fina records welcome jad & the for a new ep that shows off the australian-born, berlin-based producer’s majestically melodic house sound. a special dub from 6th borough project makes this another essential release. before now jad & the has served up tracks of the year (‘strings that never win’ - mixmag 2017), fronted four piece live act mitzi—who played alongside the likes of nile rodgers—and also produced as jad & the ladyboy, all the while picking up fans like moxie and bradley zero. sonar kollektiv and toy tonics have put out his charming sounds before and this new one is another joyous offering. the feel good ‘2 getha (4 eva mix)’ kicks things of with old school drum breaks and loved-up vocals. big smeared pads, a new age melody and classic bassline line finish it off and carry you away to summery house heaven. ‘twist club’ then drops into lush deep house with a long legged bassline tumbling beneath organic drums. it’s a dreamy and romantic cut before ‘disco hold down’ has live sounding jazz drums, choppy vocals and rough edges that take you to the heart of a vibe-fulled basement party. delusions of grandeur’s 6th borough project serve up a dub that’s more stripped back and built on a big rubber bassline. jacking drums and a more rapturous vocal make it a truly steamy jam.

atr is a one of a kind reggae collective based in parkside brooklyn. founded by scrillamatic and kg, at their core they are just group of friends who hang out in the park and sing, all day. the routine is simple, they meet up at their favorite hangout spot on the side of a lake, play beats off of a beat up but loud stereo, and belt out lyrics out into the air. sometimes a crowd gathers but it’s usually just a few like minded artists sharing their love for music. natives of the west indies, but coming of age in brooklyn, they have a very unique perspective on life and the world we live in. with subject matters varying from traditional roots medleys, smoked out ganja anthems to gangsta badman chants to heartfelt soulful ballads telling tales of the ghetto and more, they have a lot to say.

just in time for ade, we are more than happy to present a new release by one of our main protagonists since our renaissance. lehar has made a fascinating career in only two years, he is a key member in our label family as well as diynamic and plays gigs around the world. his -white diary ep“ is his most unique release so far, with two original tracks by him and two dub versions by uk house legend charles webster. -the cave- is a very touching track which again shows lehar’s love for deep but popish moments in his music. again, he has teamed up with l.a. singer rush midnight, who already lent his voice to -number one hero“, which was released earlier this year on the diynamic sub-imprint 2diy4. an instrumental version is also available in the digital package. the title track -the white diary“ is a demanding and hypnotic builder, which was already played often by solomun during the summer. this is a next level lehar track, signature sound structure combined with a highly effective arrangement. a winner for many situations. charles webster has been a favourite of the connaisseur label heads alex flitsch and martin henkel for ages. requesting a remix by him has been on the connaisseur bucket list since day one. he gave -the cave“ two different dub treatments, one better than the other. his -dub the first“ already takes the original one foor deeper, making it very timeless and hypnotic. his -dub the second“ takes it even deeper and is adding a proper portion of trippiness. music for the guardians of the real stuff!

office 04 circles in memories: the record is about johannes * iron curtis* palukas time at karl-marx-straße berlin where he used to live next door to label head baaz and graphic designer chris fladung. a1 track * magnet* is an ecstatic piece of house music holding all elements ics production is esteemed and loved for : heavy, unrelenting kicks, rolling bass lines, shimmering pads, topped with searing hot yet gamelan-like synts and an icing of slightly loose, detuned organ stabs predesting grand emotions on any dance floor. * what happened happened* surely marks up as another proof of curtis fearless takes on house music: distorted field recordings and blurred spoken words, a web of gossamer melodies and subtle clicks and cuts, all cohered by the louche bassline and the reshuffled groove in a true dilla-ish vein. adapting elements to their own agenda, clandestine groove explorers berg turn * what happened* into a true midnight roller: razor-sharp hihitas join forces with a steam-maschine like percussion, whipping relentlessly in-between kick drum and kick drum. berg cools off their take with prancing melody motifs and strung out pads of the original track, though never loosing focus of the * reductions* aim: keep the dancer dancing.

official remastered reissue of the 1982 original recording licensed from expanded music srl italy of the legendary italian group founded in 1977 with a punk rock / new wave attitude that in the early 80s turned into a more electronic / dance mood and delivered some of the greatest tracks of the golden 80s age!

ltd repress, whoever knows of toi toi musik will know they have become synonymous with underground quality and for keeping things close and personal for their events and agency. well, with their new label its no different they stay very true to their identity (a good mix of english and german) and their quality. the 1st ep is produced by the legendary mr g. inspired after playing live at one of their events he wrote the track toi toi, which was later released on djulzs bassculture label. as a consequence, his relationship with the couple is so personal he nurtured them to open their own label and offered them 3 tracks for tt01 called much love ep. the 4th track is a remix by hello? repeat co-owner daze maxim, who has been a guest resident for the party for nearly its entire existence.

accompany the reissue of woo s into the heart of love, emotional rescue is releasing a limited 7inch featuring songs not included on the vinyl pressing, plus a previously unreleased version of the beautiful title song, which only appeared in later form on their cd only, la luna album. with the original into the heart of love album only appearing as a 60 minute cassette-only release, several of the albums songs could not make the first time vinyl issue from emotional rescue. therefore, this limited edition 7inch includes two of those ommited songs. the wistful english folk duet between mark ives and sue amor on make me tea and it s sibling on the album, a little long way. possibly woo s most straight forward folk song, make me tea is as the title imagines a very particular english poem. recording as a duet between two late night lovers, awaking from post-love making slumber to find peace and with it, a nice, perfect cup of tea. however, it is the inclusion of the unreleased version of the title song, magic in the dark that is worth the admission price alone. taken from the cd only album, la luna, the original s short and gentle story of late night love is presented here in it s alternate demo form. a different vantage point is shown in revelation and then exhaltation. the sadder start expands in to a beautiful and wonderus folk celebration. mark s vocals and guitar are later joined by gentle rhythmic percussion from brother clive, before clarinets duet to a yearning finale. woo once again showing their unique mix of folk and new age electronics. a one off to cherish.

this november sees the launch of manchester based imprint music is love records, kicking things off with a four-track release of sublime house cuts in the form of back in the dayz by dutch duo new jack city.

pascal pinkert aka dollkraut is a unique specimen in todays world of clean and sterile music production. the dutch producer is best described as an analogue sound wizard with a golden touch for pop moments. his music often sounds like a past that was more beautiful, more broken and more glimmering than it actually was. dollkraut dares to sound like no one else, cinematic and glamorous, rough and haunting. his tracks are driven by a deep love for old lo-fi fuelled recordings,70s space age synths and john barry or ennio morricone fuzziness galore.

downwards sidestep expectations again with this glorious limited 10inch vinyl release from tropic of cancer. two beautifully dark compositions that remind slightly of angelo badalamenti in >twin peaks< mode, or maybe reservoir dogs, if it had been filmed with a huge cavern as the soundstage. processed guitar and drones wash swampily over a simple drumbox beat, as eerie snatches of melody float in and out. as badalamenti himself said of his own work, >my (musical) world is a little bit dark... a little bit off-center. i think of it as tragically beautiful. that is how i would describe what i love best: tragically beautiful.< seems to sum this release up quite nicely too...

the third release of the new label >lets get lost< which was started by mule musiq and force of natures kza. this third release is by uk producer extrodinaire leo zeros remix of the uks florence & the machine. this leo zero remix was released on only cd single and itunes in 2009. when i received this remix from the agent of leo zero i fell in love with it immediately. it was one of the biggest tracks for me in the last year but was never released on vinyl. leo zero reconstructed the aesthetic alternative rock (like a pumping cocteau twins!?) to very emotional house music. its simply good music and not only for the dance floor. greg wilson has edited it into a semi instrumental version which has never been released on any format. this release is official bootleg for limited press! dont miss it!!

aux-rec is being launched by airdrop records as an offshoot label designed with a specific mission in mind: to look back and pay tribute. aux-rec surveys musical history looking for those inspiring pieces of music (famous or forgotten) that carry a very distinctive groove and identity, and that offer the potential to be revisited in an ingenious contemporary way. at airdrop, we love music of all ages and of many genres! we feel aux-rec is a way for our artists and for us to pay our due respects to the origins and the evolution of contemporary dance music.
the existing airdrop roster of artists will be invited to contribute to aux-rec, but different artists will also be uncovered specifically for this project. off to a fresh start, franco cinelli and club rayo (a duo composed by rafael sorol and pablo terreil) engrave their long-time friendship on this record. franco cinellis first productions were released on the duos imprint club rayo disquets at the beginning of the millenium. the club rayo collective has been extremely active in the local argentinean scene for more than twelve years now.
going back to one of music historys greatest classics, >fever<, franco cinelli and club rayo bring their own interpretations to a theme that has known as many versions than people taking a sing at it in the shower! using ella fitzgeralds and elvis presleys voices, club rayo create repsectively the fitzgerald mix - a rocking dancefloor jam looping ellas fantastic voice bringing it to a culmination - and the king dub - a 118 bpm groove punctuated by elvis low-pitched and resonant tone. cuerdas is a short guitar instrumantal rendition of the fever theme. on his remix, franco cinelli creates a 10 minutes drum symphony, especially designed for the post-climatic hours. both producers kept in mind ellas famous quote when undertaking this great enterprise: >i stole everything i ever heard, but mostly i stole from the horns.<
the following releases on aux-rec will also be in the form of bootlegs, edits, re-works or samples (you name it). they will bring back memories to your heads and mostly the groove to your feet. to be true to its mission of a vintage exploration, aux-rec will be releasing exclusively on vinyl, in the tradition of the essential music format of the 20th century. there will be no digital releases at aux-rec. in the pipeline are soul claps edit of laid backs >bakerman< as well as le loups version of sheila es >a love bizarre<, produced by prince.
also played and supported by agnes, butane, ripperton...

downwards sidestep expectations again with this glorious limited 10inch vinyl release from tropic of cancer. two beautifully dark compositions that remind slightly of angelo badalamenti in >twin peaks< mode, or maybe reservoir dogs, if it had been filmed with a huge cavern as the soundstage. processed guitar and drones wash swampily over a simple drumbox beat, as eerie snatches of melody float in and out. as badalamenti himself said of his own work, >my (musical) world is a little bit dark... a little bit off-center. i think of it as tragically beautiful. that is how i would describe what i love best: tragically beautiful.< seems to sum this release up quite nicely too...

kyle hall graces us with another jazzy off kilter ear catching release, except this time hes not alone. kyle and four other young midwest musicians come together as bsmnt city anymle kontrol for the title track the perfekt sin, a real soul hitter. one of them is dorian fiddler son of heavy weight detroit producer amp fiddler, letting loose on live drums at age 17. love kontrol is an emotion steering eccentric groover thats sure to excite the senses with its elegant uplifting melodies. oatn out is a rhythm challenging avant garde dusty retarded joint that is a must listen to for the people who enjoy breaking the tempo and arent afraid to throw your average 4 on floor pocket out the window.

round 6 for quintessentials and a new talent, knarf skipson! a house lover and dj for ages, knarf shows on his solo debut his definition of house music, damn hot house music we think! together with his buddy baaz, he already released on such acclaimed labels as deep vibes and sthlm audio. his brandnew >the flatwik< ep offers 4 great cuts of proper house music with sexy basslines and cool vocals - and a collaboration with baaz again! we will house you!

deluxe 2 cd digipack , inside out paper and embossed typo finish within electronic music sven vŠth represents more than a single style. sven embodies the music as a whole, he cherishes every facet of techno and house. vŠth has experienced the music as it emerged in the mid-eighties. from this moment on, he has helped to shape it year after year. vŠth produced seminal music, his labels created and create its very own unmistakable brand of music, he ran a club and several booking agencies. cocoon is a global identification mark for high quality parties and festivals. those are major achievements, but they are overshadowed by vŠth djing abilities. like no one else, vŠth manages to capture the current figuration of our beloved electronic dance music in its entirety and melds it into a single, stirring story

wowser, what a stunning double feature we have here in our hands today! to all our ibiza amigos and chicas: cocoon recordings presents an unbelievable package just in time for the peak of this years ibiza season. please welcome sonja moonear and one of the greatest house and techno producers of all time, mister carl craig! and what a package this isÉ full of love, soul and electronic dance music highlights. carl craig is in charge for cd1 of our official 2016 ibiza release. the detroits 90s techno wunderkind and the mastermind behind some of the biggest house and techno records ever made leaves us almost speechless with his amazing selection and mix. of course we didnt expect anything

next armada trance classix compilation incl atb 9pm til i come, rank 1 - airwave, age of love, pvd for an angel ! and many more - trancer must have !

official soundtrack from the series peaky blinders on triple vinyl in gatefold sleeve.

zappa original motion picture soundtrack as limited edition 180 gram 5x12 inch vinyl box.

ltd. edition 3x12 vinyl + poster comes presented in ultradeluxe triple jacket in a one-off truly limited edition of 400 copies lacquered pressed on 180 gr. high quality solid black vinyl.

contemporary house merged with space-age jazz & broken beat from copenhagen newcomer nejrup on debut release manda backed by a uniquely off-kilter remix from london soul stalwart k15 (eglo / wild oats) manda is a selection of intricate compositions for the dancefloor with a jazz centered approach to combining dance grooves with modular soundscapes & live instrumentation. for nejrup, a self-learned synthhacker, pianist and producer from copenhagen, his debut manda is a result of years of experimentation and never-ending practice and noodling on his fender rhodes & homebuilt synth collection. delivering a compositional complexity influenced by radiohead and floating points, while letting his tunes simmer with airy synths and improvised live instrumentation combined with a love for depthful harmonies. k15 backs the release with a soothing, heavily syncopated remix, as only he could do it. the londoner, whose soulful touch and ear for melody has earned him high status in the jazz encompassing house- and broken beat circuit, through kyle hall’s ‘wild oats’ and alexander nut’s ‘eglo records’ and as center of the culross close outfit.

up next on hot creations is intrepid spaniard dennis cruz. the award winning dj and producer drops some heavy hitting dance-floor dynamite this june, enlisting the production expertise of new yorks joeski for the remix. title track freaks is deep and driving, with its almost slurred vocal, its perfect for those 4am vibes when the freaks come out to play. mother f..cker utilises heavier percussion set off by a pounding bass. the joeski rework of freaks adds a dash of prominent high-hats with the producer softening that unmistakable bass-line. dennis explains this ep is the style of music that i love to play and produce. it s what i feel more comfortable with and what i think defines my sound. dennis cruz has been firmly implanted in the music scene from a young age. he got his first taste for playing music at the age of 17. since then hes gone on to produce tracks for prominent labels such as moon harbour, solid grooves, snatch! and nervous records. his records have been championed by some of the industrys hottest djs from jamie jones to loco dice, and nic fanciulli to marco carola

sound warrior records founded by jenifa mayanja & dakini 9 aims to balance the playing field for female producers and exclusively release their music. sw006 warrior formulation is rooted in soul-stirring house with its heart arching towards the future. lady fingers returns with an engrossing slice of dub house. the north carolina artist/dj was recently a featured dj at moog fest. jenifa mayanja bumako records, shows up with a broken ambient house break. on the flip side sound warrior teams with well known berlin underground heroines mint berlin the female only booking agency. representing mint berlin is co-founder ena lind who has been pushing boundaries in the electronic music scene in berlin for over a decade. lady blacktronika comes with a soul house soaker. she has made quite a splash with her labels sound black and sound keymstry in the process earning the title first lady of beatdown.

2018 reissue / smooth and sensual disco cuts. rebellious lover of an ageless disco, l’impératrice returns from a long journey. with her rhythmic voice and soft, wave-like, inflections, she has come back to tell us the tale of a sonata. in a sensual and continuous glide, the sonate pacifique ep offers a smooth transition from the first tracks, candid and young, towards more cinematographic grounds.

the next collaborative release between freeride millenium and pauls musique is a terrific two-tracker from manchester artist joseph louis harland manning under his new alias los angeles with the 7? vinyl release artwork designed by daniel rajcsanyi as part of his ‘baby exhibition in austria. joseph louis harland manning was the drummer of the band wu lyf and is involved in projects like los porcos, the mancunian boyband menage a trois and dream lovers. under his other aliases he released on aficionado, cracki, ocean records and is it balearic? sub label u?ber as well as having made music videos for molly nilsson. here he is fine form across a pair of delicate and moving synth tracks. opener ‘lamour is a gentle cut that starts with celestial chords and wide-open expanses of synth before a buried deep groove slowly comes to the fore. breathy vocals also add to the loved-up, dreamy feel and the whole thing carries you away in a majestic reverie that shifts from ambience to new age house. the track features the artists own field recordings from the streets of berlin, twisting up sounds from the sidewalk into percussive notes that give an organic feel. the perfectly soothing second offering is ‘i wanna go to heaven is a gorgeous synth piece that suspends you in a crystal clear blue sky on a warm summers day. chords are smeared and stretched whilst angelic, wordless vocals drift by. it is the sound of a blissful passage to the afterlife and will leave you feeling cleansed.

as one of fuse s original residents, rich nxt played a major part in the brand s evolution, helping take it from that sunday morning afters to being one of the most respected event brands and labels on the planet ever since the age of 10, rich nxt has been involved in creating his own music. thanks to his early training as both a drummer and keyboardist, nxt has an inherent musicianship fully apparent in his sound and style of production. taking influence from the london rave scene of the early 90s spanning drum n bass and jungle and later the minimal and tech-house scenes of europe, nxt s output found a platform on the now world-class fuse london label (launched in 2011). a core artist for the label, with five solo eps and a collaboration alongside seb zito, rich nxt has been integral to fuse s trademark sound with his debut ep bristle and quixotic ep two of the labels defining moments. nxt and zito s chemistry in the studio is clear with a further two collaborations on fuse sister label infuse. alongside his own productions, nxt s remix catalogue includes seb zito s never with enzo siragusa and his original breakthrough remix of jon maker s seeker , which was championed by tini and many other leading djs in the minimal house scene. by the end of 2016, a residency at amnesia ibiza with hyte x fuse alongside dates at off week in barcelona and several stand out events on fuse s 8th birthday tour including an epic after hours set at berlin s hoppetosse proved nxt is on top of his game. nxt also launched his own imprint nxt records that year, another platform for his own consistently quality output. several releases down the line, nxt s distinctive style layered with intricate percussion, obscure synths and ethereal pads combined with punchy snares and atmospheric vocals is marking out the producer and label as a prime source for djs and vinyl lovers. 2017 sees the launch of a second vinyl only imprint what nxt, a home for musical discoveries that end up buried deep in his own record bag. featuring both emerging talent and established artists from the uk and beyond, what nxt? all roads lead to the rave.

long term friends and artistic collaborators detroit’s filthiest (aka dj nasty) and go nuclear bring their next two electro releases to bass agenda simultaneously. detroit’s filthiest assaults hard with four ferocious dance floor destroyers, showing off both his lifelong passion for electro and his ability to approach production differently from the majority - blending twisted detroit rave hooks with a dose of infectious machine funk. new zealand’s go nuclear return after their very well received techno world debut on bass agenda recordings. this record, their machine learning ep, stays faithful to their love of the old school electro sounds of detroit with 3 tracks of dance floor futuristic funk. the two artists meet here too, with detroit’s filthiest remixing the title track in his usual no-nonsense style.

search the name ‘burnis moleme and the returns are sparse. you’ll discover that his track ‘where is the answer’ appeared on soundway’s excellent nigerian disco compilation, doin’ it in lagos. and there are a few entries about this pmg re-issue of light my fire. but other than that, he seems to have disappeared off the face of the earth. he’s not even a minister of religion, the career path most nigerian stars from the 80s chose to follow. thankfully, we still have light my fire. produced by former funkee jake sollo and backed by a hot team of session musos including friday pozo, nkono teles and joseph ‘jojo’ kuo, burnis delivered a slab of slick afro disco boogie for the ages.

merveille & crosson return to visionquest this october with their second long player, entitled cerulean and featuring nine original compositions from the duo. 2012 saw the release of cesar merveille & ryan crossons critically acclaimed inaugural long player drm, seeing the pair veer their output into abstract realms and embrace a more eclectic left on centre production style. here five years later the pair return with their second album cerulean, again tipping the focus over to a modern classical, jazz, ambient and abstract aesthetic, featuring collaborations with juliard trained classical pianist julien quinten, no regular play’s greg paulus on trumpet, wareika’s henrik raabe on guitar, yonathan levi on double bass, moritz baumgartner adding additional drum work and berlins signum saxophone quartet. across the ‘cerulean’ project merveille, crosson and all involved offer up an amalgamation of sounds and styles from the freeform jazz odyssey styles of even tides and nordic bummers to the ethereal ambience of intro (almost raw) and mcyh whilst subtly nodding towards their minimal roots with acid pal and qaudra. the pair also radiantly display their love for the new age modular synth style with arp and life in the 80s with intricately programmed, dynamic melodies throughout, all in all resulting in a truly unique and forward thinking project from an array of talents.

following the ‘frequency vs atkins – mind merge lp’ (march 2017), featuring the collaboration between orlando voorn and juan atkins, italian label out-er (out electronic recordings) welcomes long standing detroit producer terrence dixon for a 21 track triple vinyl pack ‘12.000 miles of twilight’, out in july 2017. this is dixon’s fifth album and follows his last ‘badge of honor’ released back in 2013. the legend has been putting out material since the mid -nineties. recognized worldwide for his visionary, futuristic sound, dixon unites ages of inspiration traversing diverse musical styles including electro, jazz and minimal sci-fi techno. this overall hypnotic approach can also be seen in his parallel project population one, which appeared on out-er respectively in early 2016 with two-tracker solo ‘temporary insanity ep’, as well as in late 2016 with ‘temporary insanity remixes’ which saw the label offering reinterpretations from cosmin trg, pangaea, voiski and label co-founder simone gatto. ‘12.000 miles of twilight’ remains an experimental techno asset offering a non-linear, emotionally absorbing journey into the singular experimental edge of the detroit artist, pulling the listener in all kind of directions from the opening track to the closing finale.

favorite recordings proudly presents this new official reissue of arian: a rare and underrated disco album originally released in 1981 by pgp rtb label and fully recorded in new-york. arian kerliu was born in the small town of macedonia, dibra or debar. arian’s first recordings for a local radio stations were at the age of 14, appearing in almost every music festival in ex-yugoslavia. when he was 19, arian came to new york city, working different jobs and studying music. his first music engagements were in various clubs throughout the city, playing guitar and singing. he then met with james benjamin-fish, well known bass-guitar player, with whom he formed the band arian & funky family, mainly performing in the best clubs of nyc at that time. together, they came to an idea to record an album of their own. after travelling throughout the us, they got to know each other very well, and had connected with probably some of the best musicians you could find at that time. thus they had sinclair acey arranging three songs and hubert eaves, as a writer of -still together-, a beautiful ballad written in honor of his wife. by that time hubert had gained two grammy awards for stephanie mills’ albums. kornelius cambell also wrote and composed two songs of the album, which sinclair acey arranged. the album also contains a great cover of “can’t say goodbye” by bobby caldwell, a song that arian and james had interpreted almost every night when touring. and all of this completed with the background vocals of tawatha agee (mtume), shevill alexander and sybil thomas (raw silk). arian & funky family band was then invited in yugoslavia for a european tour, including james, kornelius and stacey, but also others great musicians such as william -spaceman- patterson, zane mark, steve kroon, trevor gale, alex foster, or reggie marks, not forgetting flame braithwaite and meli sa morgan on background vocals. having the material of the 4 songs ready and finalized, the pgp rtb label from belgrade offered them to release an album, with the idea to also adapt the songs with lyrics from the famous croatian musician and writer mario mihaljevic. today, favorite recordings is deeply honored to bring this brilliant lp back to life. in order to insure the best sound quality, the original tracklist has been dispatched on a double vinyl version, which should please all djs and music collectors

initial listens to inre rymden (swedish for inner space) reveal it to be a curious combination of slow-motion house music and salubrious new age funk. in this case, first impressions are accurate, and they should intrigue you enough to dive deeper into the paradisiacal vistas tommy awards paint here. the opening track prometheus introduces that feeling of sundown deliquescence that very few musicians can summon, as it locks into a laid-back groove that induces utmost serenity, buoyed by sublimely mellow guitar vibes that should make fans of manuel gšttsching s ashra and phil manzanera s solo output spring to attention. draget conjures the sort of exquisite elegance and preternatural chill last heard on roxy musics 1982 lp avalon but somehow its even more blissed out than that boudoir classic. and so it goes for most of inre rymden: among the six tracks, only rexy hints at tension, courtesy of a bass line that sounds like it should score a prisoners walk to the electric chair. but thats tempered by guitar sighs of radiant melancholy, not unlike those lofted by popol vuh s daniel fichelscher. even when inre rymden gets relatively uptempo, as on hans logan, it still glides like gilded, glazed, balearic house jams, urged on by subliminal bongos and dappled with pastel guitar shimmers far off on the horizon. music is love and love is our music, runs tommy awards slogan (a sentiment beautifully echoed by david crosby on his revered 1971 album if i could only remember my name), but one could also argue that it is medicine a balmy ear massage that spreads healing frissons to all areas of your body and mind. tommy awards continue their miraculous act as scandinavians channeling the tropics with stunning audio verisimilitude.

christian nielsen is a musician you would not immediately expect to see behind the speicher / kompakt extra crest. we love to surprise your ears and have enjoyed for some time his outsider approach to any genre he chooses to tackle. in particular with “hard times” – a prime-time melodic monster that bridges the right transitions. right when you need them to. berlin via belgium techno juggernaut locked groove has been on our radar for ages thanks to releases on hotflush and afterlife. “dawn” is one of those magical tunes that loop along but evolves with every listen. you hold us to it that we think it could be the best set opener 2017 will have to offer. intricate drums balance well with lush minimalistic melodies. our speicher series rapidly heads towards 100. where it goes, only we know - so savour the flavour while it lasts.

this anthology brings to light the music of robert Æolus myers, featuring recordings from 1982 to 2006 that were previously available only on cassette or cd.
the music within “a retrospective” tells the story of a man whose music elevates its listeners to a place of inspiration and enlightenment. often ethereal, Æolus’ music is driven by synthesizers, melodic flutes, sweeping patterns, and subtle rhythms to seed inspiration from deep within the listener.
one might assume that Æolus carved a new path for electronic music in hawaii, but the islands never quite fully embraced the burgeoning new age scene that Æolus found himself a part of during the 1980s and the early 1990s.
few artists in hawaii have produced a body of work, let alone embarked on a musical journey, such as the one that Æolus has created.
for aloha got soul, this release marks a new chapter of bringing rare and relatively unknown music of hawaii to the surface.

the legendary west end records kick off 2017 with the a brand new re-edits series inviting like-minded producers with an underground thirst and a deep understanding of house & disco culture to collaborate on a very special project. first up, wolf music man medlar, applying his dancefloor know-how to west end’s rich archive of classic disco and boogie. hand picking four personal favourites, medlar reworks them perfectly for current club sets. picking out dub sections and skilfully reworking & extending them proving exactly why medlar has been such a draw to labels like delusions of grandeur and for discos only. “i put these edits together for myself and a few friends to play in our dj sets. west end was one of the key stepping stones to what would later become house music and for many is the definitive sound of early 80s new york. i d argue that it s aged better than any other label of that era and if you re relatively new to the label or know it inside out, the catalogue can likely still provide something new.” these four sublime new edits from medlar showcase his passion for digging deep, knowledge of house history and skills as a producer.

new year new r zone. this time the revivalist rave crew, brutal techno lovers and broken beat brothers-whoever they may be-serve up three more tantalising tracks that are designed simply for high dance floor impact. greatest enemy is first and lives in a deep space world where jungliest percussion and pummelling drums are offset with swirling pads and warm synths. it s an emotional roller coaster that gets followed up by spike, a manic and prickly speaker blaster with wild melodies and rave stylings all barely continued by punch and off beat kick drums. last of all, faramore agent is in your face with its frazzled bass, skittish percussion and vocal stabs all panning about left and right. one again this is brilliantly all over the place and impossibly visceral music designed to devastate all who hear it

reissue of this very rare gospel/disco masterpiece, originally released at only 1000 private-press copies, and surprisingly unknown and underrated until today. calvin bernard rhone, a native of los angeles, has been ministering in word and song for more than 40 years throughout the us and abroad. he acknowledges that he is passionate about music, yet purposed for ministry. beginning his professional singing career at age eight, he has shared the stage with possibly every major gospel artist from the 60’s to present. in 1983, he released the album intimate friends on his own label, c.b.r. records. recently discovered by dj and collector charles maurice, the lp has never received the attention and fame it deserves. it was anyway obvious for the dj and favorite recordings, that some of the tracks it includes would for sure become real classics for all disco and funk music lovers and deejays. officially licensed to calvin b. rhone himself, its today reissued for the first time, as a 3 tracks vinyl single.

tokyo’s yoshinori hayashi makes his debut on lovers rock with “asylum,” an ep of deliciously bent avant-house and free jazz-esque voyages. hayashi has been making a name for himself as a formidable studio talent, and on “asylum” he offers some of his finest work to date. “agent dissolving device” welds louche narration, kaleidoscopic atmospheres and an energized girl-group hook to an earworm groove. an invaluable tool for adventurous djs, “so wrong it’s right” doesn’t begin to describe it. meanwhile, the b-side is given over to hayashi’s more sombre, quasi-chamber music leanings. “burrow” and “the old man” both use wheezing, wandering piano figures to articulate a mournful, bleary-eyed beauty that seems to flicker in the shadows of the a-side’s extroversion.

hailing from the small town of stroud, south west england, marcel lune has been quickly building his reputation as one of the hottest new talents in the uk bass music scene. having discovered an 808 in his parents attic at a young age, it quickly became one his favourite toys and set him off on a musical voyage which is beginning to gather momentum. having already released a string of releases including a full album for studio rockers last year, this release with local talk is a new chapter in the ever growing marcel lune saga. this debut for local talk is nothing short of brilliance. an ep that sits somewhere between the early floating points days and local talk s very own crackazat jamming with harvey sutherland. from the opening track sketches marcel brings broken house rhythms, piano chords and dancing acid lines in a glorius way. the clever vocal arrangement on eat good takes no prisoners and on the flip crazy love , another vocal track, marcel slows things down a bit together with vocalist bluesz. the ep ends with soul music, upping the energy level slightly with its snappy, jazz-influenced beats and dancing synth lines. a beautiful and fitting addition to the ever expanding local talk catalogue.

hey everyone – so we re back again finally with number 5. it s taken us ages but expect a slew of 12- releases from us this year. the big news for stores is that we ve gone vinyl only. our reason is simple - we love digging and label honcho the mole only dj s vinyl so why not follow our passion! maybe tomorrow is starting the year off with a doozy from one of the most knowledged disco guru s on earth – koosh. this amazing dude has been keeping canada s west coast edits scene strong and free for many moons. the heads should know him thanks to his releases on cult labels such as common edits, red motorbike and his own 7 inches of love. what you get here are 2 prime cuts that we guarantee to bring the sunshine to any dance floor and a bonus fx ripper to melt minds.

corbu are an electronic, indie-rock band from brooklyn, new york spearheaded by producer and multi-instrumentalist jonathan graves. corbu are jonathan, todd hoellerman (drums, keys), amanda scott (synths, percussion), julian ferraldo (guitar, keys) and brian murphy (bass, keys). named after french architect le corbusier, the band has a strong creative aesthetic. graves writes the music from visual ideas, which he translates into sound. corbu songs are often heard partially or entirely in dreams, and are influenced by films, physical spaces and a childhood love of nature and science fiction. and it works. corbus music is beautifully crafted, taking the listener on a journey from day to night, through exhilarating sunsoaked sonic landscapes to land softly on the surface of the moon. jonathan began singing and playing different instruments at age nine, and eventually fell in love with samplers and their ability to bend conventional sounds into something abstract and new.
pressing on light blue / grey vinyl.

john digweeds bedrock records celebrates a milestone 100th single release in superb style with two of the best tracks that you will hear this year, from two of the most creative young producers in the electronic dance scene – guy j and henry saiz. in this day and age to not only survive as an independent label, but to flourish and constantly evolve, bringing forward new and exciting talent, is something that should be applauded. a mark of the global respect and love that bedrock has steadily gained through years of releasing quality dance music that rides the waves of trends and fashions is the fact that this bed100 release received over 12.000 listens on soundcloud before it was even officially announced!

northern structures (troels baunbæk-knudsen and lasse buhl) are a copenhagen based techno duo. troels has been making all kinds of electronic music since the age of 14 but focused mainly on a long international drum’nbass carreer under the excentric pyro moniker. lasse is a longtime dj and has been developing his own productions, with a background in soundscapes and organised noise. both share a love for the harder and deeper sounds of techno not often found in copenhagen, taking in a wide range of influences from the early uk industrial and dub tinged berlin sound to jazz, experimental electronica and rock. the ambition is to create a marriage of industrial and organic textures by avoiding strict rules of programming and aiming for more of a jam based musical playground feel.

thirtyonetwenty is the international dialling code to reach amsterdam. its also the name of amsterdams hot label run by sandy huner, who co-founded techno imprint 100% pure in 1992.
for the 13th release on thirtyonetwenty we welcome gabriele baldi, a young, talented italian whose recent release on label bitten got heavy play from top djs such as oxia, ricardo villalobos and 2000 and one, causing havoc on the dancefloors.
gabrieles passion for music began at a very early age, from piano to rock, blues to soul, funk to 80s … his evolving eclectic musical background provides him with the foundations for his productions now – heavily influenced with deep, house and acid-funk sounds.
this time he is back with two grooving funky (tech) housetracks >all i want< and >crash love<. amsterdams own tom ruijg (bangbang!) finishes it off with a deeper house-take of >all want<.

limited edition lp!
ironic? no, it’s dead serious: sally shapiro keeps on dreaming of barbie and ken. sometimes good things come to those who wait, as is the case with sally shapiro. one shouldn’t really imagine the bashful swede from göteborg, who never performs live, setting a new trend for turning down lucrative offers. and the thought that she is working on something hip, is most likely even a little eerie for her. after all, she s just into something, which she’s been doing since her childhood in the 1980s — singing songs in the style of her idol sandra (”maria magdalena“). if she hadn’t met her companion johan agebjörn, who despite his musical socialization with techno in the 1990s has been deep into italo disco for the past few years and is a collector of zyx records, sally’s passion for synthi songs and fairy-like female vocals would have remained private. however, johan was screwing together some italo-style songs when he asked sally (whose voice he’d only heard from a previous christmas party karaoke) if she would improvise on his soft keyboard tunes, their collaboration was a done deal.
subsequent to their first releases on the labels diskokaine and permanent vacation, sally shapiro suddenly found herself in the midst of the ultra-hip neo/italo-disco movement, which is especially big in scandinavia. why of all things on the northern peninsula, where one traditionally listens to black metal and indie rock played with legs spread apart, the peculiar, yet sunny disco music became such an export hit, stays one of the mysteries of the pop business. it’s a fact, though, that next to internationally celebrated norwegian neodisco-heroes lindström, prins thomas and todd terje, the lovely sally has become the scandinavian disco-act in the mean time.

platnums 1st single >whats it gonna be< a collaboration with producers >h two o< shot straight to the top off the charts holding the number 2 spot for 3 weeks and eventually selling over 300 000 units. their 2nd single >loveshy< was released in oct 08 storming the charts at number 12 2009 - platnum are back with their new single >trippin< packed with platnums signature bassline classics and some off the hook collaborations to show the versatility of the group. new single trippin remixes come from heavy hitters agent x & mr virgo for the bassline crew withthe house mixes coming from germanys thomas gold & polish duo wawa

brand new mixes of some of this years biggest tracks by 1 of the biggest names around agent x kicking off with kid cudis awesome day n nite, platnums remake of the classic kristine blond loveshy the b side sees him take on current smash hit rudenkos everybody rounding things off with a new mix of last years monster from h20 ft platnum. simply unmissable!!