in 2010 the la based label halo cyan records re-released vladislav delay s sistol project. for this deluxe 2cd reissue various well known electronic musicians remixed the recordings from 1999. the whole project received enthusiastic reviews in pitchfork, resident advisor, etc. one of the remixers is mike huckaby, who transferred sistols track >keno< into an outstanding dubby detroit-house masterpiece. it was immediately clear that this track had to be released on vinyl. we are delighted to announce the collaboration between halo cyan and slics of life for mike huckabys s y n t h remix of keno. on the b-side, mike huckaby remixed a track originally produced in the same time period: poles >silberfisch< was released in 2000 on the highly acclaimed yellow album >3<, re-released by scape in 2008 as part of the 3-cd pole box. in 2011, mike huckaby keeps the dubby and slightly melancholic crackling atmosphere of the original, but his s y n t h remix is beams >silberfisch< straight onto the dancefloor, where it arrives as a driving deep techno track.

rockin tracks that will definitely do their damage again ! they delivered absolutely high class rockin tracks with their first release on afulab 16 outsider ep last year already, but spared no efforts to top it with this monster four track carnival ep.carnival for sure is a peak time monster that leaves no doubt to be bangin’ dancefloors around the globe pretty soon and is already working more than well with a very few selected djs. followed by the next great techno tune virus to fulfill the duty with power on the a side. side aa starts off to a bit darker territories with rauco and rounds it up with a nice remix treatment by collaborateur manel diaz!
we love and release on vinyl !

we are very happy and proud to announce yippiee?s fourth release. your dudes from hannover, filtertypen and benny ferkel just signed five great new tracks for the upcoming indoor season, but for sure they will work also just excellent for the last open air events as well. the yippiee004, as every release by yippiee, again is a hannover based production. yes, even if you didn?t know mario aureo, the only bird that has flown away and now has his nest in berlin is from hannover as well as chris lattner who was born near our wonderful homebase.with the ?all night long ep? mario tried to do a record with different tracks for every part of a long lasting night. the track ?under pressure? is a digital bonus, but the vinyl itself will show you yippiee?s and especially mario?s point of view for the night in a deep and groovy way.
played & supported by dubfire, solomun, butch, martin eyerer, re.you and many more.

you may have listened to fred de f productions with recent dance artists collaborations (adi-ermane - need each other, fred de f & luke jeferson - sankukai). new release cloud is still marked with fred de f touch and a distingtive radioactif musical flavor.
fred de f original version is progressive, ultra-bumping, inspired from spanish soundings. the version releases body-heat and energy. great track for dancefloors. tom donax composes an aerial remix and explores a different universe: breakbeat soundings, vocal inspired from the nineties and presence of pads break the rhythmic bringing the record a nice equilibrium. cool version for a home listening.

supported by carl craig, donato dozzy, ness, joel martin (quiet village), andrew grant, john daly, paul nazca, claudio fabrianesi, neel, cosmic metal mother, chembass,metrica, hector pizarro and more.
a very special vinyl that underlines the vision and the elasticity of the origin of this label. in this ep commodity place perfectly represent their sound, a new age psychedelic electronic sounds combined with live instruments played. distant atmospheres.
the remix of the title track is signed by the labels owner fabrizio lapiana. his version is perfectly good on the dancefloor to appreciate the atmosphere created by the original. engaging, happy and sad .. not heavy and with something resembling atmosphere coming from a part of the old school in detroit. a real journey into the sound!

following up the scorching debut release another night, deep&disco recordings sidesteps the sophomore slump with elisco, an infectious electro-funk groover that both cements the labels commitment to quality and expands their musical range.
a chunky nu-disco track with hints of metro area and a catchy vocal hook, the seeds of elisco were planted in the early 2000s when label founder jkriv and lou teti were sharing a loft space in williamsburg, brooklyn. after an afternoon of cowbells and synths, the skeleton of the track had its shape, and their other roomates girlfriend was enlisted to sing the hook. she had no singing experience (or rhythmic sense) to speak of, but somehow it all worked and elisco was born! although its always been a personal favorite of the producer duo, the song remained shelved for almost 7 years until they dusted it off in early 2011 and readied it for release on the newly minted deep&disco recordings.
providing remixes for the vinyl release are the legendary leftside wobble, who turns in an extended and bpm-d-up version quite true to the original, taking the machine vibes to the next level with added loops and fx. brightons alphabet city brings the disco-boogie sensibility to the package with a deep mix that features jkriv on live bass, and whiskey disco regular sleazy mcqueen rounds it out with an indie dance stomper.

paul loraine first appeared on bigger deer back in 2010 as a remix artist, tackling ryders >thursday night<. armed with a two track ep, paul returns!
the title track, >envy<, being one deep & dark stripped-back number - groove & grind house music! >once again< creates a blissed out, futuristic dub vibe. warm synth hits and vocals coming at you from every side.
plus two remixes of >envy< from soma heavyweight, funk d void and bigger deer boss, lewis ryder.

after successful releases on imprints like 8bit and brise, colognes own dualton & wollion team up again to deliver a banging, new york-house influenced 2-track ep on yellow tail. >the gap< and >the ledge< are packed with warm housegrooves, deep basslines and energetic strings. the skaters amongst you should know, where the tracks got their names from. on the remix-boards we got greek wonderboy alex celler (cecille). he gives >the gap< a more percussive twist, which makes his remix essential for every tech-house dj in the game.

highly limited sampler (300 copies) of the upcoming amsterdam all stars compilation. this 12 inch features an exclusive track from young marco (hand of god / hog recordings) which will no be on the full album.

fat bomb! citizen kain & phuture traxxare back on neverending with a banging original track and 2 massive remixes by secret cinema and da fresh!no repress, only 300 copies of this dancefloor bomb are available!

already played by karotte, joris voorn, f.e.x., gus gus, hot chip, estroe, secret cinema, p.toile, andre kronert and many more.
scopes next masterpiece on night drive music. the nerve centre is a quality deep grooving, body shaking house track. scope draws a lot of his inspiration from old school sounds originating in places like chicago, nyc and detroit. a huge slamming and nerve jacking remix comes from pol_on. this guys know how to rock and dip the groove in an never ending fire of drilling synths, loops and hunting rhythms.

october and john osborn are proud to present the inaugural 12inch on their newly minted bristol and berlin based house & techno label: tanstaafl records. tanstaafl is an acronym for there aint no such thing as a free lunch. we kick things off with john osborns debut release, epoch 4 backed with a darker, reduced, dub-influenced version. john based in berlin worked with october in his bristol based studio to create and produce some wonderful, raw, dirty analogue house music. both tracks were meticulously produced by herr osborn and recorded and engineered by october. laurie appleblims joined the studio session and he dove straight into the juno 60 and played the melody that finnishes the track off. tough floor business for your feet and mind, tried and tested around the world. a great start for this promising label.

fresh off the back of the relaunch record >interceptor<, by classics own luke solomon, comes the second release in the renewed campaign: >milk & cookies ep<. another slice of uber-cool-on-trend deep house music that shines with excellence and will no doubt bring a smile to music lovers faces across the world. four tracks all worthy of your time and devotion with an exclusive vinyl only track.

a few days ago james blake premiered a new track, a collaboration with bon iver called >fall creek boys choir<, and now its been announced that the track will be included in an upcoming ep from blake called enough thunder.
we now also know that the ep is due out october 10 on atlas and will feature blakes cover of joni mitchells >a case of you<, as well as four other new tracks from the electronic singer-songwriter wunderkind.

repress 2021 - kahn blazed his way in to the consciousness of the uk underground back in february this year with his debut release for punch drunk. his new 12 inch marks a return to the label, fully asserting his position at the forefront of bristols new generation of producers.
lead track >illy< lures you with its colourful immediacy, before torpedoing you headfirst in to a torrent of tumultuous bass and psychedelic riffing. flipside, tehran takes you a straight back to the old school of heavyweight subsonic steppers. immersive. stripped. deadly. powerful ammunition direct to the front of your record crate.

the new zooloft release >analysis of a nihilist who wants to become famous<, written by obtane and giorgio gigli, begins with a long techno track of horizontal, metaphysical and stratospheric connotations

out of an 8.8 earthquake, riots and severe illness comes one of the most joyful records of the year. brian gibbs aka echo park has had a colourful life to say the least, living and making music in l.a., tokyo, madrid, mexico city and now santiago, chile where he lives with his young family. previously a producer of dark hip hop and dub, a series of disasters made him confront mortality and decide it was time to make the music that is closest to his heart: luscious, sunshine-infused electro-funk full of laid back attitude and real songs. skream has always been a lover of disco, boogie and electro – as anyone who has heard one of his specialist sets or his slick n sleazy remix of chromeo will know. it took just one hearing of brians first echo park tracks via a mutual friend to snap them up for disfigured dubz. in fact he has chosen echo park for the first full album on the label… but first comes this killer single, a shmoooove bit of vocoder funk that sets the tone for echo parks twin obsessions with technology and romance. bundled with it are a gutbusting ravemonster of a rework by 12th planet & flinch that somehow still keeps the soul of the track intact, and jon convex taking it way underground with a deeper-than-deep analogue techno version. there is something for everyone here and this is just the beginning.

we are very happy to welcome aboard pickpocket!
after releasing the incredible >abah dabah dis< on ppflimited last year, yse returns with a full ep of amazing tracks!
kicking off with slow joe, a beautfully crafted european disco number, which has made a big impact with the balearic contingent lucky enough to have gotten a promo.
on the flip harmonious discord marries a super catchy vocal refrain with some sumptuous mid-tempo house, a delightfully blissed out sunset track if ever we heard one!
finally alpha omega is a massive reggae rewire - the kind of seriously bumping party wrecker mr scruff would be proud of!
300 copies limited edition - vinyl only!

chris duckenfield has done more than a few laps around the acid house track producing and djing since the late 80s, and achieving success through numerous music projects, rac on warp, as swag with richard brown through the 90s and more recently with his popular peoples front & duckbeats aliases. >i really do believe< joyously straddles the disco & house worlds, a rollicking metalic riff, soaring etta james vocal samples, a healthy dose of acid and a serious low end - constructed for sweaty basements & causing a major stir with a few choice drops at the recent electric elephant festival in croatia. new and super talented producer chicagodamn provides a superb remix on the flip, taking the key elements of the original to a strobe-lit warehouse destination in fine style!

again monkey safari comes with an ear candy three track ep!

frenchman julian jeweils second ep on richie hawtins plus 8 label is sure to confirm jeweils status as one of technos most reliable talents. the four track ep encompasses everything jeweil has honed in his ten year plus career – tough sounds, high energy and a fusion of electro and minimal that hypnotises as much as moves you. thus far it has come on labels like cocoon and skryptöm records, whilst at the same time jeweil (real name julien bérard) has been busy playing underground parties all across his homeland.

black tokyo sessions 2 leads off with legendary other half of lfo gez varley the g-mann remixes the aux 88 classic shadow dancing. g-mann mix is a certified club banger with nonstop effects over the pulsating basic channel type string layered with those ohhhh so beautiful detroit strings.
track 2 side a gives us a taste of japan via andrez bergan. he gives us electronic underground. his beats add a more glitchy minimal style to aux 88 familiar electro side. side two electronic cinema remix and original mix scotlandís own arne weinberg gives us a taste of his moody side mix which is very hi classed cafe style mix.
aux 88 gives its fans yet another treat the original mix previously not available on vinyl!

having once said that daily life as well as adventurous trips across the globe were the source of her inspiration when making music, its obvious which recent event in the world of anja schneider formed the basis of her new ep on mobilee records. whilst she takes a well earned pause and enjoys a very new lease of life, >hello boy!< will hit the stores in october. for this release, she joined lee jones in the studio to make something with a twist. with a strong anja schneider flavour, title track >hello boy!< cleaverly transposes a real sense of excitement and waiting on to the dance floor, with soft mysterious chords and a steady build that works itself into a drop. >rio bravo< offers a relief with more of an airy head-spinning feel and >let me out< … well, its done now ,)

after two buzzing releases, senzen is quickly getting recognition it deserves. but third time is the charm, right? well, at least in this case. senzen 3 title track, >gonna b<, is based on studio sessions of label boss benno blome together with his long time friend armin engel, who has worked on projects with fela kutis band rhythm taxi & jimi tenor, and had a show on jazzradio berlin for years. the track itself has influences from both producers. tech house meets jazz, what a fascinating concept! freestyle drumming, keyboard jams and effects tied together, creating an original approach to club music. remixers of >gonna b<, marcin czubala (mobilee) and jin choi (contexterrior, private gold, archipel), are two of the hottest producers at the moment. after his excellent streak of releases on mobilee, marcin makes an outstanding debut on senzen and delivers a deeply rooted house remix concentrating on tiny tweaks and variations while carrying them solidly throughout the track. jin, on the other hand, doesn’t let functionality stand in the spotlight of his remix. his music is supposed to touch emotionally and to move the head and the body - and believe me, it does!

as much as track names end up being slightly more than tags and guidelines for searches in the digital era of music in which we live today, the name of the title track says a lot about the intentions behind the artwork. in the case of >the classic age<, it can be considered a homage to the influences that nourished rotcivs career throughout the past years.

the 12 inch is an 4 track - extract taken from her full album on desolat. it kicks off with compelling minimal house vibes of >fail better<, >mine has a shower< is a wink to the adopted spaces and unlikely comrades of an island dedicated to music, >triptease< veers slightly closer to a boompty house pattern and >maria, luise and bert< bolster the record with relaxed dancefloor vibes

on their last album franz and jakob aka format b were to be found covered in soot and coal, firing up the engines of the dance locomotive, now they have gone greener and swapped over to wind power and are fishing the >restless< oceans of the world. tirelessly the two sailors work on the deck disregarding the cold and the weather, pulling in the nets filled with floundering hits. this time they have spiced up the bait with the amazing voice of fran on >liquid< who turns into a working class siren and manages to rock the boat properly with track 2. keeping with the maritime theme the boys have used a harmonica on >socks and sandals< and a piano on >piano man<. classic format b can be found on >atomizer< and >oversexed< … kicking man high bass beats to thrill the four quarter beat fans, and >biker meth< is going to keep you dancing till noon (at least). even with the pressures of jet setting, label management, party organisation, building a studio, and the romantic needs of their girlfriends they have still managed to finish their first formatik album to their complete satisfaction and are extremely proud to present the first artist album on formatik records. ahoi and enjoy people!

recorded in the immediate aftermath of his last ep >passed me by<, this new doublepack from andy stott features six new productions that are more desolate and exposed than anything on its predecessor. the opening >submission< tumbles into being with layers of washed-out digital revolutions, creating an artificial landscape thats quite at odds with the analogue machinations that follow - yet somehow rendering the alienated feel of this material perfectly. >posers< nudges its way into being abruptly and embeds another squashed funk variant thas all low-lit neon and growling textures, awkwardly shuffling into a more robust 4/4 template suffused with sparkling percussion and disembodied vocals. >bad wires< is the centrepiece of the ep, a relentless percussive cluster*ck that belies its slow tempo with a fearless rhythmic attitude. its as immersive and narcotic as anything ever produced by stott - peeling away one layer after another with each repeated listen. >we stay together< (part one) was the first track written for the ep and offers a more spacious narrative and a more sparkling, hazy palette - culminating in a beautifully frayed central hook thats somehow in keeping with the vhs aesthetic of both jamal moss and ferris bueller. >cherry eye< tumbles deep into a darkened hole before ep closer >cracked< turns up, fuelled by an odd mixture of adrenalin and sorrow to send you on your way.... buzzing and forlorn

debut 12 inch on portlands 2510 records. an upbeat, anthemic house track with a big, ballsy male vocal and some dfa-styled beats. zac eno (future legends crew) does a remix along with two seriously deep classic chicago house styled remixes from emotion 2 emotion

daniel solar is one half of dikso, the excellent edits imprint responsible for many a disco-rinsed dancefloor burner over the last year. the hannover native is also one of berlins emergent talents, a dj, producer, label owner and a&r intent on bridging the gap between disco and dance music, while coaxing the techno-loving citys tastes a little further off the beaten track.
as a child of the early 80s, daniel was strongly influenced by synth pop and dance music, before rap and hip hop caught his imagination and inspired his first forays into production. once he had finished school, daniel became more and more and intrigued with house and techno, clubs and raves, and his studio style expanded to take in electro, techno, and deep house until we arrive at today and his latest release: too much light ep.

following on from last years dachshund skank ep by klic & article.01, we have asked some of our favourite producers of the moment to add their own slant to the originals which previously found their way into the dj sets of martyn and addison groove and gained support from bbc6 music. greymatter continues with his new love for chicago-styled synth and drum machine work-outs with his jacking take on forwards, while pixelord and the hotly tipped gerry read take the track mustard tiger in two very different directions on the flip. the digital release sees the talented new boy blacksmif and hit and hope regular naive machine add their respective twists to round off the release.

following their first release, which featured four brand new artists, the guys over at disconnected are back with dscntd 002.
this time its a full ep from chocky, which features a remix from brooklyns krts. the dscntd releases resist the modern addiction to genre pigeon-holing, instead they focus on pushing a variety of interesting and emotive sounds. this five track ep captures the rich and varied musical inspirations of the mysterious man simply know as chocky. first up is >down with idris<, a beautifully, blissed-out slice of electronica. krts supplies a dusty, broken remix with a deep, creeping progression, these two versions really compliment each other. on the flip you will find the jazzy >can i mither you<, suspenseful but really groovy house music. finishing the whole thing off is the deep as you like >frizzy fuzz<, lovely drums and synths, pure atmosphere. and keep an ear out for chockys interlude/dj tool >ripp off<, it pays homage to his love of sampling...
300 single pressed, hand stamped & individually numbered records.

white rabbits giovanni damico is a house producer from italy. his style is hard to define as all tracks have their own original concept. it is the love for music that you can instantly hear in giovannis perception of house music. house music is dancemusic and the feel in the drums and use of samples make sure of that. this is house music at his best when listened to this 3 track vinyl. be amazed at the subtle crossover between blues and house on the b2 track.

early support : laurent garnier, funk d’void, miguel migs, jimpster, danny krivit, lovebirds, matthias voigt, phil weeks, lee curtiss, grant nelson, nick holder, luke solomon, rob mello, roberto rodriguez, jef k ... the title track life live is a gorgeous deep house number, in pure shur-i-kan tradition. you can really hear toms amazing keyboard skills and great musical legacy. lastly, we have one10, a slower track with a balearic feel to round up what we think is one of the best record we heard so far this year.

new artist to the jamal moss camp brings three original tracks to the label influenced by chicago classic house, cinematic soundscapes, and detroit tech. on the flip, marcello napoletanos ifm project drops a fresh remix to the title track. another great ep on the mathematics imprint.

superdisko 06 enters the late summer with a melodic house smasher from viennese underground stars smacs and patrick kong, it is the first vinyl release of smacs and patrick kong on the superdisko label, 2008 they opened the catalogue with their great >sender/ receiver< digital release, now they are back with >innocence< in a dirty mood! superdisko label boss tobias oliver comes with a fat remix of >innocence< in a driving techno style with analogue chords and pads and brings the track into a sunny 90ies feeling....

next up in the sofrito super singles series is the highlife underground ep – celebrating the bassline heavy sound of 80s highlife.
on the a-side we have teamed up with new london producer drumtalk for a remix of ghanas mpese mpese band. initially released in 1986 the original track was an extended medley – the remix balances the swing of the original with heavy bass and chopped chords, bringing the track up to date while respecting the vibe of the original – an intense example of futuristic highlife that bridges the gap between hackney and accra.
the flip sees the sofrito crew present a killer groove courtesy of the canadoes dance band, originally released on the rogers all stars label in 1982. a minor key intro drops into bouncing drums, handclaps and a bubbling bassline that build and build into a deep and unrelenting groove…

biscuit factory presents the dismantle ep! dismantle is a young producer from brighton who had been causing quite a stir in the dubstep scene with his refreshing new twist. also signed by wheel & deal, dismantle brings a quality e.p. to the biscuit. hailed by the likes of skream, benga, n-type, walsh, chef and hatcha, dismantle is one to look out for. this 3 track release includes the club anthem >clone< and 2 brand new tracks >last line< and >get on it< on the flip.

als ersten vorgeschmack auf das 2012 erscheinende john cale album veröffentlicht domino am 16. september eine 5-track ep auf 12 inch. neben kooperationen mit ua. the stooges, brian eno, patti smith ist er vor allem als gründungsmitglied von the velvet underground bekannt geworden. die neue ep überzeugt mit seinen leicht verschrobenen, federnden, beats über knalligen gittarrenlines, unterlegt von seiner charmanten stimme und seinen intelligenten texten und steigert definitiv die spannung auf cales neues album auf domino!
inklusive code für freien digitalen download der ep.

limited 1st run on marbled grey vinyl !3rd in this superb deep techno series, support from: sandwell district, scratcha dva, sigha, james ruskin, mark broom, claude young, steven tang, billy nasty, delta funktionen, miles sagnia, morphosis, ben sims, commix, jerome sydenham, regis, shifted, function etc... surface return with the third in its beneath the surface series, following on from the extremely well received between worlds release. journeys to the deep volume 2. is an important and personal record to nick and the surface camp in general, paying tribute to family elder jessica dunton and her influence on nick and his families lives, and her long fight to continue living against the odds! facing the heavens- sees nick take on his much lauded ever vivid moniker delivering an extremely fitting tribute that somehow blurs the boundaries between the early classic emotive sounds of 90s uk techno, house and 70s funk.. cutting synth lines drenched in soul develop throughout the track taking us on a deep yet strangely uplifting journey, the chord sequence beautifully maintains the mood, but for us at the office its all about the detail, piercing moog leads, emotive strings and rhodes, all driving along at pace on top of a reese type melodic bassline and rolling 808 drums. this is as comfortable in a club as it is at home. timeless in its approach, with a purist touch. on the flip nick duntons >leaving the planet< is an altogether different beast.. beautifully produced and super deep, this is the classic dunton sound of late, harmonic drifts and carl craig 69 era strings morph between lush sustained textures, that somehow float above the powerful pulsing bass, that imitates a heartbeat and really gives this track a haunting feeling that when coupled with the hypnotic phasing drums, and fluttering reverberating stabs make it is as deep as the sea, yet beautifully bass heavy. this is nick taking his wide screen cinematic sound and stripping it bare whilst losing none of the evocative touches that have made his recent music so affecting

marcel fengler launches his own label – imf (index marcel fengler) with a rich, experimental and varied 3 track ep. through his numerous releases for ostgut ton and mote- evolver, or remixes for artists like skudge or perc, fengler has built his own distinct modern techno sound. introducing the ep , setting the tone and announcing its intentions, >knavish< is a thick, textural and spacious piece of sound design that careers across the audio spectrum with stunning fluidity. like a seductive opening chapter, it draws us in, yet leaves much for our burning curiosity to discover. moving on further off-centre, the churning ten minute adventure of >hidden empire< begins its rumbling ascent in the paranoid depths of fenglers more subversive electronic language. fusing the attitude of punk with the metallic ring of industry, its lively synth play and heavy forward stomp make this a challenging and indeed rewarding find. featured on his new >berghain 05< mix, >sphinx< takes a straighter path into the kind of sensory techno that marcel is well known for presenting on the berghain floor. funky, playfully aggressive, heavily defined and certainly cosmic, a concerto of outer-space tones, static and filtered waves join the racing percussion in tense unison

poisson chat musique (pcm) is a new berlin based record label which focuses on the deep sides of electronic music. the first release, une nuit américaine (pcm01), is a six-tracks ep (which includes two interludes and an ambient track) from label owner and newcomer poisson chat. in a mental theatre, you are invited to watch on the screen underwater love stories and woody nightshade memories, from nocturnal melancholy to desert landscapes. its up to you to take the road and feel these sensations during some special late-night reveries. mastered by lupo at dubplates & mastering

borrowed language returns with their third installment of genre agnostic electronics. following the explosive release of unltd & israel vines >distance no object< ep (featured in millie & andreas superb lwe podcast, and charted by the likes of dj pete & grovskopa) was no easy feat, but jeff pietro proves to be more than up to the task with this brilliant 2-track 10 inch. as with earlier releases on borrowed language, this effort exemplifies the continuing refinement of the labels aesthetic. while some influences are clearly detectable, this is not just cannon fodder, there is enough attention to detail and panache on display here to distinguish pietros take on techno/bass music from his peers. the results are polished, but not without sharp edges, brutal, but elegant, functional, but not faceless.

chicago legend robert owens teams up with tevo howard!?! words from tevo: >i had the opportunity to correspond with the great robert owens some time last year, and we were able to shed light on a project together. i cannot tell how much of an honor it is to work with such a great predecessor, and to continue the tradition of the celebration of chicago house music. here, we have featured 2 moody original versions, and 2 exciting remixes. together they comprise a 4 track single. robert and i hope that youll join this celebration.< t.h.

powerplay from: iron curtis, quarion, dplay, jazzmina, oliver goldt, tristen …. and your mum! when leaves are falling down its always time for some heart-warming music. so we here at frank music decided to do another special 12inch this year. our good friend monosoul made this handsome house-track called >ignore the traffic lights< that we just love so much it gets a singlesided limited release. we are sure you know the feeling when riding your bike, cruisin your city at night: damn those traffic lights! well, be careful when crossing the street, though.... a real warehouse smash for sure and who needs b-sides anyways.

two track ep from unknown source by and the artists formerly known as 19.454.18.5.25.5.18! fond of rae is a crazy monotone techno track as we havent heard before. so freaking hypnotic that you think you hear sounds and changes which are not there... or maybe they actually are!? relentless and banging with no mercy! skudge turns it into speed bomb and gets it functioning for most techno floors with their effective and classy remix style. limited release

reform returns with an ultraphat pumpin detroit techno 4 track monster

erste folge der neuen friedman & liebezeit-remix-serie >secret rhythms+<! der aus der uk-dubstep-szene kommende sam shackleton präsentiert seine interpretation von >255-7< aus dem neuen album von burnt friedman und jaki liebezeit, während rashad becker aus berlin einen großartig-dubbigen remix von >the stick<, einem track aus dem 2005er-album >secret rhythms 2<, abgeliefert hat.