supported by: laurent garnier, patrick bateman, tony rohr, phil kieran, butch, andrew grant and more.
fvfs first signing and one of the signature sounds of the label, albert dros, aka reagen or sjaakflut, releases fvfs first 12 inch of 2012 with the searchlight ep. under his various aliases albert has seen releases on leftroom, sk supreme, monocline, front and many more. his basslines and production speak very much for themselves and he opens his account for 2012 with a release aimed firmly at packed dance floors and peak hours. the 12 inch also sees valencian duo attemporal on remix duties. attemporal released their retrolight ep on fvf with clement meyer on remix in late 2011. having clocked up releases on labels like tictactoe, resopal schallware and sleaze we are delighted to have them back in the fvf fold and on top form again.

first copies only via decks.de !!! recore records return with its third release, >death of a musicbox ep<, compliments of oli furness - an artist who has been steadily releasing his 90s infused house tracks on various uk labels over the past few years and developed a refined, mature style of production that draws on classic house and garage tropes

focusing on low slung house music full of swing and swagger, jordan peak has a knack for creating raw analogue charm and already encompasses a growing spectrum of sounds. currently in the midst of a speedy ascent through the production ranks, his output already includes an intriguing set of releases, for a uk act, on labels such as robsoul, raum...musik, saved and tsuba. this is quite an introduction to music making, considering that jordan only released his first record in late 2009.

the welcome return to form of john tejada! also features droid/modularz artist truncate feat. extra support from silent servant hand stamped custom embossed sleeve design historia y violencia 7 is brought to you by technical maestro, john tejada and rising talent, truncate (david flores). this release showcases both artists talent for classic production and forward-thinking sound design. the a-side is tejadas maximiliano (6 july 1832 - 19 june 1867),and includes a nod to the only monarch of the second mexican empire. it brings classic depth that only john tejada is capable of. the b-side is truncates.venticinco which brings classic futuristic dance floor sounds to the here and now with additional sound effects provided by our very own silent servant juan mendez. this is los angeles first and second wave at its finest.

rivet puts a lot of effort in his sounds and his production. this is not another copycat. first out on the ep >amid the roar< is >metrist<, a sexy march that blends the stiffness 80-ties disco with techno from the future. on the b-side marcel fengler takes his turn on >metrist<. he keeps the string of the original, chops up the bass and creates a dancefloor monster with a big anthem alert stamp on it. amid the roar ends with what might be the strongest track on the ep. this ep will make us dance, of course, as always, with a bit of a kontra-musik twist.

needwant call upon on the immaculate production skills of bonar bradberry for his second release on the label. bonars you were away ep is a journey through emotive disco dreams, with remixes from two rising producers maxxi soundsystem and space ranger.

noel gallaghers high flying birds has received another royal remix treatment as unkle take on their album cut aka... what a life! following up to their rendition of let the lord shine a light on me, this outstanding rework is part of the second edition of the production duos ongoing remix series the production duo has going on. noel gallaghers high flying birds is out now on sour mash

purple music artist duo souldynamic are back on vinyl with this amazing production. featuring adeola shyllon a 100% future classic enjoy this peace of high class music.

mozambeat is a german techno project based on cologne composed by roland m. dill, tobias löhr and lars knapik. they sign simplex005 vinyl including an only roland m. dill remix of the side a track titled >autoignition<. until now they had worked in several remixes for trapez, simplex and gramola records but finally they debut with 3 original tracks which compose a real bomb for the dancefloors. for sure an essential record for the most exigent cases. from simplex we invite you to enjoy with this ellaborated and amazing production that starts our 2012 releases. biiiiiig support by slam, gabriel ananda, stephan bodzin, dr.motte, popof, paco osuna, richie hawtin, dubfire, joy kitikonti, jam & spoon, wally lopez, nudisco, uglh, mario piu, claude vonstroke, fine cut bodies, boenig & ochs, satoshi fumi, homebase(beatwax), michel de hey and many others…

limited remastered reissue of the hugely in demand 12 inch release of pedestrians super phat slice of balearic grooviness >commuter fantasy<. massive on the cosmic scene after being championed by djs daniel baldelli and beppe loda, this record is extremely hard to get hold of in the original and commands super-high prices in internet auctions. despite being created by successful uk pop production duo swain and jolley, this only ever came out as a limited 12 inch in canada never getting a us or uk release but its italo-esque slow-building dreamily insistent sound has secured it a dedicated following amongst discerning disco and balearic lovers since.

after 25 years bordello a parigi offers you these mid-80s italo-disco-bangers on vinyl again. three old killer releases transformed in one reissue. the three course menu contains the two 1985 hard hittin d. carred obscurities and continues with this spicey hidden gem >i ll go where i like to go< from rambles, which was d. carreds first production on vinyl in 1984. on top of this sunny mountain of an italian pie you will get two extra remixes of >you ll be a winner< by the danish creme de la creme of italo: flemming dalum and mike salta. comes with beautiful picture cover and illustrated inner sleeves. limited pressing of 500 records. an action packed must have!

haunting, post-house deconstruction from russian outsider neotnas. >that day< is vocal dance music for lost souls, disparaging practical compromise and sunny chord progressions for a bones-bare, ruthlessly sincere interrogation of hopelessness, apathy and ultimate transcendence. suppressed waves of orchestral melancholia pass through entrancing heroin-paced percussive mechanics, unveiling the cavernous sprawl of neotnas masterful production. casting an icy shadow of depth and despair that is not easily shaken, four by fog lends his unexpectedly beautiful vocals to the project, proving the axiom >if you dont have the key, just break the lock<.

j.a.m. traxx is an italian label for vinyl lovers of chicago house. the production of material is inspired by the sound of analog synths and machines of the early 80s. j.a.m. prefers the hypnotic atmosphere and everything that shows a genuine passion for the intricate rhythm and counter. j.a.m. introduced in the music market limited 250 copies, with the premise of enhancing some of the old vinyl records with more than 4 tracks on them. the team is composed of a group of friends from all over the world, from berlin, tokyo, chicago, share a passion for the music, giving rise to joint projects. various in the first include: ennio colaci (from minimono) meschi (snuff trax, lunar disko records) punknown (from sailor mood) e-dward! (bosconi records) tigermask (j. a. m. traxx)
support from: snuffcrew, jason grove, andreas ghem, humandrone, massimiliano pagliara, jody fingers finch, hakim murphy, fabio monesi, carlos nilmmns, san laurentino, matt star, moodymanc, okee ru, mass prod, rio padice, boris noiz, carola pisaturo, lula circus, sailor mood, rufus, perseus traxx, metro, francesco farfa, mirco violi, the clover, nino nins, analog airwaves radio and more.

after breaking our new years resolutions at a tiki bar deep in the woods, numbolics very 1st release in 2012 is a production by our lovely french friend kane roth. with an elegant drift kane and the remixers d.diggler and dualism made four outstanding kicking minimal tracks while creating her typically sort of breeziness. she delicately placed all the charming arrangements very well in order to sound super authentically rooted. dance baby, dance!

volta is one of the most sought after producers in russia. one of the newest members to the balance music groups family and he brings versatility like no other producer out there. his productions go in every direction from cosmic disco to deep techno. he is also known as isaev and his other alias common people under the bal-ance alliance anchor. this young producer has set the course for the next generation of future producers. not only is he a producer but his live sets are second to none, and we are glad to have him in the family. the first song is empire times which is a throwback to the early nineties classic new york signature four on the floor sound with fuel injected synths and a great dance floor peak time get down groove. the second song is curious dreams this song has so many different elements, it is by far one of my favorites of the ep, it has an 80&#8223,,,s sound that crosses many different genres of music from disco to classic electro with a splash of house. the third song is called purple train another fantastic take on his production skills with this massive deep techno heater that will get the crowd moving with its deep chords and its lush drum programming makes it dance floor friendly for sure..then last but not least we have song four called ruby nights this song brings a minimal broken beat sound that has the elements of house with a twist. we at fi-nale are happy to have volta cab as a member and we want to share his gifts with you. we would like to thank you for your loving support. stay true to the roots. love you

human woman is the new signing on hfn music, made up of two very promising artists from iceland, gisli galdur (aka galdur) of prolifi c icelandic band trabant, and producer jón atli helgason (aka sexy lazer). coming together in the studio the pair have forged a fantastic fusion of modern electronic pop, with their debut single, ‚delusional‘. the ep release, which will be accompanied by a music video, serves as a teaser for the upcoming debut album, which is planned for spring 2012. taking influences right across the board, the duo have cooked up a sensual, catchy indie-dance track that’s pleasingly reminiscent of the 80s, yet carries a great modern sheen thanks to the production skills of human woman. cinematic, feel-good music for travelling, for friends, for living! denmark‘s wonder kid kasper bjørke is fi rst to get his hands on ‚delusional‘, introducing a straighter groove which leans more towards the slow-housedisco fraternity in this slow-cooking remix. berlin‘s vincenzo then takes it even more cosmic with a bass heavy club mix that maintains the slow tempo yet elevates us to a more hypnotic plain. clean, pure elements greet us in this luxury remix from the emotive house master. zev from wolf & lamb then has his say with his ‚brooklyn beatdown mix‘, breaking up the beats and tripping things out with some real old-school new york vibes.

martin landskys outstanding form continues with his latest release on poker flat recordings–his first outing on steve bugs label since his stunning contribution to the‚jack is back ep earlier this year. with over 10 years of association with the label, landsky is a poker flat mainstay - and with this release, its not hard to see why.the composer is an atmospheric tech-house work out that kicks off with a tight and funky groove, and then expands into an off-kilter dancefloor bomb, with nagging synth lines weaving their way through the taut, finely- tuned production. on the flip,moodmusic main-man sasse adds a dubbier take on the track, pushing the drums up in the mix and teasing out the acidic riffs to full effect. expertly building the tension, the track resolves itself in an epic breakdown.

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various/different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the antiparallelity is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking,anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you.

very strong release with the boogie / slomo-house groover >hope< and the irresistable hook and dub/disco feel of the more uptempo >no delay<. excellent production, this will stir up things for sure. winner!

the brand new triphouse rotterdam label kicks off with a full ep by utrechts electronic boy wonder frits wentink. although being just 23 years of age, the dutch talent displays some highly advanced production techniques and delivers a vibrant and very modern take on house music. not sounding like anything else out there and with a real strong sense of identity this youngster clearly has a bright future ahead of him. the result of his work is an irresistible smasher that will cause some serious stir on dance floors and home systems alike.

hotflush presents the debut 12 inch from belgian newcomer locked groove aka tim van de meutter. the young producer delivers three hypnotizing and genre bending tracks that expertly weave the sounds of berghain, soulful house and uk garage into a single crushing package. the >rooted< ep draws you in with the title track, bouncing along to an acid baseline, then moves onto >drowning<, a moody techno track that was included on scubas dj-kicks mix compilation, filled with drum and ambient samples taken from field recordings. lastly, >change<, a production that smartly melds classic house grooves with industrial techno, demonstrates locked grooves rhythmic finesse and long-term promise as an artist.

remixes of the track skill shot, which is included on the >20 - two decades of hardfloor< album and originally released on the album >all targets down< from 1998. versalife is a restless producer from terschelling, holland, who strives only to combine digital and analogue together into atmospheric, well designed pieces of music.with such an honest mission, its no wonder the man known as boris bunnik aka conforce has had continued success recently, with a number of singles, eps and albums coming on respected imprints like clone, delsin, meanwhile and rush hour.pip williams from the uk began djing in his ear teens, making electronic mix- tapes for friends in the safe confines of his bedroom. after gentle persuasion from his fanbase, live gigs followed including residencies across london and gigs in europe.a foray into music production was a logical progression.having run its natural course after a string of successful releases, pips drive to showcase his music was still rampant.

its been 16 years since aquasky first started bashing out the beats on moving shadow and 10 years since they released the mind altering >777< on botchit & scarper. during these 16 years aquasky have messed about with most genres at most tempos... but always retaining their trademark bass and their retro rave vibes.and here we are... the first ep from their long awaited follow up album to >teamplayers< released on passenger back in 2006. going back to their tear-out roots and fully embracing the modern production sound of now along with a firm 140bpm footing, aquasky come out fighting. >raise the devil< is an albums worth of tracks that will awaken your inner devil... powerful, noisy, aggressive and militant. taking it back to the days when people partied hard in abandoned warehouses and muddy fields. but, i expect you know all of that already... its what aquasky do, and its what they do well!

agora audio launches with massive support from luciano, seth troxler, nic fanciulli, leon, wally lopez, daniel sanchez, samuel dan, andrew grant, sasha, feygin, kabuto&koji, nuno dos santos, sasch bbc&caspar, p.toile, yokoo, d.diggler, darius syrossian, maher daniel and many more. agora audio is a brand new label from berlin dj/producer erich bogatzky. bogatzky has been a central part of the electronic music scene for a number of years, djing since the nineties and in more recent years running the minimood imprint and recording for labels such as plastic city, dieb audio, hertzlich etc. his new venture agora audio is set to be a beacon for quality electronic music featuring music from some of the best producers around.to kick start the label bogatzky has turned to electronic production duo lula circus, a pair of anonymous italian producers who have been making waves since 2008 with a string of singles for labels including ostwind, acker and resopal schallware. for their latest single lula circus offer up the excellent >irreversible< featuring two brand new tracks and a remix from doomwork. the single kicks off with the title track, a stripped yet organic sounding slice of tech fuelled house that uses retro synth sounds and warm bass to create a deep and entrancing atmosphere. synthesized strings join the mix in the final third and lift the tracks intensity whilst adding a haunting quality, quality stuff.

the tracks blend the best of booth producers, rachmads detroit influence shaped with lauxs dynamic style. the title track viking, is led by a synth that sweeps in an almost hyperventilating rhythm that raising the track with a series of industrial ticks and clicks that flavour the german, dutch and detroit mix. a dark bassline leads the track into its climax where glitchy synths squeak and stretch before the track drops. carlos is a track that bounces with groove. morse-like rhythmic bleeps carry the track cementing the individuality that is created in the ep. awash with sweeping sounds, the track gains a smoother feeling of deep techno demostrating their delicacy. 7tine is a juggernaut with a dark, heavy rhythm, showing the industrial power of the pairs production. flanged distortion scratching like fingernails give the track a tense edge, while simple yet powerful synths steer the ep into an eerie conclusion.

amazing release! tom ellis introduced to the scene in 2003, with releases on mindtours and morris-audio citysport, he enveloped himself in the world of electronic music and embraced the technology behind it. the natural progression was to setup a label, which he did with his best friend leif, along with the support of his brother joe and other close friends who inspired him so much. his recent live project with leif, co-founder of trimsound, has taken him all over the world headlining some high profile club nights in tokyo, cologne, munich, budapest, amsterdam, rotterdam, leeds, bristol and more. florian scheibein & alexander wirth are the two heads behind this new lovely imprint. also working as production duo they deliver a timeless masterpiece with >material of silence<. b-side - just check it out!

big release on superfancy, the label with the eyes shortly before the year is closing! kom and dole representing their new project, new jack nation feat. tyree cooper. the original comes up like an old-school-jack-tech-house monster! big groove and deluxe vocals of tyree cooper!! two strong remixes of new jack nation, one by tyree himself and number two is a production of new york house pioneers, mateo and matos. raw and dirty, blowing up on the floor like a bomb!! bonus track >theme< is a hommage to old jackhouse times likes housemaster boyz and trax recordings.

djd music is the new imprint from dominic djd dawson whose previous production credits include the infamous shake it for me, a tune that hit the national charts under his hydraulic dogs moniker.joining djd is the magnificent vocal talent of lisa millett whose previous work includes atfcs bad habit that became a top twenty-chart sensation for defected! making up the outfit is finn peters, a prolific saxophonist and flautist playing with the likes of hip hop funk outfit the herbalizer to tony allens afro-beat ensemble and broken beat jazz act new sector movements. holy love is a perfect soulful house tune getting support from the likes of body & soul resident danny krivit. the a side has a live feel with its real bass and fender rhodes working in harmony with lisa’s warm sultry vocal. the flip boasts a charged up version of the original catering for the more energetic dancefloors!

repress of ultra rare detroit electro record, including remixes by peanut butter wolf, maxmillion dunbar, steve summers and legowelt. heavy!
originally recorded in detroit, 1982 by the late danan potts a.k.a. superlife. at that time danan was hanging around the recording institute of detroit where juan atkins was training in production. danan was interested in atkins style of dance music and quickly recorded >go bananas<. bananas was released locally on southern sun records in hyper limited quantity, it is today one of the most sought after underground detroit techno recordings of all time.

klectik014 marks argentinean producer, pablo denegris debut for the chicago based label. pablo has emerged in recent years as one of buenos aires most dynamic producers and performers in the techno world. his work has been featured on highly regarded labels such as dumb-unit and unfoundsound, and his live set has been featured at many clubs across europe and south america. with klectik014, we here at klectik are quite happy to deliver pablo’s first solo vinyl ep to the world! pablo denegri production bag is one that features a unique blend of minimal techno, ambient, electro, leftfield, downtempo, and experimentalism. the fall ep see’s pablo dipping into this bag and pulling out a fine slab of classic timeless techno!

now is the time is a collection of works from nite vision, the result of two production sessions between a pair of electronic musicians heavily influenced by the pure analogue sounds and primordial brilliance and simplicity of the early house music pioneers. craig stainton and nigel rogers have teamed up to produce their first release together, exploring the deeper side of a shared love for early chicago house music. this package is not a parody or imitation, it is as authentic and genuine as the sounds recorded by pioneers such as virgo, vincent floyd and mr fingers. nite vision’s emotive sound carries on the lessons taught by these early masters, while remaining fresh and well defined. the double 12inch is a selection of 9 deep raw house tracks that bind together to provide a true listening experience as well as having the jack to rock the dance floor and ethereal melodies to engross the mind

excellent 4 track vinyl with fantastic deep house. it gets started with >spring loop<, a track that looks to its name both for feeling and production sense. of course that sensuous vocal sample that gets drawn through it wouldnt do the job on its own, but rau knows that too and surrounds it with a warm, humid bassline and his always changing and snapping drums to keep it in the pocket for the whole 5 minutes. even though the groove on the a1 is already heavy for him, he goes deeper yet with >swearing (vinyl version)< that jamaican vocal is something so classic that we wont spoil it here, but the pumping house beat and piano stabs he winds around it give even more poignancy to the lyrical substance… we are pretty sure that by the time he finally echoes the vocal out late in the track there will be some hands in the air for this one

the make or break ep flawlessly exhibits the unique genre crossing production style of maxxi soundsystem. catchy classic vocals, powerful house grooves and an infusion of genres ranging from vintage new york and chicago to garage and modern day disco sum up maxxi soundsystems first ever ep and needwant debut.

hot new mystery title from two high-ranking los angeles based producers!first edition on lush translucent orange vinyl in poly bag a fine and mysterious production here as two high-ranking los angeles based producers get to grips with the sounds and imagery from the cult 1960s sci-fi invasion film the monitors.think of an american version of the prisoner with a black-comedy twist and youre somewhere close.essential,forward-thinking house/techno music - 1st edition only on lush translucent orange vinyl!

much anticipated new shifted release on sighas label. awesome production package features a twice hand-stamped folded poster in poly bag.the third release on sighas our circula sound imprint finally drops in the shape of three outstanding tracks from shifted.the ep sees a continuation of the sound forged on his recent mote-evolver and avian outings hypnotic and textural,leaningheavily on his influences outside electronic music. shifted has provided an ep that proves a perfect fit for the slowly growing ocs catalogue and demonstrates why hes one of the most talked about new techno artists of the last few years.

for the 4th and last release of 2011, audio assault presents the deep and dark beats of spanish producer: p.e.a.r.l. he is already known for a couple of well received tracks on christian wunsch tsunami label, but is even better known as part of the agony forces production duo who has recently unleashed their lycaon project.except nothing but quality techno beats on audio assault and p.e.a.r.l. brings exactly that. quality.

number 5 in this series of broken house twelves from uk production maestro seiji. recommended. support from diplo, phra crookers, radio slave, doorly, falty dl, heidi, paul woolford, breakage, toddla t, redlight, ben westbeech, mj cole, marco del horno, ikonika, christian martin, jamie george, mele, warrior one, nightwave, r1 ryders, ben ufo, dark sky, crst, optimum, brackles, thilo schneider, midland, xxxy, doc daneeka, tomb crew, mosca, martelo, foreign beggers shox, seb chew, monki, dj q to name a few …

local talk is proud to present the first release on their sub-label 1nce again. this is where we bring back classic and forgotten house gems from back in the day with new mixes and reworks. for our first release we have gone back to 97 and a producer known and respected worldwide in the house music community with more than 200 production credits under his belt. joshua michaels aka joshua iz perhaps best known for his collabs with dwayne washington as iz & diz but has of course used many other pseudonyms over the years for releases on labels like prescription, balance, classic, junior boys own, om and guidance. the return was first released on heard, sub-label to tom middletons evolution / universal language productions ltd. using his moniker circulation. the track can easily be described as a mammoth house track, clocking in just over 12 minutes. its one of those pieces of music that’s stood the test of time and why iz has been a major force in electronic music for so many years. on the flip much hyped duo prommer & barck stripped it down from its original costume leaving not much left of the source material resulting in something that we best could describe as old school warehouse meets uk bass. its pretty raw and definitely a basement sureshot!

onur engins latest ep of super fine cut finds us in a white 74 caddy cruising up harlem river drive, top down, diggin the nyc scene. the mizells epic production of bobbi humphrey is taken a notch up by onur engins clean and tasteful edition. can it be possible another notch up? emphatically yes - just that extra pump, wonderfully looped and extended intro and were cruising.dropping us down a gear on the flip, onur takes al johnson & jean carnes im back for more & gwen mccraes lets straighten it out and takes us in two equally appealing directions.in back for more,onur engin reconstructs a deep & stellar voyage.straighten it out hits the blue highway with mccraes unique vocals in full flight.another great installement of onur engins warm & natural edit series. dont miss!

rotterdam resident taras van de voorde - known for his unique & expansive production twists, adds a new speed dimension to the original to generate a remix with a gutsy kick and plenty of bite.

veteran uk producer/dj paul macs debut release for art shows his remarkable versatility and meticulous production skills. odd things amount to nothing is very much a modern techno wall-shaker. it’s incessant drones and wails ride upon a wave of relentless beats. the track pauses to catch its breath after a tremendous build before once again going clattering down the rails. the flipside is the track that original caught label-owner and a&r kirk degiorgios ear - a modern take on the classic chicago/detroit hybrid sound of the late-eighties, brought up-to-date with a crisp sound

fantastic queen constance double a-sided special featuring two of the best tracks ever released on this cult disco label, an offshoot of nycs renowned p&p records. staying faithful to the translucent red vinyl of the 1979 original releases, this features on side a kim taylors amazing lost disco funk gem >stump your feet & dance<. produced by nyc disco legend peter brown, this track is a surefire floor filler and features all the wonderful hallmarks of a classic p&p production - funky rhythm section, phat driving bass, screaming moogy synths and that feel-good disco party atmosphere that just makes you wanna >stump your feet & dance<. on the flip is the equally awesome afro-disco stormer >licky<, another ultra-rare peter brown creation. with its rocking female vocals, hot sax solos and some wildly groovy synth action, this is a wonderful slice of afro-american fusion that rocks any discerning dancefloor. top quality release and with two top class tracks on one disc its top value for money too!

first experiment by emg exploring the different possibilities of sound, seeking the relation between fhz, images and emotional states, condensed into 6 experimental tracks recorded live. 369 strictly limited copies released and available only on vinyl ... be sure to check >mass production< - a massive techno track.

hugo barritt was a promoter at londons infamous egg venue, during which time he focused his attention on robert owens residency at the club. a friendship was struck up and when hugo finally decided to leave to concentrate on production he could think of no-one better to provide the vocals to you are than the most recognisable voice in dance music, mr owens himself.befitting such a wonderful coupling, efdemin heard the track and agreed immediately to provide the remix,and a splendidly slick ride it is too, taking the merest hints of roberts vocal whilst injecting a melodic feel for a blissed out ride through the early hours. contrast that with high octane thrills of murmur regular tom demacs remix - dispensing with the subtleties of the original in favour of a power house ride of beats and bass, warping roberts vocal into something altogether sleazier.

following their recent track on reduxs pick & mix vol. 1, the disco legend that is pete herbert and melbournes golden fleece further cement their collaboration with this full ep on space walker records. >ivory waves< is a 90s influenced cut of uplifting piano-driven balearic house, complete with lush cosmic flourishes, whilst >the bells of hackney< is a more low-slung, but no less powerful production. initially combining a snaking live bassline and spaced-out arpeggios, the track builds to a crescendo as heavily flanged piano and tights guitar licks come into play. the b-side meanwhile serves up two remixes of >ivory waves<, lithuanias downtown party network recompose it as an even more-good time anthem (if such a thing is possible) with their trademark melodic charm, while slovenias sare havlicek takes the track into deeper territory bringing the thick bassline teasing the melody with dubbed out stabs, slowly bringing the huge piano line in before dropping it with force, taking the anthem potential of the original and running with it.

ryan elliott has long been our not-so-secret weapon, lending his curatorial mastery to the massive spectral sound vol. 3 compilation, megamixingspectral 25, and of course by representing on turntables the world over. but after a mere handful of remix credits, he charges out of the gates with his first spectral production, kicking up. deep bass and snares hurtle ever forward, assisted by occasional, faint sonic flourishes and a bevy of throwback vocal loops, but is otherwise devoid of sustained melody. if nothing impedes the supercharged, supersexual, super-detroit momentum of kicking up, the stablo no. remix dials back the tech and pushes its house to the fore. shakers, claps, echo and a whole lot of lateral motion imbues elliott s take-no-prisoners original with a surprising conviviality.

whether on his own or with nick hoppner as my my lee jones has been djing and making music for more than a decade. in 2008 jones released his debut full-length lp “electronic frank” on aus music. his solo releases and remixes have appeared on labels such as aus music, ostgut ton, liebe*detail and cityfox and last year, he did his first ever mix cd for the world famous watergate club. next up from the talented producer is a futuristic 4-tracker on aus, incl 2 remixes from george fitzgerald and midland. for the lead track moment, jones offers up a bass driven house number that hints at his jazz roots whilst pushing forward into garage territory. for the remix, george fitzgerald delivers his most straight up, heads down house production to date. next up is duvel, a characteristically quirky jones production, bouncy and deep all at once but with a bass line that will hold its own at peak time. midland steps up for the remix, twisting it into a moody multi-genre convergence like only he can.

byetones new record > symeta< opens with a combined track - a transit - since >topas and >telegramm< could be seen as one single piece. both tracks convey the atmosphere of a live session rather than the character of a studio production. the tracks are quite long and deal with repetition, layers of sounds, density and energy, more than melodic and engineering finesse. the whole album follows this approach, as it was fashioned within the context of live performances during the last two years