the ecstatic sounds of a fruit machine spewing out winnings or a computer game bleeping a player upwards to the next level chirp and bleep all over ‘true beauty (and other things), a jubilant and chaotic tape from philadelphia’s nah aka michul kuun. his first release under new alias michul kuun, the seven track album lurches between church bells, angsty video game chimes and battered drums (kunn pummelled drums in punk band 1994! in the past). there are flashes of mutated house and techno (“threes, threes, threes” and “written house”) as panicky, stammery rhythm structures are built up, battered down then kicked around. “taking station” seems like it’s going to be the most mellow, almost melodic jam, then rounds off with a solid minute of air horn, before exiting on what sounds like a motorbike through a swooshing traffic for jittery finisher, “follow thruu”. - claire sawers, for wire magazine

excise is thrilled to host san francisco underground xture max gardner on the label’s 3rd vinyl release. max runs the legendary californian party crew direct to earth and he’s equally a hypnotic dj selector and highly skilled synthesist. as you’ll see on this release max’s tracks are not only excellent dj tools but also deeply interesting for close-listening: truly unique electronic music dif culty to pigeonhole into a genre. “mona loops” is an immersive experience on club speakers as an eerie high-pitched synth line twists in unexpected ways over powerful waves of bass. next max remixes label co-owner muon’s track “kmc” redefining its raw elements into a blitzing four and half minute romp held together by a jagged low-mid frequency lead line. “broken pinkies” is hard to de ne. all we can say is it embodies the feeling of the san francisco all night underground world more than any single song in recent memory. it begs for repeat listening. yan cook joins the excise family for a banging remix of “broken pinkies”almost shocking in its spin off the original. we’re huge fans of yan over here and this track embodies what we love most about his productions - groovy but with serious bite.

following a red letter release in the form of joe armon-jones & maxwell owin s idiom, yam recordings return with the second installment of their you and music compilation series, this time compiled by yam fam hollick & z lovecraft. kicking things off on the a side is native cruise, a new artist hollick has been working extensively with on no bad days, bringing that signature ‘floaty yet punchy’ sound. it’s a kwaito-esque club jam with pan flutes and percussive loops bringing that energy to the start of the record. will listers sunset over st. petets spire is up next with a hypnotising yet intricate production from the hugely promising talent. will is a dude very much affiliated with yam and, of course, our pals over at balamii radio so it only seemed natural to have him on the record. that melody is a proper ear-worm too! the b side, curated by z lovecraft, is a slightly tougher affair with three tracks representing his taste in soulful sounds and expands on his a&r work for rhythm section international. first up is rouge me&#769,,chaniques prisma ltd a 7-minute psychedelic drum odyssey showcasing the multi instrumentalists many talents and influences, with guitar overdubs and flute ambience taking the dance floor far and beyond. on b2, upcoming break beat talent, lt, takes the helm with gale force. hailing from the peak district, lt makes work of deep vocal pads, 606 touches and a killer bass line. finishing off the compilation is wholemeal musics boy wonder, dear earth, who conjures a charming hip-hop ditty with his delicate assemblage style.

monday off is a vinyl only record label from brooklyn, new york, founded by mary yuzovskaya. its ethos is to showcase artists that explore techno s hypnotic side, specifically where trippy and dark productions go deep yet dynamic. its second release is -various artists vol. 1- and is comprised of a trance-inducing deep dive from soramimi, cory james s thundering psychedelic techno, skittering and hypnotic propulsion from arthur kimskii and a mesmerising sonic journey care of chanski.

january 26th sees dj deep, setaoc mass and akirahawks take control for the first of three drops on parker s own work them records imprint. following months will see two further 12s surface with radio slave, fettburger, italojohnson, rising sun, nic fanciulli and tijana t versions. released on the berlin-based label earlier this year, different shapes and sizes comprised three eps which displayed a variety of parker s house and techno directions. subsequently, cuts from the ep have become summer staples for the likes of ryan elliott, the black madonna, honey soundsystem and midland. on ep01, parisian legend dj deep continues an amazing run of form this year with two subtle but powerful versions of shape fascination while homopatik and buttons resident akirahawks moulds riff shapes into an off-kilter disco creeper. work them records and figure artist setaoc mass closes the ep with a strident interpretation of shape fascination

the mighty one-man-band with the most notoriously misspelled airport pick-up signs in music history returns to his beloved hometown imprint musique risquée with a scorching three-track can of shake-ass. guillaume & the coutu dumonts is never one to shy away from fresh contrasts in his works, and we have no exceptions here - all manner of dark-to-light, flacid-to-hard, and identifiable-to-wtf? moments, sounds, and vibes abound. lead-off piece histories vraies brilliantly soundtracks the inevitable future moment when a season-premiere costumed viewing party for game of thrones unknowingly gets their punch spiked with moon rocks and teleported right to the middle of panoramabar at peak time. a2 jam far is the field counterattacks with the next level fusion of sun ra arkestra-esque transmissions wrapped around a humpty dance-on-steroids bassline, twisting and shifting away from the hands on the clock with beautiful ease - i am music.. indeed. finally, b-side long-burner whatevers inside rocks a sultry belly dancers theme song at an fm and modular synth bazaar on uranus, with g & the cds patented sharp percussion fills ensuring that the resulting melted faces and hearts will still be set in motion by the all-important collective flexing of the gluteus maximus.

nice price deal !!! zsa gang are here to fuck shit up. the gang are: max d + jordan gcz + juju + pissflaps

nice price deal !!! single life. the a side is urgent, angry and slamming. djs with kahunas will be playing these. just let doesnt feel right ride. it murders 2nd try is straight up industrial bananas, cant wait to see what happens when this is played out. the b side is full of sadness, longing and regret. single life is the artists favourite cut of the ep and i think you should know that. still waters is probably what it feels like to feel like shit and dive into a deep reservoir in the middle of the night somewhere remote where you could just drown and die without anybody around to help you.

disco disco disco

move d (david moufang) and jordan gcz (jordan czamanski) are back again on wax after a hiatus since their 2015 live in seattle album, on further records. here they team up again for 2 ice hot and slow burning studio jams - recorded this year in amsterdam immerse yourself. tip!

2014 anthology of classics & rarities curated by longest serving member & current arkestra leader, marshall allen. newly mastered from the original tapes.

andy kolwes * off the reel ep* released on vinyl only, proves once again that kolle is one of the hottest producers around. timeless electronic music o the highest order.

10th anniversary limited edition on translucent 180 gram vinyl.

spezial offer!!! form and function’s second release comes by the hand of a. brehme. over the years the brussels based artist has build a solid reputation as a dj through both frequent appearances as well as curating his own nights at fuse club in brussels. this alongside being a coresident together with peter van hoesen at technoon and playing in clubs such as de school, grelle forelle, suicide circus and more. after years of silent but devoted work in the studio a. brehme is ready to release his debut ep consisting of four powerful cuts that perfectly reflect the sound and mindset he gained his reputation with.

on the a-side things start of with “inityiat” which simply can be seen as a distorted form of “initiation”. starting of hypnotic, the track slowly progresses adding a plethora of subtle percussive elements. an ethnic and mysterious chanting complements the latter throughout the sonic voyageand caters for a promising start. part two of the a-side, “hata isler”, takes off where “inityiat” ended, but amplified in strength. subliminal voices manipulated harmoniously into the pads are mixed with sophisticated alternations of snares and hats. the result: a perfect continuation of the spirit the first track. side b commences with “insan”, a title that serves the track right. straight forward, upgrading the tempo of the previous tracks into a drive that’s impossible to resist. the maelstrom of drones and soundscapes on a layer of thundering sounds, induce a new stage of sonic hypnosis, until it gradually phases out into silence. “tzotzil” on the other hand is a skillfuly crafted tooltrack that’s build around a glooming and reverbing baseline.

ambient shoegaze duo aris kindt launch the new kingdoms imprint with their second album, swann and odette. picking up where their first record (2015Æs floods) leaves off, swann and odette is an evolutionary leap forward for the duo. the sonic palette is deeper, the grooves more sparse and the melodies are given more room to seep deep within a mix so expansive it feels almost tactile. this is heady, opulent stuff. the album is immaculately produced and cunningly arranged to sidestep easy classification while not sacrificing accessibility and authentic feeling. aris kindt is the collaborative project of gabe hedrick and francis harris (scissor and thread). harris has previously released the albums leland (2012) and minutes of sleep (2014), both of which have been lauded ôfor (their) extensive use of live instruments, a contrasting feature to his work done beforeö (last.fm, 2016). building on this approach, hedrick adds his own sonic signature in effects-laden layers of electric guitar and modular synthesizer. collectively, the album swells and reverberates to create a seamless interplay of synths and instrumentation cast loose from their origins and awash in oceanic delay.

yandom are not new to the scene. but then again they are. the project has been kicked off by yannick labbe and dominik marz, already renowned producers and djs before they decided to join forces in in january of 2017 with their remix for dekodeko on leipzig-based label ors. yandoms productions are discoid excursions to the dark side a sound spanning from leftfield italo-esque productions to straight up techno-bangers. a sound already loved and played by artists like michael mayer, solomun, kornel kovacs and many more. at the moment, yandom are working on eps following their next release on &nd music (scheduled for september 2017). as djs, yandom deliver an infectious and very musical freestyleapproach, dropping anything from techno to vintage classics and held together by a strong foundation of electronica. a yandom-set is anything but random and yes, they do look as good in reality as on the photos.

million brazilians formed in portland, oregon in 2006. founding members grant corum and suzanne stone have been central to the band since its inception, while a rotating line-up backs them depending on the latest vision for the sound. tip! the band carry out their own interpretation of a genre bending ethos that has evolved throughout the american underground. drifting between boundless compositions, focused energetic improvisations and experimental collaborations that embrace a weird sort of transcendence. their next installment red rose and obsidian was recorded in maine and engineered by big blood’s caleb mulkerin. both he and the band deliver a powerful yet fragile and personal release. the mythical and evocative recordings are inspired by maine s rugged coastlines, mournful ripples of sound wash up on the shore, whilst a lonesome, at times harrowing saxophone drifts through the rolling mountains, providing unsettling melodic interludes. electronic treatments veil organic sounds, a fleeting whistle meets spontaneously with spacey flutes, mutated rock rhythms are topped off with the soaring vocals of suzanne stone who leads the listeners into the magical world of the million brazilians.

disco fruit s sister label is coming. please welcome to hellcat tunes! label will be dedicated to release quality house tunes in many styles. tonbe (label owner) has reserved first release for the well known canadian dj, producer and labels owner (kinjo music and editorial) dave allison. montreal maestro brings 4 wonderful jazzy, slo mo, deepy, housy tunes for the start of new label. these tunes are already released in digital on dave s kinjo music on several eps.

mannheim based music & creative network be9. a fusion of the local underground scene consisting of djs producers and labels from the neighborhood. the first record of the collective by fabe & toby t already gains love by our family and cristi cons. enjoy be9s first piece of wax.

sehr nützlich, dämpft vibrationen, 1 paar (2 stück) hot leuchtet im dunklen

das bandprojekt drums off chaos war eines der zentralen und kontinuierlichen projekte des erst kürzlich verstorbenen schlagzeugers jaki liebezeit (der zuerst meist mit der kölner band can assoziiert wird). anfang der 1980er jahre hatte er eine zunächst lose zusammenkunft von trommlern initiiert, die sich anhand einfacher, sehr verbindlicher vereinbarungen ein rhythmisches konzept schufen, das die möglichkeit zu weit ausgreifenden improvisationen gab. mit den jahren verkleinerte die gruppe die anzahl ihrer mitglieder und verfeinerte ihr zusammenspiel, welches durch repetetive modelle und deren variation gekennzeichnet ist. -monoton musst du spielen-, hatte einmal ein zuhörer schon in den 1960er jahren zu liebezeit gesagt. das nahm er sich zu herzen und konnte diesen vorsatz in kaum einer formation so regelmäßig und inspiriert zu leben erwecken wie mit drums off chaos. in über dreißig jahren entwicklung dieser außergewöhnlichen band, die sich eigentlich nie als eine solche verstanden hat, sind zwar zahlreiche aufnahmen, aber kaum je veröffentlichungen entstanden. in den letzten monaten seines lebens hat jaki liebezeit jedoch mit seinen kollegen reiner linke, maf retter und manos tsangaris einige stücke ausgesucht, die bald auf vinyl und auf cd - in je unterschiedlichen sammlungen - erscheinen sollten. nun, nach dem ableben liebezeits, soll es erst recht auch dazu kommen. - mitglieder: jaki liebezeit, maf retter, reiner linke und manos tsangaris

nice price deal !!! following on from the in demand subliminal kid release earlier this year, this sick new ep from label boss matt o brien serves up a fulsome diet of deep, dark and mindbogglingly wonky house and techno, in a release that is the apex of matts production skills to date. kicking off, the aptly named gauntlet throws down fuzzily tweaked and flanged raw beats, married to dizzying, tremelous synths, darkside stabs and general dancefloor frenzy. dodaso flips the script, sounding like a million orthogonal genres colliding and combining in deep dub sub space, underpinning the delicate melody while splurges of colour obliterate your senses. this is very different to anything else out there and will appeal to a wide range of djs and floors. rounding off the ep, blackwood freestyle at first sounds deceptively simple, hiding its dark secrets like an insane clockwork puzzle, unfolding like hell raisers lament configuration with each listen revealing uni-maginable contortions that pull you further into the groove.

cult duo rework are next up on my favorite robot with a five track ep that shows off their brilliantly inventive house and tech style. the production outfit of daniel varga, michael kuebler deal in left of centre and freaky house with a mischievous afterparty slant. they have been active for more than a decade now and have credits on great labels like visionquest, items & things, meant and the institution that is playhouse. the brilliantly sleazy “talk it off” opens things up with popping drums, playful lyrics and a steely sound that is designed for wonky basement parties. “valencia” goes deeper with warm drums and synths surging along next to an elastic groove that is propped up by energetic and incendiary chord stabs. it’s a subtle but high impact track that will raise the energy levels on any floor. “think about you” has vocals coated in echo and delay and trippy synths that are lively and off kilter. it makes for a track that is brilliantly loose and undulating and cannot fail to get under your skin. final track “attractive” heads in a much more techno direction with surging drums and hypnotic slithering synths that burrow deep into your brain and seep into the night. it is trance inducing for sure, and shows another side to this accomplished outfit. this is a versatile ep stuffed with killer cuts for many different moments in the night, and each is as standout as the next.

off-world colonies is a label set up by myself, martianman to release tunes under two aliases, dj gaff & cityspeak. this is another outlet for me to continue being creative. while the concept is heavily influenced by the film blade runner, it is also influenced by the industrial future that most science fiction depicts, while remembering the music from the past were are able to shape the future.

ltd brum & bass / jungle 10 inch

nice price deal !!! electro/techy edged proggy 2 tracker. amazing production that should fit in a huge variety of cases

monday off is a new, vinyl only imprint from brooklyn founded by mary yuzovskaya. its ethos is to showcase artists from around the world that explore techno’s hypnotic side, specifically where trippy and dark productions go deep yet dynamic. the label’s inaugural release consists of two spellbinding original tracks from new jersey-based producer chanski, and includes a dance floor burning remix from one of warsaw’s premiere rising artists, michal wolski. each of these three tracks were crafted to mesmerise listeners via their subtle flow, but are powerful and propulsive enough to make them dance!

a strange confluence of sound that sounds part krautrock synth label brain records, part hyperdub. techno haze and synth wormholes with spectacular sound design that has banged at berghain and soundtracked winter night drives. greenspan is known mainly for his work with junior boys and jessy lanza and taraval is a longtime touring member of caribou, but both have released several 12” and eps of electronic exploration over the past few years. inspired by synthesizer minimalists like jd emmanuel, cluster and john carpenter, the two attempted to create a type of dance music with hardware that was indebted to their influences but did not feel intrinsically retrogressive. the idea was to make a type of raw synthesizer and drum machine music that could be listened to beside the hypermodern techno of pearson sound or actress. the cover art is a tribute to a mysterious mural that looms over the hamilton ontario area where the album was recorded. each of the five tracks on the ep were edited down from much longer recording jams which were done with hardware sequencers in real time. the recording was done completely off the floor with no overdubs or added material after the fact.

danish composer the swan and the lake is at it again with his trademark widescreen soundscapes wrapped around eight new tracks of exquisite scandinavian balearica. with the release of his first album -moments- last year on copenhagen’s music for dreams, we were introduced to a unique artistic vision. with one foot in the ambient chill out spectrum and the other in everything from classical avantgarde, idm and jazz, the music of emil svane breum under his alias the swan and the lake is both very accessible yet complex. on his new album -clouds- we see him expand on those same ideas and with seemingly simple means achieve extraordinary strong emotions. opening side a, the jazzy intro of -fresh food- leads us into a sublime piece of hazy ambient groover that could easily be mistaken for a lost 80s production from japan. -clouds over Østerbro- keeps things playfully cool and adds elements of scat singing and xylophones, layered over breum’s shimmering bright chords. while the title suggests we are still on danish soil, this feels like a five minute vacation to a tropical paradise. guitarist johan liepstack makes a guest appearance on -summer in december- which comes off as an understated anthem that could break out into euphoria at any second, but manages to stay in a sombre state all the way through. on the track -plastic pacific ocean remake- we are visited once more by airy vangelis-like vocals which assume the role of a nurturing angel, guiding us to a comforting state of relaxation and healing, as breum lays down an overwhelmingly beautiful synth serenade with chords that hit you right at the core of your most vulnerable state. flip over for the mallorca inspired track -port d andratx- which comes in two versions - part 1 (sun) shines like a perfect escape into that cafe del mar/ hostal la torre sunset while the more deep and melancholic part 2 is aptly named rain. the gentle trickling of -waterfalls- sees breum mimic the eternal cycle of water, creating an organic and ethereal composition that stretches out seemingly without beginning or end. and finally on -heaven’s voice- we see breum in his most epic and emotional mood, as he steers us through a slow explosive force of cinematic sounds. it all ends with a heartfelt spoken word contribution by guest vocalist neonbi.

following on the heels of releases on labels as etruria, cocoon and elevate, italian-based dast makes his debut on off recordings. the ep kicks off with raid zone , a classic and timeless piece of spacy bigroom chord techno. system failure with its unsettling lead takes things more towards the latenight realm. and juan sanchez delivers an even more stomping and peaktime interpretation of raid zone , perfect to destroy festival dancefloors.

someone outside takes us on a journey into space with three pieces of shimmering and emotive techno. constellation opens the ep with a broken rhythm, sizzling hats and shimmering chord stabs. forbidden planet mixes driving percussion patterns with a deep pads. lost city resolves the ep with an energetic bassline and arpeggio hook.

italo-cosmonauts marvin & guy board life and death with superior conjunction. alessandro parlatore and marcello giordani’s four-tracker explores parallel worlds through expert synthesiser sequencing and cavernous vocals features. celestial melodies paired with athena’s stream of consciousness italian recital guarantees superior conjunction’s dance floor devastation. arpadia’s hypnotic theme compliments the title track’s restrained drama, while fantastic twins recital elevates the train of fantastic to an altered state of being. the ep is out on june 16th, right on time for this year’s life & death off sonar event in barcelona.

ltd repress / 1 per customer

braiden s material has been slow to come out since he first landed with a bang on doldrums back in 2010. a turn on rush hour confirmed his status as a producer in command of the chops necessary to get a dancefloor shaking, but this years x years in london ost cassette was a chance for him to expand into more experimental pastures. not so on this new 12inch for his off out label, which finds braiden turning up the heat with some fiercely modern tech house workouts. v.o.l.a.t has the same kind of dangerous earworm armour that made paul woolfords erotic discourse so potent all those years ago. hydroplane meanwhile takes some of the crisp but playful tropes of pearson sound et al and straps them to a thrumming motorik beat

off the leash is the cry of morphed pack animals from a ufo crash site. it’s radiated saliva dripped onto cold machinery burning through circuit boards. .the first transmission morphs from cyborg electro to broken down party frequencies. it’s conspiracy meetings caught on short wave radio. the b side hits it harder, rolling tough with some nasty b-boy party electro and a euphoric hardcore cut complete with acid lines swooping in like winged beast. a fitting soundtrack to a midnight cruise across the landfill dunes as mutants creep into your backyard as the bros sink into the dunes.

12 inch vinyl with printed full colour sleeve - ltd to 500 len leise and salvador ricardo as general purpose have teamed up with anton klint of sweden to bring you a different
the second release for general purpose. this time label bosses len leise and salvador ricardo as general purpose have teamed up with anton klint of sweden to bring you a different structure to a dance movement. suck of the sav is a melodic array of swirling jungle sounds colliding in a rainforest off the coast of jupiter. the beat is deeply moving and organic. anton klint shows his rough psychedelic techno sound with his suck of the sav re-interpretation. a charged and confident club track to lose yourself in, on the dance floor, eyes closed, feet moving, shoulders chugging and chest vibrating. lookout for the switch-up. slim dusty is what it would sound like if you were riding a kangaroo whilst on acid in the australian outback. now imagine that! it’s a bouncy, fun, quirky percussive number that will ensure 100% vibe.

after 18 12- singles and eps, cgi has finally found a record suited for its first full-length lp release, hurt plaza from atlanta s own pamela_ and her sons. pamela_ is the solo music project of alessandra hoshor, an atlanta-based multimedia artist, and 1/2 of evil dance project big ded. their microtonal compositions build up from slow perceptual movements into heavy dance sets full of deconstructed vocals. pamela_ is microtonal, cerebral dance music. fragmented, off-kilter anxiety techno with an emphasis on texture, pattern, and rhythm. familiar palettes are rearranged and presented in a form completely alien, opening new pathways to what is possible within the realm of electronic composition without ever underestimating the power of suggestion…effectively like looking into the eyes of your best friend for the first time agai

the debut album from boney m., originally released in 1976, back on vinyl with high resolution mastering from the original source.

paris-based madben makes his debut on off recordings with three tracks ranging from functional to rave-techno, based on the masterful use of distorted drums and synths.

distinctive tenor singer linval thompson honed his singing craft in his formative years, growing in the west kingston ghetto of three mile, where he was associated with dennis brown, johnnie clarke and al campbell. a subsequent move to new york brought him into expatriate act hugh hendricks and the buccaneers, with his debut recording, ‘no other woman,’ being made circa early 1974 at patrick alley’s art craft studio. a series of other singles followed from his new york sojourn, but the return to jamaica in 1974 led to more noteworthy singles for stamma hobson, phil pratt and lee ‘scratch’ perry, with ‘jah jah redder than red’ and ‘girl you’ve got to run,’ both cut at the black ark for pratt, being the most successful. yet, it was all but a prelude to the breakthrough success he would finally achieve upon teaming up with bunny lee for ‘don’t cut off your dreadlocks,’ one of the most popular releases of 1975, a debut album of the same name, issued by third world in 1976, contained some of his most outstanding material, including the devotional ‘jah jah the conqueror’ and ‘long long dreadlocks,’ the romance thriller ‘black princess lady’ and the anti-rude boy opus, ‘cool down your temper.’

reissue of elton john’s 1975 album “captain fantastic and the brown dirt cowboy”, remastered from the original analogue tapes. 180 gram vinyl in gatefold sleeve with digital download code, lyrics book, scrap book and poster.

off welcomes 2 new techno artists to its roster, spains rehmark, and uk s bahahs. both artists deliver one piece of functional and deeper techno each, all tracks share a raw and analogue feel.

vinyl only
side a: indochina, people, nature, instruments - this is -my trips-. it s a story about far places and smiley people. the other 3 positions on the release are booked for -musical gili- - hindu temples and incenses which let us to zone out. the second track on the side a is an atmospheric remix from jacek sienkiewicz s hands, the owner of recognition and one of the oldest cocoon recordings players. on the side b we find -musical gili- in original version and michael wolski s remix with a strong technical accent at the end. wolski is our man from international day off and technosoul.

in its five years dgtl has carved its style and sound worldwide as one of amsterdams staple dance music institutions. this year the organisation is deepening its focus and vision. therefore dgtl is launching its own imprint dgtl records. the label builds on the festivals musical theme of an evocative cross section of the sounds and styles showcasing forward thinking, cutting edge artists. the one to kick off the new imprint will be the bulgarian hardware wizard kink. best known for his live performances, teemed with explosive energy, which for a consecutive year puts him to the no.1 spot of live acts on ra poll, he is also one of houses most in demand producers. kink has worked with dgtl for quite some time, including last years audiovisual installation transmission tower, where the first track neutrino was born. the melodic neutrino , kicks off with syncopating bassline. its interconnecting layers organically jump over and under each other, reflecting the organic character of kinks live performances, where every knob touch and turn matters. on the latter, he built the b-sider dynamo: i loaded my favourite element from neutrino in my computer and i tweaked the sound through various weird devices in my studio, till it sounded like a completely new track. as usual, he added a few endless loops on the record, for the adventurous djs, exclusively for the 12inch. the idea for the dgtl records artwork is to feature a different visual/graphic artist from the dgtl art program every year starting with the cover from tim buiting and his graphical visual of the liege train station, designed by calatrava for this years releases.

following on the heels of last year s -circuit ep-, which got support from the likes of scuba, matthew dear and 2000 and one, andre crom starts into 2017 with -short circuit-, another offering of stripped back and highly functional dj-tools.

hands off is back with another stunning release. this time we asked trinidadian deep to release two tracks on a fine 10inch. we love his deep music, trinidadian deep has a very unique sound, and we think that this release is something very speciel. he released tracks on labels so many quality labels, and we can t wait for this to drop.

deep breath records strikes again with it s fourth release. this time the music comes from the spanish duo 11.off. the ep also comes with two big remixes from djf (prayers for the long life, ahd) and bandada (illegal alien, phase insane, spark musik, true type tracks). this ep is a mix of techno and tech-house with deep touches which makes it all vey complete.