part two is coming ++ bastard electro ++ 200 copies only ++ cotton sleeve ++

preternity is a vinyl that collects together four of the most dynamic artists in electronic music delving into tracks from dadubs forthcoming album ‘you are eternity. dadubs album positions itself as part of an eternity which is forever recurring and in this context lucy, lakker, rrose and kangding rays remixes emerge as parallel versions of the original tracks. revolving around the axis of ‘you are eternity the artists use analogue machines and digital devices to either encode or decode dadubs vision.

new years deal - behind the highway, near the industrial area, next to the airport, somewhere in the innercity, urban principles fall apart. that leaves the enclaves, mono functionalism and an urban ultra density that local governments are struggling to eradicate. both a cage and a cocoon, there is a space where development opportunities hit the wall. hybrid places that combines urban collapse and >the new culture<, endemic violence and solidarity, all of which is left to the communities to deal with without outside help. when the post-industrial economy becomes sporadic and nothing else takes shape, man is left at the mercy of his environment. techno appears and becomes a parallel between man and the city, as another faceless entity which unifies them. this unity is the result and techno is the process.

back in february of this year sebastian radlmeier made his production debut, remixing rodriguez jrs >bitterweet< on mobilee. however, was this really a first or had we heard those honed tech beats before? sebastian radlmeier, owner of the paso music imprint, is also better known for his work as, sebrok. a host of key releases and a successful artist album, >the pain<, placed him firmly on the techno map and with a trio of strong eps for ideal audio, the berlin native is now a key member of our family. today he returns to the home of huntemann, discarding the mask and unveiling his latest work as sebastian radlmeier, backed by a blistering remix from the inform canadian producer, carlo lio. fans of sebastians previous alter ago fear not. >is it you or is it me?< is a trademark tech gem. its enticingly deep and hypnotic groove works to perfection as the vocal tells the secret of this techno love letter. on the remix is fellow tech-titan, carlo lio. without doubt one of the most in demand dj/producers of the moment, the toronto native has enjoyed a golden year to date.
played by hernan cattaneo, nicole moudaber, marco bailey, stephan bodzin, ambivalent, mistress barbara, kaiserdisco, 2000 and one, christian smith, adam beyer, gregor tresher, guy j, karotte, dustin zahn, mauro picotto and maaaany others

after the tense and dramatic soundscapes of jason letkiewiczs nzambi lp under his soundtrack guise alan hurst, emotional response have put the tracks to the test for three appropriately oddball remixers. fellow l.i.e.s. affiliate terekke turns out a heavily sedated dub of >nzambi< that rides a pacey house beat but buries everything in delay and reverb. timothy j fairplay brings some serious sleazy 80s electro tones to >parallel sensations<, complete with predatory vocal and thick ladles of synthy goodness. finally, jonas reinhardt cools off the intensity with a blissful ambient version of >before the dawn< which plunges headfirst into a warm bed of melodic drones.

the same people behind emotional rescue launch as fine sister imprint in the shape of emotional rescue, with a near perfect insight into how the label will operate thanks to nzambi - a quite stunning full length album from jason letkiewicz under his alan hurst moniker. if you consider yourself an avid purchaser of vinyl, you will no doubt have added some letkiewicz heat to your collection in recent times, with excellent releases as steve summers and innergaze in recent times. the alan hurst project sees the brooklyn producer in more laid back form, indulging his passion for library sounds and experimental electronics with just as much aplomb. allegedly commissioned to soundtrack a film on modern haitian voodoo, nzambi is a woozily intoxicating thirteen track set that opens your senses to a true darkness in this producers palette of sounds that has not really been explored before.

mit einem beispielhaften sinn für melodien, todsicheren gitarrenstücken und donnerndem schlagzeug, bedienen zeus auf >busting visions< weit mehr als nur einen bestimmten stil - ein album, das erbarmungslos energisch und lärmend daherkommt. die 14 songs wurden innerhalb von zwei jahren geschrieben, während die band unermüdlich tourte. egal ob an einem klavier in der lobby eines hotels oder mit der gitarre auf der rückbank des vans: die vier jungs ließen es sich nicht nehmen, ihr album immer weiter zu entwickeln. >die geschichte dieses albums ist wirklich die erste von uns als band<, sagt frontmann mike o brien. >busting visions< erschien in nordamerika auf dem renommierten indielabel arts & crafts und wurde von so recordings (uk) für europa lizenisert. zeus spielen das diesjährige reeperbahn festival und kommen im dezember mit den stars auf bundesdeutsche tour.
schweres 180 gramm vinyl im klappcover, inklusive code für kostenfreien mp3-download des kompletten albums.

the pain sat deep inside his chest – even a little further behind.
the world can exist without me, the world can exist without me - he repeats it again and again in a monotonous inflection.
what do you want to do now?

>hello inc.< featuring vocals by saint michel, including remixes from digitalism and dj falcon (roule >together< with thomas bangalter - daft punk). support from air, pedro busy p winter, autokratz, and more. pressing on heavyweight 180 gram vinyl.

oscar barila & maiki are back after their fantastic debut album parallel minds on plastic city. the spanish/italian duo has become a clear reference of the underground scene, always delivering quality house releases on top labels such as kling klong, stranjur, beatwax, acker dub. for their debut ep on musicistheanswer ( mita) they have gone one step beyond and have decided to collaborate with the fantastic singers lisa kay and natz. all them four have formed the perfect combination of underground superheroes that the boring electronic scene was waiting for. a fantastic 3-track ep in a style that fluctuates between house and disco.

ltd 2012 repress !! rekids proudly presents nina kravizs hotly anticipated second release on the label after the massive success of >pain in the ass / im gonna get you<. nina is the current talk of the town, with club promoters all over the world fighting to book her. her tracks are engineered by tobias freund, known for his work with nsi and ricardo villalobos. >i m week< is a brooding deep house track that has received great feedback from ninas recent live shows. >tanya< is hypnotic head-tripping techno at its best.

the summer is bad as always in munich, but that is no reason to not have fun and spreading out the fire cuts. the 12 inch starts off with anisa, dedicated to marcos lady in mind and partner in wine. the eastern influences from his hood arent easy to ignore, and if u listen very carefully u can feel and smell the shisha dust inside the landwehr street.
in a city like munich its hard to rent an extra room for a studio due the extremely high prices, so we all have bedroom studios with the advantage that we can do music whenever we feel to. however our stressin turkish neighbour behaves like the pain in the ass of the whole neighbourhood. but we all have a vision and the night gives us the support we need to create our own space and our own time within our own spirit on 180 g vinyl from now on with a vinyl only cut on every 12 inch. twenty-three foreva!

the 1976 album by kiss newly remastered from the original tapes by bob ezrin. pressing on heavyweight 180 gram vinyl. also features unreleased photos and a new essay by ezrin.

roule juchhe! the a-side of editainments cutting-edge duo det & ari is not only a tribute to the mysterious hungarian football genius, it also hails the compressed and chubby sound of french filters and parisian playboys. jump to it! butt you on the other side keeps its goal clear and tidy with a hard core marathon boogie beat that just builds and build and.. nobody else butt you! no pain, no tain!

amazing release by polar inertia, who already gave a glimpse of their techno brilliance on dement3d 002, but with the last vehicle it seems their craftmanship has come to full growth. this third release on dement3d is once again formed of three different tracks, high in contrasts and emotions. industrial but groovy, raw yet hypnotising deep techno that will create a stir in basements and warehouses worldwide.

second release for the new project signed fabrizio lapiana (the man of attic music).this label will express his hidden and parallel musical research. played and supported by norman nodge, markus suckut, terence fixmer, inigo kennedy, cio d or, alan fitzpatrick, conrad van orton, developer and more.

for the next release on the label, the unstoppable hot creations snap up rising brazilian star hnqo and point of view – a stunning two tracker destined for summer dance floors with sexy, swooping basslines and seductive female vocals.

some of you may and some of you may not know that the dance music community lost an incredible talent close to a year ago. that person was not only an incredible talent, he was also my friend.

after the successful release of the expert escapist 12inch on diametric. in late 2010 and the inclusion of the track nanomal on last years music man mix cd by marcel dettmann, our purveyor of straight no nonsense techno mr. kevin m. kennedy returns with four new slices of dancefloor techno. if you like your techno edgy and direct in your face, this is the record for you. hailing from columbus, ohio, usa, kevin has already released on shake’s frictional label and on the detroit based xplor label (as sleep engineer) and others, and is a very welcome part of the diametric. family now. 300 handnumbered limited vinyl copies only. no digital distribution.

mogahertz is the producer of the new publication on sonoro records. the second vinyl release les panoplies couleur attempts to combine minimalistic house with dry sounds and trampling harmonic grooves.the new sonoro ep is complemented by friendly trumpets,natural sounds and parcussive instruments.the remix from miss sugar its a minimal funk track, with powerful bassline and elaborated groove,can bring you in the shadows and make you dance in a dark spectral atmosphere.dubphone bring us to the oldschoolvariation, warm sounds, chilling atmosphere.its the right track that you should listen drinking a fresh long-drink to the beach at the sunset. ambassador,the second original mogahrtz song, transported lovely feelings and mysterious sensations.that evocate you in a parallel world.sonoro put in the market a complete release with all the requirements.

bimas is a perfect proof that fresh and highly effective club music doesnt need much more than a free, creative approach and a good sense for igniting grooves. his desolat x debut comes strong with a versatile three-tracker, consisting of the rough-edged primetime tool never say goodbye, the charming groover post the music - both highlights in loco dice sets of the past months - as well as the tribalistic pain of our life. ex-phonica member hector, who caused some serious euphoria on house floors worldwide with his latest productions on saved, mobilee, nrk, tsuba and 2020vision, rounds the ep with a remix, stripping down pain of our life and giving it a moody and hypnotic outfit.

merc 009 sees another mark e 2 tracker with snow walker & environment. snow walker combines an uptempo relentless percussive hard nosed rolling drum rhythm, running parallel with shimmering disco lights, synth blobs and a messed up yeti vocal nag, nestling comfortably somewhere between the black country and the black forest. environment however pushes itself all deepness and glory with electronic female vox, looping sub bass boogie and a slow sasquatch techno sensibility.

stefan goldmanns adem finally brings a new concept of handling melodies to the world of house and techno. pushy synths tuned to arabian intervals, playfully pitch bent around one repeated note that sticks to the kick as if its life depends on it. its as if a parallel universes acid has been invented in some lunatic asylum in tirana. this primitive melody is as alienatingly synthetic as it is offensively brain-dissolving. in the hands of a dj, adem” is like the captagon formula in the hands of the bulgarian secret service: many deaths, big bucks. chalga, tallava, manele - call it anything. the b-side’s rigid chain is as detuned, yet strictly limited to a rogue off-beat bassline pumping in between metallic house drums. thats it.

played and supported by marcel dettmann, norman nodge, samuli kemppi, jonas kopp, markus suckut, pfirter, angel molina, nx1, max_m and more. a new project signed fabrizio lapiana (the man of attic music). this label will express his hidden and parallel musical research.

lunar eclipse is black, dark and deep.its the moon behind the sun. rvds makes another tribute to the tb-303, black vinyl and detroit techno with three tracks: noises in black (vinyl only track) is a symphony,12 minutes of noise, acid and synths,the deep strings in black with heartbreaking chords and finally lunar eclipse,a kind of deep synth-jazz track. limited to 303 stamped and hand-numbered vinyl!since 2005 rvds is a resident dj at the golden pudel club in hamburg. he made support for kyle hall, scott grooves and anthony shakir, which express the love to detroit music. 2011 its realized his debut album “moments with the hit pain, after that came the famous acid moon ep and the label laid realized the famous moon oddity.

in vier neuinterpretationen verschmilzt der tiefgründige charakter des aktuellen douglas greed albums krl mit dem groove ausgewählter produzenten. so erfährt das ohnehin bemerkenswert vielschichtige werk nochmals eine mitreißende erweiterung seines atmosphärischen klangspektrums. rundfunk3000 gestalten das experimentelle shiver mit ihren gut gelaunten beats und warmen instrumentierungen aus, wodurch der titel zum tanzen einlädt, ohne auf die verträumte stimme von sängerin delhia zu verzichten. auch der sentimentale gesang aus pain bleibt erhalten, acid pauli balanciert ihn jedoch gewitzt mit einem perkussiven cumbia-rhythmus und dessen südamerikanischem frohsinn aus. mollono.bass wiederum nutzt die emotionale kraft jener stimme für eine hypnotische, eskalierende, zum ende gar in zwitschernde acid-zitate ausufernde dancefloor-abfahrt. den abschluss bildet die akustische song-version von morning gloria aus dem studio von mooryc, ein atmosphärisches destillat des sinnlich-besinnlichen originals.

south london producer darren cunninghams new album, r.i.p, underlines actresss reputation as one of the most eloquent voices to emerge from the sub-bass nexus of london dance music. his intuitive and original grasp of beats, textures and rhythm puts him on a parallel path to dance music innovators such as drexciya, t++, aphex twin, autechre, burial and basic channel. absolutely essential release by one of the most exciting producers of the 21st century.

after countless collaborations with george in apparel music is consecrate time to this amazing artist with a vinyl. yapacc is a trademark sound that mixes techno and deep so masterful and unique. every breath of his soul shines in his works that transmit to us lot of emotions in one hit, an orchestra that in the song earth race reaches its peak, showing us new worlds, becoming glue wet, wrap around our ears. a magic stamped into the groove. rhythm to dakar is a flight for dancefloor. funky bass takes us back in time, but without losing the essential direction of the grooves fresh and spreadable. alejandro mosso to close delight us using a toll seamples. the culture changes, the rhythm as well, but not the pathos that yapacc has created for this release. alejandro breaks down and reassembled to create a whole new world, parallel but different from the original mix.

nice price deal !!! the bristol reggae explosion is back with a third volume. whilst still happily exploring what was happening in the city during the 1980s, they have bent the rules and included a lone track from 1979. if anything, this third volume is their strongest so far, an amazing achievement when you consider that most of the tracks are previously unreleased.
by popular demand, >bristol reggae explosion volume 3 – the 1980s part ii< has a strong leaning towards the roots side of reggae.

this is a 1 off collaborative ep between sonic wizard my panda shall fly and analogue disciple benjamin jackson. mpsf has been on the scene a while, with releases on dam mantle’s growing records & wichita. benjamin jackson is a relative newcomer, having only self-released last year through his own label, ‘thanqu’. the pair recorded the bulk of the ep collaboratively without ever having met. the ep is rounded off by remixes from -no pain in pop’s critically aclaimed patten -r & s’s hyped new signings cloud boat -’my panda shall fly’s material is groundbreaking’

with their feet firmly positioned on dutch soil, the heads and hearts of dam swindle are nonetheless rooted deep into the soul of the motor city, and this ep of finely crafted grooves on jimmy posters and huxleys fledgling saints & sonnets imprint is as brilliant a reflection of their obsession as you could expect. >the wrap around< combines a killer vocal hook with a silky line, but its the bassline that marks it out, coming in with a thudding bassline that twists itself into all manner of unfiltered goodness at the halfway point. >pain tomorrow< meanwhile prefers to let its skipping percussion do the talking with a bumping chord led groove that would put mcde to shame. the ep is rounded off with a killer remix of the title track from deleusions of grandeurs pattern select, turning in a sparse reworking which transforms the light original into a throbbing piece of basement house.

superb deep, dubby basic channel influenced techno on the second signal code release feat two original tracks from label boss aaron costelloe and remixes from jolkas and the parallel. essential

so after the elusive triumph of our first release finally came firmly into our grasp, we at sequencias here in new york thought it was time to take things in a parallel direction without retracing our steps. drafting three top names in underground deep house for a label debut is no mean feat, but how do you follow up on a surprise coup like that? we thought it was time to go even deeper, and we couldnt think of a better way of doing that than getting an experienced player to unveil a new alias for our second offering. things being as they are, weare trying to keep it a bit low here, but what we can let you know is that his discography stretches back to 2005 and that he has appeared on the illustrious bunker records. this should give you a good idea of what to expect: deeper-than-deep, dirty, and gritty house that jacks with the best the movement has to offer. we have to say that orpheus firmly delivers here, and we hope you will be as pleased as we are with the three dark and introspective offerings he unveils for his new project here at sequencias.

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various/different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the antiparallelity is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking,anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you.

nice price deal !!! double vinyl rnb sampler incl bruno mars!

soundway set sail for colombia once again, delving deeper into the south american countrys rich musical past. 55 tracks spread over two triple vinyl releases. the original sound of cumbia is soundway’s definitive guide to the origins of colombian cumbia and porro and the result of five years pain staking re-search by will quantic holland. 1500 copies limited worldwide.tip!triplepack 1 tells the story of some the earliest colombian cumbia recorded, a genre that captured a nation, spreading from its birthplace on the caribbean coast in land to central colombia and the capital bogata

the second part of the >diorama< remixes offers again some of the finest producers around.
starting with kollektiv turmstrasse! what kicks off as a chez damier groove makes the transition into a loose dub monster. collecting traces of the original sound and dispersing them with magic movements we see why kollektiv turmstrasse are a top act. shifting the attention from the front to the far back from the obvious to the abstract... turmstrasse create that parallel groove on top of the groove which seems to tighten up with every minute. fine particles of sounds are sprayed onto the relentless groove and make it a real crowd pleaser.

rippling with slow-paced funk and with starry-eyed soul, double hill returns to gadi mizrahis vinyl only imprint double standard this time with fellow israeli and co-producer jerome c for the stellar >i need love ep<.

repress 2015

eddie van halen, well-known for his guitar prowess but also a classically-trained pianist, used 1984 as an opportunity to take the band into different territory. additionally, 1984 was the first van halen album to be recorded at eddie van halen s home studio.

these words are in the deepest part of douglass greed and the approach to his debut album. he allows his heart to lead, the better to look where it goes. therein hes distributing straight dope, however, in the sense of emotional impact – dance floor dictation it is not. greed crafts music that serves up euphoria for your mind on the terrace, mas- sage table, train or car trip and so on. a timeless effect stretches along the borders... an enduring touch, and to remain in the mind for seasons to come is his concern with this album. this is more weeping or laughing in the mirror rather than admiring the physical. douglas discusses not the luxurious but rather simplicity, in order to serve a sophisticated >author-future-pop< for the club under the bedspread. his fondness for other forms of musical self-realization shimmers on all of his releases up to now. on his own album, he expresses this passion to the fullest. the inclination for sensible beauty in the dark plays as the greed signature, a central role. featuring musician friends such as mooryc (poznan /polen), pascal bideau (a frenchman in london), kemo (a ger- man-hawaiian in new york), ian simmonds (uk) and delhia (jena), greed casts twelve expressive pulse beats of pure greed cosmos.

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various / different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the >antiparallelity< is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking, anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you

we are pleased to present the latest addition to our slow motion family - marcello giordani. disco overlord, laser cowboy and cosmic heartbreaker. >chubby rain< takes you on a journey through inner space and outer dimensions where the infinity of the universe glows in neon-indigo and thoughts and feeling come and go like waves on a beach. with wandering arpeggios, washed out digital strings and distant vocals, there s just the right amount of strut in the precision-engineered beats to propel you through the night. >roma< brings us back closer to earth with a smattering of classic disco sounds reinterpreted for a parallel universe. playful synths make us think of strange animals in distant galaxies, and inter-stellar adventuring with a happy ending.flip the record over and masimilliano pagliara breaks chubby rains epic journey in to smaller, sharper hops that retain the best parts of the original but adds extra rocket boosters to make for a more exciting ride. finally modus, the dirty, sexy robot cousin that we only talk about in hushed digital voices. she is slow, sleazy and spilling oil out of every hole. is that reggae she is listening to?
b1ig with: skatebard, bicep, discodromo, mano le tough, the beat broker, justin miller dfa, baby g., fabrizio mammarella, ...

big with: joris voorn, raresh. ryan crosson, terry francis, sebo k, laurent garnier, nick curly, sascha dive, deetron, christian smith, radio slave, arnaud le texier, kiki, anthony collins, axel boman ...
uk producer and bass culture regular, mr. g makes a welcome return to the label with his latest three track bonanza, >gs spot!< ep. with last years >extended pain< ep still causing damage, mr. g tweaks and teases our senses once again as he electrifies with both sides of the vinyl release. the vinyl only title track, >gs spot!< sees him stamp his authority from the get-go. its big-room reach is unquestionable as it builds from its opening bongos and hi-hats into an intense number, driven by its demanding horn stabs. having ramped things up from the off, on the flip >new dayz< brings us back down, if only for a moment. like an alter-ego to our a side, >new dayz< opens with piercing bongos. its soothing synth laps like the tide as it builds to crescendo and then soothed by its bassline.