and then the log lady said: beauty is in the eye of the beholder. yet there are those who open many eyes. eyes are the mirror of the soul, someone has said. so we look closely at the eyes to see the nature of the soul. sometimes when we see the eyes those horrible times when we see the eyes, eyes that that have no soul then we know a darkness, then we wonder: where is the beauty? there is none if the eyes are soulless.

antenna, s.olbricht, delta funktionen and dj overdose remixing norwell s debut ep on pinkman!

bergen’s christian tilt returns to norwegian label ploink with his debut album ‘alt skjedde jæla fort’ this september. norwegian christian tilt’s dedication to techno over the last two decades has securely placed him in high ranks to play alongside the likes of the zenker brothers, margaret dygas and ploink label head thomas urv at clubs such as berghain, jaeger and Østre - all in the last year. here though we see christian tilt make a return to ploink for a second time with a five track lp comprised of an intricate cross-section of syncopated rhythms and dubbed-out techno. ‘dos were the days’ slowly builds hi-hats and punchy kick drums, before a deep-synth melody drives the composition forward. up next is the stripped back ‘btl’ that combines otherworldly aesthetics with a steady bass rattle throughout, before the gritty ‘a visit from france’ unleashes a dark low-end, murky synth drones and frantic pad sequences. a relentless 9 minute affair titled ‘i only work late nights’ then swells and pulsates over an unremitting beat, before ‘Øreverk’ rounds off the package with frenzied clangs, muted hits and rhythmic percussion.

introducing the debut release on the brand new glitterbox recordings label a label celebrating the incredible disco, nu disco, soul and classic house records that have made glitterbox parties the most popular and joyous additions to the clubbing scene over the last few years. sharing the glitterbox nights philosophy for supporting artists who really know how to produce uplifting music that stays in your mind for days, glitterboxs first release is the much-anticipated dr packer remixes of sure things the infectious nu disco classic holding you tight. both sure thing and dr packer embody the glitterbox ethos, making feel-good, joyful music that lights up the dancefloor. on the a side is the dr packer remix and instrumental while on the aa side is sure things original extended dj mix, alongside dr packers radio edit and accapella, completing an essential landmark record to kick off your glitterbox collection.

true romance label boss tensnake channeled the disco gods once again and brings us his brand new 3-track freundchen ep. a frenzied, sun drenched package filled with dance floor magic. the title track freundchen features a raw and infectious bassline, filtered funky loops, thumping rhythms and blissful vocal stabs all blended into an irresistible disco bomb. a future tensnake classic, it has been spawning serious contortions wherever it lands. heavily road tested by the man himself. on the flipside, tazaar brings the heat up with a killer african groove brilliantly combined with classic house vibes. while no fool plunges into the depth of the nights going into a darker hallucinatory trajectory with its minimal pumping kicks, dreamy synths and echo-drenched vocals.

avesom (name inspired by the dog of justin bennett, the sound technician that mixed the album) are creations produced during long reharsals sessions that have taken place mostly during sunsets and late nights. there torakiki inmersed themselves in a trip where the music achievable with their own finger was tested, rejecting in advance any programming. the overall sound of the album follow the path of the previous ep, halfway between the new wave and ambient. the band aims references from aphex twin, liars, jamie xx and on the other side, classical sounds from the italian song. in the album participate the voice of ilaria ippolito (# #pap ) and of gulia olivari (o.a.u.). the video of luxard was shot by giovanni aloi in a park in hong kong.
torakiki filled the pieces of avesom with a strong dynamic identity, combining the creative impulses of the three minds and their respective backgrounds. this is a process that questions the logic through a frenetic impulse that provokes constant changes, even though the final result are attainable and catchy songs.

it started as an event series by re.you where he invites other appreciated djs to share the decks with him - so far he had younion nights with &me, tiefschwarz, anja schneider or adana twins. now heis transferring the >re.you invites< concept to a label idea. he invites his favorite artists to release with him on his new imprint >younion< - for the very first edition he signed terranova, who gained a lot of attention with their lps on kompakt - furthermore he is releasing a newcomer duo from berlin called eins tiefer who already released on upon.you records and last but not least re.you himself is delivering a track for the first ep.

anna reusch returns to the bouq.-family with he second release and two peaktime lifesavers for the summer. canadian artist ellroy impressed so much with his remix for butch s new moon harbour release that there was no way around asking him to also rework anna reusch s track arabian nights with its oriental flavor.

nice price deal !!! nach einem weiteren erfolg mit take a chance on me widmete sich die gruppe im märz 1978 den aufnahmen für ihr nächstes album. begonnen wurde mit den beiden liedern as good as new. im april wurden die beiden nächsten songs lovers (live a little longer) und lovelight auf band gebracht. im mai wurde das stück summer night city aufgenommen. im august wurden die sessions mit the king has lost his crown fortgesetzt. es folgten die beiden songs angeleyes und if it wasn’t for the nights im oktober und chiquitita im dezember. im januar und februar 1979 wurden die aufnahmen mit does your mother know, voulez-vous, i have a dream und kisses of fire abgeschlossen.

nice price deal !!! fantastic debut release on a new label from christian peak, a definite rising star in the club techno world. teaming up with pretty polly for two storming tracks on the a & two of his own equally good on the flip, this is serious dancefloor ammo not to be missed!

killer 12inch! free synths, driving rhythms, perfectly suited for those breezy summer nights spent dancing! following the success of their debut record, maurice jnr and roy rozell are joined by fellow sugarhouse records founders, seb miguel and jamie paul, for this triple aaa 3-track as paradise forum. original artwork by alistair hanson and photography by rob low

if you are a fan of diverse production from dr. dundiff, then this is must have for your collection! this album falls on the year anniversary of the dr. dundiff & friends 2015 forecastle performance. immediately after the performance last year, dr. dundiff and all of his friends spent 5 full days of recording the whole forecastle performance. dr. dundiff & friends have captured the exact same show with the same live element, brought by the same musicians. this album has an 11-piece band, 14 rappers and a special cypher featuring everyone on the record plus a guest appearance from jim james of my morning jacket.
the limited blue marbled vinyl comes with a digital download card. artwork by ian klarer and alyx mcclain.

a trailblazing radio 1 show, unparalleled club-nights and a promising label, the 1-800 dinosaur crew are undoubtedly a focal point for all tastemakers alike. with a string of understated 12” releases, 1-800 dinosaur are now set to unveil their first full-length release. anchored by trim’s polarising narrative, ‘1-800 dinosaur presents trim’ is a collaborative endeavour featuring a slew of 1-800 members and affiliates, including: happa, dan foat, airhead, james blake, klaus boothroyd and bullion. outspoken and sharp, trim’s introspectively sinister delivery weaves hypnotically between the 1-800 crews’ varying soundscapes. emerging yorkshire producer happa - who’s stock continues to rise with each release – puts forward a tribal-like march on ‘before i lied’, with trim eerily advising to “be careful who you laugh amongst”. already in circulation, the videogame like progression of ‘rpg’ seeps with blake’s signature off-kilter soul, feeding the subversive nature that trim revels in.

portable is alan abrahams, a south african born artist and producer who is also a celebrated live act. emerging more than fifteen years ago with a sound that marries real electronic soul with deep moods and abstract grooves, he is someone who has released his minimal wares on cult labels like perlon and live at robert johnson, as well as his own süd electronic.

italys shift ltd drop their 7th release, a vinyl only affair with 4 low cuts that simply ooze what this label is all about.&#8232,,four great tracks that it were produced in the 1993 from mr. ivan iacobucci.&#8232,,the production duo, ( twins in fact! ) of dnart step up alongside underground ghosts to present 4 delicious slices of bumping beats along side soulful melodies as part of the grunge ep. &#8232,,the track s opens up the ep with swing and soft, deep and inviting dynamic that allows this track to ease you into its feel good vibe. following this up we pick up the pace with a more ukg flavoured o , a track that carries a rhodes driven melody again softening the crisp hats and creating that warm and fuzzy feeling.&#8232,,next u lends itself to the dance floor vibes of o with low swung beat teasing the groove in as the melodics intricately progress. finishing the ep we have l and this is by far the deepest track on the ep, primed and ready for those hot and sweat summer nights.&#8232,,dnarts soul is on full display here for shift ltd in this tight collection of dance floor heat

owner operator of finale sessions music michael zucker has brought you a sister label called future sessions music to showcase his own music with close friends and family and we are excited to able to share this label with you. starting with our first release with the detroit veteren norm talley and finale sessions veteren michael zucker and we will start with norm talleys music first with the track called * power* it has the sublime detroit deep sound with its sharp chords and that pumping deep kick and claps and it also has additional work from another detroit legend delano smith but what makes this track is the fantastic vocals from the soul. track two * lock jaw* is just raw beatdown late night track with deep chicago classic sound with a pumping kicks and mind altering synth. then next we have michael zuckers first track * parisian nights* with it classic filtered classic chicago sound with proper pads and chords with a vocal drifting in and out of the spectrum . track two * thought process* is just an amazing deep inspired melodic trip with key’s and that classic b4 organ that sets the tone for the pads and that lifted filtered sound . we are excited to be able to work together norm talley and myself and we hope you enjoy this journey also.

ltd 2016 repress - delusions of grandeur have had an exceptional couple of years since their inception in 2009 with fourteen vinyl 12s from a host of producers helping to put them at the top of the pile of underground labels making house music for discerning ears. it was only a matter of time before the label took the logical next-step into artist albums and here they are with the debut lp from 6th borough project entitled one night in the borough. its more than likely that youve come across 6th borough releases or edits on labels such as instruments of rapture, jisco or permanent vacation as well as having kick started the whole thing off here at delusions of grandeur with their release the soul part ii (under the aka craig smith & the revenge). its also more than likely youve been in some late night establishment whilst the revenge provided musical accompaniment on his record players seeing as he is one of the most in demand djs playing underground house and disco on the scene right now.

following his appearances on riviera disco vol. 1, 2 and 5, bijou is back in the bordello and ready to bring some cool to these hot summer nights. sun countered by sea. soothing synthlines, airy analogue tones and gentle currents characterise the two openers, bijou calling on calming waves and peaceful percussion to begin. the belgian producer allows the temperature to rise for reine des plages , broad basslines and funk laden bars dancing late into the night. but those fresh breezes are ever present, closing in the beach bronzed beauty of la maree .

escapism, the berlin party series, steps over the threshold into label territory after putting on quality techno nights in the german capital for more than two and a half years. kicking off the label is the polish born and berlin-based glos, who is well known for his work on ressort imprint. on prayers three original tracks showcase his love for ambient music, as well as intelligent techno and sound design. belgian newcomer border one (wolfskuil, stockholm ltd) is in charge of remix duties, taking the slow churning groove of collapse and transforming it into dance floor focused material.

elgian in origin, igor vicente and dka join forces to create two monster tracks for their haus boo ep on hot creations. championed by jamie jones, lee foss and richy ahmed it arrives hot on the heels of hot creations’s paradise events series announcement for ibiza 2016, this is music made for those heady nights on the dc10 terrace. on the a-side is haus boo which the guys created after being inspired by the all time classic the house master boyz and the rude boy of house house nation . taking the release into a much darker realm is shady with a seriously addictive beat, endless high-hats and relentless snares. infatuated with music from a young age, igor vicente founded the belgian wildfamily parties in which jamie jones, seth troxler, dinky and matthew styles among others have all played. some years later he formed one half of ultrasone, and has released on get physical, mobilee and hot creations multiple times. these days you can catch him playing at one of his two residencies in belgium, cafe d anvers and fuse, and founding the label state of flow. dka has his roots firmly placed in the house music scene and has taken his sounds all over europe, whilst releasing on get physical music, mobilee records and play label records to name just a few.

nonplus 035 passes the torch to finnish producer samuli kemppi who’s built a solid back catalogue over the last 15 years and in that time has also become a pioneer of electronic music in helsinki. his radio show deep space helsinki (alongside juho) developed into one of the cities most popular club nights and also into his shared record label dsh. his debut on nonplus brings us 3 slices of no nonsense deep space techno.

do you know that feeling when you are going home from a party and you grab a small slice of pizza on the way back and than when you have your first bite in it you feel like that you are in the center of the universe? we got you covered. this is our time - a 101% hungarian label run by your homies route 8 & soundbank aka the lathèquex boyz - presenting a special 10” from route 8 with 2 tracks to make your lonely pizza nights better.

repress 2016 , giant 45 returns with 2 well crafted reworks. a side is 80s boogie funk at its best reworked and timed up for perfect dj mixing. on the flip we have a much sought after japanese boogie classic reworked in the same way. limited 7 inch pressing so act fast.

a trailblazing radio 1 show, unparalleled club-nights and a promising label, the 1-800 dinosaur crew are undoubtedly a focal point for all tastemakers alike. with a new 10inch ready for circulation, trim returns with james blake and airhead hinting towards a taster of whats to come. ‘rpg’ seeps with blakes signature off-kilter soul, feeding the subversive nature that trim revels in, whilst the airhead produced man like me, is undeniably anthemic. guided by the distinct-outsider vocal of one the most under-glorified, yet revered mcs in the uk scene, the 1-800 crew continue to construct their own direction.

following last summers acclaim ruede hagelsteins long player apophenia, we once again revisit the album, this time with a few stunning remixes from the drifter, can be love synth, and ruede himself of the hugely popular footprints feat. c.a.r.. up first is the drifter and he turns out what may be his best remix to date with a swelling, emotional ride that will most definitely be an anthem for the coming summer. taking a different approach, yet just as engaging, ruede reworks his original into a dark, looping psychedelic odyssey perfect for late nights or early mornings. can love be synth rounds out the remixes with a gorgeous pop-esque twist on the original choosing to focus on live instrumentation and retro synthesis resulting in a cross-over favorite. and finally, for all the times you want the vibe without the vocal, a dub version of the original gem.

music is love, music is passion and music is crossroads. in 2007, s3a was huge fan of an album called byron & onra -the big payback-. when byron and s3a met in mid-2015, the project of an ep came out instantly. the s3a records team is really thrilled to present this magical 7 tracks ep mixing deep sample based house music, hip hop, an even general electronical music. this ep goes with a collaboration between s3a and byron on the track “nights in tokyo”. always looking forward house music and hip hop, euphoria ep will be for sure one of the most important of 2016 house music. clearly musical, byron the aquarius signs here a major ep by its size (7tracks) and its quality. the s3a team is thrilled to release this jewel of what usa can do in electronic music. deep, musical, emotional, full of history… we can hear here some ur, 4hero and great nowadays sample based house music background : the roots of the s3a records

the third album from gold panda as 12 inch vinyl release with download code included.

disdat is the new brainchild of new york s infamous underground party, resolute. for their first release, they showcase three different sonic interpretations of their iconic warehouse mornings that stretch out far into the afternoon. leading the release is s.a.m. (of oscillat and delpahine notoriety) with the aptly named brooklyn nights a driving track made for the dancefloor, with its acid-tinged bassline complimented by s.a.m.s trademark emotionality. french duo zendid provide the pulsating ws3, whose scattered kick drum underlines euphoric and fluttering elements. matthew burton & bangladesign, together as mikisderek, bring the release to a close with the subtle and introspective-sump1, as equally suited for the beginning of a night as the early morning after

rustling pillows, irate flamingos, drums thumped feverishly in basements. tweaked cassettes, noisy buses, restless hands tapping dashboard rhythms in thick dusk traffic. found sound, musique concre&#768,,te, stuttering drum loops forged in twilight boredom — hyperedited into ruminative dance collages. pillow by mischa lively (ne&#769,,e barton, blake): 4 songs, 25 minutes, a hybrid of exertion and uplift. pillow marks both the nashville native’s debut for racecar and the denouement of an evolution. once rigidly stuck to notions of how rhythm should be utilized — barton is a trained percussionist — the producer eventually realized the potential in limiting himself to a minimalist diet of new and archived drum loops from which to build songs. studying myriad treatment techniques, barton then executed a vision unmoored to binary ideas about “live” versus “electronic,” blurring lines as he composed with an ear for idm, dub, techno, and ambient music. hence pillow: a vast assemblage of rhythm and sound performed to mirror the spirit of dance records. indeed, the 12” is as ripe for warehouse parties as meditative nights alone, headphones affixed, candles lit, marveling at the mysteries humans conjure with physical limbs. “rhythm is instinctual to me,” barton remarks when asked about his preference for recording analogue patterns versus beats sourced from 1s and 0s. “and i dislike sitting nearly as much as working from computers.” movement, then, is a virtue to barton, and in mischa lively he’s found a taut, elegant, propulsive vehicle in which to explore it.

son of sound aka henry maldonado has been producing influential house music dating back right back to 1991. he has released on strictly rhythm as house 2 house, maxi records as deja vu and maw records as rhythm section. son of sound has recently appeared on tirk and local talk before dropping the bomb that is jewel eye nights on jus ed s underground quality. he also has releases scheduled for later in the year on razor n tape and city fly. currently working on a collaboration ep with recloose for his own district 30 label. henry is also host of the highly regarded hit it and quit it radio show on the lot and east village radio with recloose and private panther.

180 gram double vinyl in gatefold sleeve, download code included.

in ihrer fast 15 jahre andauernden karriere haben the kills bereits vier alben veröffentlicht. jedes ist ein rastloses, gewagt hintergründiges kunstwerk, das gespickt ist mit spannung, unruhe, sex, natürlicher coolness und augenzwinkernder langeweile. dabei hört sich kein album an, wie das vorherige. „ash & ice“ ist der nachfolger von „blood pressure“ (2011), an dem die band über einen zeitraum von fünf jahren gearbeitet hat, was auch an jamie hinces handoperationen lag, nach denen er erst wieder lernen musste gitarre zu spielen.
das album erscheint als standard-version auf schwarzem 180 gramm doppel-vinyl, inklusive downloadcode.

second opus on mad in lyon by the frenchman himself: 69002 ep comes with the same unique motivation, getting the dance-floor rollin! true to the label motto -from thugs to clubs-, this collection of four seriously groovy tunes will keep the party going on those long sweaty nights. vinyl only

inspired by fellinis famous drama the nights of cabiria the italian couple giovanni verrina and germano ventura aka howl ensemble serves their second album on nervmusic. through the mixture of italian, japanese and russian influences the 6 original tracks and remix from ark describe perfectly how the passionate art turns to dancefloors.

the stimulate side of inertie records was created to provide dark and mental techno for long dancing nights. we are very proud to announce the first 12“ of stimulate side with a hypnotic techno ep by label co-owner, vakarm. after his brilliant ep on berlin based imprint resopal (supported by answer code request, plukkk., johannes volk, mtd, ian o donovan, progression, kvd, nx1, 14anger and many more), french man vakarm is back with three devastating techno tracks. american talent echologist, also well known as brendon moeller or beat pharmacy, brings a powerful remix and perfectly complements the ep. be careful, this is a 300 copies limited release!

bringing together their eclectic musical background, both individuals behind the recently born artist duo exponent share a vision of a uniting element in dance music, which is much more defined by atmosphere and its demarcation to mainstream music than by simple genre characteristics. sometimes broken, sometimes straight - those three tracks end up with a four-to-the-floor attitude, without intending to. complex and simple at the same time, never letting go of that one hypnotic groove, which keeps us together during those special nights. 22.22. is released on freakadelle, the record label of the same-named cultural npo based in salzburg, austria.

anyone familiar with the music of sinisa tamamovic knows the man is an expert in techno floor fillers.... the tracks here are no exception, valentina and confused reside in the world of bold, unrelenting grooves constructed with little more than bass and drums: and they get the job done. the bass lines are distinctly sinisa, simple, catchy, and mixed exquisitely, they take on a whole new attitude when played on club systems. valentina starts things strong, its driving rhythm gains energy as atmospheres develop and an worldly vocal enters, a latin american street rhyme that gives the track some international flare. confused is more raw, employing rough drums and ethereal sound effects. either one will do the trick for peak hours and late nights, and expect to hear these all over the place at wmc 2016

cyclo is relaunching with an absolute classic track from its extensive back catalogue. produced by derrick carter & chris nazuka the chicago house classic rednail kidz -do my thing- was an underground smash when it was first released at the end of the 90 s. clubs nights such as space at bar rhumba rocked hard to the incessant groove of this track. we have included a remastered original with 3 remixes: the nacho marco remix takes -do my thing- into big room territory. nacho works closely with roland and on this remix you can witness big 303 lines and huge bass that will rock most discerning floors. hallo halo (jon dasilva & jonas nilsson) remix the track superbly and add their trademark warm tech sound. mystic bill creates a stunning, deep, chicago inspired, sonic journey of a remix where less is, most certainly, more. we hope you will enjoy these tracks as much as we are!

the parisian label starts with the ondulé family crew. and it starts well!! joss moog, around7, paul cut & hatelate feat his disco lady claire lennox. four tracks and a breath of fresh air for your future nights in club!! catchy melodic lines, dancin’ hooks & raw beats are on the menu. in short, this ep is gourmand, flavored with soul & groove served only on wax. all the ingredients that will make those guys ep an unlimited pleasure…

a collection of works by dennis young from 1984 - 1988.

original motion picture soundtrack from the 1986 movie “top gun”.

this promising israeli talent delivers two slow burning tracks oozing with eastern influence and informed by the modern sounds of dance. part of the 84% creativity crew, naduve presents his second release with cocktail d amore in the form of a two track ep which revels in it s dark and seductive energy. -no good news- builds over it s 7-minute run layering mystic vocal synths and coupling them with splashing hats and tight shakers to give just enough beat driven energy to keep a crowd to attention. the flying guitars and staccato synths of a trip in tel aviv slither over half beat percussive structures to give this track a sinister feel ideal for late, late, late nights. wunderkind man power drops a tab on a trip, giving it a fresh take perfect for psychedelically inclined moments.

italian house producer nicholas is back on home taping after a string of releases on labels like 4lux, quintessentials, 20:20 vision and nu groove. and it s straight back into business as usual on this release as he picks up where he left off with his best-selling love message and the music lives eps and delivers 4 raw and tracky dance floor bombs that will keep your dance floor pumping. all the cuts sit perfectly on that line between house & disco for maximum dance floor work. the bonus beats are back

following his uplifting 2015 single holdin on and its techy b-side faces, rony seikaly is back for another release on yoshitoshi that proves this renaissance man is a force to be reckoned with in modern house music. the two tracks on this ep possess deep grooves, but also flex a fair amount of melodic muscle. they liken back to the sound yoshitoshi became well known for in its infancy. the sword centers around some tribal percussion and carefully woven melodic ideas, but the track?s focus is decidedly on low end. a burly, assertive bass gives the mix a driving character suited for late nights. at time it feels like a modern take on progressive house from another era. all of a sudden is more or less an extension of the first track, giving the ep defined consistency. it s a delicately arranged and straightforward house feeler, the meat coming from a multitude of interlaced chords and melodies maneuvering carefully over more tribal percussion and a monstrous kick. the mission here is to inspire awe and wonder in dancers, and seikaly delivers on both accounts.

this is idle033: the sound of an accomplished dancefloor producer stretching out. these aren t straight dance tracks, neither is this a ponderous ambient lp. this is vivid, vital electronic music for modern times. tracks to cut through the monotony of depressingly average house and techno releases. the music shimmers with warmth and humanity, a testament to karmil s personality as well as his skill as a producer. one can sense in the tracks that this a musician who has travelled and absorbed much along the way: long drawn out winter nights in sweden with the studio barnhus crew. years spent in cologne with its distinguished electronic sound, a city which has given so much to the world with kompakt and more. last but not least you can sense karmil s upbringing here in the uk, the roughness and rudeness all added to the mix. idle hands has never been a label to follow trends or to take the easy path. it has strived to keep people guessingand to remain in awe and wonder at new music being produced. inmatt karmil it has found a producer whoembodies this notion.

paulo olarte s genre twisting latin techno tracks immediately transport you to hot nights spent on sweaty dance floors. powerful beats draw you in while the seductive vocals make you quiver, culminating in an intense rush for all your senses. perfectly rounding out the ep, cómeme s sano delivers a delicious remix of the super stompy track paladar. give your mind a treat and listen to these tasty new tracks right away.

third release on freakadelle records imprint franse. cold winter nights needed to be used for some heated production sessions in the cellar. the result is a raw shuffling mover, which evolves from an initially broken rhythm into a deep stomping 4-to-the- floor creature, accompanied throughout by typical franse mysteriousness. hand numbered, vinyl only and limited to 170 copies.

its time again to join another something vinyl release, that comes in various colourful thrilling shades and in full maniac beauty

after a brief hiatus, brouqade makes its return with a brand new release from fernando costantini. exploring a different side of himself, his debut ep features two solid grooves perfect for different moments of the night. to start, * plusieurs zip* conjures up a deep minimalistic groove-taking us on a floor-minded tour of peak time percussion, abstract vox, and subtle acid bass-lines. intelligently designed snares keep the track moving along with spontaneity and subtle surprise.
flipping to the b side, * something different* is a slow builder that effortlessly pulls you in with rising pads, sweeping percussion, and a rolling bass line to warm you up for those cold winter nights.