nice price deal !!! a fine experimental journey ... just listen carefully

vinyl only, 180 gramm pressing, blue vinyl and strong limited. >primary colours< life begins with the echo inspectors creation, lunar shadows. exploring the depths of space, lunar shadowÊs form begins humble, discreet, with its stealth like kick forming structure around dark matter, playful hats, deep sub and intertwining textures and layered frequencies.over the ages the moon has helped us describe everything from rarity, love and lunacy. this release is another interpretation by of the over-standing sphere in the sky.

this duo techno project of (denis cast, kilrill sil) as we know by the name of easy changes, who made lot of noise with they back to back two releases on foundsound records continue to develop they unique symbiosis of rhythmical patterns with the world of mysterious sounds and sub minded mood currents. easy changes create unique suspense that catch the ears of techno funs all over the world. as a result core of they music has continues progression, kind of like a story with multi scenarios between current and future life s.

vinyl only... special request returns with the third vital 12 inch in this series based on capturing the spontaneous rugged energy of uk pirate radio and re-wiring this into chaotic dancefloor moments. maintaining all the illicit qualities of the best hardcore/jungle blueprints but reloading them with a contemporary approach, there is an attention to detail and touch here that makes these recordings far from revisionist. on the third stamped release, special request tackles the voice of one of this years most talked about artists, laying down a deadly amen break and killer hoover bassline for a sub 130 bpm dnb track that is simply explosive. on the flip is the even tougher vip mix that doubles up as a dub. limited hand-stamped, vinyl only release

warm, intimate, sub heavy, psychedelic tripping house bomb - tip! highly recommended!

this will be a special eclipse release. one of the most valued and respectable dub techno artists atheus decides to stop producing dub techno tracks to explore the most introspective soundscapes of ambient and drone music, and this will be his final step into dub techno music. he needs no introduction, a bunch of stunning tracks speak for himself. his inspired music has been released on labels such as styrax and million of moments , probably one of the best dub techno producers alongside deepchord and fluxion in the basic channel legacy. the record consists in two original tracks and one remix. the title track das ende its a proto-dub painting where rhythm patterns are made by a mixture of pulsating bass frequencies, reverberated hi-hats, delayed stabs and weird effected voices. a well done mix of sounds brings the dub style forward to unconventional and more experimental paths. hypno chamber its a typical atheus dub track with all the elements in the right place. deep fat sub-bass and delayed chords textures worked together properly as always with taste and skills. a special release remixed by the special and talented young producer decoside. he worked the main theme das ende exploring the deepest side of his incredible skill in shaping sounds...

four deadly cuts of timeless, jackin house and deep techno professionalism. och returns to his autoreply home with a new series of split 12s inviting a diverse group of producers to share a slab of wax. for the a side he opens with >deltic< which sets the mood with tough yet soulful chicago vibes. ochs second contribution is >freeze-thaw< showcasing a deep, hypnotic groove alongside powerful sub-bass, lush female vox with dreamy analogue pads that bridge the gap between artistic creativity and memorable club versatility. on the flip side its romanian all-rounder, the model, who has previously graced premium labels such as traum schallplatten and international dj gigolo. here he delivers two ultra-phat workouts in the form of >dungeon man<, an infectious chord driven floor-burner and >stancuto< a stripped back, percussive take on the same theme demonstrating his emerging new warehouse sound with just the slightest salute to echocord or dehnert...

deadly, powerful, sub heavy & classic detroit techno reminiscent techno bombs, 2022 repress

incl 2 bit crew, lgg, volta cab and rosenhaft. 2 bit crews just cant seem. taking a sound heavily influenced by the underground house music / garage sound of the 90s, this is a bumping groove with a driving bassline and hatswith a simple female vocal sample that will stick in your brain. the second track takes things deeper with bastien carrara aka lgg with let me, smooth rhodes chords with a love sensation sample underpinned by raw beats and sub-bass. on the second side things get a little tougher. the third track is from a producer who has had many releases already on labels such as balance alliance, seven music and undertones, konstantyn isaev, better known as volta cab. his track what is underground focuses primarily on a killer bassline, retro synth stabs and a cheeky hip-hop sample used to great effect. finally is haim rosenhaft, a young producer from israel with 1992, his homage consists of an old school organ sound with heavy kicks and snares influenced by the sound of labels like umm and cleveland city in the 90s. again this will be a vinyl only release

london based club night and freshly formed label sub skank kick off with the first of three various artist limited 12 inches, guaranteed to annihilate any bass driven dance floor.

12 inch vinyl only. the first entry into the templar sound white label series comes via sydney savant dro carey. careys n.r. beat is the centrepiece of this vinyl-only release. the track is a menacing hybrid of rapid-fire martial 808s and uncompromising sub-low bass, indebted in equal parts to black ops and mobb deep.grime don j-sweet forges his own uncompromising version turning the instrumental into a brutal piece of 8-bar weaponry guaranteed to cause damage in the rave. the a-side of the record is reserved for a vocal of the n.r. beat by south londons merky ace with the mc riding the track with ease, his vicious flow effectively kept in check by carey�s brooding instrumental.

ingredients records are pleased to finally get the chance to release music by this drum & bass legend. known for his classics alongside st files and as a solo artist, featuring on metalheadz, 31 & his very own soul:r imprint, to finally have his name in the recipe catalogue is something we will hold dear. onto the music itself and its a side >cabal< is a deep techno influenced roller, with crazy sub-lo bass and slick percussion work. meanwhile >mud<, with its excellent arrangement, early 90s feel and distinct intalex vibe is a straight up slice of drum & bass as it is meant to sound. pressed to a limited amount of 400 full release promo copies, be sure to grab it while it is hot.
dj support comes from marcus intalex, dbridge, bailey, loxy, skeptical, dub phizix, flight, friction

finlands aki latvamäki, sometimes known as artificial latvamäki, steps up for halo cyans final release of 2012, the >it is not now either< ep.
the vinyl is limited to 200, and exquisitely packaged in a die-cut and debossed jacket with matching coloured inner.

a fistful of wax is an extension for some very special projects of our beloved deep house skylax records sub � label wax classic. for this first release, we give you the opportunity to grab 5 fantastic trax done by some of the best deep house producers at the moment. a1 is done by the great girogio luceri whose been releasing some very hot tunes through jamal moss mathematics & runaways on the prowl labels. a2 is done by jamie trench one of the new hot producer made in london, his track sound very very garage & we loved it instantly. while on the b side we have again 3 bomb tracks featuring first on b1 jackmaster k who delivers clearly an anthem, it reminds us some of best house music made in uk (circa 91/92), this track could have been played by sasha & digweed or carl cox at shoom ! b2 is marcoradi , an italian producer who teamed up with the great nicholas on one his 4lux release. he also produced many remixes (erykah badu ect ...) & some 12 inches over the years. b3 is rio padice from rawax & housewax fame those tracks are all firmly rooted into the deep house sound (check the detroitian vibes of get back). they never settle into one comfortable, predictable groove. its heady, emotion-rich grooves include warm, melodic two-step and future garage flavas, dubwise slo-mo grooves. its eclectic, no doubt, but thanks to those guys warm production and heavy deep vocals, this release will put your hands up in the air marvellously.

whether it is deep, tech, percussive, disco, chicago or minimal, ray okpara doesnt leave any sub-genre out of the pool. in a lucid representation of himself, ray delivers an 11-piece bundle of soul lifting, mind and body empowering dance tracks under the core title, good times.

disko404 is a long-established promotions crew based in graz, austria, whose renowned monthly events are all about celebrating the bass in dubstep, funky, house, juke, grime, hip hop, electro, and experimental sounds. earlier this year they branched out as a record label, launching with a well-received split ep from sun people & franjazzco. their second release features two new tunes by sun peoples simon/off as well as a splendid remix by bass clef.
early support comes from scratcha dva (hyperdub), brackles (rinse fm), phon.o (50weapons), and bunzer0 (sub fm), and with a strictly limited run of 250 pressed, this is a 12 inch that will be in demand long after supply holds out.

the definition of the cool: crafty oldschool-not-oldschool, sub heavy, party guaranteed, universal killer cuts - tip

how do you define the music of mantronix? is it hip hop? electro? funk? house? maybe the answer is all of the above (or is it none of the above?). it is true that mantronix will be remembered for their multi-faceted sound as well as their ability to bend and blend genres flawlessly into a cohesive musical tapestry, but they will also most importantly they will be remembered as musical innovators and sub-genre pioneers.
now available for the first time ever, traffic entertainment group in conjunction with sleeping bag records and warlock entertainment present, mantronix: king of the beats, the anthology 1985-1988. this carefully curated double lp compilation combines the best of mantronixs work from the early, and arguably, best era of their career into one amazing listening experience. whether you are an avid mantronix fan or are looking for a place to start - this is the collection to wrap your ears around.

subtle, nasty, sub heavy, effective dj tool techno cuts. killer !!

to mark its 11th release ce launches a new v/a compilation series featuring exclusive material from some of the hottest names in electro from across the globe right now. the world electronix series will be strictly limited to 4 x single press 12�s with no re issue. the first instalment of world electronix aims to showcase the darker dance floor side of the genre. the series kicks off with parisian resident carl a finlow aka silicon scally who turns in a signature style machine tech roller reminiscent of his early scsi av works. the duty then shifts to spain s number one electro export boris divider with a clinical, tight, rother-esque groove. on the flip we see london based ce label head sync 24 join forces with australia s abstract forms label owner deixis. the debut release for these 2 artists is a spooky,spacey affair with haunting vocals and a killer sub!rounding off the ep are finnish duo morphology, who alter the proceedings with a freaky 4/4 electro piece. the following editions of world electronix will include tracks from e.r.p, versalife, gosub, the exaltics, crc, dynarec, fastrgraph, plant43, defekt, steve allman, sync 24 & deixis. watch this space!

bristol-based behling & simpson come correct for apple pips with two slices of cavern-deep, slo-mo tripped out bass-led housey doings� these chaps have been making waves in the last year or so with their mixture of bass music, deep house, boogie and discoid with a characteristic bristol edge of not caring for the rules. with killer releases on bristol house dons futureboogies own label and a stonking re-edit of faith evans getting plays from peeps like modeselektor, derrick carter, untold, mosca, jackmaster and many more they continue to forge out their own groovy path through the bass scenes myriad styles� >where the ohs< glides along on a rolling, endlessly chugging beat, with glacial synth sweeps, dubbed out finger clicks, treated vox and sub bass stabs slowing cutting through the mix�perfect slo mo house styles for fans of prins thomas, todd terje, mark e, andrew weatherall etc

the story begins somewhere far away from awareness and rational thought. our main characters plays the roles of lost but not aimless arrows of pictures. pictures made out of sub atomic movements, amplified through breathable air and finally fragmenting its energy into space. we see the the sun go down in the ocean, the purple and red colors and finally the majestic sight of whales plowing the water in the horizon. it has been many years, in fact, so many years that we are now back again to the same point time. it is like an infinite loop, never loosing pace and determination.

following up on his guest appearance remixing >subsequent< on episodes01, hakim murphy resurfaces from the abyss exploring a sub-aquatic palette of sounds for episodes02. this 4-track ep strips back his sound further while stepping up the funk. limited to 200 copies, including numbered insert.

italian based producer roberto clementi. a warm, analogue dub house feeling immediately rolls through his tracks with deep, techno orientated sub bass permeating layers or rich synth work and crisp evolving percussion. having previously released on ny based producer brendon moellers steadfast records, roberto continues down the path to sonic delight with 4 tracks forged in the underground.

nice price deal !!! nice price deal !!! slams rtm project starts with a bang! the pimp convention is packed with the swinging percussion that slam do so well. winding around this rhythm is a hypnotic hook and swaggering vocal sample that adds a delicate touch of uneasy tension, while chest thumping sub bass underpins all. slam are back in the house. the sides collide slows the tempo and darkens the groove. an underlying disco influence can be heard in the track, but is brought back down to the undergrowth by a super heavy bassline and creepy, pitched vocal.

nice price deal !!! remix time! alignment present 2 remixes from artists right at the front of modern drum and bass, octane & dlr and dub phizix.octane & dlr are on the cusp of unleashing their debut lp >method in the madness< on dispatch recordings, they have taken on the 3rd release from the label � gerra & stones dance floor damager >droneheads< and have delivered a remix of devastating capacity. already gathering steady dj support and featuring on dj hazards fabriclive 65 cd this one is set to blow!on the flip to this double a side remix ep we find manchester man of the moment dub phizix switching up the flow on the first release, judda and treos >6th element< true to his style dub phizix has flipped the original completely on its head for a truly original sounding remix, masterfully intricate drums roll steady throughout a serious system testing sub bass as only he can.
dj support: hazard, break, basher, octane & dlr, skeptical, ulterior motive, dub phizix and many more to boot�

just in time the almighty stock 5 comes around in order to send out a wake up call for spring. rico casazza blesses us with his soul driver ep. the title track impresses with a badass houserhythm, adequately supported by jazzy chords that generate the space for the misty, soothed vocal in the background. -soul driver- is an afro percussion body mover, not to be missed in everydjs case. this one�s followed by -wa lking backwards-, a huge and soulful stomper, catching our spoiled ears with some elegant synth melodies and truly massive sub basses. the flip providesa wide playground for notorious emixers. first on the scene are cesare vs disorder who implanted a serious guitar lick, making their -supernatural mix- a funked out trance disco housemonster. matthew styles ennobles this flamboyant release with a rather minimalistic approach towards the original. -megamix pa rt 1- is perfectly suitable to make the crowd all yours on a sunny sunday after hour morning.

celebrating a landmark tenth release, biscuit factory records brings two absolute stompers. the a side is creature, a laxx and farkas collaboration. on the flip laxx and soap dodgers team up with hi rolla. creature is a 4x4 combo with a smooth hypnotic vocal that drops into a heavy bassed, techy roller. the biscuit factory is set to full speed on this one with industrial synths and weighty stabs crashing over the raw upfront bassline. hi roller is a dance floor club smasher. dark robotic basslines and pure weight make this a perfect flip to creature. the low sub bassline and hard punchy drums combine with light melodies in the breakdown to make a track that turns speakers inside out and shreds clubs to pieces. creature and hi rolla have been a staple in walshs sets over the last few months, destroying raves across europe. huge support also coming from n type on his weekly rinse fm wheel and deal records show, hatcha (kiss fm, sin city recs) and skream and benga (bbc radio 1).

here we go with the launch of mb discos sub label. its a vinyl only label which will release all kind of edits from the coolest people all around the globe. we keep the family name mb and add edits, so, mb edits is the name.

here is the new chateau flight track,called kounka. afro?techno?jungle house? a trippy journey thru sound fx, sub bass,and dirty snares. already supported by dixon, trevor jackson, ame among others... for the remix job we asked steve moore (half of zombi and several 12 inch on kompakt, permanent vacation and the super cool label from ny l.i.e.s.). for our enjoyment, steve delivered 2 versions in his typical multi-layered electronic sounds. one is for the club, and a slow version in a kosmich fashion

hannover based imprint yippiee return with the outstanding come with me ep this august by manuel moreno, backed with remixes from label owners filtertypen and normen hood. this release follows the success of yippiees treibgut sonder kompilation which featured cuts from deepnhouse heavy hitters chris lattner, moritz piske, patlac and gorge to name a few. now the german imprint deliver this four track single from swiss producer manuel moreno whos releases on 8bit and dj sets at space and privilege (ibiza) have earned him a highly praised status in the underground. title track, come with me, opens the release, encompassing a boomy kick drum, tight drum programming and ethereal atmospherics to create a deep and dark distinctive quality. the inclusion of a gritty sub bassline further fuels its murky progressive vibe, while the introduction of a soulful vocal hook and bright string melodies adds a lighter touch to the composition.label owners filtertypen opt for a less is more approach to their remix of come with me. stripping back the atmospherics to a more dismantled state, the duo-apply punchy drums and a warbling sub-bass,resulting in a smooth rolling groove that runs steadily for its duration. the cut comes into fruition threeminutes in when the pair bring in an amalgamation of deep strings, synth shots and delayed fx, finely placedto create an expansive dynamism. hello bernhard employs deep worldly percussion as its driving force, while guitar licks and warm chordscreate undeniably beautiful imagery. moreno demonstrates his ability to manipulate melodies with precisionhere, introducing several elements to play off one another in a call and response fashion. last up on the wax release is im sorry, a solid slice of house built around rolling toms, sawtooth bass notes and trippy vocal murmurs. manuel utilizes heavy delays and big room reverbs to create cavernous effects in the breaks that adds an incredible weight when the preceding groove is brought back in. to close the release normen hood offers up a remix of hello bernhard as a digital bonus. applying deep house tactics, hood plays on warm piano stabs and brass hooks that deviate around the tight-knit drums for several minutes creating an epic rework.

local talk is proud to present the first release on their sub-label 1nce again. this is where we bring back classic and forgotten house gems from back in the day with new mixes and reworks. with the second release on local talks reissue sub label, 1nce again we bring back one of our personal underground favourites from the golden age of house music (the early 90s). back in 1994 mateo & matos released an ep on black label records entitled raw elements, which included an amazing cut called >maw basics<. its one of those raw 90s house jams that got the house bump but without the pump, its rough and funky but still deep if you know what we mean? no cheese in sight! together with the original track (now fully re-mastered) we also asked gerd (4lux, ny stomp) to make a remix that would stay true to the original but still bring it to the next level. the result is absolutely amazing and we are pretty confident that this baby will deliver knock out punches every time it blasts through a massive sound system in a proper club.

the second full-length album is a true reflection of the complexity and simplicity that have come to represent the artist. effortlessly weaving entirely new sub-genres, while daring to convey its fragility she assembles the marcy all-stars, a loose collective term that encompasses her longtime muses, friends, and co-conspirers. the term comes from the marcy hotel in williamsburg, new york - an underground nightclub-come-creative-space and wolf + lamb label studios that gave nicolas jaar his first gig, inspired a multitude of collaborations and reshaped the sound of house music as we know it. available on cd, lp with a special limited edition lenticular cover of the accompanying led sculpture designed by deniz kurtel and brought on the way we live u.s. tour. vital sales points: - second full-length artist album for turkish-born artist - mobile led installation was constructed for the tour, artwork is special multi-frame lenticular - extensive global promo + tour

solid tech tracks by reno wurzbacher / mike dehnert / roman lindau on the more house-oriented sub division of fachwerk records!

limited edition heavyweight 180g 12 inch vinyl. bambounous mind is an enigma to mankind, the only matter is that everything that comes out of it is banging! this 2 tracks number doesnt break the rule� >night< is a garage flavored bass monster tune with hypnotic rave strings reaching out to your nervous system to push you deep into that one-of-a-kind sharpen beat� while >brawl< drops a grime/house percussive rhythm mayhem on our head, carried away by what they call a sub-bass, sub indeed, not for the laptop heads. bambounou pushed once again the boundaries a step further on this one, cuts so fresh you will need a blanket!

as the range, james hinton has released previously on astro nautico, alongside other such rhythmic alchemists as obey city (now signed to lucky me), time wharp and howse (now signed to tri angle) as well as appearing on remix duties for kuhn on the london based civil music label. outside of this moniker he released >cower<, a full length under the alias stegosaurus, on his own sqwal recordings imprint.
operating out of providence ri, james hinton fuses snapshots of global electronic music into a heady brew of deep sub bass, rattling footwork drums, juiced up junglism and dirty south rap beats. here we present the five track >disk< release, bristling with frenetic energy, complex percussion and cerebral melodies � >disk< is as suitable for the home as it is for the club and marks the latest evolution of the range sound.

our seleccion natural compilation series is back in shape with this 6th instalment, featuring as always music from our all star team: oscar mulero, exium, christian wunsch and reeko.four fine cuts of futuristic techno, each one with its own particular mood and feel.the release starts with reverberation by oscar mulero, an intense workout beginning with a straight and dark beat, salted with precise sub bass frequencies. the track grows and evolves till fm bass galore takes over and synth drums and white noise infect the arrangement, taking intensity to peak levels.exium show their electro side in the second track no sign of weakness. they depart from 4x4 beats on behalf of broken beats with an industrial flavour and the traditional drones, dark atmospheres and moving arrangements they are known for.christian wunsch reveals his darker side in sleeper cell, based on an enormous kick, side by side with sharp hats, digital percussions and dark and sticky noises.lynx is reekos input into this 12inch. complex and intricate rhythms, thick textures, multiple layers of drums and a constantly evolving structure, dark and sharp at the same time.an excellent sample of contemporary techno created by four of the best european producers of the moment.dont miss it.

g vinyl puts out its debut release by its operator steve albert (gyle). hailing from g block in the hardware city, this hot slab of wax is a melting plate of deep sub rubs and inviting percussion sequences. the additional dialogue ep serves up 4 thick tracks of chunky tech-house grooves for listeners, dancers, and disk jockey sluts.

2012 will be a year for new faces on the boe release schedule and first up is professor inc., a producer from paris who has taken inspiration from the masters of the early dub house and techno sounds, incorporating samples borrowed from the days of floppy-disk sharing to create fresh new soundscapes with a very modern feel. he delivers a 4 track ep of stripped back house with complex peripheral textures and effects, from the evolving strings and moving sub bass of path illumination and vtm beos tribute to the sinister echoes and delayed drums of elements combined and essence dub.

lucy the double a side is dedicated to a special one, near and dear to him and has quite an epic flowing sub-aquatic groove. we can see this track being prime warm-up or late night tackle for the likes of move d, lawrence and the smallville crew.

uk stalwarts jamie anderson and owain k team up again for another sumptuous slice of contemporary house music on steve bugs dessous recordings.jamie anderson has been exploring and manipulating the links between house and techno for over 15 years, having released on numerous influential labels, both solo and as a collaborator with other top artists. but its his work with bristolborn hot-property owain k that is currently exciting discerning dancefloors worldwide. do you know, their latest collaboration, sees jamie and owain drop some serious sunshine grooves - shuffling hi-hats and a classic, chitown synth let you know that this is all about the good times. the spoken word vocal pays homage to forgotten jazz legends � the uplifting vibe sure to put a smile on the faces of dancers all summer long. jamie and owain switch it up on the other main track in this release.keep it pumping drops the tempo to 118bpm and digs its toes into the sand for a balearic-tinged nu-disco stomper. disco toms fire, the sub bass rumbles, and spacey synths and vocal samples wash over this expertly crafted sunrise/ sunset groove. a dub of do you know rounds off the release from this hugely talented combo

inspired by the wise words: the moment you start seeing life as non-serious, a playfulness, all the burden on your heart disappears. - osho nansen: the point of departure chapter 8.
playfulness, sees the talented german duo in fine form, turning in a slice of skipping house that welds organic percussion to a heavily electronic groove that slowly unfurls into a warm, synth-led number that owes as much to chicago as it does to european micro-house. combining fat melodic sub bass grooves, alongside intelligent layers and synch patterns, creating the perfect dance floor journey for the music purist.

instruments of r.i.p.ture. after 3 years and 9 releases covering edits, remixes and original productions, instruments of rapture hammers the final nail in its own coffin with the delivery of part 10. the triple vinyl release includes a special selection of unreleased tracks (with vinyl exclusives) and remixes from friends and family of the label. a limited cd will be released in late june with exclusive material from the labels vaults. the final release party will be held in glasgows infamous sub club on bank holiday sunday june 3rd with 6th borough project and ooft alongside the revenge debuting his new live set.

2methyl (aka 2methylbulbe1ol) is an up and coming 26 year old audio heavyweight from the east of france. at first a fan of post-hardcore, grindcore and noise rock, his discovery of venetian snares and xanopticon opened new boundaries for him to explore, resulting in his own distinctive, crushing sound. he uses music as a form of narrative, leading dance floors through intriguing cyberpunk, industrial soundscapes. 2methyl s releases to date include 2 ep s on rotator s ruff recordings imprint, and another one on komodo dragon records. he shared stage with eight frozen module, niveau zero, sinister souls, counterstrike, reso, dope d.o.d, luke viber, shitmat.with his new ep on overclockheadz rec., 2methylbulbe1ol dives deeper into his approach of dubstep,a blend of metallic heaviness, mechanic pianos dull melancholia and the humming of sub-bass reminiscing the hyper technological sounds of neuro-funk. 3 dystopian visions of an hyperspace haunted by fantasies of civilization, 3 requiems for mankind sung by orphan automatons. to complete the whole, a stripped-out version of golem by hecq, a mastering by angelos liaros (mobthrow), splendidly-sleeved by the old accomplice okiko.

played and supported by luke slater, dvs1, laurent garnier, adam x, marcel fengler, samuli kemppi, inigo kennedy, jeroen search, truncate and more. asr is a record label with a strong inspiration in cosmology, physics and science fiction. with one foot in detroit and one in birmingham, asr is getting the techno in its original form beyond fads. we are believers in the true conception of electronic music as artistic expression and as message. our first release is also the first volume of the series vla, named in honor of the radio telescopes system in the very large array of new mexico (usa). radio transmission true to the sound of detroit and influenced by idm and the birmingham scene, radio trasmission presents a crude and analog sound, sometimes simple and sometimes twisted, synthesizing unconventional elements of the dancefloor with complex sounds and structures. the first track,grote reber, works around the omnipresent tr909 and the classic dx100 solid bass sound, building a powerful and effective track. in interferometry, a heavy and deep sub bass, leads the track around dub and post industrial ways. cyg x-1, is the only track that isnt 4x4, with noisy and punchy stabs all around, this works perfectly late in the night and in more uncommon sessions. the last track,vla is more melodic and relaxed. it is the perfect end for the whole record.

killekill herewith announces the start of a sub label focussing the housier side of what we like. killekill house trax starts with the release of a great track by alex cortex. quite uptempo but groovy as hell oh yeah comes along with a strong reminiscence to classic chicago house with its strong bassline and the catchy vocal sample. tyree cooper added a simple but well working piano and packed the original into an even more classic outfit. oh yeah!

mit >life is full of possibities< von 2001 wurde dntel zu einer der wichtigsten figuren der glitch-szene, die der elektronischen musik eine neue dynamik und komplexität verlieh. unvergessliche songs wie >anywhere anyone< verschafften ihm eine treue fan-schar. seit dieser zeit sinnierte dntel, der mit bürgerlichem namen jimmy tamborello heißt, in zahllosen veröffentlichungen gefühlswelten und stimmungen nach. als teil von figurine entwickelte er einen mal anmutig-bezaubernden, mal irrwitzig-albernen techno-pop-sound. mit ben gibbard von death cab for cutie gründete er postal service, deren nummer such great heights wurde vom rolling stone unter die hundert wichtigsten songs des vergangenen jahrzehnts gewählt. dass tamborello als einziger electronic-act des nirvana-labels sub pop gesignt wurde, war zwar eine kleine sensation, rückte ihn aber aus dem blickfeld seiner europäischen fans. schon in den ersten momenten versetzt einen aimlessness mitten in den dntel-kosmos. von van dyke parks bis pavement, von den dead kennedys bis zu dr. dre hat popmusik aus kalifornien durch ihre emotionale abgründigkeit fasziniert. genauso zieht uns dntel in einen unwahrscheinlichen strudel aus irisierend schönen melodien und noch nie gehörten elektronischen klängen.
inklusive cd-version des albums.

featuring the rolling, techy vibes of smashface and the paranoia inducing test subject, jade (with the help of ryme tyme) continues to push eatbrain to the forefront of neuroconnoisseurs everywhere.smashface (feat. ryme tyme): beginning with an ominous intro full of dark twangs and rasping clicks,smashface revs up the tension until jade pulls the trigger one of the meanest basslines around. a thumping subbass dominates, with precision synths and the molten, lyrical delivery of ryme tyme skittering over the top. a perfect blend of relentless drive, flawless production and infectious vocals,smashface comes from renowned two artists who continue to innovate. test subject sees jade change the pace and bring forth the darkest vibes. featuring an intro that wouldnt seem out of place in a horrsor film,test subject is neurofunk at its most menacing. after an atmospheric built up, the track transforms into a sophisticated roller, with all the hallmarks of another classic jade production. combining unsettling synth stabs with a submerged sub and ominous pads,test subject delivers a claustrophobic, paranoia inducing groove will find its way into only the grittiest dj sets.

this is the debut vinyl release from up & coming producer jim morton. the 12 inch presents two different flavours of the jungle sound. the a side is nyc-dub, a heavy duty track with plenty of pace and energy. an atmospheric vibe is present but the production still carries enough weight with the beats and sub to work the dance floor. think ray keith meets breakage!
on side b, >underwater chord< is again a jungle bass tune but on a different vibe. it is a brighter sounding track, due to the chords and sounds used, which wouldnt be out of place in a liquid style production. with both tracks there is a tip of the cap towards the old skool sound.