equatorial acoustics from kleintierschaukel for the 2nd akumandra release.

ltd 2019 repress without 7 inch, one of the most eagerly anticipated electronic albums of 2012 is finally released! after a series of groundbreaking singles: pain in the ass, im week and ghetto kraviz (featured here) muscovite nina kraviz is set to release her eponymously titled debut artist album on radio slave’s superb rekids imprint.

two companion pieces make up the new foom 12inch. on the a-side, ostgut ton regular tobias freund artfully reframes patrick cowley & jorge socarras you laugh at my face. it was produced by patrick cowley and recorded in his home studio in california in the late 1970s. on the b-side, elegantly balanced between euphoria and melancholia, half hawaii (bruno pronsato & sammy dee) share watch the flash with us

offen sends out another probe - the 2nd album from karamika on double vinyl.

dimitri from paris & dj rocca on toy tonics!

support by john heckle, henning baer, ostgut ton

very limited repress! continuing the unconventional romanian minimal trips that flow from guy from downstairs mind, the bouncy beats from gfd002 illustrate the well-crafted, intriguing rhythms that are set to grip the dancefloors. heavy, lush basslines coliding with sharp percussions and freaky vocals are the ingredients that make the signature sound of a brand new and captivating gfd tale. after the first release from the vinyl-only gfd series, played by artists such as daniel bell, tofu prod (a.k.a. melchior+tanaka), livio&roby or audiofly, the time has come to unveil the second chapter of an ongoing story. early support from the likes of tini, bill patrick and nu zau.

reissue on pink coloured vinyl.

3rd lp of barrington levy

2021 repress! label head amelie lens herself creates a banging techno record. three tracks full of energy acid techno. holding steady after a much busy 2017 season that saw her multiply releases on the likes of pan-pot imprint, second state or arts, belgian techno architect amelie lens is now set to release her debut solo outing on her own label lenske, following an ep from the newcomer milo spykers and a fine collaborative effort with fellow antwerp-based producer farrago, featuring a remix from ostgut ton protégé kobosil.

exklusive vinyl-lp mit werner müllers avanciertesten produktionen.

double black vinyl with printed inner-sleeves in inyl sleeve with 5mm spine. cd included. following the reissues of their 4 albums on vinyl earlier this year, french band and pioneers of the fusion of world and alternative music les négresses vertes continues to celebrate the 30th anniversary of their first album mlah with a new re-issue of their album 10 remixes. repressed by because music, 10 remixes features remixes of their classics (sous le soleil de bodega, voila lete, zobi la mouche, etc.) by massive attack, gangstarr, clive martin, kwanzaa posse, etc.

2018 vinyl remaster. von jan jelinek kompilierte werkschau der legendären musizierenden pharmazeutin. die vinyl-lp erscheint im klappcover inklusive downloadcode.

ouch from a distance is the new label of former ostgut ton manager nick ho¨ppner. it s first release by desert sound colony has been very well received – opal sunn are a well seasoned hardware only live act very much in control of their repertoire, but also capable of captivating improvisations – opal sunn have got a recognizable sound driven by smart, often arpeggiated synth lines, on point drums and textures

following up on the massive worldwide success of their debut album 55, bacao rhythm & steel band is back with another heavy duty offering. picking up where they left off and incorporating a ton of new recording techniques they take a huge step forward with the serpent’s mouth. named after the eight-mile strait between the island of trinidad and the coast of venezuela, the serpent’s mouth is a journey through both originals and covers, combining classic elements that wide-eared music fans already know, and mashing them up in new and unique ways.

oslo based bulgarian, ivaylo makes a welcomed return on his bogota imprint with two dance floor cuts on america ep. warm rhodes chords and funky bass lines inform the sound of trendy jose, taking the listener on a groovy ride with ivaylos vocal directing the sound: jose is mexican and he likes it, trendy! spicing up the house groove ton the flip is a remix from dallas native, jt donaldson. donaldson brings the heat, with his funky deep remix, whose percussive interpretation opens up the track for any dance floor. ivaylos second track jacks confusion places you directly into berlins vibrant sound. ivaylo hypnotises with the perfect combination of percussion and bass line on the steady 4/4 chi house beat. america ep is ivaylos 4th release for bogota records since labels existence and its the beginning the producers self-styled new sound with more focus on percussive elements within the warm, deep sound that hes known for.

touch from a distance is the new label of former ostgut ton manager nick ho¨ppner – desert sound colony is one of the breakthrough artists 2018 from the uk not only offering both live and dj sets, but also running his own label holding hands – touch from a distance will predominantly feature fresh talent from around the globe reflecting nick ho¨ppner s eclectic taste

last spotted tomfooling as tryck & ton with edvin edvinsson, and prior to that as tiedye on mike simonettis italians do it better imprint, subversive swede anton klint makes his debut on simonettis latest label 2mr with two more vitally trippy, heavily dub-informed originals. ‘mun chugs at a stately 107. rippling in places, squiggling in others, theres an unabashed fx weirdness bubbling and popping over the insistent shimmering dubwise groove. tweaking, freaking but running at such a smooth temper theres space between the chaos, anton is balancing some heavily hypnotic alchemy here. ‘strupe takes things even lower and slower. a dusty bluesy chugger, unhurried-yet-relentlessly building with a great sense of cosmic drama, listen and marvel as more elements are precision introduced throughout the seven minute trip. a masterclass in modern day honkytonk. remix-wise were thrusted into the later hours with a technoid twist from andre laos. maintaining antons originals trippy charm and measured pace but re-amping it with grittier foundation, teasing risers and an insurgent synth strike, its the perfect complement to one of 2mrs most singular releases to date. open wide.

during the recent years, terence fixmer kept on being prolific by producing and releasing his music output on well esteemed quality labels such as ostgut ton, novamute, jealous god and recently on aufnahme+wiedergabe. following a constant workflow, fixmer decided it is now time to restart his label planete rouge which he launched back in 1998 already but has always been irregular in terms of releases. the label will relaunch after a 4-year hiatus with his new 12-. terence fixmer s oppression ep is a great resume of his unique sound design signature, delivering a collection of four energetic tracks that speaks to the soul. on top of it, as an homage to one of his all time favourite tracks of the normal / warm leatherette from 1978, fixmer decided to rewrite this 40 year old tune from daniel miller as a a personal pleasure and fun. by using as well the mini korg 700 s terence fixmer recreated nearly the original sound, keeping a track that is loyal to his own sound as well as its original spirit.

originally released in 2012, now back as expanded reissue with 2 bonus tracks: “95 and beyond” and the ivvvo remix of “inside you”.

(180 g vinyl incl. dl card) following its launch in 2006, slaters l.b. dub corp moniker has been responsible for refreshing house music on labels like mote-evolver and ostgut ton, with the latter hosting the pseudonyms debut album in 2013. side effects is the projects first body of work since then. i wrote the tracks over the last year between being on the road as p.a.s. and playing a few l.b. dub corp house sets, which naturally evolved into side effects almost accidentally luke slater

lp, first re issue ever, cut from original masters. original packaging strictly reproduced! + printed inner-sleeve with poster and cd included (plus two bonus titles) original year of release: 1989. features the tracks zobi la mouche, cest pas la mer a boire, voila lete, etc. les négresses vertes was the biggest french act touring the world in the beginning of the 90s. the band has just reunited and will tour europe this year to celebrate the 30th anniversary of mlah. the album has been unavailable on vinyl since their first original pressing.

nice price deal !!! the empire strikes back! phi has dug deep into the slovenian electronica heritage only to return with the 4th chapter containing three mid 90 s unreleased tracks by the cult duo random logic. once the pioneers of adventurous acid and techno sounds having released on labels such as thee blak label and having played in legendary places like the old ostgut ton, random logic are no strangers in playlists by the braver big shots such as nina kraviz. their signature acid melancholy and drive hasn t aged and syncs perfectly with phi s growing sci-fi catalogue.

autoreply begins its 10th year with a 12inch from one of the scenes favourite ambassadors, dana ruh. equally happy co-running brouqade and her own cave recordings, dropping lps for underground quality or stepping up to ostgut ton & cocoon, hers is a story of emotive, reduced floor-theory. the -round 2 reel ep delivers three such movements kicking-off with an undeviatingly playable a-side displaying her prowess for swinging, stripped-back house complete with discreet sound design and compulsory bass. the b-side concentrates on the deeper, dubbier aspect of her sound displaying unparalleled levels of warmth and texture. written & produced at polynomstudio, berlin, recorded to tape for your listening pleasure!

omerta inc will be bringing bodega bamz to vinyl for the first time ever, with a high quality pressing of this classic tape. limited edition pressing onto 180gm double transparent tan vinyl, each copy will come individually hand numbered and housed in a high quality matte sleeve with full original artwork. the pressing will feature all 15 tracks from the tapes original release, plus two bonus tracks navy and the don francisco remix featuring french montana.

garden city movement bestehend aus roy avital, yoav saar und johnny sharoni haben eine reihe von sounds aufgenommen, die alle spiegel ihrer diversen kulturellen welten darstellen, ausgehend von art-pop über experimental house bis hin zu sich abwechselnden angeordneten vibes. seit ihrer gründung 2013 hat das trio zwei eps sowie eine 12inch (in kollaboration mit the vinyl factory) heraus gebracht, mit move on 2014 den mtv best music video award in israel gewonnen (zudem als best music video beim l.a. film festival nominiert) sowie diverse chart-hits in ihrem heimatland landen können. dazu gesellen sich viele touren weltweit, u.a. mit bonobo, caribou und alt-j. ihr video zu shes so untouchable- wurde im september 2017 beim raindance film festival in london gezeigt. die 18(!) tracks auf apollonia schlagen einen düsteren lyrischen ton an. manch süß-saurer ton trägt die bittere botschaft eines sich schleichend abzeichnenden endes einer beziehung und die darauf folgende depression, einsamkeit sowie missbrauch. diese melancholische fusion kennzeichnet das sehr emotionale album als moderne soul musik und erdet es in der realen welt.

another brace of bangers from world unknown music, we re all really pleased with how this one turned out. big and fat and disco-ready, mastered by andy blake and lawrie curvepusher via tape. side x theo nasa lstnbrghn world unknown and theo nasa first crossed paths in andres branco s vintage designer clothes emporium, wavey garms. . we re really chuffed to be releasing theo s vinyl debut. its a pounding big room monster inspired by his first experiences of a certain berlin nightclub. theo nasa will be a big deal sometime soon, there s no doubt about that. make sure you get on this now so you can tell all your mates how you have been into him for ages. side y traynor - sunward -can i send you some tracks to listen to? id love to get some feedback from you. not an especially odd request for a dj these days. but it s a very nice surprise when literally every track in an 8 track demo package from someone who has never put any music out before is brilliant. messrs bowley and blake had real trouble deciding which one to choose for traynors debut release and eventually went to sunward. its trippy and shimmering with a ton of pump. trancey but not trance, or maybe it is. the kind of thing that lights up your night in a club and gets played again and again at home or in the car

erst unplugged zeigt sich, was eine band wirklich auf dem kasten hat und ob ihre songs auch vor intimer kulisse bestehen können – dort wo jeder ton, jede melodie und auch jedes wort genau gehört wird.

scuba drops another four cuts as scb on hotflush recordings this december. paul rose first launched his scb moniker in 2010, going on to appear on labels like ostgut ton, aus music and nonplus until 2014. this year saw the pioneering british producer revisit his darker alias with a dystopian themed release on hotflush he now returns with four more twisted and ominous productions.

marco resmann returns to watergate after a productive stint at the red bull music studios in cape town with two stellar cuts featuring local heroes deep aztec and black soda. tack on a remix from the one and only oliver huntemann and another revision from resmann himself and you have the ‘babylon side ep. teaming up to kick things off, resmann, black soda and deep aztec embrace the cultural sounds of africas organic percussion and vocal prowess to create a tour de force tune perfectly balance between flashing club lights and vast open skies. following suit, ‘abadala sees marco again with deep aztec for a lush ride into deep emotional spaces by applying mesmerizing syncopated rhythms and spellbinding vocals ideal for deeper or more sentimental dance floor moments. up next is techno legend oliver huntemann who, playing after resmann earlier this year at the 15 years of watergate event at warung beach club in brazil enjoyed his set and the two hit it off, so logically he was asked to lend his trademark sound for a revision of ‘babylon side and he twists the original into a heavy techno belter complete with sinister sonics and fever inducing sirens. wrapping things up is marco resmann himself with his own take on ‘babylon sides and delivers a wild and twisted version of gargantuan low end and psychedelic shimmers of the original vocal resulting in a killer tune with a ton of attitude.

ote maloya ist die fortsetzung von dem ebenfalls auf strut records erschienenen album >soul sok sega<. diese beiden genres, die ihren ursprung im indischen ozean haben, wurden vor jahrhunderten auf von sklaven zuckerplantagen entwickelt und geben die einmalige verschmelzung von europäischen und afrikanischen einflüssen wieder.

jazzman records releases the third volume of its jukebox mambo compilation series, artfully selected by dj liam large. a journey through the popular american music of the 1950s influenced by exotic rumba and afro-latin seasoned rhythm and blues. featuring rarities and unearthed gems from percy mayfield, roy gaines, chuz alfred, monogram caribbean orchestra, and many more. the twenty-four track compilation comes complete with in-depth track notes and photographs, as well as a deluxe double vinyl edition with gatefold sleeve, and a super limited edition vintage style 6 x 10inch book set with unique artwork and four exclusive bonus tracks

luv shack records’ newest ep marks the 26th release on the label, and it’s a classic split affair by stalwart artists space echo and jakobin & domino.
dj support from gerd, pete herbert, fingerman, hard ton, alkalino, massimiliano pagliara, lenny fontana, thomas herb, jason kendig (honey soundsystem), hurlee, jacques renault, joyce muniz, tensnake

scuba refocuses his scb project with ‘below the line’, coming this october on hotflush recordings.
‘below the line’ inaugurates a fictional timeline of events set in a hypothetical future. a climate-related disaster acts as a catalyst for a complete overturn in society, the repercussions of which will be explored subsequently.
the british producer has become one of modern dance music’s most pioneering figures, having produced four full-length albums, various eps and contributed mix albums to renowned series such as dj kicks, fabric, and for berghain’s ostgut ton label over the last decade. donning the scb name in 2010, paul rose’s pseudonym for esoteric techno found home on labels like aus, nonplus and hotflush recordings, not to mention its own eponymous imprint.

if psychic health s self-titled debut album took the lessons the la duo learned in the teeming clubs of berlin and melbourne, their latest lp, exclusion, look inward, a document of the duo tunneling down the studio wormhole. as such, exclusion is a remarkably dynamic effort, adeptly jumping between evocative ambience (-jamaica 88,- -ryso-) and equally expansive dance floor fair. examples of the latter, such as the album s obvious centerpiece and titular track, exclusion, document gabriel mounsey and devon steffens’s harnessing modular beast technology for peak techno utility, finding a clear thoroughfare between the soaring strings of derrick may s classic transmat releases and ostgut ton s current ebm-inflected precision. as you d expect from mounsey s background in film composition, exclusion whirls with imagery. it s a los angeles album, but focuses on raw beauty of the city at night—the lights in the distance, and the desolate downtown streets where kickdrums often waft from disused warehouses. while their debut album opened notable doors for the group, landing distribution from hard wax and featuring in the netflix series sense8, exclusion is an altogether masterful turn for psychic health, their complete studio immersion easing the listener into deeply hypnotic states.

matt edwards drops his eagerly anticipated debut radio slave album feel the same via his rekids imprint in september. easily his most recognisable nom de plume, radio slave was initially matt s pseudonym for remixes, with early reinterpretations of kylie minogue and new order leading into frequent work for both major and independent labels. he s now indisputably one of house and techno s most in-demand remixers, whilst original radio slave productions have gone on to appear via reputable imprints like running back, r&s, ostgut ton, nonplus and work them records.

camea returns with the third release on her neverwhere imprint, titled vanish , this spring. in her new single, she digs deep on her drum machine into studio 1-esque territory, using alluring classic minimal techno grooves as a back drop for her seductively soulful, selfconflicted vocals. camea not only captures a timeless micro-house vibe in this piece, but she continues to push her sound forward as well as her love for avant-guard techno. up next is delft imprint boss, la-4a, best known for his analogue vintage roland drum machine productions. he has laid down an irresistible 303 break-beat club mix of camea s track in the a2 spot. his dance cut of her vocals over bass driven percussion is a perfect counter piece to the original, and compliments the sound from his recent acid techno album phonoautograph . on the flip side, berlin techno legend and ostgut ton/berghain resident tobias. gives his graceful interpretation. he has reworked the original into a tasteful, dark, spacious 8-minute minimal techno piece, with percolating panning and filters on the vocals. as usual with tobias., he clearly conveys his undeniable expertise and instinct for exquisite dance music. with this release, camea is also marking the 2nd anniversary of her cult neverwhere radio show this spring, having produced twenty-four, two-hour episodes with exclusive dj mixes and guests. the show currently has residencies on digitally imported, tsugi radio and ibiza sonica, and camea has quickly established herself as a driving force in the left-field techno community, and a passionate advocate of underground radio.

ltd red vinyl - im hauptfokus des albums ore sind drums, umspielt von elektronisch manipulierten texturen und akustischen details. Über die jahre hat belfi eine soundwelt kreiert, die gleichermaßen ein drum set-up mit elektronischen komponenten vereint. es war ein langer weg, die akustik seines saari drumkits zu entwickeln, bis es seinen ansprüchen genügte. in perfekter symbiose stehen die elektronischen elemente des nord modular und samplers. beide welten vereinen sich auf ore. belfi ist bekannt für seine energetischen und charismatischen auftritte. solo, sowie als teil seiner unzähligen kollaborationen. 2016 war er mit nonkeen auf tour, der dreiköpfigen band von nils frahm. belfi war schnell das highlight der shows, nachdem sie das london barbican centre ausverkauft hatten. mit seinem beeindruckenden und explosiven drum soli, wurde dies ein unvergesslicher moment.

im hauptfokus des albums ore sind drums, umspielt von elektronisch manipulierten texturen und akustischen details. Über die jahre hat belfi eine soundwelt kreiert, die gleichermaßen ein drum set-up mit elektronischen komponenten vereint. es war ein langer weg, die akustik seines saari drumkits zu entwickeln, bis es seinen ansprüchen genügte. in perfekter symbiose stehen die elektronischen elemente des nord modular und samplers. beide welten vereinen sich auf ore. belfi ist bekannt für seine energetischen und charismatischen auftritte. solo, sowie als teil seiner unzähligen kollaborationen. 2016 war er mit nonkeen auf tour, der dreiköpfigen band von nils frahm. belfi war schnell das highlight der shows, nachdem sie das london barbican centre ausverkauft hatten. mit seinem beeindruckenden und explosiven drum soli, wurde dies ein unvergesslicher moment.

rune returns on his own drum island imprint, this time very ably assisted by uk house turned ambient ambassador chris coco weekend billionaires, in its original form is a delightfully lolloping balearic builder. the chris coco sunshine mix immerses those guitar licks and synth pads in a sea of dubbed out, ultra-violet light. already rumoured to be included on harvey s eagerly awaited mercury rising comp. anton klint (tryck & ton / public possession) steps up on the flip with a no-less psychedelic, but decidedly more laser-lit interpretation. finally alta lab wraps things up with a pacier interpretation, housing up the elements into a hypnotic, emotive rendition

excellent deep house

rephlex-ian electronix by brainwaltzera, sometime somewhere. don t ask, just play and make braindance great again. 4vj/mi/eoin/paj/dkape/ap/sp. strictly no repress.

nice price deal !!! for the 5th release on uncage. corcos delivers two solid cuts with remixes from ostgut ton affiliate and imf head marcel fengler and ilian tape member regen. his dj carrier started in the mid nineties at legendary florence based tenax club where he still holds a residency to this day. no need to mention he toured heavily all over the world and played major clubs such as concrete, berghain, tresor just to name a few. corcos alias fabio della torre is the founder of bosconi records and together with ennio colaci he forms the project minimono.

dub-stuy links bukkha with uk grime stalwart killa p for a dark, sound killing anthem. dub-stuy expands on their vision for 21st century sound system music with a new 12inch that brings together resident producer bukkha and one of grimes most recognisable voices, killa p . the result is a deadly cut that takes no prisoners and is backed by an equally heavy instrumental. death chat is arguably one of dub-stuys most ambitious collaborations to date. bukkha crafts a dub meets grime riddim that builds from filtered keys into a ten-ton heavy monster. killa p, who has collaborated with the bug and is fresh from a turn on sir spyros topper top, delivers cutting lyrics in his instantly recognizable patois-inflected style, with each bar building tension toward a sonic climax. backing up this dancefloor sureshot is ‘ethiopian dub’, an instrumental that samples its vocal and melodic hook from an obscure dubplate and whirls both around a steady beat and bass line solid enough to punch through walls. with this latest 12inch for dub-stuy, bukkha shows his versatility and delivers an anthem that no sound can test.

long beach serial chiller ahwlee is a beat vet who delivers smooth buttery samples with a nostalgic vibe. 1991 is a cult classic cassette now issued for the first time on vinyl. these tracks are dusty, mellow and easy-going. don’t mistake mellow for boring, however, because ahwlee’s production is nuanced and intricate underneath the minimalist overtones. there’s jazzed-up rhodes all over the place, and the percussion work masterfully includes a ton of negative space in between perfectly chopped breaks. they’ll get your head nodding.

make love in public spaces is a new but not so mysterious offshoot of a label which will be familiar to anyone who has been to a certain erotically charged discotheque with a big heart in east london over the last 4 years. they launch with a three track release from adesse versions that recasts underground 90s classics of some vintage in his own inimitable style - the lead track is destined to get club play for months to come thanks to its deft vocal hook. adesse versions is the anonymous alias of a techno producer with previous work for ostgut ton and curle, showing his house side and who you will no doubt recognise from his most recent work for trus mes prime numbers label as adesse... ltd stock

deluxe-reissue des electronica-klassikers -neo ouija- (1998) des britischen produzenten lee anthony jude norris aka metamatics (norken, nacht plank) auf klarem vinyl mit aktualisiertem artwork des original-grafikers chris thompson. norris -stimulierte lieber synapsen als dancefloors zu zerstören- (o-ton), stand bereits vor 20 jahren brian eno, gary numan und depeche mode näher als seinen zeitgenössischen kollegen und hatte einen massgeblichen einfluss auf andere künstler wie radiohead und laurent garnier.

lo-fi größe matt jones veröffentlicht erstes crescent album nach zehnjähriger pause! wenn musiker wie die indie-größe matt jones eine zehnjährige pause zwischen der veröffentlichung zweier alben einlegt, dann ist das ein qualitätssiegel! Ähnlich seiner bristoler fachkollegen flying saucer attack oder movietone arbeitet er nur dann an neuem material, wenn er es für richtig und wichtig hält. dieses selbstbewusstsein ist jedem ton der neun songs auf -resin pockets- anzuhören, dem ersten album seit der crescent-veröffentlichung -little waves-. es ist ein album geworden, das sich sein eigenes plätzchen im britischen outsider lo-fi-pop schafft. eine zusätzliche prise des anti-folk-feelings macht aus resin pockets ein werk voller zeitloser melodien, bewegender texte und einem ganz besonderen gefühl sommerlicher intimität.

next up on aus music is the return of label boss will saul working alongside long term label favourite komon. together the duo line up harmonise - a smouldering single that comes backed up with an almighty pair of remixes from osgut ton mainstay nick höppner and analogue aficionados juju & jordash. the title track kicks things off with glowing, interweaved synths and a pattering tom line. vocal snippets and trippy delays suffuse a purposeful bass tone before the 101 dub version rolls out with punchy drums and a sharp, darting acid line. berghain regular nick höppner then does what he does best with his remix in building a rich, hypnotic groove that steadily develops with intricacy and depth. dekmantel and golf channel regulars juju & jordash then drive a warped, rumbling synth line through spacey atmospherics rounding off another fine addition to the catalogue.