funky town glad present 3rd imprint with eclectic deep disco, funky, nu disco fluids. horny dancefloor stuff. must be in all respected djs bags. it is a spiritual thing. dont miss it. limited edition transparent green 10 inch!

believe delivers a consummate body of work with which nicoles considerable abilities in the studio are clear for all to hear. a wide-range of sounds that is sure to appeal to the idiosyncratic tastes of the various sub-sections of electronic music community. furthermore, it lives up to the high-standards of previous drumcode long-players and is an engrossing and impressive debut and one that offers a smooth segue into the next chapter of an already exciting career

here we present good vibrations, the debut ep on local talk from canadian producer orazio fantini. the best thing with this ep is that it is simply straight up house music that is both deep yet raw and funky all at the same time. basically, its very local talk ,) first track, to the ball, starts off with a bubbling bass line, followed with shuffling hi-hats and swinging beat that is glued together by glistering synth stabs, infectious to say the least. turn the record over for feel it, which showcases fantinis clever use of vocal samples blended together with the perfect swing and last not but not least, on hold is a stripped track but with all the necessary elements to make the feet move.

jon hopkins war lange ein phantom der internationalen techno/elektronik- und produzentenszene: während seiner oft unbemerkten zusammenarbeiten mit künstlern wie coldplay, brian eno und king creosote sammelte er in den letzten zehn jahren ideen, die er ende mai 2013 endlich in form seines vierten solo albums immunity veröffentlicht. vorab erscheint eine 12 inch der ersten single open eye signals mit remixen von großen namen wie lord of the isles, luke abbott und nosaj thing!

with local talk release no. 30 we are moving further into territories of straight up no fuss dance floor action. already having releases on dirt crew recordings, murmur & hypercolour elef knows a thing or two about delivering jacking tracks. wake up call comes in two versions. the original version is a kick & snare pattern driven monster track with heavy arpeggios and deep pads. on the flip brennan green doesnt hold back either. the main melodic pattern together with percussions is unleashed straight on and as the tracks evolves he adds tr-303 lines making the track even more epic. as elef described the remix as perfect for a panorama bar set. the remix is worthy enough based on that one side alone.

london-based shenoda has been slowly cranking up the dial with quality releases on hypercolour and an ep for losing suki that was a firm favourite round these parts. his latest outing sees him team up with huxleys increasingly impressive imprint saints & sonnets for the three track i feel ep

exploitation is the new film by dutch independent filmmaker edwin brienen. enfant terrible produced the soundtrack for this gothic-noir satiric fresco. 90 minutes of music to be enjoyed both as true soundtrack as well as a sequel to previous enfant terrible compilations... but more dramatic and ritualistic in the way the record is building up. it will please fans of minimal electronics and (post) industrial music but also moves into different styles such as idm, tekno, angst pop and chanson, while always keeping a dark and cold mood and/or dream state feeling throughout... limited edition of 250 copies!

riding high on the wings of their previous release pulling strings on their red series, eclectic avenue records bring us rear002 deep in it by small giants. small giants is the wonderfully ingenious marriage between leeds based label manager jacob kelly (j.cub) and the chicago house legend joshua iz. combining their skills, they have taken a heady guitar lick, underpinned it with a smoothly infectious bassline and sewn it all together with a warm soothing vocal sample. call it house, call it disco. either way, it is a surefire dancefloor killer and will take pride of place in any dj or collectors record box. flip her over for a remix by leeds darlings pbr streetgang. currently the hottest thing to come out of dance musics unofficial capital, the cheeky duo have put their own twist on the original by filling the track out with some chuggier deeper vibes whilst highlighting the instrumental solos. a hugely successful foray into a funkier tone for what promises to be another trophy in the e.a.r cabinets.

a friend of ours wrote a magazine article a couple of years ago saying that the one good thing about the credit crunch was that it would give the warehouse party scene a boost. for some reason that hasnt quite happened yet - but we refuse to give up hope.

i made another record for the lovely welshmen at ten thousand yen. the a side is an arpy thing with bass the flip is a vocally thing with bass. they both contain breakdowns - please dont hold this against me xoxo

• 3d!t aka ed giles and queaver (formerly of queaver and versis) both step up with a split ep for horror boogies fourth release !
• a timely re-issue from this great label – watch out for backstock !

wonder wet records is proud to announce the return of the production of one of the most eclectic and respected italian djs, claudio fabrianesi. esteemed in his hometown rome, where he plays every saturday for alchemy at the vicious club? two stylistically opposite songs, but with one thing in common: the quality. cosmic kabul, on side a, is a pearl for any cosmic genre lover, the track contains multiple musical influences and people will talk about it for a long time. warm reaction, on the b side, is a deep journey into a more mental techno, but with also groove. a record that will make the difference, an absolute must!

in a world in which upstart diy talent is flooding the gates of electronic music, a few recent voices have been so strong as to be startling. lapalux – aka 25-year-old stuart howard – is certainly one such. as singular as a brilliant artist always should be, his instinctive understanding of the atmospheric power of texture grips the ear immediately on listening. nostalchic is his debut album, mission statement, and the climax of many years of studying his craft. the amalgam of words that make the title is aptly, and perhaps knowingly chosen. the album evokes nostalgia without ever sounding nostalgic, and howard may have had his tongue in his chic when he added the second half of the title. the album is his most focused document to date, adding his beloved r&b and soul into elements of house and hip hop, all with the trademark lapalux finish, infectious, lopsided swing and achingly deep texture.
white coloured double 12 inch vinyl, includes code for free mp3 download of the full album.

clone royal oak with a killer release by headless ghost! a production alias of ripperton delivering three shit hot tracks. asking what the difference is between ripperton and his headless ghost production he said while the headless ghost is doing stuff intuitive, i see what you did there. not sure if we completely understand, but the intuitive thing makes sense while listening to the tracks. killer 3 track ep with a some sharp edged house music. tip!!

5 years ago lokee started as a daytime gathering in a warehouse apartment in east london which quickly became londons most respected and intimate sunday setting. fast forward to today & you have lokee musik - a record label that aims to capture the broad appreciation of music found at these famed private parties. the first release comes in the form of ejeca.

another round of wonderful eclectic delights from balearica. side a features the in demand *tonys song* by tony g. originally released back in 88, this floorfilling electro-tinged house classic features an incredibly catchy piano riff, phat bassline and some spoken vocals taken from al pacinos *scarface*. a massive hit both at amnesia in ibiza as well as at manchesters hacienda and at the early acid house parties, this track still sounds super fresh. next up is the dope vocoder-laden groove of escape from new yorks *slow beat* - a brilliant balearic chugger that features high on many most-wanted lists. on the flipside, we get the much desired slo-mo disco of steve benders *the final thing* - a moog-heavy groover that hit big at both the balearic parties and on italys cosmic scene. then finally, to round off this great compilation is the extended instrumental version of bowie & methanys *this is not america* - a favourite of everyone from alfredo to theo parrish. quality stuff!

the now internationally acclaimed homeboy huxley returns to the hypercolour bosom with a fine two track ep that proves he isnt resting on his laurels, despite a stunning 2012, and crafts floor slaying tracks with big personalities like few others out there. in 2012 the big thing from tring headlined festivals and clubs all over the world and turned in eps and remixes for the likes of tsuba and 2020

12 inch compilation featuring four slamming early 90s underground garage house classics from legendary producer mk. this is mk at his absolute best showcasing his trademark cut up vocals, swingin beats, killer synth hooks & deep deep bass. included first are the highly in-demand remixes of jodeci & happy head. only ever released as limited promos, these absolute bombs instantly became underground anthems and have been rocking dancefloors ever since. on the flip we get the awesome dub mix of ethyl meatplows *queenie*. a notoriously controversial track, it features an incredibly phat bassline and some utterly unforgettable xxx rated vocals. finally, its mks wonderful rework of bette midlers *to deserve you*, another killer mix that became massive on the underground scene and pirate radio stations and is sure to bring memories flooding back for those who were around. nostalgia at its unmitigated best.

activia benz are back in full swing for 2013 with their next release: recolor ep from 813. 813 is 25 year old russian badass, alexander goryachev. he is a firefighter, which is badass. his music is a dense collision of crazy rap beats, sort of, and some kind of fantastic rave thing, maybe. his music is very badass, much like the fact he is a firefighter. it is also very beautiful, like when he carries a small cat to safety from a burning russian building. recolor is a slice of really fantastic dancey bassy music for partying and hanging out to with your m8s.

melbourne deepcast return with a killer various artist ep featuring some of their mates. another superb ep from down under.

ltd 2013 repress... ah, romanians. doncha just love em. well, it appears that, yes, we very much do here at fof as over the years we seem to have nurtured our fair share of talent haling from those shores and here we are yet again with another bright young thing in the shape of nu zau.pason a dark and trippy early morning ride, haunting pads and vocal snatches really bringing home the heady vibe over the course of its 10 minute running length. de ja vu on the flip acts as a nice counterpoint with its more optimistic outlook - a frisky tech house groover reminiscent of productions from the early days of londons tech house scene, still with an underlying sense of trippiness but one more associated with hot shimmering days spent outdoors than pasons sweatier dark room feel

spencer parkers work them records reflects his uncluttered attitude to electronic music. regular vinyl shopping to unearth and delight in non-digital gems, energetic tracks from the deepest house to the most ardent techno, all focussed on one thing: the dancefloor. for its fifth release, he has captured one of his current favourites to bring their wide-ranging and organic sounds to the table: pittsburgh track authority.
the trios first and brilliant ep in 2013 follows twelves on argot and uzuri, and is a neat representation of the expansive borders of parkers own record box, taking in the spectrum from driving, bleepy techno to nervous, shuffling bass-driven house.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco #17 is an all-out return to the glory of filtered disco house! it is packed with disco breaks and cut ups, some recognizable and some obscured through time. pairing the editing fire of eddie c and alkalino on the a side and the groove-based filtering of cole medina and osmose on the b-side. make no mistake, each of these will fit perfectly into either house or disco sets and can bridge the gap betwixt the twain.
already supported by dead rose music company, ali ooft, cole medina, horse meat disco, saint petersburg disco spin club…, ...

2xlp , incl cd... rundes elektronisches housealbum der eigenen art. daumen hoch.

four releases in now and the quality continues on midnight love club! montel presents the forth release in the shape of 3 heavy duty club cuts with a rather distinct nod to the house sound of 90s nyc/nj. there s not too much info on this montel character, but one thing we do know is that he s a man with a penchant for vintage house & garage. a dj, collector and producer that has decided to give back a little after all these years. and these years of experience are certainly evident in his authentic house and garage sound that has already picked up a fan base that includes bicep, jordan peak and waze & odyssey!

there it is, keinemusik number seventeen. we know what you are thinking. you think you know how it works. you think, those keinemusik fellas will again be doing their little rotation thing, one producer getting a record out after the other, then a workparty-joint venture at some point and then it starts all over again. au contraire! this seventeenth edition is breaking the known beautiful, perfectly curled cycle. just like that, so that no one gets bored. this record here is an appetizer for a collaboration-effort between rampa, &me and nomi, the new york based singer that provided the recent movement of flamboyant disco-queerness with its sexiest and catchiest hooks, teaming up with hercules & love affair and doing her own project jessica 6. side b will take care of everyone who is expecting a safe playing house-rehash of the afore mentioned acts and tenderly let a lashing snare slap every preconception out of sceptic faces.

big tracks alert! - the third release from the vinyl only bokhari label with two new artists appearing on a hand screen printed ltd edition 10&#8243,,,,,,,. igor jadranin brings you a heavy dose of percussive, groove-laden house music, packed with tension, swirling sirens, and melodic synth stabs. the ‘for just one thing’ vocal refrain burrows it’s way into your head, before morphing into an inspired neo-soul breakdown. on the flip glitchell moore’s skadarlija is an infectious slice of warm, intergalactic deep house. a lost, echo-laden vocal glides in and out of the track, whilst hypnotic keys and a lingering bassline give proceedings a lush, trippy feel. not a million miles from the nostalgia tinged future boogie of a certain space dimension controller, perfect music for the twilight hours.

hey there, heres karera and we do the next thing for you. our berlin based producer benn finn publishs his first release coming home on karera(karera003). this wondeful and dreamy deep house tune comes with an brilliant all-round carefree package. a deep and techy house remix a la bunte bummler

toolbox is very proud to introduce you to this exceptional records!this realeease was planned to be killit17, on kill out recordings...in 1993!this is an anniversary realese:tunes are 20 years old and were never played niether on vinyl.this limited 300 copies edition is a real big thing for all acid music lovers.

limited edition reissue of biffy clyros 3rd longplayer from 2004. remastered audio and 7 additional tracks on heavyweight vinyl, blue coloured and marbled. comes in gatefold jacket.

the bible machen typisch britische popmusik, die es spielend mit angesagten acts wie coldplay oder travis aufnehmen kann. ende der achtziger waren the bible so was wie the next big thing und verschwanden dann merkwürdigerweise völlig in der versenkung.
neu gemastert und auf 180 gramm doppel-vinyl gepresst, inklusive 5 bonus-tracks.

john heckle (undisputed king of da real scouse house and fast becoming one of the most prolific young techno producers from the uk) deviates ever so slighty from his trademark sound to paddle his little raft down the mersey and run wild with the wolves. the result is epic and mystic (and 100% organic) and opens a doorway into a mythical world of wicker men, hill figures, druids, witch covens and early 90s sunrises off the m25, when ever-e-thing seemed possible. excellent new artwork as well by godspill, who is also into naked chicks that float and stuff. a deadly combination!

the stereo remastered album on heavyweight 180 gram vinyl in gatefold sleeve.

tablon is a new france based independent record label. supporting artists with a characteristic style, tablon releases music by passion, developing its own vision of todays and tomorrows dance music.
after a first ep by arnaud linked in a certain way to greece, tablon 002 will come from istanbul. far from us the idea to make a worldwide music label or refer to any old war between two countries. it just happened like that. sarp makes amazing music and we are proud to present his new ep. it is called >i care because you dont<, the artwork is made by nefelie and the mastering by mathieu berthet in paris. as we care a lot about the vinyl thing, our releases appear first on 12 inch vinyl.

basement freaks return to jalapeno with a 4 track ep of killer funk, heavy, heavy beats and deep blues vocals. always one of the serious players in the ghetto funk scene – his music has always been able to transcend genres and gets dropped in clubs and parties round the world.

this autumn brings a rare treasure to all you music lovers as markus schatz finally throws in a unique piece of art. >smokin wild< not only stands as the lps title - the album itself is hot, smokin, sexy and wild. markus has worked on it for over two years and put in all his passion and the most dedication. he repeatedly had musicians at the studio recording voices, pianos, brass and other instruments to keep his masterpiece as authentic as possible. have a listen and you will find out why this album keeps you on the dancefloor. its deep house style surprises you every now and then with chicago and nu jazz influences. this idea leads you through the lp and bestows it the potential to make it one of your favourites.
cd-copy of the full album included.

japans rhythm of elements return with another e.p. that display their versatility and belief in the many forms that soulful music can take. >tribe #3< contains the classic rhythm of elements combination of dj uchikawas firing electronic beats alongside virtuoso piano playing by makoto kuriya, plus bass by incognitos francis hylton. the track is a tribute to the late departed detroit electronic music artist aaron carl who sadly passed away last year. continuing the detroit connection, rick wilhite has been working with the likes of theo parrish and moodymann for years, and his remix of >tribe #3< provides an audio beatdown, stripping the whole thing down to its rawest elements, and supplying the hard and the smooth in perfect balance. >blow< is another journey into a percussive horn driven groove for the dancefloor. rhythm of elements provide the remix, layering the musical elements like flavours in a delicious cake. finally, >meditation bath< (loftsoul 2012 mix) takes the pace right down for this beautifully relaxing slow burner. close your eyes and let it flow over you.

jason little takes it up against the world for the 2nd time. this time its hard techno beast jason vs. sepromatiq / sml / greg notill / leo laker and instigator. get ready for some serious terror!

kyodai have had a strong run of releases since their debut here on freerange last year. their mi rumba ep must have impressed a lot of people as they went on to release a follow up ep for mad mats blossoming local talk label and also have an ep due on pokerflat in the coming weeks. kerri chandler dug it enough to include on his ra podcast and it was also picked up for the cielo compilation on nervous. la luz kicks off this release with a brazilian rhythm known as candomblé laying the foundation of the groove.

nicole willis & the soul investigators are back with a brand new single on 7 inch vinyl.
>tell me when (we can start our love thing once again)< b/w >it s all because of you< is the simmering first double-side single from their upcoming lp >tortured soul<, set for release on helsinki-based timmion records, in early 2013. on their sophomore effort nicole and the soul investigators signature soul sound is clearly audible, but it also unearths rhythm & blues tainted licks and the pleas of unrequited love.

vienna based dj and producer roman rauch doesnt like to compromise. hes constantly pushing his musical boundaries: house, techno, disco, funk. rr mixes the shit together like on his full 12? for quintessentials! keeping a raw edge on all 4 tracks, roman still provides club appeal. yes, we think hes talented, thats why he already released on philpot, endless flight or tenderpark. may the haus be hoch!

as the title suggests the new before the show album depicts beginnings and endings. we believe that life has many different beginnings and endings, and that the various journeys we take from one beginning to one end are filled with detours – and it is these detours which continually shape and define us as the people we are. musically years&years&years picks up where hearts and heads left off, however, it has developed towards a bigger and more complex sound image. it can best be described as a combination of sting and peter gabriel on one hand, and smashing pumpkins and radiohead on the other.

nice price deal !!! aÑa / henning baer / norman nodge / musk.... no one knows exactly how, or why it happened. we can only postulate. perhaps it was rogue hydrogen atoms causing havoc again, or a particularly voracious wave of em radiation hell bent on finding a good time. the point is, (in those days) such lude behavior was simply unacceptable: aÑa had become excited, too much so for the solar stiffs that swirled about her. and that system of hers—always buzzing around, refusing to share anything—it had to go. so both were exiled from that collision patch they called home, leaving aÑa and her system to wander the cosmos. some years passed. aÑa grew a little, but mostly she practiced her basswalk—not this girly swooshy thing with your hips, but a real bolshy bovver boot stomp. after a while she got pretty good at it, she wanted to show her friends. maybe theyd like to basswalk too. well, they couldnt get enough of it—but no one did it quite like aÑa. henning baers had a bit more groove to it and this whole new tweaky hat element. norman nodge kept his pretty punchy, but all that time spent in berghain had turned his basswalk into a bit of a skulk. as for musk, the boys inverted the whole thing of course—turned a disco trick, shifting the march down into more of a slinky house glide. aÑa liked them all so much—and it was time isolated system stopped being such a separatist—she decided to gather them all together to make basswalker part i. now you can basswalk too

it is a cold dark winter – snow is lying everywhere. simon12345 and the lazer twins are heading up north into a little wooden house in the northern parts of denmark. they will live there for the next weeks and build up a temporary studio in this secluded cottage. simon has got a handful of sketches with him. musical states of mind and conceptual games he developed over the last years. basically the idea is to develop something truly unique and powerful – although none of them knows how that will sound exactly or what will happen in particular during this time. it is not even clear who plays which instrument, who will do what…nothing is set. the only thing clear is that they have things to say, things that have been burning in them for so long now. tell me. how can (mostly) instrumental music suggest a way of life? how can you criticize without pointing at something particular? how can music transport you into place of quietness and self reflection?

aerostaff records is a moscow underground music label by airat naryshkin. the famous russian cult magazine ptuch called airat naryshkin >the father of russian electronic music<. airat really unites cultures and generations – soviet union, different times and stages. airat is famous in musical circles as a musician of different styles. as airat himself puts it his >way of life consists of his own music works, professional music playing and meeting good-natured people<.

the stone roses were the leaders of the britains late eighties madchester scene, merging pop, dance and indie rock in a seemingly effortless manner. their sound resonated with a number of bands that followed the stone roses in their footsteps: the charlatans uk and happy mondays among others. when released in 1992, turns into stone functioned as a sop to stone roses fans expecting another smash album like their eponymous debut album from 1989. silvertone records released turns into stone as a comprehensive collection of early stone roses material, hits and b-sides of exceptional quality. includes their biggest hit >fools gold<!
pressing on 180 gram audiophile vinyl.

>do your thing, just make sure you are ahead of the game<, warns >game<, the opening salvo of release, pangaeas new double ep for hessle audio. it is a statement of intent for the entire record, reflecting the increasingly idiosyncratic nature of his music. releases eight tracks are entities unto themselves, each a natural evolutionary continuation of the rough and rolling pirate radio techno he began to culture on last years hex and inna daze 12 inches.