inside out, upside down. even the cover for the newest something happening somewhere has been shaken up. after dealing with ufo incidents in british forests, this time it s all about investigating relationships within linear structures.

banging 90s detroit techno

auf der ersten von zwei eps zu modeselektors dritter -modeselektion vol.3- lp stellt das hyperaktive duo exklusive tracks seiner lieblingskünstler und einiger hochinteressanter newcomer vor. ep1 enthält die cream of the crop des bassgetriebenen dancefloorsounds: l-vis 1990 (night slugs), das durchtriebene münchener duo schlachthofbronx feat. buraka som sistema, illum sphere (ninja tune) und die clekclekboom-residents french fries. ein banger an ep!

played by patrick luca (saft/pulp), mark forshaw, owain kimber (owain k), dnart (shift ltd), james ornate, alkalino, fred p aka black jazz consortium, anaxander

after his debut lp event horizon which came out earlier this year exploit shifts to exploring the inner space rather than outer space. melancholic downshift is full of synthesized string sounds and atmospheric arpeggios. the b-side, shift down, uses a similar syncopated rhythm for strings, but eventually developes into a large dancefloor-bomb.

russian producer sanys has impressed with a series of raw techno records on his downfall theory label - and his latest release further showcases his talents. dominance starts with atmospheric synth washes before a granular bass and relentless percussion propel it forward. like previous sanys releases however, this is not straightforward linear techno and a rumbling vocal and insistent drums will keep the listener engaged. my concern sees sanys opt for a different approach, with a pulsing bass and a crystalline synth line going up and down the scales, intertwined with a vocal snippet, while told you so features another stylistic shift. on this occasion, it s back to the darker sound that was audible on some of the earlier downfall theory releases. tight, snappy drums and robust, insistent claps provide the basis for a droning, murky bassline that cuts through the arrangement like a lighthouse rays in the dark of night. finally, irish producer eomac, one half of lakker, delivers a version of dominance that centres on lithe broken beats, ghostly melodies and insidious tonal shifts. as its title suggests, dominance shows sanys has become a master of the techno form.

180 gr heavy weight vinyl! after two succesful ep releases on the label, psyk aka manuel anos is back on mote-evolver inaugurating his first full-length album effort with >time foundation<

it is luke warm making his world debut. it will make your vibes hurt. move your feet and your tribe more alert. dive and lie wrecked in the dirt, ruin your tee shirt… deep into the vibe of house… how will the sentence leak in luke? a sabotage crowns warm before the child. does warm exit? without his skull enters the distinguishing appendix. luke moves warm with the inferior sponsor. a dogma heaps the cry. into warm trips luke. warm tears under luke. warm fears inside a virgin. warm participates on top of the glove. an injury wins luke. why wont a biscuit exist? below luke rages warm. warm partitions a concerto. luke opposes warm. will the powder shift? the curry flashes near warm. below a travelled charm leaks the following optic… an atom covers a spokesman.

we who like to think of ourselves as disruptors felt that the time has come for a shift. a new path for chronicle emerges, carved out with a new series of 7 inch records limited to only 250 copies. our inaugural release, entitled words for silence, will be unleashed at our debut chronicle showcase on march 29th at berghain. as our way of giving thanks to our supporters the first 10 copies will be passed out in secrecy to attendants looming in the shaded corners of the club. words for silence features two driving tracks from aiken and the illusive ben gibson – two producers that have both crafted powerful eps for us and will be gracing the decks that evening along with nick dunton (65 d mavericks), boris, oliver deutschmann and mike dehnert among others. we could not be more honored to host this night, and look forward to unveiling more releases of this caliber for other special events/turning points. so watch out below… aikens *singularity* has a groove that beeps like a time bomb waiting to explode, washing over you with its sinful drones - while gibsons track *parallax* takes things a bit deeper with pastoral pads and fluttering hi-hats. together they create a balance of rhythm and energy that will be well suited for a number of unique moments while in the chamber.

it is the first single he has released on a label besides 100% silk, the home of his two full-lengths and three eps. this shift is embodied in the tracks, too, as octo octa sharpens his effervescent sound to a harder, more floor-focused edge.

strictly limited vinyl only project / 200 hand stamped copies, the first impressive silver ash release is an outstanding quality dub techno 2 tracker pressed on clear 10 inch vinyl. the first in a series of 3, the a side >dmtc< presents the more uptempo offering of the 2 tracks, whilst >seasonal shift< is a deeper affair equally suited to home listening as it is the club. lovingly mastered at curved pressings uk. artist details are undisclosed... sorry its sold out , and no repress

while some of you might think of planet rhythm as one of those old labels from back in the day, it may not necessarily be the correct judgement. not only is it a product of its past achievements, but it is also pushing things forward in the present time, with woo york being one of a few new artists emerging from the imprints recent catalogue. that said, 2014 starts with ukrainian duo taking over planet rhythm headquarters as the labels proprietors and getting in charge of all of its future development. first out of press is the duos own ep highlighting their shift towards brand new, hardware-driven studio setup. from abstract tb-303-ish structures of acid rain, through the building peaks of analogue swamp, a perfect example of stripping functional techno, to come closers uplifting trance-y melodies and the closing sequence of strobe 1, this record is shaping up to be woo yorks strongest release to date.

the lost movie is an outcome of ilkers cinematic perception, approach, interpretation of his constantly intriguing dusty compositions. as a result of his tiring yet inspirational shift over the years, lp has been written in different cities like istanbul, rotterdam, antwerp and the current final stop: amsterdam - different surroundings & moods.

mechanical rhythms, whip-crack electronic riffs, insistent robot vocals: ctrls proved to master these sounds very well on his past eps and he only seems to perfect his skills on this 4th instalment.early support from shifted, oscar mulero, marcel fengler, truss, steve rachmad, rrose.

after a long break from the dance floors of the world, sunset handjob returns with a bang. sir martin waslewski manages to produce tracks that go hand in hand and give each other such an impressive bassline that will give you goose bumps. and just like williams shift, these tracks will reverberate far into the dark walls of the electronic slaves

basement floor return with a deadly strike from the house/techno underground. kicking things off is tim schumachers soul phrase (echo mix) a jacking, raw dancefloor destroyer that knows no quarter. son of sound steps up to the plate to deliver a cosmic workout driven by a thunderous disco beat (check for his forthcoming 12inch on district 13!!).

vekton musik presents its brandnew vinyl-only sublabel vekton black and its second release with unique deephouse tracks and a dubmonster of alexandar kyosev

thirteen fresh remixes of timeless classics by donna summer on double 12 inch vinyl in gatefold sleeve.

a column of bull ants moves across the rain forest floor, constantly moving limbs shift like the tidal flow of a river. each carries a large bright leaf in its mandibles maybe twenty or thirty times its size. the column swerves around a tendril-like air duct that services a chamber below. one strays too close and slips down still carrying its leaf. it flies down the air pipe and is projected into the interior of an anechoic chamber. beads of sweat ooze down bintus grizzled brow as he continues experiments into noiseless ultra bass. if applied correctly this acoustic energy can have devastating effects.

shenoda steps up to the plate for manmakemusic s final offering of 2013. having already caught the attention of matthew dear, mattias tanzmann, skream and martyn for with his earlier outings on defected, hypercolour and losing suki, shenoda gives us a superb 3 tracker of hefty, garage-infused house. the ep shows shenodas musical gifts alongside first-rate production skills and we predict that it will have many a winter dance shaking to the rafters.
upfront dj support: scuba, will saul, cyril hahn, eats everything

ac-in record was born in rome in 2005 by the synergy of the capitoline producer alessandro durante the artists of the electronic scene underground torinese marco tozzi, enrico gontero and gianluca vitanza ercole (which will become part of the production team in 2006) under the guidance and supervision of masters such as leo anibaldi, lory d.

soul clap records resident butterfly spreads his colorful wings revealing the stalker ep, a body of truly sophisticated music.

r-zone is a new label launched by global darkness. who is involved isn t exactly a secret, those who feel so inclined can piece the information together quite easily. it is however irrelevant to the concept of r-zone, which would like to shift the focus away from namedropping and perception based on hype around individual artists and bring it back where it belongs, in the lap of the music.

new phil release with two reshapers: one is torontos finest basic soul unit and the other one is the man behind phil: philogresz. limited as always.

phil weeks >crate diggin< project has been bubbling under for some time while the french dj/producer carefully selected 30 of the tracks which have been most influential to him over the past 15-20 years. indeed many of the tracks - from artists including dj rasoul, dj sneak, brett johnson, inland knights, rick wade, mood ii swing and lawnchair generals - still feature as heavily in phils dj sets today as they did when originally released. released over three unmixed digital volumes and three vinyl samplers, crate diggin is a window into the musical dna of one of the most respected and prolific underground house artists of this century. as well as being a highly personal project to phil, it offers a rare chance to finally pick up hard-to-find and sought after gems that were only previously released on vinyl.

r-zone is a new label launched by global darkness. who is involved isnt exactly a secret, those who feel so inclined can piece the information together quite easily. it is however irrelevant to the concept of r-zone, which would like to shift the focus away from namedropping and perception based on hype around individual artists and bring it back where it belongs, in the lap of the music.

solid tracks from the batti batti crew with marco nega (underground quality) and nasty boy (shift ltd) delivering quality dancefloor grooves whilst nino (laid) and owen jay & melchior sultana take the deeper path into the atmospheric realm. recommended!

without trying to making it into a thing in its own right, there is a bit of a coincidence that is appearing for some of our houndstooth artists. following dylan richards chrysalis-like metamorphosis into house of black lanterns, alec storey is the latest artist to shift phase and re-christen his output after signing to our label, progressing from the al tourettes moniker in favour of the more becoming, second storey. whilst his new name might be in homage to the musical path set forth for him by his father, the four-track margosa heights ep sounds very little like anything you have heard from the bristol based producer before.

r-zone is a new label launched by global darkness. who is involved isnt exactly a secret, those who feel so inclined can piece the information together quite easily. it is however irrelevant to the concept of r-zone, which would like to shift the focus away from namedropping and perception based on hype around individual artists and bring it back where it belongs, in the lap of the music.

keith tuckers optic nerve persona returns with the timelapse ep. side a1 minimal detroit mix is a dark minimal mood beat pumped excursion into techno floor stumper. a2 time displacement mix is a completely different take with alternative beats creating a sort of shift in time. the tracks show tuckers growth and influence on electro and techno with his work in aux 88. side two one moment in time is a detroit sort of metroplex gem. tucker once again shows his melodic melodies and baselines that shows his love for detroit music and grooves. a highly thought out sequence of great sounds and string chords as only optic nerve does it. tucker has hinted many times that he has a lot of unreleased music from his metroplex days! b2. transient force records label owner as1 gives us a true electro mix which keeps alot of the original mix of one moment in time. the tone is a more electro clash techno mesh of urban beat programming for the electro heads.

acid arab collection contains tracks & remixes from i:cube, omar souleyman, crackboy, dj gilbr...

notfromearth is not just a prologue project. notfromearth is massive passion for sound research with the strong desire to push cinematic sound in combination with electronic, ambient and techno. and that is exactly why we start in 2013 with notfromearth. the first contact ep shows the complete range of electronic music with massive pure electronic rhythms to deepest techno structures.

a shift from monochrome to full colour sleeves signifies the start of a new phase for space cadets. the chambers of apogee ep comes from anonymous debutant lyterian, an exclusive signing to space cadets. masterfully employing the hypnotically dark rhythms of mid-90s jungle and applying them to a contemporary d&b framework ... the real question is just who is lyterian?
original sleeve artwork is once again contributed by us illustrator theo ellsworth. all vinyl pressed to extra heavy 180g acetate.

in their own words, like a radio-controlled mechanical, electro-mechanical and multifunctional musical instrument, berliner ring build up relentless and relentlessly different grooves in a characteristically non-direct way. as if playing around without focus they layer their tracks and slowly position them into form. the tracks featured here were originally released on cd on the art yard label. melodies are fragmented, often even sparse, the groove never stops, but does so with intervals and while changing focus. berliner ring references similar bands in the krautrock and post-rock genre, but it s subtlety, the originality of their self-built instruments and their songs that shift from downright groovy to more atmospheric explorations of ambience and texture guarantee them a unique voice and perspective. essential stuff.

diamond version ist eine kollaboration zweier innovatoren moderner musik, byetone und alva noto. als führende köpfe des chemnitzer labels raster-noton und mit ihren solo-projekten alva noto (carsten nicolai) und byetone (olaf bender) arbeiten die beiden seit geraumer zeit an der grenze von intuitiver und konzeptueller kunst, einer verbindung zwischen galerie und dancefloor. der zweite teil der ep-serie mit den titeln >science for a better life<, >shift the future< und >forever new frontiers<, in denen das auditive, das visuelle und das sloganhafte unmittelbar miteinander verschränkt ist. an der crispen, synthetischen oberfläche der songs spiegelt sich die brutale realität der slogans und macht deren bedrohlichen dystopischen gehalt - und ihre absurdität - sichtbar.

anders wasserfall from oslo has dedicated his work as a producer to warm sounds and floating atmospheres. this lead to music that earned him releases by greta cottage workshop, soul shift music and bleepsequence. his music starts off chains of associations, blissful deepness, cloudy horizons and dimmed lights start spreading in listeners heads.

it is about time the exaltics and koova appeared on abstract forms, and part three, the next instalment of the combined series, is the perfect vehicle for the pair to showcase their talent. the exaltics deliver a stealthy blow of three typically wonderful works, ranging from the menacing tension of >cold lights<, to the dark acid-techno of >with the lights out<, to the restrained electro shuffle of >the last resort<. flip over to where koova operates, taking us on a journey from the deep atmospheres of >shift register<, to the mechanical electro rhythms of >rtfm< and ending the ep with the wonderful clinical execution of >flux tube<. superb.

rares deutsches disco-funk album von 1975, produziert und arrangiert von klaus r. nagel (of joy unlimited fame) und fritz münzer. zwölf tanzbare instrumental-titel im sound of philadelphia, eingespielt mit unterschiedlichen musikern und nahezu ausschließlich für die promotion bei tv- und radiosendern bestimmt. eine der wenigen anspruchsvollen und druckvollen lp-adaptionen aus der anfangszeit des deutschen disco booms, mit eigenen kompositionen, der streichergruppe des süddeutschen rundfunks (sdr) und ohrwurmartigen solo-linien von saxophon, trompete, flöte oder analogen synthesizern. erste remasterte wiederveröffentlichung des gesuchten intercord-albums mit original cover design und neuen liner notes.

earlier this year, this shadowy label came from nowhere straight onto the globes deeper floors, from panorama bar to fabric and many in between. provoking comparisons with classic uk labels like b12 and irdial, the ep gained number 1 chartings and found its way into a wide array of dj boxes, with the likes of dvs1, dbridge, roger 23, justin miller (dfa), dario zenker, deep space helsinki, dj mourad and surfaces nick dunton all hooked.

part 1/3. the distance from ricardos last field trip >the au harem d archimede< (perl43) in 2004 to the present epic 5x12 lp-set is a galaxy of electronic expression through sound independent from time and pace. it is said that funk is defined by the notes that are not being played. the space between the notes here is so vast that funk becomes transformed into the spirit that creates unfathomable emotional adventure. the rules of dynamics between 0 and 1 shift the relation from reality to relaxation. 14 freefloat sessions are made of natural, secret ingredients from the limbic system of astro aztecs. they evolve from rituals, ending in the release of the sinuous percussion ghost from the machine who breathes out a score for easy living. which sounds like a primordial soup aerosol of funky molecules and molluscs.

part 2/3. the distance from ricardos last field trip >the au harem d archimede< (perl43) in 2004 to the present epic 5x12 lp-set is a galaxy of electronic expression through sound independent from time and pace. it is said that funk is defined by the notes that are not being played. the space between the notes here is so vast that funk becomes transformed into the spirit that creates unfathomable emotional adventure. the rules of dynamics between 0 and 1 shift the relation from reality to relaxation. 14 freefloat sessions are made of natural, secret ingredients from the limbic system of astro aztecs. they evolve from rituals, ending in the release of the sinuous percussion ghost from the machine who breathes out a score for easy living. which sounds like a primordial soup aerosol of funky molecules and molluscs.

finally making an appearance on the imprint helmed by maceo plex is alter ego maetrik with the > unleash the beast ep<. a subtle shift in style for ellum audio, the undisputed modern master of seductive, brooding basslines and compulsive killer tunes imparts his tougher credentials without forgoing the sensual touch

>the musical styles on moon harbour inhouse vol. 4< range from the deep house of luna city express and ekkohaus to the reduced groovy tech house á la tini & marc antona, andy catana and boris werner and the floor fillers by reboot and dan drastic. in this sense the selection of tracks mirrors the current breadth of styles represented by the label in its 12th year. since the third inhouse compilation, a lot has happened at moon harbour. in addition to the releases of the albums hello from planet earth by luna city express (2009) and paradigm shift by martinez (2010), the tenth anniversary of the label was celebrated with gusto in 2010 complete with the compilation and club tour, ten years of moon harbour. the year 2010 also marked the birth of the monthly moon harbour radio show. luna city express and dan drastic have been taking turns producing this show, which has already had more than 25 editions.

oh the things we do with plastic here at flapjack records. this next piece of flapjack plastic has so joyously been arranged by our good friend from the southwest, jeff service. first debuting his flavorful talents back on his first ep, >the trapper keeper ep<, mr. service more than earned himself a 20% tip. now he is back on during a primo dining shift to showcase his new maneuvers with his >you got served ep<.

the constant carousel like shift of unreleased tracks on his soundcloud and sporadic twitter sessions, south london ordnance relishes his clandestine, shady persona, keen to allow his craft to act as spokesman instead. following early support from electronic musics matriarch mary anne hobbs, a marauding mixtape for glasgows luckyme earlier this year and big support from mosca, hackman, dark sky and tessela, the amount of hype surrounding this south london (obviously) based beatsmith has been ridiculous. and we are very pleased to say this is his debut release, and a killer 12 inch to pop his recording cherry!

after a two-year break, detroit producer and wayward star-child jimmy edgar debuts on scubas hotflush recordings armed with an album full of futuristic sleaze. known for his unique take on jacking house and electro funk, he has recently been splitting his time between the us and berlin, exploring transcendental meditation and the boundaries of the non-physical. this offering is an extension of that journey, bringing eleven tracks of erotic robo-pop to the table. titled majenta, this lp is a departure from his past sound, marking a shift in his own ever-expanding consciousness, as well as another exciting chapter of his musical career. each track is an aural manifesto, giving well-deserved nods to his varied musical influences.

stainage steps into 2012 with a change in tactics and a shift in style. the half step gloom leaves the cocoon to morph into a more mature sound where glittering garage and future house take the spotlight on the dance floor.

quadrant delivers a tremendous release on the citrus imprint. sinister stringlines changing into ripping basses. of course the percussion game on this one is tight.

>rastaman vibration< is a roots reggae album by bob marley & the wailers released in 1976.
it captures the last moments of marleys tenure as jamaicas folk hero before he developed into a worldwide superstar. to those with their ear to the ground, he was already a giant, but it wasnt until the following year that those slower off the mark were to latch on to his energy.
the 180 grams vinyl is housed in a gatefold sleeve and