naif 009 is the second in a series of five eps that are released around the release of the dj-mix-cd also named naif which has its release in april 2018 the second strike comes with two superstrong techno tracks: lean forward is a contribution by nihad tule that wil burn the dancefloors. followed by not now, not yet, a scratchy track from the hands of one half of cassegrain: rhyw. side b heads into trippy territories with a heady, sparse but seductive groove by marco shuttle followed by a track from efdemin in a collaboration with his close friend and fellow konrad sprenger (pan) after more then three years of silence as a producer, efdemin a.k.a phillip sollmann returns with a striking hybrid concept that merges the album format with the continuous dj mix format, presenting completely new material in a seamless manner. the cd-mix, named naïf, officially reinstates his label of the same name and is a sprawling tour of inner space featuring 19 distinct tracks from fellow producers along with an additional ten that feature efdemin himself (either as soloist or collaborator). the release condenses his decade-long dj-ing journey and evolution as a producer into a single potent elixir of contemporary techno. naif consists of completely unreleased material from both himself and valued collaborators, all of which will eventually manifest as ep releases: five on his own naif label and two more on curle.

limited to 500 copies (numbered) worldwide.brian cavender aka seafoam released his first ep on rue de plaisance last year, -confusion camouflage-, that was dedicated to his recent productions. a second release on the sub-label rue de plaisance re-issue, «lost tape 98 project», is a selection of tracks never previously released that we found on an old dat. today, we present the third part of our collaboration with seafoam « collected works 1999-2005 » it s a selection of our favorite tracks from his back catalogue on labels like guidance,straylight, lo -rise... that is also coming to rue de plaisance re-issue imprint(03).

hybris is a state of dissoluteness, of loss of control, of greed and of lustfulness. following that motto, wice takes his listeners on a journey through a hybristic process on his second steinlach ep, which chooses an enchanting and euphemistic entrance into hybris with absent (no aggression). gentle pads create a peaceful and dreamy world that is turned into a fascinating landscape of sound by trippy drums and dopey synths and so pushes wide open the gate to hybris. the threateningly booming hb11 then finally enters the state of hybris: synths and drums pump adrenaline in heads and bodies, dancing turns into greed, the complete lack of control sets in. that lack of control riots towards its peak with the eponymous hybris, which tears the listener in technoid and gritty manner into the abyss of hybris and holds him captive down there. hybris is followed by nemesis, the divine punishment ending in death: wice interprets this transition towards nemesis with hertz, a playful and breaky good-night kiss, which feels pretty damn good and resonates bittersweetly.

the sixth release from the london-based sugarhouse imprint sees tekboys (label heads maurice jnr, jamie paul and seb miguel) bring forth a 4-tracker built for the floor. it’s already seen support from the likes of alex nut, bradley zero and bicep, amongst others, and looks primed to set alight basements and beach stages alike this summer. originating in 2015 with the much loved ‘magic mountain ep’ this low key, diy label has quietly been releasing hit after hit. alongside their much-coveted white label imprint ‘bouncin’, the guys from sugarhouse have picked up an impressive fanbase including bradley zero, alex nut, four tet, patrice scott, prosumer, kai alce and hunee to name just a few.

bruno “patchworks” hovart is definitely one of the top producers of today’s groove music scene. after playing as a bassist and guitarist for various bands, he started producing in the mid-nineties and has kept on mixing today’s technologies with the raw spirits of house, electronic, disco, funk, soul, reggae & jazz music’s golden years since then. following the trail of success left by his various projects as patchworks, and under many aliases, he’s proved his musical ubiquity and unexpectedly stroke in various genres. for this new ep, he’s back under the edr records’ umbrella, following up to his acclaimed eps called give my love (edr019) and dedications (edr021), and meanwhile pursuing a comeback to his early love for house music. many house music diggers would indeed remember that before favorite recordings was launched in 2006, patchworks and pascal rioux produced many deep-house titles on the rotax disques imprint. besides since the late 90s, patchworks has also collaborated with labels such as q-tape, or still music, delivering many clubbing hits such as “million toes”, “sugar”, or “minautor” to name just a few. on this 4 tracks ep, he again delivers 4 dancefloor killers, ready to convince any listener from old-school “footstomping” aficionados, to detroit house heads. for the occasion he also invited his long time mate eric duperray aka mr day, who brings his soulful vibes to the mix.

having turned heads with shedbug and laroze already, flux expands its modest operations to include a new white sublabel that kicks off in fine style with d b. -subtleties- is a gorgeous minimal house jam shaped out by snaking rhythms and amorphous ambient tones - the consummate spirit animal for your dancefloor trip-out needs. -synergi- has a more typical shuffle, but it s no slouch in the head-melting psychedelic tone department. -splash- completes the package with a swerve into more explicitly broken beat territory, using a similar sound palette but placing the emphasis on tricky programming to create a divine slice of electronica for the more rhythmically adventurous heads out there.

local talk are honoured to welcome trevor lawrence jr. with a cv that reads the who s who in the music scene today, lawrence s performance and recording credits include herbie hancock, stevie wonder and quincy jones to name a few. tiptoe is taken from trevor s debut solo record, relationships , released in 2017. on this 7- - the very first on local talk - we re re-releasing the original together with a remix by dj spinna. on the a side the brooklyn legend applies his magic touch to tiptoe , combining warm and soulful vibes with a house touch. a must-have for not only for the soulful house heads but also anyone that loves quality in music.

out 2 is a project from jeremy campbell and r. zanzibar, who have previously worked together on albums for l.i.e.s. and lectric sands under different aliases. they sound right at home on emotional response, channeling the influence of 1980s new york dancefloor hybridization into six original tracks and their counterpart dub versions. its an impeccable tribute to the forefathers of new / no / minimal wave with the right kind of funk rubbed in the groove and ample space in the mix for all the live dubbing the style demands. moving is a surefire death disco party starter, dancing hovers in a beyond the grave island boogie reverie and some airs red there heads out into exotically enhanced territory without losing that nyc grit. it s a marvelous record, with the dub versions adding new dimensions to the music rather than simply repeating the same tricks sans vocals.

legit reissue of ted taylor s long sought after -ghetto disco 12inch excavated from the deepest realms of the tk disco vaults! funky, rough round the edges in the best way, tough ghetto disco grooves here from 1977, delivered by the mighty ted taylor who was originally a blues singer from oklahoma. pairing taylor s soul-steeped voice with the sunshine-state production values of the legendary wardell quezergue ( mr big stuff , groove me & more!), this ones a dance-floor sure-shot. never has a track been more aptly named. this is a proper underground jam, one that, until now, was the preserve of the heads, diggers and disco freaks. the eagle eared out there among you might recognise it from a certain underground hip-hop cut, answers on a postcard please! pure disco heat from miami, yet again. a bonafidetk disco classic! remastered, represented and brought back into focus for 2018s dj bags and dance-floors! as usual, these tk represses are always done in the proper manner. 100% legit from the archive, remastered and released in conjunction with henry stone music/tk disco - miami fl.

a new duo launches by the name of ghost vision. joining forces with an introspective, uplifting debut slice on kompakt, the pair are two well-known figures thomas gandey aka cagedbaby, member of matom alongside matt edwards, and daniel mclewin, half of uk-based production duo psychemagik. fruit of these blissful moments when no imaginary wall obstructs the vision and the stream of consciousness gives up to the entrancing magic of the creative flow, saturnus is an upright mano a mano between two musicians and their gear, unchained from all preconceptions and biases, real (machine) talk as the hip-hop heads would say.

following the success of last years kunta kinte 2017 riddim, brooklyn-based label and collective dub-stuy add a new installment to their popular dancehall inspired series with a fresh riddim from in-house producer dj madd, featuring international vocalists from jamaica, spain and bermuda. jitta riddim is a brand new production from dj madd, a sturdy yet spacious riddim carried forward by a lilting melody and guitar stabs that are anchored by slapping snares, dub flourishes and a rolling bassline. this is a weighty but energetic riddim with the dancefloor in mind. bringing the riddim to life are a trio of vocalists representing the roots and global expansion of dancehall and sound system music. spains sr. wilson delivers an anthem in the making with zapatillas, a song dedicated to all the sneaker heads worldwide who like to sport fresh kicks when they hit the dancefloor. singing in his native spanish and english, sr. wilson shares tales of daily shoe addiction around a catchy refrain that name checks the best known brands. his blend of reggaeton-flavoured autotune and kicks geek outs is sure to resound loudly around clubs worldwide. backing him is jamaican veteran deejay cutty ranks, a man whos been lending his distinct flow to productions for over 30 years. on double trouble cutty speaks to the daily realities of life on the streets and the ills keeping people down, warning of the trouble that awaits those in charge. wrapping up the release is bermudas troy berkley who aims his vocal rifle straight to the orange-skinned resident of the white house, spitting rapid fire lyrics about the deteriorating state of things in 2018 america. lace up your sneakers and get ready to move and chant with dub-stuy’s new riddim.

gatefold cover !

fresh from his recent tour full of sweaty live sets & deep record digging in the motherland, todh teri is back with the 3rd instalment of his deep in india series of edits & reworks. first up, a chunky acid rework of a huge 90s hit brimmed with relentless drum programming & shimmering peaks of ecstasy. followed up by a suspenseful tribal house reinterpretation of a 60s cabaret classic (with a breathless twist that would definitely leave the purists scratching their heads). the final one is strictly day time dance business drenched in caribbean sun rays & the evergreen vocals of 80s pakistani disco diva.all 3 tracks in this release are the essential bollywood disco curve balls that you need in your record bag to set dance floors ablaze all over the world.

archeo recordings chart a course for the balearics with this laid back delight of overlooked italian island grooves. tony esposito is a long-serving singer-songwriter, and two tracks from his 2004 cd viaggio tribale get a vinyl cut here. dove ce luce gets a special, 90s tinged remix from lucaeffesunset. antonio nicola brunos storia della terra mia is the first of three unreleased tracks from this little known lucan artist, striking a curious note with folk undertones and a sunny disposition. ther s a more dramatic tone to danza e ridanza, which takes on an almost talking heads-esque quality for the b version that closes this high quality 12inch from the ever reliable archeo camp.

- amazing and lovingly crafted box
- red colored vinyl in 180g
- strong limited numbers worldwide
- very special printed banderole
- each vinyl in a fullcover printed sleeve - more than 40 tunes - 10 vinyl -

rising greek producer g.u.s steps up on equivalence with some pumped up vintage techno sounds that take more than a few cues from the uk.shelf cloud strikes a fine balance between tough and dreamy, using a twitchy set of drums moving at a decent pace and flooding them with atmospheric pads and a slice of vocal that forms a central hook to the track. halo goes even deeper into british territory with its chopped up breakbeat funk calling to mind the dexterous sample magic of stasis, and then haze phenomenon heads into deep tech house territory riding a pumped up shuffle beat and swooping pads.

nice price deal !!! detroit techno hero dj bone is ever prolific these days, with his differ-ent alias releasing an epic triple lp release on don t be afraid last year. a piece of beyond marks the second dj bone studio album, and it finds him in an exploratory mood. it begins is a unique exercise in synth wobbles and military drum programming, while the stalker heads into the deepest and farthest corners of the quintessential motor city techno sound. the chase takes on a cosmic, break-infected stance that calls to mind spiritual jazz as much as techno, while theres more classic styles to be enjoyed on dreamers 9 and the absolutely stomping sweat.

right after the twcor debut for the digital branch of planet rhythm, the mysterious twcor is back with a monstrous package of top notch dancefloor techno. grey matter ep revolves around deep low ends and exciting fx cuts. the 4 tracks included in this package are a fine combination of sturdy techno sounds that should turn some heads among lovers of the genre. pressing on clear and black mixed vinyl.

tinfoil is the project of defekt and sunil sharpe. initially forged as a studio collaboration in 2014 (and later as a live show), the pair have since racked up an impressive catalogue of 12&#8243,,,s on their own self-titled label. tinfoil’s sound is unique in today’s scene, reflecting the versatility of both artists, plus a combined know-how of techno and electro. their music comes primarily from live studio jams, enforced by a desire to get quickly to the point in what they do. this is no surprise given the fast, technical way in which they each perform solo. for their debut album, tinfoil provide a varied but cohesive collection of tracks. following the intro’s epic synth blasts, they open with a bang through “caravan life” – a sinister, bassline-driven destroyer that builds and builds over a blend of claps, filter zaps and crying feedback. “beads” continues in a heads-down vein, this time with a more musical ebm type bass and knocking rimshots that mark the first appearance of sunil’s role-playing, haunting lead vocals

masta ace goes munich underground! the legendary us rapper teams up with the heads of primatune to deliver a monster king kong rap epic, fresh and full of energy - hip hop at it s best. this is what happens when munich musicians celebrating the golden age of the 90s collaborate with one of their heroes!

legendary australian disco-fiend late nite tuff guy turns up the heat on the equally legendary salsoul records with 3 absolutely stellar reworks of some bonafide classics. somehow, lntg manages to tweak these old-school recordings and injects a thoroughly contemporary edge into them, making them sound brand new. featured here are 3 stone cold salsoul monsters, all respectfully handled and edited with care - first choice s uber-classic doctor love & love having you around (penned by stevie wonder & his then wife syreeta, no less!) and double exposure s anthemic everyman all go under the knife in the best possible way! beautifully mastered and featuring special black & gold salsoul label artwork this special record store day ep will undoubtedly be a collectors item! one for the disco heads right here!

a collaboration of seismic proportions, we present “the last renegade” from safire, dlr & drs, backed with two experimental dlr forays called “dreaming of a place”. sinister, brooding and shaped with intent, “the last renegade” sees safire & dlr combining to create a half time beast, with the piercing vocals of drs a perfect fit. developing the dreamland themes from his last album, dlr explores dub and techno influences and more downtempo vibes on two mixes of “dreaming of a place”. digressing from the more typical dispatch format, dlr, along with safire & drs, express their artistic freedom to display the depth in quality within the label today.
for the vinyl heads, there will be a limited run of heavyweight clear vinyl pressed, shrink-wrapped within a bespoke, full colour sleeve.

nice price deal !!! • blueprint heads across the atlantic for the next release as kero joins forces with gotshell
• full colour label sleeve to celebrate the 20th anniversary of this classic techno label !

under one of his most notable guises, larry heard is pleased to present a new album for 2018. cerebral hemispheres is his first full length album as mr. fingers in almost 25 years. famous as one of the most important heads in the dance music around the world, larry has enjoyed a successful career as a producer, remixer, collaborator, vocalist and dj spanning 35 years. due for release on his own imprint alleviated records, cerebral hemispheres features 14 new pieces of music that allows the listener to fully immerse themselves and dig deep into larry s musical world.

124 recordings know how to put together a deep house compilation, and they re sounding fierce on this latest, appropriately titled levels up. the jams come heavy and funky from a range of on-point operators, leading in with tom jay s quintessential new jersey bump n grind on hanging on. david moran is a little more shadowy but no less groovesome, while nicola brusegan takes things on a sweet and smooth tip. across the whole double pack there are classically informed jams to satisfy the most weary deep house heads, but keep an ear out for the old-school flavoured heft of freak ds power of bass, which should get some seriously jacking airtime in the right kind of dance.

kalbata has turned his hand to many styles over the years, not least the excellent soundsystem explorations of congo beat the drum, but on this second release for his label brush & broom, he s decided to fling himself into the fiery pit of acid while paying tribute to 90s motocross bikes. honda is dripping with 303, punctuated by a twitchy set of drums, while yamaha takes a diversion into moodier territory, letting hazy chords set the tone for an energised but defiantly heads down acid workout. suzuki is a bit spicier, capturing the essence of up-for-it early trax records but edging it into more hypnotic, looped up territory. toyota finishes the ep off with an atonal bleep out with an electro undercarriage

tom ellard is the creative force behind australian post-punk band severed heads. in 1982 he self-released two cassettes of solo material, “80s cheesecake” and “snappy carrion”. these cassettes document the transitional period between the early experimental severed heads’ albums “clean” and “blubberknife” before the start of something new with “since the accident”. with the advent of the then new roland tb-303 bass synthesizer, a machine synonymous with the acid house sound, tom began to write more beat driven material. the rhythms are made by a tr-808 drum machine, kawai s100f and sh-1 synthesizers, plus various televisions, radios, cassette decks and pedals. two songs from these cassettes would later appear on the b-side of the “dead eyes opened” single.

paradise palms presents a brand new 7inch from rising producer tom blip, who heads up the globetrotting record label blip discs and has found his own productions in hot demand, showing up in sets from the likes of four tet, gerd jansen & pearson sound. rez / crazy arps is a bold 7inch of crunchy drum machine-driven boogie, tracked hot to tape and peppered with toms wormy sh101 riffs. rez / crazy arps is available on 7inch

a timely repress of a true underground club classic and rarity, disco / boogie / funk heads take note. larry wu wedgeworth dropped this sublime piece of boogie in 1984 on the atlantic label and both sides have long been firm favourites with serious soul aficionados for many years. let me show you was one of numerous major label dance records from that golden mid 80s post-disco era that caused a storm in the underground clubs of the day. this one s long been sought after on 12inch and has been bootlegged numerous times, often with inferior sound quality and no care taken, not this time though, this high quality, official, 100% legit reissue has been lovingly remastered by above board distribution in conjunction with atlantic records from the master tapes. beat that. both the original vocal mix and dub version are included here with og atlantic label artwork. dont waste your time on the fakes! this one s the real deal!

va&#776,,,stkransen records’ first release - bike thieves’ “laura ep” - is out on 12” on april 6th, 2018. based in stockholm, va&#776,,,stkransen records is an offshoot of ga&#778,,,rden, an underground open-air party held in an industrial zone of the city since 2014. featuring djs like cinthie, baba stiltz, maya lourenc&#807,,,o and mount liberation unlimited, ga&#778,,,rden is attended by a devoted following of dance music heads looking to sweat to classic disco and house.
“laura ep” introduces ga&#778,,,rden residents bike thieves - two long-time stockholm comrades with a penchant for gritty house. the a-side features the duo’s banger “laura”, along with a funky disco remix by mount liberation unlimited’s tender t. on the flipside, hk presents a deep tech-house interpretation of “laura”, the record closing with bike thieves’ after hours cut “jailhouse”.

daniel schwerdel aka acid lab has been a familiar face on lossless music and dope plates over the last few years. turning heads with his tracks “ancestors” and “tundra”, dan has laid the ground work for a bigger project, a solo album. “a matter of time” is a stunning 10 track breakbeat odyssey which sees dan draw on influences from the past as well as futuristic visions which combine to form a body of work that perfectly fits the dope plates ethos. pressing on black & clear mixed vinyl.

after a more than well-received first release, interstate records is back with a shimmering and diverse ep. featuring two original cuts by the label heads dial tone on the a-side, plus two outstanding remixes on the flipside, the record serves as a fitting successor to the label’s thriving start.

melbourne native mosam howieson debuts on butter sessions with two original techno cuts. on the opening track napalm (romance) an advanced pulse pushes against intricate bleeps and soundscapes until we are rewarded with an emotional vacation drenched in euphoric pads before being locked back into the grind of the beat. next up on brain scatter , howieson goes in for a heavy drum workout bolstered by unique sound design and expertly crafted dynamics. on the flip, label heads sleep d step in and expand on the minimalism of brain scatter with a hypnotic bassline and industrial leaning sfx . wrapping up the ep we have one of japan s leading producers wata igarashi, debuting on butter sessions with his signature take on deep electronics...peak time acid infused techno glory at its finest!

chubby has already earned its stripes as a podcast and party in australia dealing in connoisseurs deep house, and their leap to the world of vinyl is no less classy. the first release splits a 12- between four esteemed practitioners of true skool beats for switched on heads, leading in with antipodean maestro ewan jansen. after delivering the plush tones of his -plants,- moods & grooves label boss mike grant pops up to remix jansen with stunning, understated results. trinidadian deep takes over on the b side with the typically shimmering melodics and dextrous drums he s much loved for. mr yt then serves up a final remix, nudging -move me- just a little up the energy scale with the help of a killer organ line placed at the front of the mix.

keepsakes, charlton and myler join 138 in cvlt as the third installment to their txtrl imprint. aukland based producer keepsakes opens up the record with bricks of joy a soothing yet crunchy tune with an undisputed bounce while dutch producer charlton heads into quick hypnosis with reggie smoker on the b side irish mad man myler delivers a relentless jungle belter opulence 138 closes the record with i just called to c if u care

second transmission from distant worlds comes courtesy of derek carr (for those that knoe, where we met, why so series). his music has been turning heads since the turn of the millenium but only in the last few years has he been getting the recognition he deserves. his productions have a timeless, celestial quality and reward multiple listens, there is always a hint of subtle beauty about his work and this is no exception. scisor and wraith are built for the club whilst fading fast and sunrise in system will work equally well in a club or for home listening. more than a nod to detroit in these productions but all unmistakeably carr productions.

for the first time iron curtis enters the ring over the full ep length for uncanny valley. there hasn t been much of a discussion whether or not this is something for uncanny valley when iron curtis approached the four label heads with this new pile of dance floor material. these tunes are too good. iron curtis must have been particularly inspired by the muse while producing these four outstanding house tracks. you ll feel a comprehensive knowledge about dance music s history when listening. no doubt, the franconian who is now based in berlin has spent a good time of analysing house music s techniques. -sweet romancer- is the best example for his studio eloquence. modulated synths, a classic bass line and a whole batch of drum ideas are combined into a wonderful track. the interplay between subtlety and vitality characterizes -nixdorf danse-. plus, you won t forget those strings. on -triroom- he proves that he has a knack for melodies as well. finally, -take me home- should provide a lot of emotional moments on the dance floor with its dramatic piano and crescendo-like synth line.

trinidadian producer and long respected deep house soldier damien lee ah yen aka trinidadian deep returns on the legendary shelter label for an ep of sun drenched, soulful sounds entitled tribute songs . this ep marks the start of a new run of releases for the newly regenerated ny house label that has long been at the forefront of the deeper end of house and garage for over 2 decades. trinidadian deep s latest effort see 2 brand new cuts - dear owen & snake hips cover a wonderfully emotive and rhythmically driven pair of cuts that can work on the dancefloor at any time of the day or night! on dear owen gorgeous melodic pads envelope around recordings of children playing far off in the distance, weaving guitars and live percussions drive us into a dreamlike state, a truly sublime and blissed slice of music indeed. snake hips sees things move in a more stripped back, techy direction that still maintains the td trademark deepness, a blend of detroit leaning synth notes and live cowbells combine to create a joyful mood that will undoubtedly take the dancers off into a new cosmos, heads down and hands up to the sky. a truly original 12- here and one that sees the shelter label heading off into a new and exciting direction for the future, essential house music.

earthhead ep is a unique compilation of eminent producers from st-petersburg (russia): dissident aka kontext, cyberworm, diagram aka abstract elements, and melotronics. with this release wow signal records presents a modern view on bass/electronic music, from future garage and dub techno to techstep and leftfield drum & bass. these genres are united by uniform deep sound of the planet s breath in our heads. we even release it on vinyl, intent on spreading the music that make us vibe with other bass lovers the world over.

yellow sunshine by the band of the same name is an essential proto-disco jam from back in 1973. a big one with the underground disco heads and b-boy dj s in the bronx alike this record is a sure-shot! often early hip-hop djs would buy 2 copies of this 45 or the lp and cut it up long enough for the crowd to get loose and into the groove. a party-rocker of the highest order. produced in philadelphia, originally released on kenny gamble s gamble label and featuring some heavyweight players including dexter wansel, roland chambers and more, yellow sunshine is the perfect blend of funk, rock & disco old school style. backed with don t tell me later girl a la the original 73 gamble records promo this one s an essential for anyone who digs that funk! there s always been poor imitations, but this 2017 repress is from the master tapes (yes, we can prove it) and is fully, 100% legit in every way. yellow sunshine now available again, released in conjunction with gamble / pir. back on the streets. same as it ever was! buy on sight!

hand-numbered clear mint vinyl 12inch in spray-painted sleeve limited to 200 copies (comes in different coloured sleeve, we cannot guarantee which one you will receive) conoley ospovat, having crossed paths with deep heads like pier bucci, pablo bolivar, and area, now turns up with a fully-realized ep for kimochi. solitude is a pulsing meditation, but with the rays of sunshine breaking throughout, its clear that if its alone, its not lonely. the springtime sounds are full of optimism as well as introspection. ambient house for the adventurous.

on their latest release, the magic movement presents a concept ep by luca musto, in which he reflects on the story of his provenance. dipped in blues and marinated in jazz, this release is a diverse journey in all the ways: once upon a grind kicks off with a reflection of his father s immigration from italy to germany. the strong groove of this moody gem reveals luca s roots in hip hop, making heads nod without any trouble. next up is parabel , a hypnotic slow-house jam, with rich textures and alluring vocals which tells of new adventures on the road. let me down opens the b side with dense soundscapes, sprinkled with dreamy synths and strings, while iorie closes the curtain with a dubby and stripped down remix of the track on b2. -be water he said, this state is tremendous.-

diego krause is next on blind box series with three originals and the usual blind box mix from the label heads.

kalabrese sagt: hört sich wie ein versteckter talking heads track an! ja, irgendwie schon. 80er leftfield pop mit der nuance einer modernen disco-produktion und einer dafür großartigen auswahl an remixern: the juan maclean, daniele baldelli & dj rocca, michael reinboth die wissen, wie man so einen track schmooven lässt.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. lee s final project for the score label is a bonafide underground gospel burner. originally released in 1989 it s a perfect look into his transition from the rougher edged funk, disco & boogie of his earlier efforts and shows his smooth transition into a more celestial and blessed musical output. again this one’s a real rarity and past due have secured this high quality, legit reissue for the heads.

inside out is a brand new series that invites djs and producers to blur the boundaries between traditional artist albums and mix compilations. coming from aus music label head and dj-kicks curator will saul, the concept encourages artists to showcase their own music and or the music of those in their own individual circles. the mix will be release digitally and on cd, while a selection of the tracks will also be available on double gatefold vinyl. each instalment will feature 100% new and unreleased music. it is a chance for artists to take sole creative charge, a&r as they see fit and then commission brand new music specifically for the cause. depending on who is at the helm, inside out will take different forms: producers may wish to represent their own sound with only music they have made themselves or with close collaborators, while djs and label heads may wish to reflect the sounds and scenes that surround them. the results will be a window into an artists world that works as a coherent mix, but also as a treasure trove of fresh new music that steps outside the usual lines of a dance album. the idea stems from will sauls own approach in the club, which often finds him seeking out brand new and unheard music to play for the first time. that feeling of taking people into the unknown is one that reminds him of the energy and excitement of his early days as a dancer.

known for a series of stunning releases for the likes of one records, earlydub and laate, yamen & eda are a france-based duo whose music regularly perks the ears of some of the scene s most respected names. their latest release arrives courtesy of their own recently launched label, maison mere - and is the sort of intriguing release that s sure to cement their reputation for polished grooves amongst discerning heads.

edmondson first came to my attention with his lobster theramin distributed release, flamingo tripper, on his own label lissoms. or so i thought. turns out he was actually a guy who used to serve me in one of my favourite pubs in newcastle. back in those days he was a dub step / drum and bass kid, and as per the trend with all of those guys, hes now showing the house heads how its done, with a much keener feel for sound design, groove and a better ear for a sample than 90% of us lazy people who cut our teeth on a 4/4 beat. edmondson (or sean as i did know him and how i know him once again) is really one of the most exciting producers out there right now for me, and i couldnt be happier that weve reconnected and hes kindly allowed me me me to present some of his amazing music. we have love is an instant classic, and psg is a work of pure emotive art. to remix we have love, ive enlisted dauwd (fresh from his amazing album on technicolour). sean suggested him, and i jumped on the suggestion as he was one of the first people i met when i moved to berlin 4 years ago, and ive been trying to figure out a way of working with him since. he takes a we have love down a kind of more delicate and steppy route. its very pretty, but also really makes you want to dance. to remix psg i asked asok. again, i thought i first met asok about 7 or 8 years ago, when he came and played for a party i used to throw in newcastle. after becoming good friends over the years, we got chatting and it turned out that we were both in magaluf in 1998, and may have actually been involved in the same street brawl. thats not something either of us are proud of, but its definitely food for thought. i’m biased, but i think his remix is my favourite thing he’s ever done, and i love everything he’s touched musically to date, so thats probably an even bigger endorsement than it first seems. his version is big.

the third (& final) instalment of dj deeon s unreleased and archival ep s is here! in the spirit of the previous 2 we ve asked the man to dig into his tapes for those rare and raw cuts that the make the heads salivate! kicking things off in fine style is deeon s take on of let it be house from 1997, included here is a longer, unreleased mix of this absolutely banging near-cover version of mike dunn s perennial chicago classic.