wiederveroeffentlichung des greensleeves longplayer von 1984. am mischpult saß phillip smart (neben scientist und prince jammy der dritte meisterschueler von king tubby), mit den musikern bass: paul henton, drums: donny marshall, guitar: errol moore, guitar lead: donovan mckitty, keyboards: william brown, horns: derek hinds. der titelsong ist ein absoluter classic tune der reggae-historie und basiert auf jackie mittoos hot milk riddim.

you can never go home is about the first time derek went to berghain. actually, it was his first time in berlin, may have been his second day only and after a certain point he had been there for quite a while. his friend didnt want to leave and she had the keys and on top of it only she knew where they lived, so he couldnt leave but eventually it turned out he didnt want to go home

produziert hat sie krautpop- und noise-gott schneider tm. *nervös*, ihr name, ist programm für chris imlers wesen und wirken. nervosität als angemessene haltung gegenüber einer gleichzeitig bedrohlichen wie aufreizend öden wirklichkeit. die songs auf dem album klingen wie alan vega, daf, silver apples, hasil adkins und joe meek gemeinsam - aber gespielt von einer person.
die vinyl-lp erscheint inklusive cd-version des albums.

ranges: a new reality focused on 90s reminiscent scraped dub techno. our dub warriors hydergine & ixm provide four timeless jams full of saturated chords and solid grooves, everything processed on tape! ltd 180g vinyl only release. one copy per customer.

if you have ever wondered what it would have sounded like if can grew up going to see ron hardy at the music box and then recorded an album together with francis bebey in the congo, the debut record from black deer may be just for you.
the work of prolific brooklynite william burnett, whose aliases include willie burns, grackle, speculator, galaxy toobin (with eliot lipp), pg&s (with jorge velez) and smackulator (with legowelt) is psychedelic in the truest sense of the world. sprawled across six tracks, burnett fuses various outsider loner genres unto one definitive vision quest all his own, that of the black deer.
limited edition of 400 copies with hand assembled black foiled museum board on silkscreened covers. features fold-out poster and stamped labels by artist marion guillet.

as a rave icarus turns to his companion and sighs, *we tried to touch the sun my friend, but we got burned...* these tracks leave a trail of scorched earth behind them while you stand bewildered in their smoking wake. nurture your most wayward desires to these sounds coming from god knows where, and inflict them on the innocent as soon as you can.

christopher rau strikes back with another smallville episode of dreams that money can buy. after a couple of diverse releases lately on office, dérive and junk-yard collections, he proves his unique exposure to deeply diving with the machines again on smallville. christopher raus aural works feel like an outer worlds embrace, an analog kiss from the beyond. here it is the soundtrack made for our favorite places to escape reality: a magic club, a deepest dream. dont wake up!

incl. mp3! enigmatic dfa-affiliated producer woolfy, long time friend of future classic, returns with an eclectic and brilliant ep. title track city lights is a joyful, nostalgic summer jam, full of marimbas and woolfys vocal drawl. meanwhile, 17 is pure disco, featuring a mesmerising falsetto that floats around the tracks driving bass line.genius!

extremely welcome vinyl reissue for this highly collectible and obscure early 80s jazz-funk-disco fusion lp from david astri. originally released on tiny baltimore label award, the album oozes quality all the way from the excellent opening track, super-cool sexy floor-filler *get down to it* - with standouts including the superb brass-driven funk workout *do it right*, the beautifully delicate and dreamy *safe and sound* and breezy summer groover *everyone has feelings*, both with sweet vocals from karen goldberg. however, the lp saves the best till last with an amazing eight and a half minute version of the wonderful in-demand electro funk boogie burner *dancing digits*, a big play for many discerning djs including harvey, todd terje etc. dont miss your chance to own this fantastic slice of jazz-funk heaven.

san proper returns to home territory with his first 12 inch for longtime friend tom tragos rush hour voyage direct imprint. featuring two loose, winding tracks packed with cozy warmth and fluid live instrumentation, leave it up to all of us further enhances his reputation as a producer with a deep understanding of the groove.

124 recordings return in 2014 with the link-up ep-four tracks split between london producer stevie b and nycs doug gomez,both delivering their own interpretation of house music recalling the heady days of the 90s without relying on the same tired and over used formulas

after successfully releasing the debut of egyptian nipples (duo act formed by massimiliano pagliara and jules etienne) with the 5 track ep back but half apersonal music now reveals the remix pack for the mini album, commissioning 4 experienced producers seeking to maintain the high quality and old school vibe of the original tracks

when luke solomon got in touch and said he wanted to work with local talk we felt both honoured and happy, especially since we have been fans for a long time and mats actually booked him to his raw fusion club in the late 90s. he has been around long enough to be considered a legend within the scene. we couldnt agree more. lost channels, a 130 bpm piano driven and punk-dubby new york inspired house track comes in two versions. the raw & stripped version is exactly what the name says, sharp snares & hi-hats, piano chords, a driving rhythm with lukes trademark percussion sprinkled on top. the live piano version is actually the original version and is peppered with more of everything. bubbly fx, more of that staccato piano and of course that muscular bassline. for remix duties it is the return of an old local talk friend, wil maddams. it seems like wil has spent some time in detroit since last time. this remix sounds like something that would come straight out of the d, his clever drum programming holds this track together with its deep pads and bubbling bassline. it is a retro (but fresh) techno jam for 2014.

cellaa music are very happy to welcome our great friend marc faenger and label head sven jaeger back to the fold. this one - obviously called b2b volume 1 feat. two artists, two universes, two different ways to approach the music theory to form a b2b cellaa relationship

bolder is martin maischein who used to record as henrich at hart on position chrome and peter votava also known as pure who has recorded previously for mego and was half of ilsa gold. with their combined background in electronic music of all angles bolder introduces a significant proposition to the current experimental electronic boom. blurring the lines between industrial, techno, dub, ambient and narrative forms, the work on bolders debut presents a dance amongst the abyss, a world where organic rhythms provide the path amongst a swarm of foreboding electronics. herein lurks an atmosphere where hostile electronics weigh the hope and paranoia of todays climate. one humans listen is another humans challenge.

esteban adame had released material on planet e, esteban partnered up with long time friend and colleague santiago salazar to start ican productions.

further collaborations are also on the horizon, with a return to making music with friend and cohort ricardo villalobos as butric with the two figures being anything but generic, it promises to be another feet twitching, brain melting escapade in butchs musical ride.

fast hätte es an dieser stelle keinen neuen release von ki records zu verkünden gegeben, denn die beiden jungs hinter colo, nick smith und ben corr, haben mal eben so in der hochphase der albumproduktion ihren laptop verschusselt. backups? fehlanzeige! da war der debütlangspieler schon fast fertig: zehn tracks mit 150 bis 200 audiospuren – viele stunden feinsten bastelns und schraubens, einfach weg. zum glück ist nicht die ganze welt schlecht und so manch ein finder ehrlich und das gerät gelangte unbeschädigt in die hände der besitzer zurück und das erstlingsalbum *ur* doch noch in die pressung und in den katalog von ki. der name des albums ist ein wortspiel und verweist nicht etwa auf undergroud resistance, sondern auf das englisch wort colo-ur.

after a successful first year, untzz twelve inch start off 2014 with their first extended player, a collaborative offering between friends freddie norwood & dass on 180 gram vinyl. freddie touched gold since his debut they never used to stay out all night, winning the hearts of selectors and home listeners alike, and the tongue in cheek how low can u go went on to become an anthem of both european and australian summers. all the while dass has maintained a strong presence in the shadows, honing a dark and atmospheric sound that remains inviting for the creatures of the night. together, they have crafted an elegant and timeless record showcasing a further look into what is still to come from untzz twelve inch.

the lost movie is an outcome of ilkers cinematic perception, approach, interpretation of his constantly intriguing dusty compositions. as a result of his tiring yet inspirational shift over the years, lp has been written in different cities like istanbul, rotterdam, antwerp and the current final stop: amsterdam - different surroundings & moods.

clekclekbooms co-founder and leading artist french fries is ready to release his very first long player on 180 gram double vinyl. *kepler* narrates a futuristic outer space sci-fi story throughout 13 cutting edge tracks.

dutch duo twr72 unveil an ambitious collection of 72 killer loops, built for club domination. used by catz n dogz, ramon tapia, sei a, zdar, darko esser (tripeo) and autokratz amongst others.

berlin-based staffan linzatti returns for his second release on chronicle with another uncompromising selection of linear techno constructions sculpted with an unfaltering vision of how hypnotic body music can transcend simple rhythmic needs. icy atmospherics and razor-sharp production make for one of the strongest manifestations of linzattis distinctive sound in a career bristling with standout releases for labels such as stockholm ltd, balans, and his own searchlights records.

ex audio bully tom dinsdale aka mine o has been buried away in the studio for the past couple of years working on music for his new solo project. with his latest release turn out the lights flying high on hot creations, mineo arrives on crosstown rebels and turns in a totally fresh take on black noir schwarz, revelling in a p­funk style groove and filtered vox

after the success of ante perrys turbolized ep, be an ape 02 is ready to rock the worlds dancefloors. mono negro is ante perrys live project together with his friend flo mrzdk. they released their debut ep, incl. kolombo remix, on kittball records

nice price deal !!! originally composed for a live performance commissioned by the quai branly museum in paris, french producer low jack was given access to the museum s vast music library and used it as a basis for this project.

the replicator got ‘restored’ after a complete loss of data 88uw does not remain ‘in the dumbs’. the logical setback of ‘irreverent’ matter opened new perspectives to synthesize the ‘trek trak’ in which the first officers voice is used as base agreed by the captain

acclaimed for many of his compositions on labels such as aesthetic audio, art, ornate, alongside his blistering dj performances. aer boss miles drops the labels first and his debut album. deep is a word often used to describe a lot of music currently out there, but not many touch the depths of this superb lp on atmospheric existence. miles touches on many shades of sound with his trademark emotive warmth. melancholy but positive vibrations flow out alongside abstract grooves. hypnotic elements grace the journey, creating an otherworldy sense of space and distant unknown entities. feeling & mood leap out of this lp at every twist and unexpected turn, circumnavigating the deep spectrum. since his early releases, his imprint aer has become a highly respected imprint globally with a dedicated following. this lp was constructed to stand the test of time and stand it does, firmly rooted in the cosmos

another year comes crashing into view, and another instalment in the nasty rips and shifting peaks series is upon us, as ever looking to bring together a mix of new, up and coming and established names, via a chaotic miasma of styles and tempos.

our friend affie yusuf delivers the next release for our house imprint.better known as a master of acid house and techno, he shows off with his other side here. with its 4 groovy tunes this record offers anything you can expect from a good house record, may it the subtle groove of rinse & dry, which reminds of the early works of herbert, the ironical drugged out guantanamo rave, the uptempo ferox-like get involved or the funky house fm.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #25: it started in 2009 when a friend rang sleazy mcqueen and asked to *press some of those edits he has been making* and has now reached its 25th vinyl release. time flies when you are having fun - and fun has always been the cornerstone of whiskey disco. back to the roots ep exemplifies the label mission and the disco hippies who cherish it. loops filtered, space rocked and jam band, whiskey disco has made a mark on the edit scene that few can dispute and we have only just begun.

third release for serie limitée. still 300 copies, 180g, no digital and no repress. a1 is, once again, reserved to chicagos underground pioneer joey kay who released his first record back in 1994. a raw house track with a neverending intro. the next track is pure deepness with another production from moscows young talent shyam. as deep and dark as russia s winters.. as usual to complete this side, the label manager, monsieur cedric, prepared a short bonus track. on the b side, the french co-founder of serie limitée, steve frisco, strikes back with a classic deep sound inspired by the early 90s after hours... ... while our friend from denmark, desos, owner of deso records, vibes ltd etc... closes the third volume of this story with a nice and deep house gem.

at the end of the 90s a few friends united by love for music used to meet in an underground place dubbed last drop where they collected vinyl sharing music. our music comes from our souls and for us the music is the universal language of any hearts. last drop records born from the need of spread our concept to make music connecting with the universe ... music is connection.

soweso starts 2014 of with tom ruijgs dirtywrinklejerker ep.toms debut on soweso is a timeless ep that rides the fine line between techno and house in a unique way and showcases his talent for making tracks that stand out in every set. the title track also comes with an amazing techno infused remix by label friend daniel stefanik, he takes the hook from the original and brings it to new heights. the ep will be vinyl exclusive for the first month!

for over 12 months thomas feriero aka avatism, our friend and label partner, has been staying at home and working on his album. he moved to berlin to work on it and now sadly (for us) yet (gladly) for him he is moving back to milan. poof! just like that. so what did this year entail exactly? well for some of us not much. we got to see him in his studio comfy pants a couple of times (he wears slippers) we heard his studio woes, ate pasta with him, drank beers and of course got to hear his album at every juncture. while this self-imposed exile may have been a little worrisome the result is fortunately spectacular. adamant is a glimpse into how a city shapes a life and how intrinsically life then shapes music.

direct from detroit, life on the back 9 is inspirational house music down to its soul. from the energetic yet soulful opening track finally (baby be mine), released on planet-e in 2013, to the melodious, groovy basslines, piano riffs and high synths of night light, to the forward pushing, make you dance saved forever, to the bumpin god he is, to the funky tech instrumental spiritual warfare, to the grooved out melodic the friend i lost to hiding in your love - all about getting lost in dancing to the music (dancing is a form of worship), to the pause and reflect selah interlude to my virtuous woman

kevin mchugh aka ambivalent officially launches his new amber project with wave of grain, his debut ep for mobilee records. beginning life as a part a one-off collaboration jake & amber on minus - which resulted in this is mine, perhaps the most house track the label ever released - amber captures the lighter side of mchughs sound, which shone through in his ambivalent work, notably via the mischievous vocals of down or the disco groove of his plus 8 ep jackson

after his debut on promising greek label nous, athens based producer miltiades resurfaces on the also greek imprint echovolt with a new four-track ep. what youll find upon diving in is that its a deep and shadowy house affair that likes to go slow and purposeful and comes back with a remix from gifted & blessed under his lesser used alias the reflektor.

new label set up to mine the oeuvre of the crew behind the thule label. exos, thor, & plastic ride again as this icelandic crew bring back the dubby-techy vibe they began to roll out in the late 90s.

following a busy and fruitful 2013 that saw the release of his exceptional second album half of where you live and shows worldwide, uk electronic artist gold panda next week re-issues one of his earliest releases, quitters raga. the two-track 7 inch, long since sold out, was originally pressed by make mine records in 2009, with the now-cult track still being a staple of the artists live set. newly issued on gold pandas own label notown recordings, the vinyl-only release is limited to 600 copies as a deluxe heavy pressing and features the original.

bangin berlin berghain techno !!! prime time

this ep once again is dj jus-ed showing is gratitude to all the people, pass and present that have been his friend in need or in deed! the music is dj jus-ed emotionally gratitude expressed wit deep cords piano heavy bassline the vocals and lyrics are written and performed by alison crockett / jaymz nylon plus a special mix by mentor glenn t to round this ep out to be another underground anthem… if you ever had the pleasure to meet dj jus-ed you ll want this very special release.

the one and only moodymannnnnn returns with an off-the-cuff double lp! as you would expect, the man from the d is in fine form, presenting some of his best work to date. and check that artwork too! wall-to-wall killers, don t sleep

antoni maiovvis career began with a quite frankly amazing lie. in reality maiovvi is not an original italo producer from the 1980s come back to reclaim his crown, but a project started at the end of 2006 by composer anton maiof to explore a world made of synth pop, hi-nrg and horror soundtracks. the cry of >lets dance! lets kill!< somehow struck a chord among the followers of the new cosmic disco movement and has lead to a prolific discography. he is producer, dj, film composer and co-owner of giallo disco records. musically, maiovvi takes as many cues from john carpenter and goblin as he does from italian electro and san francisco hi-nrg right through experimental electronics and krautrock. in short antoni maiovvi makes epic horror disco. he follows his releases on deathwaltz, jam traxx and his own co-run giallo disco records with a journey into the furthest reaches of deep space with >monoceroticism< on flight recorder. four tracks inflected with slowmo detroit jams, new beat trash, spooktactual ebm and hyperborean prog

we stick with our concept for the second release. putting some of our own and some of our good friends music on a v/a ep. this time we have bartellow, a dedicated musician with several projects and bands. spirits combines his disco-affinity with raw deep house sounds and an ecstatic vocal sample. lewy l is the pseudonym for collaborations within our very family. getting rid of limitations this is the name we put our jam sessions results abigail brought a collabo track with nubody from melbourne from the time he spent living in australia last but not least its einerweniger, long time friend from munich with his typically groovy approach on house music. there will be more of him in future productions.

remixed with love by joey negro !!

next up on the silence in metropolis label he co-runs is funkdamentalist aka bilal a, who has previously released on i! records and something different records, picking up support along the way from djs like roger sanchez, luna city express and no artificial colours.

hello orange, yellow, and red…autumn leaves are flying through the clubs. jakob seidensticker from wareika and bardia salour show after their release on visionquest another facet of their understanding of understatement dancemusic with soul... from gentlemen to gentlemen. the title track autumn leaves was recently used in the ra-podcast of crosson & merveille where they did a fascinating mix, showing their music which influenced them in producing their drm album on visionquest

dville is the first single from the upcoming full length album reality is what you can get away with. dville is a return to a sacred recording place, omniscient recording studios first in berkeley and now in oakland, california and a collaboration between long time friends matt nee and josh tonnissen as kompvte and inspired by natural beauty and open air mountaintop festivals