population 50201 v1 encompasses dubspeeka s unparalleled status as underground music artist and in turn the fitting foreshadows his second ep on his own imprint skeleton. perfectly easing listeners through a chilling listening experience fused together by a crisp yet disported drum rhythm, this forthcoming ep and his album are yet a further presentation of dubspeeka s stature in the spectrum of underground music.

fourth release from the much sought after funk e s own imprint, featuring a debut release from bhikkhu.

be as one label boss shlomi aber stepping up with a storming “back-to-basics” ep for his label’s 60th release. “paradox ep” packs together the strength of shlomis own paradox and monday paranoia originals, two cuts of proper darkroom and sweaty techno, with a remix by one of todays germanys techno ambassadors, markus suckut, whos back on be as one for his second visit after his excellent watching the sunset ep.

crossing returns with cracking and dreamy techno from pfirter, avion, doka and stefan rein. the label from avion strikes with its 7th installment releasing a package of 4 new techno slices from different producers showing what crossing stands for. the release starts with ‘sut‘ a track from the argentinian producer pfirter which creates an outer atmosphere with its pad, surrounding percussions and space running frequencies carried by this straight deep bass drum. a beauty. avion doesn’t take any captives and kicks the floor with a never ending trip of industrial percussions, noises, a heavy drum and a groove that will grab and never leave you. an explosive killer. for doka time is running in a different way. his ‘mural‘ comes with a melancholic bassline and rhythmic drum work to bring this imaginery painting from the wall into notes. surreal but true techno. stefan rein is closing the release with a bang. the ‘amorphous material‘ will never get tired and brings with metallic snares, hats and rides a kick’in weapon which includes a synth pad that will give you a smile in every moment you hear it. a clear definition of techno and its madness.

curiosity music is very proud to release its very first ep produced by one of the best techno/minimal artists in the world, the globe-trotter alexi delano, with the collaboration of the much talented marcus henriksson aka nobody home, member of the legendary duo minilogue. and last but not least, the contribution of nima khak, one of the worthiest representatives of the new swedish scene. devotees of analogic and jam sessions, our three experienced artists give us a mature and intense ep. stay tuned, get into the loop!s * lodestar bang (original mix)* is a tense and hypnotic anthem dedicated to insanity and astonishment amateurs. * exodus (original mix)* is a harmonically destructured and tribal track for disorientated maniacs. * exodus (nobody homes way out remix)* is a tense, uncanny and worrisome remix with unsettling dark incantations. * exodus (nima khak remix)* is an authentic techno remix illustrated with primitive apparitions, definitely designed for dancefloors. * exodus (nima khaks vibe mix)* is a rhythmic and space mix, ideally suited for escape devotees. this track is exclusively available on the vinyl release.

long-time london based friends and regular collaborators ethyl & flori have been foraying between the blurred lines of house and techno with releases on labels like secretsundaze, aim and fear of flying for the last 6 years - and with a glowing reputation under their belt, 2015 saw the duo launch their own imprint e&f records. this time however, their most recent venture is a release with london label mutual friend recordings and combines the duos talent with enigmatic label owners and friends of ours london party curators our mutual friend, their solo ep on brooklyns voodoo down records earlier this year was tipped by such luminaries as levon vincent and dj october.

2016 repress , having provided a remix for the label back in 2010 ethyl & flori now release their first full ep for the label, the last ninja kicks things off with an unmistakable old school tech-house feel which to us at fof recalled the classic architecture dj mix by terry francis with its punchy kick, sharp percussion and imbued uplifting warmth. fornjot by flori on the flip is a different proposition, although still deeply entrenched in a throwback to yesterdays production stylings, this is a much more techno orientated groove with the tracks repeated metallic bass riff anchoring the track in a gloriously hypnotic yet fresh way.

nice price deal !!! ”rundgang” (feedback in swedish) is a track made with feedback and i would call it a.o.t’s very own and personal interpretation of dubstep with ”lyrics” that reflects his wicked sense of humor. ”woot!” on the other hand is an evil excursion in filtered frequency noises and a distorted start/stop rhythm and this is nothing for the faint hearted so brace yourself you are in for a crazy trip verging on techno. the go koyashiki remix takes remixing to another level because go has stripped ”rundgang” to it’s bare essentials and produced a very minimal and slow pulsating track that ends with sublime pianoplaying.

dam swindle cap off a blazing summer as they return home to their own heist recordings and in doing so present a landmark 12inch to add to their blooming catalogue. this is their first addition to the label since the hugely successful in reverse ep and it comes as a package that fans both old and new will relish: a jubilant record melding the most groove­laden strands of disco, funk, soul and house.

the man known for his playful grooves, crafts house music like it should be - full of energy with sprinkles of fun. after releasing two digital albums on bandcamp, we thought it is time to give his music the medium it deserves: vinyl. you’re very welcome by the way.

mr zanders returns with the second release on his own newly minted label the debut gained plenty of support, in all the right places, and further established this exciting new producer as a dependable go to for forward-thinking club jams ripley s voyage opens things up here, a beautifully crafted, sumptuously deep & gently evolving workout that fuses live and machine elements perfectly for a truly absorbing ride on the flip dexter s morning is an az slam dunk, as irresistible hooks get worked into a rock solid sample house joint that is a guaranteed floor piece. another sureshot

after a summer of trips around the globe to play at croatian festivals, balinese beach clubs and a variety of underground establishments, pedro & dicky deliver the latest episode on their own paradise row label. the ep fuses their love of disco, house, italo and balearic sounds and is a proper party-starting, medium sized player with tracks that are ripe for most dance floor moments and occasions. the up-for-it, head-nodding arps and discoid thrills of dance to love get things going in style. while the chunky house and barbarellas inspired vibes of i think i can feel something will really get you moving. this one has been going down a storm in the clubs this summer. and finally, things come to a grande finale with perfecto , which cooks up italian influences with ma foombey style longings to make for a sound as balearic as large hierbas on ice. perfecto!

hubie davison returns to leisure system with the vinyl-only someonelove/in_out 12inch, his first official release since the success of his summer anthem sanctified on midlands regraded imprint. someonelove marks the first time davison s sampled his own voice for a hook - expect to hear his voice much more in future productions. on the b-side, in-out forgoes vocals entirely in favor of chunky, grooving machine-funk. its an addictive acid joint, with a title that reflects the spontaneous nature of the original recording. the someonelove/in-out 12inch is davisons third release on leisure system, following 2013s meditative i wont be there ep and 2014s storming khayyam grey ep.

expect unexpected music from the 1960s and 1970s, mixing western and eastern elements, remapping your knowledge of pop music along the way. hear italian shouters, east-european freak beat, anatolian rock, kurdish spiritual pop, uzbek folk pop, pakistani soundtracks, nepalese folk beats, mongolian pop, indian bollywood scores, malaysian rock’n’roll, philippine surf pop, singaporean dream pop and many sounds more — for all lovers of the danceable, the mind-expansive, and the sure-fire hits. come on and take the trip...
with pt. 4/4 you will travel from south korea via japan, india, indonesia, malaysia, philippines to singapore. here the trip ends.

forthcoming on claque the remixes of donato dozzy’s “cassandra” which was, without question, one of 2015’s most enduring success stories techno.
a side with techno twists from skudge. b side with fred p. and his own trademark concrete detroitian and last but not least, dj jus-ed steps up with the final re-shape of the show.
amazing three different jobs that continue the legacy of cassandra throughout 2016.

minds dissolve. profound & hypnotic. here we know no bounds. embodying the labels exploratory ethos. a diverse spectrum is translated in an overwhelming way bringing to life the next paranoid dancer remixed. radial (mord), dubspeeka (drumcode) and ryan james ford (mdr) let the trip begin.

kmyle is back after his strong first skryptom 24, with a huge new techno masterpiece. this is a combination of emotional and powerfull techno, 3 huge tracks who give us a second large panel of kmyle possibilities. huge futur is promised to him, don’t miss it. to push farer this great moment of techno, flug and ilario alicante delivered huge remixes from the track morning lobotomy in the best way we could expect as techno dance floor tracks, enjoy ! …

hey everyone, dont be alarmed as we understand that you just heard of us a few weeks back. here we are again with another doobified doozie of a 12inch. from the furthest reaches of the canadian west coast comes a concoction by three well known faces that have a long history of working together, they prefer to remain anonymous for this 12inch for reasons beyond us. were not that good at keeping secrets and have a suspicion that you hear the rambling house that is emitted from this trio brings to your ears will recall something very familiar. johnny lumière and the triads, originally conceived as side characters of the adventures of t-bar and salary man cartoon (never published). the music was recorded during break intervals in the cartoon writing sessions (still seeking illustrator). file this under mystified house with a splash of sunshine. ps:weve been doing our own printed sleeves for the last few records from a really cool print house here in berlin. we think they look unique as they are a print/ fold out designed by our friend dave girard. people seem to be into them and figured we should say that as we are only doing limited runs of them.

secret crunch is a label fresh out of the oven run by fellow vienna-based artists roman rauch and moony me. both musicaly rooted in hiphop, soul, funk and disco and expressing themselves mainly through house music, it was just a matter of time until they first colaborated together. thoughts about releasing their output together through an own label came naturally soon after. the first release of secret crunch is a pure collaboration between them plus two additional remixes – one by gnork and another by medlar & ishmael

„after impressing with releases like high times and the hustle ep, young berlin talent vincent vedat returns with what might be his best release to date. mixing equal parts sleaze and sensuality, the porn-themed 69 packs in six delicious dalliances into one tidy package. the title track kicks off in heady fashion, heavy on the atmospheric layers, trademark vedat replayed samples and throbbing kick drums. moody porn goes for that heavily swung, wonky / woozy house sound. gmym gets more energetic with infectious percussion, rough tape sounds and soulful vocal cuts. unisex channels classic us garage swing and bump in a wonderfully deep way with gorgeous chords and no need for a bassline. dreamy porn steps things up a notch again with hazy vocal samples, detuned bass warbles and sweet synths. sweet agony pits heavily distorted electric piano chords against a dulcet vocal refrain, a truly beautiful juxtaposition.“

insane hyper hybrid combo of wave/house/techno by murray cy of glasgow. the cy stands for -contort yourself- the label he runs which bridges the gaps between lost sounds of the past and contemprary noise makers, this ep displaying the producers take on the sound perfectly. all four tracks move in their own way from mid-tempo heaviness to more peak time fare. this is the rough back alley stuff you ve been warned about!

the second chapter of this young danish talent s spectrums, with more post-bass techno hybrids, and inspired by the early 90s sounds of belgian labels like r&s and buzz.

composite profuse, aka valerio lombardozzi aka heinrich dressel, breaks radio silence after seven years in the shadows. cold winds curl and otherworldly atmospheres abound for unalaska ice files. arctic tundra and ice are the inspiration, frozen vistas dappled with warming light, subtle shifts and sinister shades. teslasonic take on the title track, injecting electrical pulses and an underhanded edge. shipwrec stalwart, rob witsch aka the exaltics, gives his own icicle encrusted interpretation, one of stark percussion and expansive horizons. a welcome return to composite profuse. first run on coloured vinyl!

repress - the original process of re-mixing records was intended to provide an alternative listening experience which had been optimized for people who went out to dance at discos. john was one of the early pioneers who loved music, understood his craft and had respect for the creative work from which his mixes were derived.

label name ittetsu is his actual family name as well as his artist name where he expresses his passion about music. 001 is a 2 track ep on his own followed by a split ep 002 with a special newcomer.

aiken is back on his homebase. the third release on his selfcurated techno imprint counts four headnodding floor jams. hypnotic melodies searching their way through rumbling percussion patterns. this is trademark deep techno from madrid.

the twigs of the seekers’ tree are growing. switzerland’s very own les points collective join twig with a very special ep.

no light at the end of the tunnel. no helping hand to pull you out of the hole. no second chances. no god to cure this deadly disease. no heaven to save your soul after your final seconds... hope will hold on, but in the end, death shall claim it. all this, we understand a little more, day by day. we will experience our absolute zero, and the stages of life that come as close. we think that we will never recover and that we are not strong enough to fight against it. our immaculate, peaceful souls, that we begin our lives with, start to bleed, and slowly get torn into, bit by bit by the cold hard truth that breaks our protective walls. we learn to handle and accept this even as pieces of us shatter and die every time a little bit more inside us. to give light, we must endure burning. but what if everything we are able to burn is gone? there is no other way... we are falling apart a bit more, every day... dedicated to this state of mind.

based in montreal, ombossa appeared on dvs1 s mistress recordings in 2015. the young and talented french producer is set to have his first ep released in september on fracture, with a remix from silent season s asc. the blinding flare of 61 virgins is an elegant techno trip, an ode that goes deeper and deeper during 8 blissful minutes where you lose your own sense of time. on remix duty, asc skillfully makes it weirder, for a first ep that will please the more daring selectors out there.

&apos’s music veers between abstract, experimental compositions and more beat driven tracks, all held together by a defined aesthetic of sonic impurities and random patterns thrown up by algorithmic computations. in &apos’s music compositional decisions are not merely reliant on himself but also on a range of processes from constrained randomness to full fledged neural networks. that is to say, the ‘instruments’ he creates have -to a certain extent- a mind of their own. there will always be a dynamic between the musician and something else that triggers, proposes or decides what will happen to the music.it is exactly from this human-machine interaction that &apos extrapolates his musical ideas that are both intricate and detailed while never losing an overall sense of emotional value. his first solo project ‘lichtdrank’ is a selection of four tracks made during his time studying sonology at the hague’s royal conservatory and the time following. it is the third and final installment of bepotel s startuplabel trilogy. previously, he has released music together with walrus and sagat under several musical projects like smaakwaterval and bepotel. the artwork of the lichtdrank ep is based on screenshots from an interactive multiplayer video game where the musical universe of &apos can be explored.

produced by paris-based group dasein, pays sans visage is an audiovisual work which takes us at the heart of a nuclear disaster. its ambient/drone oriented soundtrack gets a reinterpretation by four producers bringing their own personal set of influences : deikean s stripped-down techno, cyberlife s deconstructed style, yan kaylen s dreamlike exploration, and nulpar s ambiguous intricate rhythms. a post-apocalyptic sounding ep filled with dark visions and dubbed-out intentions.

mac quayle ist komponist und der sound-engineer von cliff martinez. cliff martinez wiederum ist ein gefragter sondtrack-komponist in hollywood, seine scores zu -drive-, -spring breakers- (zusammen mit skrillex) und -solaris- gelten als einige der ikonischen film-musiken der jüngeren gegenwart. mac quayle hat an diesen mitgearbeitet, parallel pop-musik von künstlern wie new order, beyonce und britney spears produziert oder mit einem remix versehen und sich jüngst an eigene tv-soundtracks herangewagt. -american horror story: freak show- und -mr. robot- sind populäre beispiele. -mr. robot- wurde 2016 mit dem golden globe awards 2016: beste serie - drama und dem critics choice awards 2016: beste dramaserie, bester hauptdarsteller in einer dramaserie ausgezeichnet. mac quayles vornehmlich elektronisch ausgelegter score interpretiert den paranoiden grundton der serie perfekt. von seiner arbeit mit martinez beeinflusst, bewegt er sich auch in das terrain eines trent reznor (nine inch nails) und lässt düstere sounds miteinander kollidieren. weißes doppel-vinyl im klappcover, downloadcode inklusive.

since his first release in 2014, gardens of god has been building himself a sterling reputation that many can only dream of. this autumn sees the lithuanian dj and producer launch his own sodai imprint, with his own two track production river/ghost ep forming the debut release.river opens with a captivating force and level of intricacy that’s undeniably a gardens of god signature production. g host is highly emotive and charged, a record that unfolds with such force taking overarching white noise and horns to command the peak of the night. the creation of the sodai label arose as an outlet to release his own music at his own pace. as he explains,sodai will allow me to experiment with my sounds and create an ongoing project that gives me the freedom to style both with art and music. minidaugas lapinskis aka gardens of god has only released a handful of ep s and yet his name is often spoken with great regard among fellow artists, including the illustrious maceo plex. for over a decade gardens of god has been steadily mastering his craft and creating both film and television scores. it is only in recent years that he has decided to unveil his work and open the doors to his studio, as seen over at xlr8r

from the deep percussive work of chris gray owner of the legendary label deep4life to the atmospheric house of chakaharta all the way to deep techno and chicago inspired house grooves from dan piu dating back from late 90’s.

“i still hang around” goes the deep haus mantra from clouded house (lobster distribution) label boss lukas lyrestam. stockholm born but currently based in london he had this to say about the record… “hang around is equal parts club-tool and introspective banger, for the moment you should be leaving but you got nowhere else to go. scandinavian masters is a solid gold thumper harkening back to the glory days of jesper parnevik.” ”on the flip-side two alternative versions give the tracks new legs. common labour alumni powel (fresh off a tour with lee burridges’ all day i dream outfit) delivers a smooth house odyssey remix while x-kalay mainstay kask goes 100% techno on a remix that takes no prisoners. make sure to keep an eye on the estonian upstart as he debuts on common labour in 2017 with an ep of his very own.” hang around ep is a vinyl only release, limited to 250 copies worldwide.

adesse versions coming on toy tonics! after some heavy releases on numbers, local talk, make love in public spaces and his own white-label imprint, kevin gorman brings us four new raw, heavydriving, superfunky cut-and-paste- house tracks. killers! adesse versions started as a re-edit project while kevin lived in vietnam. it grew quickly, getting him big fame for being the guy playing just dubplates with unknown crazy music only he had. (check his boiler room). gilles peterson, derrick may and larry heard are fans. adesse versions is all about paying tribute to his musical idols and creating timeless music. through rough sampling and raw emotion and as a dj and collector. he is an artist that has toured the world many times over. exclusive edits are a staple, alongside a wide selection of music that comes from a deep knowledge and love of what he does. to hear this in action, check out the monthly adesse versions show on rinse fm.

after beginning as a sydney club night in 2012, pelvis is readying its first release of original music on the new pelvis records imprint. entitled dance freak anthem, its a 4 track 12inch with an original from the crew at its core. reworks from label heads dj haus (unknown to the unknown, uk) and dj nozaki (10 inches of pleasure, japan) sit alongside the pelvis original and another fresh take on the track from australias very own mall grab. other releases from pelvis include a dance freak mixtape, split with nys venus x (ghe20g0th1k) and released on limited edition cassette.

stockholm-based imprint swedish brandy productions serves up a sultry four track v/a 12 inch with deep and soulful gems. first out on the a side you get the track * legs lover*. equipped with yamaha rs-7000, moog rouge and roland juno 106, moscow based house and techno purist and producer harry light gives us an uncompromising old school deep house groover with crisp pounding beats, stuttering chords and distinct catchy hooks. harry light has previous releases on labels such as artreform, pro-tez and beef to name a few. the a side ends off with the post-disco sounding killer track “overland & sea” by london based producer and dj dan westlake aka westlake72. dan’s sound borrows liberally from the history of club and dance music, mixing and matching eras to create his own contemporary sonic palette, sighting the early and mid 80 s new york post-disco producers such as darryl payne and paul simpson in particular as key influences. on the flip side soultechnic aka deejaykul delivers the deep and classy track “addicted”. rául navarette, the man behind both aliases, has been holding it down since the late 80 s, releasing music on labels like atjazz record company, z records, peng, del, basic fingers and xtrasolar records, and remixing great artists like opolopo, the rurals, gregory del piero, kenny bobien, monday michiru, monodeluxe, diviniti and many more.

for our milestone 50th release we felt we needed to do something special, so with that in mind we present the return of red axes to correspondant. way back in 2013 we were a new label, and they were a new face on the scene. their hit record camino de dreyfus helped propel both the label and the artist in to the established figures that both are today. avalon combines everything thats good about the axes, with their signature new wave sound taking in the tropics, but skewed through a middle eastern kaleidoscope. sequencia astronomical is familiar territory to many red axes releases, but takes everything either deeper, darker, or weirder than theyve previously ventured, showing the huge growth in their confidence in the intervening 3 years since their last correspondant ep. to round off the package correspondant also presents an as yet unavailable instrumental version of camino de dreyfus

sawlin is well known for his unapologetic techno. the new code is law release shows him in a different way. in meiner mitte sounds like an emotional travel trough an insane manic mind with a lost soul.

the new mannequin records serie death of the machines is launched with their own alessandro adriania first up. it features a banging mick wills remix of the unreleased crow backed by white swan, hypnotsing, and truly psychedelic electro tune. tip! mastered by rude 66. highly recommended!

free jazz electronics, club beat tracks and psychedelic passageways all make an appearence on the latest 33.10.3402 ep for l.i.e.s. which follows up this year s earlier standout ep for the label. truly exciting music coming by way of belgrade, unafraid to turn the corner where most would runaway. adventerous music for those who know. not to be missed.

after his feature on oxias unity ep earlier this year, mannheims own steffen deux is finally back on 8bit with a brand new double tracker, exclusively remixed by tech house don curatero. fountain of youth ep is made for the club and will make all speakers pump: the original mix hooks with a subby rolling bass and fat drums, tightly arranged & perfectly coordinated. peachick is a laidback groove, striving from disorted fx and fading spheres - this tool is ready to fit the set almost anytime. curateros more forward fountain remix rounds the package to a timeless ep for djs and dancers alike.

from his days organising free parties in and around northwest france during the early 2000s, oniris has risen the classical way: years of djing have given him an innate understanding of dancefloor dynamics and a firm crew and label to create with: astropolis. since breaking through in 2011, his tracks have rapidly picked up support from all the right corners: agoria, laurent garnier, john digweed, marc romboy and josh wink have all lent their support. having already released some of his finest work on bedrock and systematic, its now ovum’s turn to play host to oniris’ latestwork, the nightwalk ep. eschewing his penchant for the peak time, oniris steers away from the euphoric’s of previous outings and, whilst retaining his melodic moves, creates a selection of deep, warm and groovy cuts with a spiky electric edge. head-nodders, shoulder-droppers & hip-swingers rejoice, these slinky dancefloor numbers are for you. support coming from: pete tong, hernan cattaneo, guy j, lane 8, matthias mayer, christian smith, till von sein, luca bacchetti, marc romboy and more!

the best records have a story, they form part of a journey, different characters emerge and the good music always rises to the fore. in the case of the latest record from scottish producer jack eye jones and the legendary junior sanchez this is certainly true. cocaine blues is a step into the unknown in some respects but in another way, it s a record that seems to fit in perfectly with todays electronic music landscape.

chicagos peven everett has long had a cult following for his own unique, live take on house music. fusing the finest elements of gospel, soul, funk and disco his tracks have always had something that most other producers lack originality! his music has crossed over many different genre barriers and has been supported by the widest selection of top dj s for many years with his cuts becoming stone cold anthems in clubs across the globe. i cant believe i loved her is one such track, a soulful piece lamenting a love that went wrong, the pain and disappointment are evident in peven s voice and playing but the track remains utterly danceable, a real bomb! on it s original 2002 release the track was a huge club hit, pushing it into classic status. both original mixes are featured here on this legit reissue, 100% sanctioned by king street records, nyc. brought back for 2016, an evergreen deep house classic essential business!

french artist kool vibe is back on his own paris-based label kv records with a new 4 track ep. true to the mission assigned to the label, this release brings us back to the early 90s through basics sounds and elements which have defined deep house since then : fat syncopated rhythms, heavy and groovy basslines, warm chopped vocals. there is something raw and genuine about this record. basics and back to the reala definitely emphasize the minimal and raw side of deep house. tribute is humbly dedicated to the legendary todd terry, whose ultimate knowledge of the art of sampling contributed to shape house music in the early days. at last, sleazy joint (touch it, suck it) closes the record with a nasty and sexy touch. anyway, the whole ep is meant for the dancefloor and the simple pleasure of partying.

northern disco general and machine music lover craig bratley is back with a firing new ep on his own magic feet label. it features one track from him with danielle moore from crazy p, plus a remix from andrew weatherall and one from heretic. bratley operates on the freakier end of the disco dancefloor, with weird electronics and raw jacking grooves propping up his analogue sounds. he has released on andrew weatherall s bird scarer, has put out a fine album on tsuba and hosts his own kaleidoscopic show on leeds kmah radio, so is an accomplished artist and dj indeed.

marathons began innocently, as a quick debut ep by an energetic swedish duo we found on soundcloud. within a couple months of chatting with the pair, artur bra&#776,,ndstrom and egil kahlbom, however, we realized our collaboration wasn t going to be simple, so cut and dry, so straightforward, and that s why we find ourselves here, a year after meeting them with a full album, not an in-and-out single, on our hands. what made it complex and intricate, you ask? why d we opt to squeeze eight originals into one long-player, you wonder? well, artur and egil are prolific dudes with fantastic ears and formidable work ethics. a couple of demos quickly sprouted offspring and became four, then six, then ten. rather than fight the arbitrary desire to trim the spread down to a 12inch, we figured we d aim higher and work on a proper album. what we constructed is, in a very classic sense, a long-player. here s that album! it s a sunny, loose, limber, uninhibited boogie through warm disco cuts and wobbly house jams and soulful funk slices. daytime chill-out with a nightclub architecture—or peak hour mayhem with a bright, clearheaded euphoria. marathons swings every which way and suits any mood, so drop that needle and try it on. then repeat, repeat, repeat.