regroup as ontal for a horo ep that combines their instinctual brutality with a deeper probe into their penchant for experimentation. lead track ikari’s flickering storm unfurls a rhythmic rage that rolls over you like a turbo-charged synapse exciter. at its peak ikari feels as if it’s about to explode into shards of jagged, forged synthesis, but pulls itself back from the brink to reignite its hostile oscillation. r-amen bends the famous breakbeat over a concentrated twin-drop, peak-time 130bpm eruption, while vigilante is a punishing machine, built to instil palpable tension. in blinding form, headless horseman takes apart ikari and reconstructs it as a hyper half-step technoid stepper, complete with a guttural drop reminiscent of the more advanced strains of 170bpm music.
boris brenecki and darko kolar (aka katran) regroup as ontal for a horo ep that combines their instinctual brutality with a deeper probe into their penchant for experimentation. lead track ikaris flickering storm unfurls a rhythmic rage that rolls over you like a turbo-charged synapse exciter. at its peak ikari feels as if its about to explode into shards of jagged, forged synthesis, but pulls itself back from the brink to reignite its hostile oscillation. r-amen bends the famous breakbeat over a concentrated twin-drop, peak-time 130bpm eruption, while vigilante is a punishing machine, built to instil palpable tension. in blinding form, headless horseman takes apart ikari and reconstructs it as a hyper half-step technoid stepper, complete with a guttural drop reminiscent of the more advanced strains of 170bpm music.
the first vinyl release from echospace detroit 2017
. lovingly mastered @ alchemy mastering, london
screen printed gatefold sleeve by al white & house of traps
limited to 500 copies.
new release from paris based producer ohes, this one is mostly oriented to an exotic and very personal interpretation of dance music, from discoid house to robotic afrobeat, here is a subtile melange of encouraging drums, driving melodies and ritualised sequences.
new york native shawn o’sullivan returns to avian as 400ppm with debut lp, ‘fit for purpose’.
as an artist, o’sullivan has long since explored the juncture between hard-hitting, functional dance floor material and more lofty, conceptual work. from a purely structural standpoint, the artist’s return to avian bears all the hallmarks of previous output under the alias, utilising the same palette found on early ep’s for guy brewer’s label. stripped back and driven, the music marries caustic drum-machine polyrhythms with warping, pitch bent leads and characteristically atmospheric use of reverb. it’s a decidedly dance floor offering, but the music comes refracted through o’sullivan’s own lens, with plenty of elegant references to a career spent exploring much of the techno genre’s periphery, from noise to new wave. crushed vox bubble up from beneath wrought-iron percussion and the artist takes time to step away from high energy 4×4 workouts to explore more complex rhythmic structures and harsh, low tempo grooves.
quite frankly, in order to perceive the complete and total benefit of the side-throw half-wainshaft, the bushing and flange coupler of the main headshaft need to be in exact accordance with the specifications set forth in special bulletin 18.ab. if they are not of the proper dimensionary properties as discussed, the temperature compensation heat-load cycle runs the risk of over-flagguleation of the secondary belleville load-shedding pumped main suspension bearing, and that may lead to inaccordant oscillation of the tertiary and also quadranary and sextanary torque-bearing quadrant-shafts. simply put... 4 cuts and vinyl only!
something from nothing is a four tracker that fuses techno sensibility with house swagger, a voice calling to detroits second wave while a hand beckons the shadowy waters of house. hearts of darkness are immersed in late nights and smoke-filled basements, with past form seeing them play fabric and bugged out! an unhealthy loyalty to vintage hardware and long forgotten code means their music is analogue, not for fashion, but because it feels right. on the a,sequential circus is purest machine funk as a driving bass bubbles into self-oscillation. next, just on for the ride bounces to a millennial deep house swing. flip it for a dense future dub workout in charlie don t surf, then hotshot closes with a pad soaked vibe for the discerning warm up. a melting pot ep with all the right ingredients. something from nothing opens the door to hearts of darkness. step inside
first reference of blitzkrieg waves label, a humble, plain and honest project in the hands of two close friends united in the same concept (demuff y manuel monino), which is now released under the name of heer division 1, which is the beginning point of a row of references which we will have the chance of enjoy along this year. the first one, comes in charge of two renowned and defined figures in the spanish techno scene, kike pravda y hd substance, who will lead and mark off the lines to follow in the emerging project. these artists will bring their personal and musical vision up having been supported by many important labels. in this record we will find 4 tracks, kike pravda y hd subtance providing two tracks each.
benales opens the e.p. with radiate, a track where you can clearly hear his influences of the american school of 90s minimal techno. long time dj but new on the production side, this is benales first effort on vinyl. after his initial masterpiece on knotweed records (kw006) and a handful of releases on demented (hiss 1992) and krill, opuswerk is back on knotweed with displacement, a trippy, hard hitting, analogic techno attack: no concession on this one! gonzalo md has already delivered the goods on both knotweed (kw004 and kw011) and decision making theory (dmt 006), as well as a fantastic ep recently on extrasolar. here, with sharp oscillation, he keeps developing his unique style, producing a highly percussive, almost samba-like, piece of techno. label owner philippe petit closes the e.p. with indian summer, a track moving along a warm bassline, bearing some recognisable krautrock influences.
vactrol park is an honest outpouring of thematic obsession, a celebration of championed studio components and the mastery of their nuance, an avant garde collaboration between kyle martin (land of light, spectral empire) and guido zen (gamers in exile, brain machine). simply entitled i (the first of a 2 part series), this debut ep opens the door to a world of ebb and flow, layers of oscillation falling in and out of sync, keeping us on the brink of vertigo and, as cliché as it may sound, we find solace in its chaos. this homogeneous release plays with the notions of systems as beautifully symbolized mario hugo s capsule of cardiologyyet another visually arresting module in the esp institute catalogue. some music is made for drugs, some is made on drugs, these tracks simply are drugs.
first release on sun cat recordings / ancient sound from outer space is by italian obscure electronic producer named healing force project, that means freedom of the soul. inspired by space jazz and experimental techno, antonio marini reconnects distant horizons until the sky falls away, sonorizing the last ancient astronaut landing on earth in five hypnotic tracks. mastered by andrea merlini and illustrated by fernanda veron, *last journey to heliopolis ep* pictures early dawns and aching nights, combining different analog and digital elements. a cosmic trip without return only makes sense if has no stops or boundaries.
gih is back with a sophisticated dub-tech v/a ep. contributing artists are well known activists of the dub techno scene: g.r.i.t., david hausdorf, dubatech/fatih tuter and gblanco, who all delivered their part to the next stop in the label s underlying journey: while humanity is enjoying the benefits of exploiting its clone-counterpart, there is a rising conscience amongst clones against this slavery-like abuse. first acts of open resistance are showing that things will change soon....a -warning- sign for the future.
airhead, (aka rob mcandrews) a resident, founding member and spiritual ocelot of the 1-800 dinosaur crew, will be releasing a four track ep *believe*, the first of a series of releases from dan foats emerging artist collective. this believe ep is a turning point for airhead, equivalent to the moment in the film *witness* when harrison ford, as john book, realises that the hitmen (witnessed by the amish kid in the toilets) are actually policemen. the inward has been exchanged for the outward. where airheads critically acclaimed debut album *for years* was all about tip-toeing barefoot into thick carpeted darkened rooms, this new ep, inspired by two years of 1-800 dinosaur parties, is all about the boom-boom oscillation and hands-in-the-air machine gun parties.
die masse box stellt das album >masse< und die drei remix eps von din, dettmann | wiedemann und henrik schwarz in einem set zusammen. sie beinhaltet eine cd im 6-panel-digipak und drei 12 inch vinyl singles in 3 verschiedenen covern. verpackt sind die tonträger in einer luxuriösen schachtel aus 800 g/m² karton mit mattfolienkaschierung und einer partiellen uv-glanzlack-verzierung, die schachtel ist auf 500 stück limitiert
the latest emotional response release provides something very special indeed, in the form of a new track from under the radar psychedelic rock musician nick nicely. nicely has been making music from the 70s onwards, but his music has recently undergone something of a critical reappraisal, with the likes of robert wyatt and robyn hitchcock supposedly inspired by his work, wrottersley road provides the ideal entry into his music, a masterful piece of shoegaze pop filled with fuzzed out guitars and eastern psychedelic tones. remixes are provided by invisible hands, who provide a minimal 80s inspired electro-pop version, which comes saturated in radiophonic textures, and the oscillation, who take the track into even more abstract ambient territory than the original, deep into a place where time seems to stand still entirely, drawing its rich textures out into infinity.
mute welcomes a brand new era with the birth of their latest electronic associate label, liberation technologies. citing reference from mutes original and continuing statement of intent, the label exists to give space to and encourage artists to experiment and challenge themselves, anonymously if they choose. the first release on liberation technologies is the >spring ep< by king felix, a producer from ann arbor, michigan who has also released music as laurel halo. the spring ep draws from a melee of influences, sharply carving out its own sonic palette. driving and dramatic, its an uplifting theme-and-variation exercise on oscillation and forward motion.
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