korablove is ready for his debut on apl. >splash forward< is not only a track but a new concept. at the beginning everything sounds like a classical deep, simple and muffled step, some chords. then something happens, something special. we all know how the structures are rigid, 4/4 that hardly can match with a breaking, the influences of a genre rather than a way of expressing, dressing, living. splash forward is a new way of seeing things, like if the wall of differences falls down suddently, like if years of clubbing and fight for a new space disappear into thin air. a deep track that transforms into a thriller.

deluxe collectors edition box set!

these are only a few of many excellent appraisals for kasper bjørkes second album >standing on top of utopia< which was released in april last year and followed by strong singles and remixes from the album, most recently >heaven< with mixes by nicolas jaar, muzzle flash and prins thomas. with the >symptoms< ep we are happy to present an ep full of brandnew material. while we wait for kaspers next solo album, currently in production and set for a 2012 release, here is a treat of new and unreleased material for you! other than the rather vocal driven singles >young again<, >alcatraz< or >heaven< these four new instrumentals contain both slow disco vibes and rave style anthems. >symptoms< is a constantly moving, synth driven bastard, that provides a crunchy baseline and a wonderfully strange theme that is hard to get your head around. if this track was a movie, it would be x-rated and only shown after midnight - exactly around the time where you would drop this on the dancefloor and look forward to what happens. - initial pressing in coloured yellow vinyl!

this is the 4th and final release from our shake shakir re-issue series. three total corkers from the don!!! features an exclusive track, the other one.... tip! >the floor filler< is exactly as the title says. this disco frenzied track was originally released in 1997 as part of club scam ii. the track is still a valid club tool and will fill a floor for sure! >plugged in< is also taken from the same ep and reminds of carl craigs paperclip people tracks of that era. disco meets techno! on the flip we find >the other one< which is a track from the vault and has never before been released. detroit house doesnt come any better than this...

big with john tejada, danny howells, slam, josh wink, vince watson, the timewriter, jay tripwire and many more. one of torontos most respected underground producers and live acts, arthur oskan unleashes the debut single from his upcoming thoughtless full-length, a little more than everything, with our first-ever vinyl release, tlv049.

>we wanted to try something on a slightly dubbier tip than our usual fare and had been listening to lots of old european techno from the early 90s.<

italian uprising artist frankyeffe is the one to continue the dark tradition on 43 recordings, and he does well just as he does on his every weeks residency on the traintek partys at romes rashomoon club playing alongside people like speedy j, edit select or sasha carassi and many more icons of real techno. he keeps things simple, but very effective, music which is nothing more or less than produced for causing riots during on the dancefloor peaktime. xhins remix on the flip is a really experimental apporach to the original, trcky rythms and he managed to create a totally new essence of the track. masterpiece of remixing, so dont be scared to try this on the dancefloor.

after their huge success in 2009 and 2010 one can truly say kaiserdisco are now one of the contemporary stars in the techno universe. rather than trying to match expectations the duo from hamburg followed their instincts and have again chucked out music that will place them in top positions. they dedicated this record to the people in lima, peru. their new tune lurin is a bomb of a groove track with a stunning diversity of different samples and sounds including hip ethno samples and all it takes to make it a hi-tech kaiserdisco product come alive.

after a few years releasing singles under different monikers, brooklyn producer lou teti launches his own label, tigers on a leash, with the debut >get away< as a certain way to kick things off right. the original is an almost hypnotic electro-builder with an 80s touch, yet with a sound thats still firmly planted in 2011. even though tetis vocals are used more like another instrument than as a center piece, sneaking in and out against the guitars and synths, it s still the kind of memorable vocal line that you will find ringing in your head as you wake up. drop out orchestras club cut is a just that, a cut to get any club moving. in true doo style, they take a great original and create something special, but completely different. jkrivs deep&disco mix takes deep to a new low, with a breakdown thats truly epic. and finally theres mario basanovs remix. a beautiful deep house groover like only mario can supply.

morphosis has been cooking. friends, nwaq & just for one day got on the re-whisk. these productions live up to all expectations from two of the most awe inspiring out there. turn them up. big tip! when this idea came about, there was some speculation here if it was a going to be plausible prospect. throughout all the deliberation one fact remained: re-workings from these artists would make the perfect precursor 12” to a full morphosis album, and it just had to happen. then it did. nwaq turns in one hell of a dub! an almost relentless 7.5 minute float, that’s underpinned with thriftily placed percussion, and a true beast of a kick drum. no build-ups. no break-downs. so, now… let’s all bow towards to the master. just for one day’s rudeboy drum palette is going to be familiar to more than a few people. let’s just say that this is the new guise of a veteran german producer who’s uncompromising music has graced some of the world’s most exciting record labels over the past 15 years. for this remix he hijacks the ‘android’s among us’ and throws them right into a sound system shootout somehow leaving the core elements from the original track in tact. seriously killer. for fans of 2 step, jungle & dr who(?). please note: this will be a vinyl only affair.

top quality limited reissue of the mega-rare promo-only 12 inch release of >walk the night< by 70s disco band skatt bros., a super phat slice of some of the sleaziest disco filth ever put on wax. this dancefloor bomb was an underground anthem in the clubs of chicago, detroit and new york and also found favour with cosmic djs like baldelli & beppe loda. produced by in gunther and will morrison of thp orchestra fame, this indemand cut sounds fresher than ever and features highly on many dj s wants lists changing hand for big bucks. essential!

here at bearfunk hq we firmly believe in perseverance. we keep asking questions until we get the right answer and with 6ft bear by our side the answer is usually yes. we kept asking ilija rudman to get in the studio and write us a killer lp but being the busy bee that he is it was hard for him to take the time out. we kept asking until he eventually caved in and went underground to record his first lp, >the reveal<. ilija is a devoted and passionate man when it comes to music. one of his prerequisites for recording an lp was that the recordings had to be made with the same techniques and equipment that inspired him to make music in the first place. so ilija hooked up with one of his studio mentors and got his dream line-up of synthesizers, roland jupiter 4 & 8, minimoog, roland sh2, juno 60 and his dream drum machines linn and oberheim dmx. these analogue machines fire up to create a warm and authentic vibe across the whole lp. we are reminded here that machines do have soul if used properly. we start proceedings with the wigged out boogie of >inspectors drive< which might be a little nod in the direction of wally badarous classic chief in< have all the ingredients of dj friendly hits. the lp reveals all the influences that ilija has experienced and it shows the talent that runs inside him as he is able to make such an amazingly retro lp sound like something from the future. we are sure in years to come this lp could become as important as the influences that inspired mr. rudman to make it.

who better to provide our first release from an artist based outside the uk than starkey? having worked with a who s who of grime including trim and p money as well as playing an instrumental part in pushing the sound overseas, no hats no hoods are proud to have starkey at the helm of our 15th vinyl release.always keen to focus on emerging as well as established artists starkey teams up with up and coming mcs merky ace and kozzie on >pc<, whilst delivering a high octane lesson in fluro-grime with the instrumental >peacekeeper< on the flip.

after last years superlongevity box-set madness, perlon welcomes 2011 with a 3-tracker by mister san proper. on this one, the amsterdam based musician not only introduces >a cat called mice< besides offering to >cut yo hair<. san also managed to discover the epic >lost track of time<, a song that was lost for more than 800 years,……uff & wow!

the mighty antidandruff returns after few years of sleep. this time its a bit more conceptual ep than usually. ep starts with a moody sandwell mix of >kulenty< (released on pvc8) produced probably by regis in the berlins sandwell district busy studios. the other 3 tracks are by rumenige & loktibrada resp. loktibrada alone, with each track the tempo is rising up a bit and its all club techno, of course.

sampler 1 of 2 from in flagrantis new album. predictably jacked to the brim full of their signature no-gristle, no-glory aesthetic. succeeding 2006s wronger than anyone else and 2009s brash & vulgar, in flagrantis sasa crnobrnja and alex gloor have left behind their vintage porn-chic sensibilities and instead turn to yesterdays trashed goods for inspiration. >flea markets and recycling parts of our production are really at the center of this album,< said the now london-based crnobrnja. >i like things to be old and run-down,< added alex gloor, who still resides in basel. >so i let myself be inspired by one of my favorite places to spend time: 1970s- 80s new york city.< among four killer tracks, >prelude to chaos< reminisces the days where the finest of 69-cent wines glistened in the gutters outside the arcade.

6th borough project make a welcome return to delusions of grandeur to deliver their debut lp entitled one night in the borough. as well as a cd the album is being released as 3 individual singles plus a limited edition triple coloured vinyl pack. here we have the first single in the series of 3 including four brand new full-length cuts from the album. find a way kicks things off and sees the guys deliver what we know as classic 6th borough material ie. precision cut, edity disco and soul but heavied up with a fat kick and an arrangement which screams out for peaktime plays. iznae hits next with a brilliant wobbling bassline that brings a warehouse feel to proceedings before the groove drops into an unexpected breakbeat section that harvey mason himself would be proud of. if its loopy downtempo house you re into then look no further than if the feelings right. layers of loops build and drop, filtering in and out whilst grooving steadily along at a sublime 88bpm. finally, changin goes on a classic deep house mission with soft stabs and synth riffs supplying the interest while a rolling beat propels things along in an understated yet powerful way.

second installment on colourful has tobias linden, orange muse returning with some serious summer heat. the terrace mix with it’s euphoric piano hook and vocal chants against a funky backdrop will be perfect for those late decadent summer nights. the basement mix is an altogether different affair, stripping all the elements, featuring a raw synth hook to build the tension. bouncy with prominent percussion this mix still carries the uplifting, spiritual feel of the terrace mix. stepping up to remix is none other than the beats maestro himself, mr. kenny dope. drawing on the past, adding a splash of new, kenny comes really fresh on this one. raw, dry beats, deep bass drops and a sax hook to match the vox snippets - this is one piece of fierce floor action! add to that an instrumental and the colorful year of 2011 is in full gear– what else do you need?

its now more than 20 years that arnaud le texier started his dj career in the west of france and in the paris club scene. since he moved to london five years ago, le texier has been able to put his stamp on the european techno scene, being label head of safari electronique and regular dj at fabric. his debut ep for cocoon recordings is borne by le texiers deep understanding of melancholy melodies, especially >elusanes< with its piano keystrokes coming directly from the basement and the ample detroit strings proves with hymn-like intensity that deep sensuality and unquestioning dancefloor ecstasy can be two sides of the same medal. besides a beat-less version of >elusanes<, the hypnotic >nightleads< with its bass guitar theme does already whet your appetite for the next sunrise in the balearic dunes

>daemon< is the third ep from kenton slash demons >the schwarzschild solution< trilogy and features remixes from axel boman<. tartelet records are proud to present this last ep from the momentous trilogy and feel confident that it will bum rush discerning dance floors with its unrelenting, seductive beats and yearning, melancholic bent. as you may already know, the name >the schwarzschild solution< is taken from karl schwarzschilds complex theory about gravitational pull and celestial bodies. this is heavy, elevated subject matter, which goes extremely well with the lofty artistic ambition and nuanced emotional disposition of the trilogy. and as you would expect it from the boys, >daemon< is a grand journey of larger-than-life proportions.

in 2009 the internationally acclaimed german director tom tykwer (perfume, run lola run, the international) supervised a film project in kenyas largest township kibera together with his wife marie steinmann. they put together a team of international film pros that each mentored one film student and helped them put together the movie soul boy. a story about a boy who has to go on a journey to rescue his fathers soul from a mysterious voodoo women.
the result of xavers score is a percussive journey reminiscent of minimal music from the 60s paired with african vibes but completely void of world music cliches. its closer to krautrock and steve reich than to the commonly shallow perception of indigenous music by first world movie directors. full of odd sounding kalimbas and plucky guitars, backed by heavy orchestral drumming and floating e-bows.

the next release on claap is a joint venture between two label favourites. on side a, nikola galas >oasy< and >paradise (tool)< are two very tightly structured affairs! perfectly produced and oh so functional, they are another strong proof of the reasons for which nikola has been making waves in the scene for more than a decade. the overall feel in both tracks follows the same path along nikolas previous work on rekids and ibadan records, amongst others, along with releases on his own label escada music. we are also very glad to welcome a long time favourite john dimas. hailing from the beautiful city of thessaloniki in greece, john is a young and aspiring dj and producer who has been working with labels such as d julzs exciting bass culture. john has been steadily making a strong impression with his colourful, solid and passionate dj performances! >get it< is a very groovy, playful and smart track. reminiscent of older chicago house with a fresh touch. to round up the package, label head gummihz offers a disco orientated >get down mix...

third release for the neurhythmics label. once again, juergen provides 4 tracks for this ep, all of which are on the deeper side of detroit-inspired house music. be it the shimmering chords of >last day< or the loose and skipping organs of >headache<, each track shows a different side of juergens productions. noticeably heavier than the other tracks is >post reunion< where the floodgates open, and a haunting stab rides over the crescendo of cowbell driven disco-beats, with a bassline that is difficult not to be commanded by, and an overall journey feel that just doesnt want to stop

brand new series of disco re-edits, guaranteed to dig deeper than the rest! this first volume reworks a staple from the loft era by demis roussos, >l.o.v.e. got a hold on me<. the flip is sympho states fever re-edit. beautiful analog mastering and thick heavy sound.

both taken from the forthcoming duffstep album >getting to sirius<, >your touch< and >backseat< are original duffstep tracks given a cosmic make over by duff disco. they are proper modern disco music that sits just the right side of funky, without conjuring images of fluffy boots and spiky hair, white shirts and fake tan. whilst backseat is the more euphoric of the two your touch is more moody than an emo teenager watching twighlight. both obviously duff disco but somehow keeping the family together as duffsteps finger prints are all over these too.

if you have been exposed to this cultural phenomenon called electronic music for more than a while, you will certainly have in mind something more than bright sunsets and perfect waves when you evocate that part of our awesome planet called california. the west coast has provided an own-harvested sound that strives to differ itself from surrounding mainstream conditions, making it fine and classy when it comes to underground house and techno music. alland byallo aint no rookie on the issue, rolling beats for enough years now to need no intruduction. with productions on labels like dirt crew, liebe detail, dirty bird, poker flat or nightlight music (allands own imprint) he can be well considered like the last but one exponent of a whole lineage of californian producers.

pingipung are proud to present >unframe<, the debut album of the young russian duo wols. while self-proclaimed insiders have mainly kept their ears tuned to releases from the uk, a lively dubstep scene has been thriving for years in the russian federation. and so wols bring more to the floor than just a bass whip.
code for free digital download included.

with this new release from amir on trapez ltd, it is clear that amir has turned towards house music even more than with his last releases. he has set the focus here on a stronger mix down with less small snippets but rather bold and fat jacking sounds

incl lucy remix ! pfirter has delivered more than one immortal record since his first release on stockholm ltd in 2008, mindtrip music. his talent for strong and captivating music is widely appreciated and it didnt take long before he got picked up by labels like clr and figure. with his monad release on lucys stroboscopic artefacts label in 2010, pfirter charmed the hardcore audience. with both the party crowd and the critics on his side, juan pablo pfirter enters 2011 with his audiometria.

macro greets rhythmic expressionism: stefan goldmann’s “the grand hemiola” is the first real innovation in the vinyl format in years! 144 locked grooves build a toolkit that breaks out of the limitation of one 4/4 cycle and brings unique possiblities to create complex polyrhythms just with two decks and a mixer. stefan goldmann’s first ever double vinyl album is a take on the infinite possibilities of rhythmic layering. percussion-heavy, focussed on clashing metres, deeply exploring the sound set – from the orchestral “grand hemiola”, to the triplet-feel of “megi’s waltz”, from the 11/8 pattern of “double hendecagon” to the anti-loops of “away from the flock”: a unique, non-conformist album of haunted acoustics, haptic percussion and deep rhythmic expression. a true, first time invention comes on two sides of the vinyl set: “the grand hemiola” loop toolkit overcomes the time restriction of locked grooves: one record contains loops in 4/4, the other in 3/4 (employing the time differences of the rotation rates 33 and 45 rpm). in the mix, they sum up to an extended cycle of 3x 4/4 or 4x 3/4 and enable building complex “3 over 4” polyrhythms (“hemiolas”). you can mix loop into loop for hours without ever getting trapped. more than an album, this is a note: pitch down side d to approx. -1.5 to match the loops’ bpm rate on sides b & d

chris finke (flux/atomic jam) delivers the dance floor goods with his fresh 12inch release on gynoid audio moofish. the original sees big room production fused with an acid like riff aimed at melting minds and moving feet. on remix duties are none other than mark broom, whos pulsing remix takes things deeper, dj hi-shock and his hypnotic re-interpretation and go hiyama moves away from the usual >4 on the floor< to deliver an atmospheric, broken beat, idm influenced mix. supported already by the likes of: luke slater, xhin, drumcell, tommy four seven, wehbba, audio injection, chris liebing, gary beck, gayle san, markus suckut, tom hades, and more!

azymuth return with limited edition heavyweight 12 inch featuring ltj experience remix.
returning to their huge old school sound, this 12 inch takes two tracks from the new album >aurora<, that celebrates 35 years of azymuth.
the signature swing samba is heavier than ever here with two unforgettable dance-floor fillers packed with hard, grooving samba funk and warped psychedelia.

with their third release metacid proved themselves to be a consistant supplier of massive acid tracks!! on the logo side two hard acid-core tracks with their typical 303 sound with a touch of the famous minimoog. they also experimented with a little trip-hop song. it shows they can do more than only the hard stuff. queaver on the info side has delivered two pumping wonky-acid tracks. this limited edition only comes out in solid orange. support by stanny franssen and spacid.

initial support comes in from pig & dan, paco osuna, tim xavier, richie hawtin, m.a.n.d.y, nic fanciulli, mauro picotto, slam, john digweed, chris fortier and omid/16b! the title to this ep >reminisce< gives us some idea as to feeling of these three tracks, as j alexander pays tribute to some of the late 80s and early 90s sounds that influenced him in his early days. however that said, his talents at blending the old and new together make this much more than a retro sounding ep!

this is third single cut from the debut album of mr raoul k “introducing my world . album was recorded in his hometown africa with local musician and raoul edited and reconstructed at his german studio. a side, >japan japon< is a simple but effective african minimal house stuff and >the green thing< is raouls slow mo house stuff. b side >rainning love< is bit darker and more trancy than usual.

stamped white label 12 inch beautifully fitted in a gatefold cover with 2 special cut-outs. this also includes a magazine that purports to be an ethnological excursus on the subjects trance and roman glasses. the label website does not give more information than the excerpts of a documentary about the golden record which was shot into space with voyager 2 in 1977. mysterious raw chi-town tracks for the vast universe. the label-code tbg01 promises: theres more to come

after ellen alliens album >dust< kicked up a lot of the same in 2010, it was only a matter of time until the right remixers for the album were found. no less than the creme de la creme of today s house scene was allowed to have their way with these tracks. and the results are more than fitting. although we have already burned a full-length cd containing all of the remixes they created, we are not planning on leaving the vinyl-loving faction (or whats left of them) out in the cold either. this 12 inch features three powerful club tracks from three outstanding remixers. each unrivalled in their own space.

after visiting the north of bass music with the first ep caterva goes up north, the french band and label i.o.t records continue their journey from this time to southern bass music. for this new ep southern caterva produces a track with the sounds clearly kuduro salta featuring mc baal.it follows the track barrio alto, after a remix sounds salta but in a vein clearly solid dubstep. heavier than ever and halfstep, barrio alto is a bomb for the dancefloor dubstep ravers around the world!to close this caterva goes down south, you can download (using the 3d code visible on the cover),the remix digital version salta baile funk with dj uno.

superb reissue of an amazing lost boogie gem from 1981 hailing from sweden, an unlikely hub of funk excellence in the early 80s. originally released on tiny label newlock, both sides of this 12 inch are fantastic - side as >supercool< is a tight funky workout with laidback vocals and a super-summery feel while side bs >percussion sundance< more than lives up to its cult balearic reputation, with six minutes of blissed-out soaring synths, heavy syncopated percussion and smooth bass combining to create one of the hottest things ever to come out of scandinavia. you must have this!

fully qualified survivor is a 1970 release by british folk-rock singer-songwriter michael chapman, featuring the hit >postcards of scarborough<. after the critical acclaim michael chapman received for rainmaker in 1969, he followed up quickly in early 1970 with fully qualified survivor, a record more adventurous and haunting than its predecessor, with added production flourishes and equally strong songs. fully qualified survivor is the album that established chapman as a folk troubadour.

-l- is a more than great dancefloor bomb with it s tech-house flavoured fat beats and big mean bassline and bleeps ! this one also gets a remix treatment by none other than mr. harry axt (aka daniel steinberg, ?) who was shaking and rattling the japanese

enzyme proudly presents a new release on enzyme k7! the 10th release on this legendary label is a 4 tracker by synapse. dont expect overproduced and melodious tracks on this release, synapse is keeping it raw, bold and straight forward!
over the years, synapse has developed his own sound, a sound you will definitely hear in these new tracks. with vow of doubts, synapse got help from non other than ruffneck. this is also one of the more powerful tracks on this record. they combined hardcore with massive drum & bass elements, a real hit in the underground circuit!

rotterdam records is proud to present its newest release by non-other than super producer triax!!just a couple of weeks after the release of his first & highly successful solo-album audioslave (rotc75) triax brings us an album sampler with the 4 absolute highlights of this cd album.

dedicated to provide the scene with a constant flow of amazing new content, this sampler celebrates the 10th anniversary of third movement records! no less than four new exclusive songs providing the perfect mixture of the harder styles that ttm represents. the ep reflects the unique ttm style and is sure to be receiving high recognition! be sure not to miss out on this unique release!

nice price deal !!! you get what you expect, no digi sounds - only finest raw analog techno. michael frosinone have been working for more than 30 years at the analogue domain studio in new orleans as a mixing and masteringengineer. after a life spent into devotion of a true sound and disappointed by the decline of the sound quality in electronic music he decide to start his own label to provide a teaching to the young and contemporary producers. unpredicatbles first release is a compromiseless raw killer maxisingle at the boundaries of filtered house and dub techno with thefull power of the analogue productions.

coma - the cologne based duo marius bubat and georg conrad have grown in leaps and bounds since their 2008 debut for firm recordings. since then, they have followed with highlight contributions to the last two total series and of course their acclaimed single crystal (kompakt 199) - both of which were released on kompakt. their live shows have established the act as a leading duo locally not to mention earning them fans across europe and asia. on famous , their new 12 for kompakt, we see coma embrace the art of melody and warmth more so than in past releases - an endearing maturity that you hear thoughout this gorgeously produced ep . starting off with playground altona - coma bring their techno/house euphoria to new levels in shimmering bath of disco glow. the ambient warmth of fameless succumbs to a floating bass kick as the sound of children play in the background. as raindrops fell outside of the studio - the boys used it as inspiration for raindrops - a sure winning track on this single as a familiar voice carries you amongst a severely catchy rhythm. a set ender of all set finales

his last solo, as submarine ep for sun generation rec. has been charted on american >balance< chart for 12 weeks and played by: carl cox, jeff mills, fergie (uk bbc1), cris fortier, dj dero (argentina) performing both as a deejay and a live act he combines various styles (techno, tribal and groovy, minimal tech house) rather than sticking to just one.

akiko kiyamas latest release features four tracks of intricate drum programming, bringing her characteristic warmth to the groove with their ghostly whispered vocal samples and the clicking and clanking poly-rhythmic sound made famous by the legendary berlin imprint, perlon. the first track, carnival, brings all the fun of the fair, a swirl of coloured lights barely glimpsed amongst the heaving throngs of somewhere like bar 25, followed on by an abstract slow burner which sneaks up on you with its sneezed vocal snippets and jangling bassline. talon, a real dancefloor creeper, clips along insistently and the final track, with its bass-guitar and pulsing synth line rounds of the record in perfect ethereal fashion. as akiko puts it herself, >deepness, depression, beauty, irony, fun - these are keywords for my music also my life itself<. you can definitely feel that there is much more thought put into these productions than just purely the need to move people on the dancefloor.

redux kick off 2011 with an absolutely superb debut release from white elephant - a super limited 10 inch only release of rare balearic bliss! white elephant are benjamin smith (smith & mudd) and jim baron and chris todd (crazy p), so expectations for the collaboration were more than met when they delivered this sublime cut. on the flip, merc supremo mark e expertly reinterprets the stunning a side with one of his best remixes to date, keeping the vibe or the original intact, but taking it into solid, floor-shaking beatdown house territory.