leghau & gløs debut on eop with a four track split ep which brings the fresh and psychedelic sound of the new school. the 12 inch comes on limited 200 red trasparent 180g format.

g&#322,,,,,ós returns to escapism for the label’s 7th release.

unknown timeline drops out their second release

ressort imprint’s fourth output “four cuts on hurting” gets a decent treatment from four well established remixers. pfirter, cassegrain, blind observatory and label head ekserd deliver their own takes - rsi011 therefore is aptly named “more cuts on hurting”.

filling the night with scars, the new release by our mainstay g&#322,ós marks the second installment on the ravage white series label. at the core of this release, g&#322,ós seems to build bridges between his ambient side on one hand and his thumping club music side on the other hand. especially the a-side covers the clubbier rhythmic vibe whilst the b-side conveys the more emotional vibe. like in the title track, he builds slowly and smoothly but he stays very precise in which acidic sounds come and fade. with this release, he finds a balance between the nostalgic anthem-like euphoria and a more darker and deeper narrative.

escapism, the berlin party series, steps over the threshold into label territory after putting on quality techno nights in the german capital for more than two and a half years. kicking off the label is the polish born and berlin-based glos, who is well known for his work on ressort imprint. on prayers three original tracks showcase his love for ambient music, as well as intelligent techno and sound design. belgian newcomer border one (wolfskuil, stockholm ltd) is in charge of remix duties, taking the slow churning groove of collapse and transforming it into dance floor focused material.

2015 brought the trilogy of the dancer to ressort. now the labels core artists each remix their tracks in circles. while all of them aim for the dancefloor, ressorts core artists could not sound more diverse. ekserd and border one aim for the raw, the groovy and the pure while array access and glos lose themselves more and more in sound design and dreaminess. since the many aspects of art and music form a cycle of ying and yang, each artist shows the other an interpretation of what he might have missed before. be it a complete stomper or a light absorbing epos, a deep and groovy house and techno hybrid or a journey into the depths of space every artist made one of the well known tracks released on previous eps his own. it is a very colourful package that bares every moment the label tried to cover in it s series before.

four cuts on hurting might be the most appropriate title for this collection of tunes. heavy bassline tool techno in its purest form, for your sets.

were drifting a little deeper and less dubby with our second release. glos is hailing from cologne but his origins are deeply rooted to berlin where he grew up. his sound tends to be extremely deep and atmospheric but still straight and danceable as he often proves his versatility.

an amazing bit of brazilian samba funk that also touches on mpb, bossa nova, jazz… sunset vibes. first time remastered vinyl reissue.

eight album after the success of cavalante, released in hozulam brian eno, hiroshi yoshimura and takashi kokubo influences

originally released in japan in 1983. remastered from master tapes, first ever vinyl reissue

red 180g indie edition

heavy weight double vinyl

intimate silence - a label with the philosophy to bring out music for the lonesome hours, the intimate moments and the wish for silence, healing the pain that other music is inflicting. the label s first release, filling the scars with light, comes from glos who is usually known for his techno outputs. in this 35 minutes piece he highlights his melancholic side in which he merely looses himself in long drafts about silence and intimacy.

ltd onesided tape release

emotions on vinyl!

2x vinyl lp limited edition. reissue and remastered. the styles could not be more different: house, drum n bass, idm, leftfield and breakbeats.

unreleased work from finis africae together with the reissue of their first album -prima travesía-. a deep trip of the roots of organic ambient.

collaboration lp bx dave aju and the invisible art trio. decks tip!

first time vinyl reissue of an amazing bit of brazilian samba funk that also touches on mpb, bossa nova, jazz.

colored (curacao) vinyl, including downloadcode

friends of friends presents the second album from afternoon bike ride.

incl alexander arpeggio remix

black vinyl! incl original cover art photography shot by danny

for the first time on vinyl

originally released on cd in 1997

experimental stuff

reissue

ursprünglich 1992 veröffentlicht, liefert diese ep eine sammlung von rave-infizierten knallern mit einem hauch von breakbeat, chicago house und reitendem techno.

80s aerobics

clear vinyl, including downloadcode

in den frühen 80er jahren befand sich japan in einer blühenden blase, wurde zur zweitgrößten volkswirtschaft der welt und drohte, den westen mit seinen bahnbrechenden innovationen zu überholen. die japanische mittelschicht schwelgte in luxuskleidung, importiertem wein und internationalen reisen und genoss eine unorthodoxe freiheit. als soundtrack zu diesem kosmopolitischen lebensstil entstand der city-pop: eine ode an bunte farben, sonnige strände und naive romanzen, mit deutlichem west-einfluss. dieser einfluss brachte auch die erste gesundheits- und fitnesswelle nach japan: zum ersten mal war es trendy, auf sich selbst aufzupassen, und aerobic, das wort in aller munde.

comes plus inlay.

rsd release.. komm verlieb dich in vinyl

masterpiece!

night young presents the first collaboration between pat hills and morgan fox as blank gloss.

italo infused dancefloor banger with an edit from the australian producer hysteric

80s japanese ambient

ltd reissue from this 1977 proto electronic mexican holy grail

recorded in switzerland in 1986

electro space funk on red vinyl.

recorded 1989 in germany

vinyl only! 180g vinyl

incl mixes from kevin devine , jackie house & taraval

having grown up with and on the internet, martin steer (1986) has transformed its pull into a concept album that is just as immediate and intangible as the digital world. bad stream is guitars and machines vanishing in the spaces between radiohead and nine inch nails only to reemerge amidst ambient, noise, and drone. bad stream, then, is his modus operandi - a hybrid soundtrack to the feelings of resignation, isolation, and cynicism within neoliberal cyberspace and to that strangely numbing comfort of bodies transmuting into zeros and ones in real time.

massive double header , disco classics