time for one of freeranges longest standing regular producers to return to the label for his first ep in three years. the stepping tones ep is absolutely classic shur-i-kan from start to finish with two original tracks plus a remix from the very excellent berlin newcomers kim brown.

hes such an old romantic...more reflections from the tropics courtesy of king kivits. 1990 says it all - lushed out strings, diva vocal snippets and rave stirring sine wave set the scene while varck lets the beats roll.. in trademark fashion. the b side is absolutely nuts and really smacks - truly something else! art again from the brilliant young cosmo knex (who must have been about 4 yrs old in 1990)..tip! scntst &#8207,at scntst aardvarck you are a genius!

functional techno of high quality. another new various artists on the label of andrea belluzzi. absolutely a label showcase for modern techno.

our second release of 2013 comes from lovers rights, the glasgow based-trio featuring members of golden teacher, silk cut & dam mantle. on this, their debut release for high sheen, they have laid down 4 killer house cuts spawned from improvisation heavy, free flowing electronic jams and completed with painstaking attention to detail. from the raw, rolling subs of urn to the complex multi textured synth patterns of mt. florida, each track has its own individual identity all the while working together within the cohesive whole of the ep. this is electronic dance music built with dancefloor freakouts in mind and we absolutely love it. the 12 inch comes packaged in a twice hand screen printed, roughcast sleeve, designed by sam bellacosa.

for hardway bros first ep for throne of blood, sean looked back to the late 80s belgian new beat scene as well as chicagos storied wax trax imprint for inspiration, turning in two walloping originals that could just as easily soundtrack a gothic club night instead of an acid house rave. on the a-side, a/b musique kicks off the proceedings with a steady lurching rhythm, driving the dancefloor to ecstacy thanks to densely layered synths and the contributions of timothy j. fairplay of the asphodells fame. the flipside features the absolutely devasting rhythms of shorty backed by an utterly epic nine-minute remix by scott fraser which manages to fuse the disparate sounds of new beat and the lush analog house vibes of classic mr. fingers even as it name checks the latters legendary above the clouds lp.

omar s starts 2011 in fine form with this absolutely incredible track. this is up there with the likes of >psychotic photosynthesis<. one sided release.

highly limited mysterious acid madness served up on a one sided platter. no idea whos behind this but it absolutely rocks. very very very limited vinyl…. once its gone its gone!

ffr start well 2013 with a vinyl release which could be qualified as indecent, featuring an original track by phonokemi, remixed by two well respected artists, the italian nico lahs and the incredible german producer tim xavier. a release with multiple facets: deep, tech house, minimal & mental and chicago-bump-styleas we would come to expect from phonokemi, thoughts is a deep tech house track of extremely high quality. with a deep and pumping baseline and well refined vocals, thoughts is dark and groovy on one hand and an invitation to dance on the other, with absolutely no second thoughts.nico lahs s remix is an ultra-personal and mental re-read of the original track: minimal and elegant, cosmic and organic this track is reminiscent of some of ricardo villalobos s reference productions.finally tim xavier takes us straight to the centre of the universe: the dancefloor. his remix is a real dancing machine… pumping basses, efficient snares and sublime vocals that loop the loop and make this ep a killer release.

karat is going deep in the new house scene with this absolutely delicious release from the new dutch sensation tom ruijg. 2 nice tracks in a totally house vein, classic and modern as we like it. pure delight !

a beautiful fusion of deep & spacious, trippy & relentless you can clearly hear jun akimoto. this is something that would get lost in the wave of digital releases that we swim in, thesedays. so forthefirst time anywhere, we are proud to present the first of the maison detre vinyl series just you ep. for those tracks that absolutely need tobe on vinyl.

returning after some time off, two dogs in a house took to a secluded studio in stockholm sweden during spring 2012 to record while on the road. here we have the result of uninhibited access to machines with no time constraints and no distractions from the outside world. this freedom allowed the duo to expand upon their ideas of deconstructing conventional song structure and harnessing the power of what immediately surrounded them in the moment. two full side tracks that will absolutely crush and/or isolate anyone who crosses through the sonic pathway of them. perfect sounds for the apocalyptic world we live in.

guitar and vocal powerhouse philip sayce calls his new album steamroller, and that is absolutely perfect. from the moment the title cuts colossal riff kick-starts the disc until the wall of feedback that finishes the soaring instrumental >aberystwyth< concludes the set list, sayces fourth release for provogue records is a rock n blues joyride — a heavyweight sonic and emotional juggernaut fueled by sayces unstoppable talent.

six artists remix the rich sound material from sven kacireks lp >scarlet pitch dreams< (pingipung 32, april 2012). svens original percussion recordings and his densely layered melodies invite for a rework which fo- cuses on the single elements. robert lippok (to rococo rot, raster noton) turns the title track into a balearic sunshine dance until the voice and synthlines evoke a deep and driving witchhouse at- mosphere. absolutely awesome remix! opiate aka thomas knak from denmark (morr music) is one of pingipungs favourite artists in the world and we are very happy to have his remix included here. his highly individual syncopating beat works dive into the pool of svens percussions, with the snare and marimba always in the foreground.

two absolutely amazing chicago house classics produced by the masters of the masters..

slamming remastered reissue of über-rare detroit electro gold >mill-due< by t.mack on tiny label megas. incredibly hard to come by, this underground 12 inch from 1985 oozes funk, soul, boogie and delicious groove with a huge slice of time-defying electro chic. with a super-squelchy analogue bassline, sexy guitar licks and killer beats, it is topped off with detroit style space-age deep vocals which conjure images of early juan atkins productions - this record is a collectors wet dream! an on-air favourite of the electrifying mojo, this is motorcity electro at its very peak. absolutely 100% essential for fans of electro and techno alike! do not miss out on this true holy grail of detroit electro funk

slamming remastered reissue of über-rare detroit electro gold *mill-due* by t.mack on tiny label megas. incredibly hard to come by, this underground 12 inch from 1985 oozes funk, soul, boogie and delicious groove with a huge slice of time-defying electro chic. with a super-squelchy analogue bassline, sexy guitar licks and killer beats, it is topped off with detroit style space-age deep vocals which conjure images of early juan atkins productions - this record is a collectors wet dream! an on-air favourite of the electrifying mojo, this is motorcity electro at its very peak. absolutely 100% essential for fans of electro and techno alike! do not miss out on this true holy grail of detroit electro funk.

local talk is proud to present the first release on their sub-label 1nce again. this is where we bring back classic and forgotten house gems from back in the day with new mixes and reworks. with the second release on local talks reissue sub label, 1nce again we bring back one of our personal underground favourites from the golden age of house music (the early 90s). back in 1994 mateo & matos released an ep on black label records entitled raw elements, which included an amazing cut called >maw basics<. its one of those raw 90s house jams that got the house bump but without the pump, its rough and funky but still deep if you know what we mean? no cheese in sight! together with the original track (now fully re-mastered) we also asked gerd (4lux, ny stomp) to make a remix that would stay true to the original but still bring it to the next level. the result is absolutely amazing and we are pretty confident that this baby will deliver knock out punches every time it blasts through a massive sound system in a proper club.

an absolutely stunning album. its like an electronic emotional version of people like fink or piers faccini. this album is simply superb. vitall laurent garnier, very smooth, lush and deep. excellent, really! michael mayer, after nicolas jaar and pantha du prince, lee burton has brought the romance back into electronic music. a powerful album. raveline: a wonderful album with sophisticated arrangements, which turns out to be a little gem of melancholy and attract not only fans of smart elektronikexkurse, but also connoisseurs of elegant, unique and timeless pop music.partysan.net “une pop avant-gardiste et douce a decouvrir” sciences et avenir.thats part of the reviews lee burton received within the last three months from the press around the globe for his latest album release busy days for fools on klik records. being really ingenious lee burton managed to create a unique output that combines the sound of the german electronica with the greek temperament and the south american laid back feeling.busy days for fools is the stoner side of electronica. on july the 16th klik records present on a limited edition vinyl, pt. 01 of the remix series on original lee burton tracks from the likes of skinnerbox, mr statik, scsi -9 and finally on vinyl, nhars firelfy remix that reached on youtube more than 1.000.000 views so far

with the first single release of beijing rock, paul brcic (paul brtschitsch) brings a driving yet emotional production into the world of electronic sounds. an unmistakable, pulsating beat reminiscent of detroit-techno, smooth percussion, and a catchy bass line make up the songs foundation, immediately casting a bewitching spell and leaving no room for detours. carefully arranged samples from the 40s mould the centrepiece of the club bangers and move in perfect harmony with the full synth and fx sounds. without a doubt, paul brcic sets off a multifaceted sound explosion with a first look at the album beijing rock, scheduled for release in autumn 2012, always keeping one eye on production-technical details and the other on organic sound. beijing rock immediately invades the senses from the first measure, taking you along a journey outside of the clubs of this world and catapulting you just as quickly back to the sweat-inducing, wild nights. absolutely magnificent - paul brcic in his purest form. the b-side acid & camambert clatters as if on rails through the fields of sound and sets off one adrenaline rush after another with its clear basslines and consistently rising networks of beats. exquisite superstructures and effect dramaturgy breathe life into acid & camambert with an unbelievable energy and nearly acidic characteristics.

london-based, belfast-born blogger-production duo matt mcbriar and andy ferguson need little by way of introduction. theyve released one absolutely killer track after another, snaking through everything from deep disco edits to moody two-step to classic new jersey house vibes with incredible ease, on some of the most exciting labels out there: throne of blood, under the shade, domino, love fever and now, aus music

if you thought these tunes were filthy the first time around, then prepare yourselves for these vip mixes of some of the biggest tunes over the last few years. all four tracks are designed to do one thing and thats to absolutely destroy dance floors!

next release on claap coming up and it is another gummihz affair! after his last release on claap head rush last summer was snatched by the guys at defected for the defected in the house series, alex is back with his next record aptly titled rejuvenation ep. this two tracker carries a pair of absolutely necessary house grooves. rejuvenation features an elegant arpeggio which builds up to an intense crescendo bound to hypnotize dancefloors the world over. intense but very elegantly produced it carries alex’s signature sound and explores a similar musical territory to secret voyage (claap004) which has received overwhelming responses since its release. the motif on the flip side remains similar but with a more mature soundscape, showcasing alexs endless sonic diversity. add a bonus beatzz extract to round up an essential ep for the open air season and not only.

aussie-based edit sensation, late nite tuff guy, joins forces with disco deviance to deliver two seriously heavy disco reworks that will set your dance floor on fire! having already produced several massive reconstructions over the last year the late nite tuff guy shows absolutely no signs of letting up…the beat just goes on and on as he takes re-editing up to the next level. hearing is believing… lovingly edited and re-mastered for 100% disco action. enjoy the music!

virgil enzinger, the master of darkness is back on nachtstrom with his new full-length album! absolutely deep banging and rolling techno tracks and excellent production skills make this album a real masterpiece and will be coming on limited blue transparent double-vinyl!

played and supported by markus suckut,inigo kennedy,dvs1,drumcell,angel molina,arnaud le texier,ness,cio d or,xpansul,bcr boys and more.for pleasure records shows the fourth release on vinyl. it confirms the class to propose pure dub-techno.an original track signed by alessandro verrina & ander plau (labels owners).an endless journey into the deeper atmosphere.voices coming from far away, creating a beautiful atmosphere almost mystical.absolutely rhythmic old school, where clap and hi-hat rule over everything. the remix of roberto bardini trasforms the track in a soft poetry, never heavy.nikita zabelin signing the second remix with much darkern atmosphere,its a version with a very personal view!for pleasure records walks the right direction!

so, who is this mysterious afefe iku? after absolutely destroying the dancefloors all year long with his infamous bootleg of radioheads >everything in its right place<, which he smartly put out in extremely limited amounts of vinyl around the same time his mentor, osunlade, featured his cover of that very same song on bbes >exit music: songs with radio heads<. in all honesty afefe remains a mystery even to us. so, let us start by saying who afefe isnt. unfortunately, for those who thought he was osunlade, you are mistaken, but dont feel ashamed, because afefe creates at osunlades studio in santorini, which makes sense to pinpoint him as osunlade.

belgiums most wanted dirk swartenbroekx first time on resense brings the blues of stuff smith right into your swing-set, while the jacksons are doin the bossa-boogie on the flip. absolutely dancefloor-tested and approved.

excellent third release on the essential supafrico records featuring four absolutely stunning afro flavoured grooves dug deep from the vaults. first up we have a previously unreleased extended version of >hot black n sweet< by nigerian funkster kio amachree. taken from the über-rare 1981 >ivory< lp, this a slice of pure funk filled afro boogie led by a groovy phat bline, driving horn section and kios magnificent kid creole-esque vocals.

south london producer darren cunninghams new album, r.i.p, underlines actresss reputation as one of the most eloquent voices to emerge from the sub-bass nexus of london dance music. his intuitive and original grasp of beats, textures and rhythm puts him on a parallel path to dance music innovators such as drexciya, t++, aphex twin, autechre, burial and basic channel. absolutely essential release by one of the most exciting producers of the 21st century.

with the wait almost over for jamie jones second artist album >tracks from the crypt< crosstown rebels get set to drop the absolutely massive single >our time in liberty< featuring cult dance outfit art department. a bassline symphony for the senses, this elusive slayer of dancefloors, is finally getting a release alongside a heavy-duty remix from comrade russ yallop.

profound audio is back at it with a smashing new 12inch from monstar - and its one of many to come from this quickly rising talent. following up his devastating debut single, put ya hands up, monstar constructs two bangers of epic proportions. both harder & bastard have been inflicting massive damage in the dance and are currently receiving heavy club & radio support from some of the top taste-makers in the game. leading off the single, monstar delivers an anthem of a track that does exactly what it says on the tin. harder encompasses xxx female vocals, heavy-hitting drums and roller coaster-style, fluctuating basslines with enough sub to have your brain shaking inside your skull - what more could you ask for? a peak-time, dancefloor destroyer thats guaranteed to send the crowd into a frenzy! on the flip, he shows no mercy once again with bastard, a full-force, tearout dubstep number that will undoubtedly shred your bassbins into pieces. battering drums roll over ferocious, wobbling bassline combinations that fire at you in hyper-speed, leaving you no choice but to brock wild! this one is absolutely rough!

boston house music ace john barera with his absolutely brilliant first ep on ortloff records.

oliver klein is back again! after his fabulous album release in 2011 he teamed up again with his mate kolombo to present you some new tunes. with party party they present a stunning minimalistic techno banger that we loved from the first second! the remixes are done by 2 of the hottest youngster in he scene. harvey mckay and fabian argomedo. harvey is responsible for the techno site, the most people already should know him for his great releases on drumcode, soma, saved and more. his remix is a true techno monster made for the prime time. his sound is very charismatic and thats what we really like! fabian is a really nice guy, very down to earth and absolutely focused on his music! the man from chile turned the original into a techhouse smasher! he produced a hypnotic beat, bass, groove and combined them with the fantastic vocal snippets. mr. argomedo has also just released a stunning remixed for fatboy slim & riva starr and had massive releases on label like snatch, takt records, monique musique and many more.

after his sublime remix for hitsafes >let the acid out< on shaddocks first release, tin man makes a deadly return to shaddock records, delivering his most dancefloor oriented record to date. opening track >t_dd_t_rr_y< sees kicking beats with a genealogy harking back to finest chicago house, yet done with contagious feather-light energy of uk funky and a naughty bassline gliding perfectly between cheeky rave chords and their moody older brother. >s_mple_house< continues with this blindingly effective simplicity, dreamily muted chord stabs, rolling congas in ecstatic space over a warm round bass. on the flip on >aut_repeat<, crystalline synth shards coalesce in complex forms and continue in icey determination as the beat sneaks up underneath, propelling into an absolutely blistering workout. >djsn_k< rounds up on a perky high, an ebullient synthline with crunch and a punchy beat so frontal it might make you blush. rave bones akimbo – tin man steals the pure dance!

atlanta producer distal teams up with vancouvers hxdb for >booyant<, an absolutely killer collaboration that fuses the best elements of both producers in fine style. taking a 136bpm tempo and bridging dubstep with a cutting edge bass-heavy house vibe, the duo pull together an intimate dancefloor bubbler that fans of night slugs and swamp 81 will most likely feel quite at home with. awash with lush synths and gurgling sound bytes, >booyant< is a quality track to tickle many a fancy. flip to side aa for distals solo effort >amphibian<, an excellent piece of 140bpm machine music, whirring and clicking in a roughly similar vein to instra:mentals >rift zone<. experimental dubstep pressure for the open minded, guaranteed future-proof. distal will release his debut album >civilization< on tectonic later in the spring of 2012.

marvin zeyss delivers his debut release on i records. hailing from nuremberg, germany this nu school producer has be delivering a very unique blend of deep house. here he brings us ?keep on?. this melodic vocalized production drives behind unique patterning and smoothed out bass line. the original is only just of taste to be found here. featured remixers are the legendary shur-i-kan (dark energy) and simon baker (20/20 vision). in all a massive vinyl release set to premier in early 1st quarter 2012.next dancefloor bomb vinyl on ton liebt klang with the homies chris blum and stadtmusikant. the tracks are absolutely for the dancefloor. both tracks are remixed by arts & leni.

when it comes to being a man of many talents, there are few to equal richard norris. dj, producer, musician, a&r man, author and journalist... his is a career of many twists and turns which have always seen him at the forefront of pushing new ideas forward and championing diversity and innovation, be it alongside erol alkan as part of the wizards sleeve, or gone solo as the acclaimed time and space machine.
tirk releases richards debut as the time and space machine in 2010. with the long awaited album imminent, we have decided to do a special single release of one of our favs to preceed, alongside a brace of tasty remixes. >pill party in india< is rich with the energetic twang of exotica carried down a highway of fast-paced bongos and live drums with interludes of blips, wiggles and ghostly soundtrails. absolutely stunning.

its now the turn of shapednoise for features series, and to complete this ep made of pure adrenaline theres the remix of the well known dino sabatini (outis music,sonic groove, prologue). shapednoise, one of the youngest and most promising artists of the techno scene, is based in berlin, fully living the repitch recordings project. his musical background is really wide, and you can notice it listening to his productions, a futuristic vision of the sound, with industrial elements and synthesizers characterizing his sonority. the second act of the series starts with white light white head: an out of ordinary track, an unusual beat, techno futuristic, that flows into a neo-industrial sound, with soundscapes that make it mental, but at the same time a post-apocalyptic dancefloor hit. dino sabatinis version hypnotizes us, manipulates shapednoises sounds las only he can do, with his incomparable personality, rhythmics and drone evolving until the end of a trip to the edge of reality. cosmic landscapes (the tiltle already tells a lot), is a track with very powerful rhythmics, for the lovers of straight-techno. shapednoise, an artist to absolutely keep an eyes on this year. also this time the artwork of pasquale ascione makes its part: surreal, unique, making you wondering where this faces come from, maybe from our dreams.features series is a whole of musicalities where images and imaginary interpenetrate. supported and played by norman nodge, perc, samuli kemppi, jonas kopp, marcel dettmann, adam x, tommy four seven, lucy, dvs1, pfirter and many others!

early edit of 5 kin s in the very natural heritage/memory of ron hardy. absolutely essential cut,tempo switches manual fixes & reloops,hitting and still making you to want more. reminiscence, core and essence of house music in its purest form. detroit an instrumental edit of b-oogie on high filters wheels only available at the demf. juicy edit. here, cores for spin updates the original edit to current feedbacks while still remaining porny dancefloor roller boogie at the same time 5 kings - j: no need to see a video of terry hunter hammering the track to thousand people. this track receives massive support by big djs around the world and delivers quality time to every field. xxx - sensuous black: zodiacal and mythical impossible to find cut that farley was riding in 1986 -no shit- noticing on vinyl we can go frontal nudity, not like most digital distribution structures.

one of the most gifted sexy deep house producers coming out of greece these days is 9 west and nite grooves is proud to announce the release of his debut ep on the label. kostas tikis, & george exarchos submits four delectable groovy tracks coming off >whats on your mind ep< they all have a bit of a charming, hypnotically appealing feel, some lo-fi, and retain a warm 4/4 that we all love so much. lovely, pumpy, and deep without being sleepy. from his sweet and smooth ep kick-off,protest,to the deep smacker and ep namesake >whats on your mind< to the groover known as >sometimes< and finally the >in love< tune thats absolutely perfect for candlelit a baby-making session.

absolutely incredible debut release from pusherman on the new london based label lnuk. a staple tune on recent swamp81 and numbers rinse fm shows and supported by the likes of actress, redlight and loefah. very limited copies. dont sleep.

for our third instalment on mars recordings weve decided to go for transparent green vinyl! this has nothing to do with aliens, we wouldnt be that obvious, but its the colour chosen by the artists and we think it looks like another great mars package. musically, well edward oberon & paul t have conjured up 2 awesome tracks. >love is< is absolutely sublime with its warm bass line and delicate sounds to the breakdown, while keeping the drums nice and punchy, a great tune to roll out. >absolute< harks back to the deep sounds of old good looking by the likes of big bud or tayla. ridiculous sub-lo bass and deep strings, this is how mars do things and we feel its another quality 12 inch where the music & the packaging matter.

played and supported by samuel l session,angel molina,froward strategy group,norman nodge,max m, mattias fridell,ness,dave ellesmere,paul boex,bryan zentz,xpansul,bcr boys,88uw and more. tom bass is an alias, which is hidden behind an artist already established on the international scene. attic music is a label (vinyl only) who now has his own style well defined, it can afford to make records also different and special as it was the last vinyl. high quality! here we return in the classic style of attic music. this new artist shows two tracks, one on each side. 313 is a classic hypnotic techno. a continuous and relentless rhythm. never heavy and aggressive. how to travel in a train, overcome numerous galleries, sounds that rise and fall.human voices that come and go. dont worry you just closed your eyes! suoni profondi has a syncopated rhythm. the sound is deep. from mid-track sample voice makes everything more harmonious and full of groove. psychedelic and dreamy atmosphere. absolutely its for fans of deep techno sound, on vinyl!

absolutely lethal, classic footwork from these three originators — body-rocking, invigorating and startling, hybrid without compromise. the a is route-one dancefloor murder, honed and nasty, vintage chicago and detroit gone clear across the border, the flip is a fiercely dazzling juke vocal collage, bare and hard as nails

santiago salazar (dj s2) from underground resistance, los hermanos, galaxy 2 galaxy and ican productions fame found a new home for his finest slide tracks. the ur projects ingredients are a pure analogue electro-techno-funk hybrid with slip and sliding samples and topped off with tweaked 303s for good measure. frustrated funk now releases 4 of s2s best slide tracks from the period 2007-2010. so, put your skates on, get on the floor and get ready to slide and bounce to this absolutely amazing ep. we cant get enough of this!

absolutely a masterpiece! 3 x 12inch pack from the man himself: mihalis safras! material celebrates 5 years and delivers the first high claimed album that includs the finest works from mihalis with his unique diverse style from house to pure techno! a triple vinyl pack with 32 de9 styled loops - only on vinyl do not miss this one!

>and i heard a strange deep sound. as i got closer to that particular place, the music took a more stable form…i thought i already knew this sound from somewhere<… welcome to the musical world of exciting new amsterdam based producer simon weiss. coming over all early theo and moodymann-esqe, he clearly demonstrates a passion for all things detroit in terms of mood, melody, rhythm and texture. half bouncing feet, sweaty walls and concrete floors, half sophisticated, futuristic movie soundtrack score …simon weiss fits the description of a home taper absolutely perfectly. dance to it, close your eyes to it, but whatever you do listen to it. 100% house music with bits. play it all night long!!

very welcome reissue of the original sire records release of dinosaur s kiss me again from 1978. written and produced by disco legends arthur russell and nicky siano and weighing in at a heavy 13 minutes long, this is a truly hypnotic disco odyssey which takes you on a curling and tension-filled journey through funky piano riffs, signature scratchy guitar work by talking heads supremo david byrne, tumbling drums, stabbing horns and of course mr russell s swirling atmospheric cello solos. all this is held together by myriam valles beautiful yearning vocal performance until the crazy mind-blowing orgasmic final minutes where david byrne goes wild and the whole thing explodes in pure dancefloor meltdown. choose from the a-side jimmy simpson mix or dinosaur s own more stripped down, chaotic but equally compelling mix on the flip. huge in new york especially at nicky sianos own gallery nightclub, later championed by frankie knuckles in chicago and more recently chosen by twitch as the perfect record to end the very last optimo espacio, this is a true disco classic and absolutely essential in any discerning record collection.

producer oliver ho aka raudive is not a dark horse. two years after his acclaimed abc ep he returns to rrygular with his new release >love is the devil<. straight and facing forward but also back to the roots somehow. that doesnt need to be a compromise. it is a symbiosis that works absolutely fine in case of this particular 2-tracker. like always the englishman knows how to use percussion elements without getting cheesy. a certain reference to electro is obvious but it underlines the typical dirty raudive sound rather than trying to be referential. but who needs genres anyway? club-disco-techno-house-funk-electro - some kind of monster!