having finished recording the new zombie zombie album (out: april 2012), etienne jaumet leaves temporarily the duo to record a solo piece, as a need to find oneself again … if the word satori means spiritual awakening, the title track that offers etienne seems to describe the way to this awakening … a winding and sometimes dark path, taking inspiration from both dark disco and synth wave (etienne is particularly keen of those genres, you can listen to his new podcast for versatile records as an evidence) and also to some kind of trance… on b side, jon convex, newcomer on the dubstep / uk garage field and signed on martyns label, delivers a clearly club oriented version, by injecting syncopated beat and the funky groove unique to uk garage.

spider silk on the a side is a funky stepper of extreme darkness. its epic feel shall make it a hit on all techno, idm and dubstep dancefloors. 8 blip is a short straight tech stumbler with a kick drum as deep it will only be audible on proper soundsys- tems – which is where we want to hear those tracks anyway. litiv is a piece of rare beauty – simply amazing. lakker are a fascinating duo from dublin who have released on several labels and recently got dj support from none other than aphex twin.

still relatively new on the production scene we are happy to welcome a fresh injection of new talent chube.ka to intacto records.
drowned with lies: expressive and expansive. drums create the depth while the high hats spark to create a thick, rich rhythm undercurrent. a rich playground of subtle effects combined with the spoken word that inspires the track title – makes this one hell of a cool and sexy groove.
give you back vocal mix: super-woofered muffled madness provides serious dance output that throbs relentlessly .. then the vocal duo soar in with their lovers tune.

after few months of research the rks duo is now ready for a new sound experience.
back in the day is the way and the house funky producers based in berlin are trying to do it compromiseless. >sunny moments< is a complete deep house raw track, the sweet voice that comes from the past works in a loveliness drum machine game with a synth that runs like the detroit school teaches!
>the dancer from san francisco< is a short funk gem that hits the brain and makes you move your feets, the samples play well, like the rks production wants!
>there was summer< is a detroit minded track, the pad play into an hypnotic synth game, a flight into space, a complete hi-tech experience.

following their last 12 inch from nightwave, svetlana industries remain in their eastern european heartland with a long awaited ep from 1000names, the bulgarian production duo who made their debut alongside rustie on the now legendary >beatnicks< ep back in 2007. the >machine city< ep follows 2010s album and ep for black acre, as well as mixing for mary anne hobbs on radio 1 and recommendations in pitchfork. the ep marks a development from 1000names, taking giant steps on from their base in the beats scene towards a new sound, taking influence from giorgio moroder and analogue synth disco to imagine a future both optimistic and dystopian. it is like john carpenter meets hip hop and it is as good as that sounds.

next up from abstract forms is part two of the combined ep series, again the focus being on outer-worldly electro jams. the artists on offer are versalife who has already made a big impact on the recent clone west coast series and matti turunen, otherwise known as one half of finnish electro duo morphology. together they offer 6 tracks of electro music ranging from fast paced, but deep and spacious compositions, to slow and sleazy bump and grind electronica.well, thats what we call it, see what you think.

look sharp. kap bambino is a stampeding punk-rock juggernaut,and its hurtling this way. unlike most assaults of lawless rock n roll ideals, its not powered by guitars,or rather any live instruments whatsoever. the empowering eruption of frenzied discordance, space invader sucker-punch beats and caterwauling incantations conjured by the bordeaux duo, caroline martial and orion bouvier, is the result of harnessing the unruly spirit of bands like suicide and nirvana, then feeding it through a tangled web of samplers, synthesisers and software modules. the result is a more immediate, more kinetic and more inspiring show than your likely to witness from any of the baggy-shorted buffoons 2009 tries to throw up as punk-rockers.

2010 saw the trans-atlantic combination of american erick morillo & european eddie thoneick hitting the studio and creating a dancefloor bomb! the duo team up agan with vocalist shawnee taylor for stronger with remixes from tristan garner / chuckie & gregori klosman this has been smashing up the clubs all summer long.

with their new label rauh (german for raw), the duo session restore provides the evidence, that contemporary forms of techno and dubtechno link to harsh, dry and loopy patterns and thereby follow the tradition of techno. on closer listening though it reveals music of fine arts with melodic parts and hypnotically notes, which omit any form of gaudiness. rauh is tradition of electronic music with a new livery. there will only be exclusive tracks of the duo, rounded up by remixes of other emerging artists.

title track >lasers are forever< combines arpeggiating analog squelch, lush synth atmospherics and subtle percussion sequencing to lend itself an uncommon sense of drama, the effect of which is both compelling and visceral. on the flip, >hello darkness< takes a somewhat different approach: an imposing arp 2600 bassline pulses along front-and-center with a relentless acid-tinged snarl, while pounding drums and swelling pads complete this most banging of danses macabres. on remix duties are throne of blood alumni remain & mlle caro, who retain the key elements of their source material only to reveal an entirely different beast lurking beneath: the parisian duo take down the tempo a few notches and let swelling analog filters and unfurling lfos do the rest. meanwhile, get the curse music boss clement meyers deformhaus remix of >hello darkness< tightens the originals percussion to an industrial stomp and introduces a spooked-out synth line every bit as funky as it is uncanny- the end result lands somewhere between the boneyard and the discothèqu

>die dub-version von tensankes< >need your lovin< ist anfang 2010 auf der >coma cat ep<, der erfolgreichsten vinyl-maxi des vergangenen jahres, erschienen und avancierte neben dem titeltrack zu einem weltweiten clubhit. das geheimnisvolle italienische duo tiger & woods hat nun einen discoiden remix mit mächtig pumpender bassline produziert. außerdem ist auf dieser limitierten, im silberfolien-cover kommenden maxi der bisher nicht auf vinyl veröffentlichte vocal mix von >need your lovin< enthalten.

limited series is back with an explosive duo! pheek do his first appearance on sic joining hubble into the eebb project.already a master piece.

former member of french duo lownza, lowris develops here his solo project futher. while his first record along with chris carrier received the highest praises, his presence on piemonts remix album, next to jay haze or uner, shows that lowris is gently tracing his own path in the electronic field. the >carambar de toi< ep gathers a collection of generous and warm deep house sonorities. spectral sound new recruit pawas is on remix duties for the title track of this third popcorn release. on his version, pawas blends pads, drums and guitars with a round driving bass. freshly signed on poker flat, is frenchman andrade who offers here a gliding reword of >jackin oz<. the original version is a subtle track structured by a frank bass and a distant sonar.

having played host to the first two daphni edits 12 inches, resista return with the label debut of one tom croose.
one half of ny duo worst friends, toms previous discographic output was a limited & stamped 7 inch that featured a killer edit of the macs >never going back again<. for resista no. 3 he delves into territories brazilian, with >cho chua<, a faultless rework of a certain tropicalista, designed for discerning dancefloors, circa ad 2011. he loops up the swinging guitar intro, which combined with the vocal hook makes for a heady mix. its an uplifting, joyous ode to all things tropical!
on the flip the >dukes dub< is a subtler more restrained version that makes greater use of effects and surprisingly brings the songs percussive elements to the fore... not quite as direct as its sibling on the a-side but definitely as effective!

hiding behind their three character website is a belgian duo called goldffinch whose steep vision of dancefloor techno marries loveable little phrases of awkward computer conversation with the kind of kick drums that will rattle the windows of your neighbours house when your soundsystem is tweaked perfectly. goldffinch may well be a duo bent on keeping things simple but when the end result, which is built out of such minimal layers, is so arresting, there’s no need to change the formula. not one bit.

even those of you living in a cave in the last couple of years have heard of azari & iii, the celebrated production duo from toronto. best known as their founding member, alphonse alixander lanza iii is an old timer with his earliest productions dating back to the raving 90’,s. on gtcm08, alixander iii flies solo and delivers a superb ep that showcases his darker, edgier side. with three origi¬nal tracks each more harrowing than the other, iii expands and enhances the gtcm signature sound. this here is an ep for discerning djs who refuse to fall for the cliches of mainstream dance music and who have the confidence to unleash such powerful tracks on the dancefloor.
support from laurent garnier, stephan bodzin, slam, troy pierce, brodinski, dj hell, mr g, deetron, lee curtiss, nuno dos santos, erol alkan, paul woolford, master h, the hacker, arnaud le texier ...

ah yes, the carter bros. the mysterious duo from down under who put out a 12 inch on rush hour recently. wild cats ep holds four cuts that represent the carter bros sound, which can only be described as an eclectic brew of dancefloor detonators. it starts out with >i didnt need you<, a devastating grower that gets into your brain and burrows a special little place for itself. forever. then, the title track, which is strictly deep, pumping and emotional vibes for the discotheque. on the flipside, >run< is skank-tastic business. already charted by the likes of radio slave and others. the ep ends with >no caller i.d.<, a track that shows the depth of talent these two brothers(?) really have. limited to 300 copies. vinyl only release

remixes from label owner kirk degiorgio and dutch maestro tj kong (erwin van moll aka max404) of >rapture< - the debut release from the different worlds duo claude young & takasi nakajima. degiorgios mix heads straight for the dancefloors peak time, whilst tj kong goes for a euphoric melodic take that is perfect for those early morning sets with its uplifting feel and gorgeous breakdown.

a very high quality production for wonder wet records. on the second release, we reset, the dj/producers duo from the capital, well known for their overwhelming live sets, makes its debut.
the productions of we reset are the fruit of their love for live music. folco and alessandro are two roman producers born to recreate in studio the atmosphere of the dance floor through hot and melodious sounds often created with the use of anologic synthesisers built with their own hands. nothing more and nothing less than two best friends who love to making music and spending intense and rewarding days doing it!

platt & samrai aka swing ting veröffentlichen mit >creepin< ihren ersten release unter dem namen ihrer monatlichen clubnacht in manchester, die zu den besten veranstaltungen der stadt gehört und wo eine mischung aus garage, grime, reggae und hip hop gespielt wird. das duo ist von anderen künstlern aus manchester wie zed bias, marcus intalex oder illum sphere beinflusst und präsentiert eine ganz eigene version von elektronischer musik. dj support von brackles, wifey crew, matt iq, xxxy, mr scruff, hoya:hoya & co.

after 18 months of intense work in the studio shades of gray are finally ready to release their debut album >soul machine<. the duo have progressively established themselves over the years by releasing consistently solid tracks for labels such as neurotraxx deluxe, salted music, om records, dark energy, tronicsoul and of course their home label beef records. the album is a definite progression for sog, heading deeper into the sampling territory and drawing on whats come before to define their vision of the future sound of house music. reinterpreting influences from soul to disco through the sharpened lens of 2012 production, sog have delivered a stunning collection of tunes that have that instant classic feel that will remain relevant for years to come. this vinyl sampler features the title track soul machine with a deep interpretation by eric volta aka kid dub. on the flip side we have a party monster called back to the future with a huge disco/tech remix by peter horrevorts who has been doing really well lately with his releases on trapez, tronic and beef - special transparent vinyl pressing!

audiojack return to 2020 after a year or so setting up their imprint gruuv. the new single >get serious< shows the duo not only mature as artists but also develop and hone their sound to new house themed productions. the title track is state of the art bounce in a box with a killer vocal hook, >let the rhythm take you<, meandering around sweet insistent stabs. its been smashing terraces, rooftops and discotheques all summer and now its finally available for our select dj friends to carry on the vibes through autumn. >polka dot dress< comes spotted with a sound originally created on the classic korg m1 synth and used by mk to devastating effect in the 90s. audiojack have then sprinkled their magic dust on it and added sweeping detroit techno strings, tight drums and healthy amounts of bottom end rumble. as we look forward it is important to know your roots and audiojack show they know their house history by covering the all time classic by the backroom - definition of a track. no samples at all were used and the guys worked out and replayed all the synth parts before adding new vocals from kevin knapp. by beefing up the original we hope a new generation of djs and clubbers bust out this amazing track. it deserves to be heard again and is produced and primed for todays dancefloors.

taking us deeper into the night are the four remixes: london veteran seiji fuses house and garage for a 6 minute roller, dfas juan maclean delves into his deep house roots with his new peach melba project, london duo compound one pay homage to gabriels uk garage roots with sweet old school 2 step and hyperdubs ossie turns in a decidedly trippy uk funky hybrid.

joe goddard is surely one of the busiest men in the world of electronic music: writer and producer behind the world-conquering hot chip, acclaimed solo artist, travelsome dj, prolific remixer, one half of the emerging 2 bears house duo and one of the founding members of the greco-roman record label and party collective. goddards first solo material in 18 months should open with a chorus of angels, before title track >gabriel< strides confidently into familiar territory of londons clubland and its rich musical influences, this time goddard choosing gospel and house as his parameters to create a bone fide underground radio and club hit which currently sits on the bbc radio 1 playlist.

the great strength of feindrehstar lies in their engaging and dynamic live-show on the stage. if you see them once, you must see them again. whether metalhead with a glass of beer, a dreadlocked queen or standard- issue club-goer, this band moves everybody. that feindrehstar also crafts music that from its source warmly hugs the listener is another plus they have going for them. these are supported on the latest from musikkrause by producers such as axel reinemer (jazzanova), michel baumann (soulphiction) & wendelin weiflbach (metaboman, krause duo).

with the 4th release the original 303 continues! acid attack ep contains two original tracks from the masters franky jones and stanny franssen. the two experienced djs found each other inside the silver box. acid attack is a hard acid track with the bpm going crazy at the end. and acid trip brings you to a higher state of mind. last but certainly not least, the truly acid attack-metacid remix, this belgian upcoming duo will bring the dancefloor to another peak-time moment. be prepared!

two producers on duty for gerds palm leaves remixes. sometimes an amazing track like palm leaves just screams for a rework by someone who really could do something nice with it. and this seems to be the perfect remix duo... larry heard aka mr fingers and deetron. one for the body and one for the soul! enjoy!

the debut ep from mysterious parisian techno duo, kartei, starts off with the renaissance style >lichtgarten<. in its unreleased state, the 15th century style arpeggio and driving beat already turned heads with appearances on some legendary legowelt dj mixes. sure to be a hit. check!
but that is not all, you get more bang for your buck. the record continues on with a modern track reminiscent of >hot on the heels of love<, and the heavy kicked aquatic space styled >transponder<. and that is just the a side. the b side is big room convextion/basic channel style techno and a gentle come down ambient track. fresh, classic sounding techno from france.

titan’s halo records presents alpha beta gamma remixes, an e.p that includes two reworks of the labels third reference by duo brain machine made by irish producer boxcutter and the bulgarian beatmakers 1000names.
the result is a special 10 inch record that will help the cross-pollination of genres as it throws the original track into the sweet sensations of deeper cosmos while it nods some heads and knocks minds.
this 10 inch artwork has been crafted by titans halos designer pablo sanz, while the mastering process was engineered at eternal midnight studios by xergio cordoba.

nobody does it like gamm does it! the second part in dj will-rocks duo of heavyweight eps, jam packed with dancefloor jams, upended and amended for maximum impact where it counts from deftly executed hip hop blends to surefire disco & funk rewires, its all 100 % proof!

these fellas hailed from leeds, and apparently have some sort of morbid love affair with balconies... mystery meat is on a tear these days and continuing to up the ante bring you a trio of terrific reworks from leeds finest, the dashing duo that is death on the balcony. paul and mark have been on the forefront of the deep house and disco world for a number of years now following a killer contribution to soul claps 2nd free.p >cruel banana< not to mention their >adventures of soul clap podcast - downtown:uptown<. fast forward to 2011 and the boys are on all of the top labels of the moment, including culprit, silver network, airdrop and their own magicbag. its no wonder then that their contribution to the fabled mystery meat imprint is anything short of stellar. >get out of your world< is an electro boogie monster, already melting down dancefloors from london to los angeles, berlin to beijing and back again theres just no denying that bassline! >what is dub< takes things more melodic and dare we say deeper with a hypnotic vocal that you just cant get out of your head. rounding death on the balconys ep out is >if you want my champagne<, a bouncy house re-work of one of the 80s finest voices. bounce to this!

lumisokea join eat concrete to release their debut album >automatons<. the belgian / italian duo formed by multi-instrumentalists and composers koenraad ecker and andrea taeggi bring forward an eight track album filled with refined microworlds of exciting electronica and acoustics. although the limited vinyl ep uses only four out of eight tracks it comes with a free download code to the full album.

diynamic is back to release its 053 ep. this time its a classic 4 tracker showcasing some of the finest young talents in house music. after their hit single ‘deep in the three’ on 2diy4, adriatique and thyladomid are back making their debut on mother label diynamic. ‘the l way’ is combining a emotive vocal line with warm pads and a driving bass, for a fresh yet deep sound. „touch me“ from italians newcomer hunter_game is a very deep and sexy track with nice vocals and very smooth hypnotic sounds. on b1 the two romanians ntfo make their second appearance on diynamic. ‘feelings’ is a housejam of highest calibre. with chunky bass stabs, funky-muted guitar sounds and a crispy hookline this song is made to make you shake. ‘smiling faces’ by london-duo app shines with its laid-back groove and its trippy vocals. the breakdown unfolds into a new wide dimension before coming back with a strong groove. quality time is guaranteed.

phonokemi are one of the most exciting electronic musical exports that denmark has to offer. and that means really a lot, if we think that since many years now a very innovative and exellent techno music scene is growing up in our neighbour country. it is also no wonder that the duo regularly provides berlin label highgrade records with some of our most exciting new releases. the pair has repeatedly demonstrated that the combination of an experienced producer (jacob phono thiessen) and a first rate dj (kim kemi) is a winning combination that ensures the production of intelligent tracks that always make more than their share of revolutions on the worlds turntables. this latest ep is no an exception.

recorded over the past three years, across the creative trinity of berlin, brooklyn and the sleepy hollow town of hamilton, near niagara falls in ontario, canada, new looks self-titled debut album is a feverishly anticipated affair. the canadian future pop duo and real life couple, sarah ruba and adam pavao have an undeniable creative synergy, combining the stunning, synth-playing chanteuse and former model, 25-year-old ruba (previously shot by the likes of cult fashion provocateur bruce weber) and multi-instrumentalist, 31-year-old producer pavao. there is a confidence and wit to their songwriting, coupled with cosmic tweaks and soft synths underpinning their future pop aesthetic. its controlled yet wistful pop perfectionism.
including code for free download of this album.

originally released in 1985 for chris carters >mondo beat< lp on conspiracy international, >moonlight< is getting a long-overdue single release of the original and reinterpretation from neurotic drum band. a long-time fave of jd twitchs, >moonlight< was a hit in the late 80s with a much-slowed down bootlegged version on the belgian new beat scene and amongst the italian cosmic djs. the ny duo of ulysses and john selway, aka neurotic drum band, recreate >moonlight< keeping the original feel, slowing it down just a touch and ultra cosmic-a-fying it for an ultra-headtrip psychedelic spaceflight! as a special bonus, there is a digital-only remix from oneohtrix point never. its the sort of drone, dark ambient sound that fans of opns daniel lopatin know and love. bliss out… for those who may not know, chris carter is one of the founding members of throbbing gristle, partner with cosey fanni tutti (knows as carter-tutti and formerly recording as chris & cosey) and has been working with sound for over 40 years. for an extensive biography and up-to-date info about his current projects.

emanating from japan, and discovered by erid d (of rub n tug fame), these re-edit masterclasses would never have gotten outside of their native market. luckily a helping hand from one of nycs most hyped party throwers has guaranteed a wider audience!
all the combis so far have sold out in a matter of days and are now exchanging hands for silly money. this release has another glorious duo of obscure but super high quality dancefloor friendly edits.

the reinvigorated dfa imprint is back & joining them is mock & toof, a duo who have firmly established themselves as ones to watch. for this ep k-choppers starts things off in a slo-mo disco fashion on the a-side. brownbred carries the torch flipside with a latin percussive disco hit.

trust now is the keystone album of brooklyns prince rama. the album takes the kaleidoscopic mysticism of ancient devotional music and focuses it through the fierce urgency and archetypal language of pop, forming an environment that is both accessible and impenetrable. deep synths rise from a sparkling sea of gamelans and prayer bells as tribal drums pound the earth with the hypnotic power to heal or destroy. voices carry captivating and haunting melodies that shine like the diamond jewels of old bollywood soundtracks spilling over dark wave dance floors.
first conceived as a ritual to be performed live, the songs were fittingly recorded inside a 19th century church in seattle by scott colburn (sun city girls, animal collective, arcade fire). as their 5th full-length album, and first as a duo, trust now is perhaps prince ramas most focused, cohesive and powerful album to date.
comes with code for free digital download of this album.

the allmighty prspct arsenal gets expanded bigtime with the coming of prspct xtrm. the name says it all extreme.. over the top underground vibes!
the first release sees the dj producer going head to head with bong ra in a collaboration that is just too much. it starts off with >the abominable<, a track that is insane in every way. heavy hardcore kicks combined with destructive jungle breaks is something only this duo can combine! sitting firm on the edge of hardcore, breakcore and dnb like only these 2 can. >bloodclot techno< is something totally different.. this one focusses more on the jungle/break core side of things but combined with almost terminator esque vibes. definably an epic production if there ever was one!

a true product of torontos thrillingly cosmopolitan grooving pot, this chinese-italian duo is quickly earning a rep for crafting highly effective acid tracks with just a hint of banger. they initially earned notice with their first ep, >vaporizer<, on this is music, before making fans out of some big names with these tracks, with brodinski championing >body acid< and forcing turbos a&r vibetrust to perk up their unbelievably jaded ears.
if you arent sold on the ontario-buzz, then maybe you will pay attention to two awesome remixes by the bombest bulgarian, kink. the deep mix is a lush, throbbing body-rub, and the acid version is a highlight-reel of peak time mayhem, already caned and charted by erol alkan and tiga. if nothing else, >body acid< is a vital reminder that acid goes into your body. thats just the way it works.
stamped white label, limited to 169 copies!

daphni is the alias of dan snaith, aka caribou, a man who needs no introduction, having conquered the hearts of music lovers around the world with his latest album >swim<. we at amazing sounds are very proud and excited to present a dancefloor centric release from dan following his seismic reworkings of radiohead and virgo four, - >ahora< is a slinky, trippy, eastern tinged piece, with a stunning, tweaked out synth riff that blows apart the uneasy equilibrium. on the remix tip are margot, border community s super gifted italian duo, who deliver an even more wonky take on the original, with pinwheeling oscillations, burbling flutes and subdued piano notes.

panacustica’s fourth release is amongst cosmic metal mother’s finest work. “time is now” the track in question, defies definition by mastering a style on it’s own, by fusing elements echoing from prog-rock drenched with emotional content into an adult and contemporary way of delivering which is unique to the cmm writing style. the original is melancholic bliss. a vocal line at the center of the piece whispers words about oscar wilde and mr. death accompanied by a cello melody that grows bigger and bigger into an angelic cascade of notes. the track begins and ends in the most bare way with just a drum beat leaving you with the feeling you have just entered a loop where time is irrelevant. commodity place has the second cut of the a side. the duo from rome, known in the global underground of the vinyl tribes for their signature guitar style, chooses to call their mix “experience”, clearly paying homage to the gods of rock, delivering a guitar solo that will fire up your speakers and fill your eyes with the brightest psychedelic colors that we all so desperately need in this age of grey anonymity. the b-side is a full eight-minute mix by the man who needs no introduction and made us all dance since day one, larry heard, a.k.a. mr. fingers. his version is a fast “four to the floor” track, where a shaker drives the house beat into the melodic lines and voice borrowed from the original, making it one hundred per cent dance floor efficient with the modernity and mastery of his touch

copenhagens northern structures duo return on sonic groove with their second release entitled service & devotion . their debut release hit the scene with a strong bang. earlier this year you could not attend a proper techno event in berlin without someone dropping a track off their debut self similarity ep. djs such as ben klock, marcel dettmann , tommy 47, chris liebing , rolando & milton bradley were all playing it amongst any others. now back with their second release, northern structures follows up perfectly with three more songs of well crafted industrialized dark pumping techno. contemporary techno at its finest!

in its original form, holy ghost!s debut album cut >hold my breath< is, pure and simple, great dancefloor electronic pop, in the hands of shadowy duo tiger & woods, the song has been totally reshaped and refracted through 80s r&b radio. they have slowed the pace and inserted synth-funk hot flashes that recall prince – and, no kidding, the time, and jimmy jam & terry lewis – to create a mood that fits comfortably (and pleasurably) within their future boogie m.o. cosmic kids ron poznansky and dan terndrup have taken the track in a more tensely dramatic direction. it might be the vaguely darkened synthline upon which much of that track sits that lends itself to its more intense feel here, and gives it such a pleasant nocturnal feel. finally, theres falty dls re-envisioning, which goes down awfully smooth for a track so full of the big, thick, bumping bass beats. it’s an aural pleasure to find yourself dreamily lost in the brooklyn, new york producer/djs halls of reverberating sound.

various artist collection that includes a tasty track from tunisias khalil lajmi followed by another submission from the amsterdam duo duijn & douglas. on the flipside youll find label boss joe babylon and >issentec< along with macedonian artis denny trajkov with his dubby >miliz<. enjoy

here it comes, straight from the heart, the carry on theme by the masters of all things house: motorcitysoul. the sanguine composition comes in two original versions, as each member of the well regarded production duo brings forth an individual approach on the topic. making the release a sure shot three pointer, the remix by good guy mikesh & filburt completes the package in an eclectic way. merging proto disco elements with minimal deep house they manage to stretch the musical approach even further than the original versions.

bit of a special release we have here with a new collaborative project from belgian duo fcl joining the omnipresent danilo of motor city drum ensemble for some seriously raw, stripped back and undiluted house music. most people will know san soda and red ds fcl project following the brilliant lets go seven release on their we play house label last year as well as their remix of proof for trunkfunk. mcde has become one of the biggest and most revered names in house in recent years having produced the amazing raw cuts series as well as compiling the dj kicks lp which spawned the mcde single l.o.v.e.

once again, erol alkan and boys noize have teamed up, for what has become a stunning re-imagining of last years smash single >avalanche<. determined to avoid a taking an obvious route, the pair originally intended to commision a spoken word interpretation - the natural choice was the melifluous jarvis cocker. on the remix tip the duo enlist the maestro himself ewan pearson, who supplies the deeper underground re-version, that reroutes proceedings to dubbed out berlin basement afterhours to stunning effect. not to be out done, hot talent canblaster interprets the original as a low-slung bleeptastic old-school electro workout that rounds the package off in glorious style.