originally released in 2008, glider is available for the first time on vinyl & includes exclusive remixes from biosphere & pantha du prince.

nuria ghia has entered the world of production solidly. after creating her own label bluecube, the beautiful catalan girl is welcome in our beloved globox. nuria loves electronic music, her experience in the booth amounts to 11 years, having played in the most important clubs in spain.

how many people would have believed such a thing could work? would diva-like vocal grace and cool, calculated club sound efficiency not react like matter and anti-matter upon contact with one another? yet perhaps this is where the secret of her distant charm lies, the glamorously crafted cool, the vague elusiveness of aérea negrot. last year the venezuelan vocal wonder silenced any doubters with her first single >all i wanna do<, creating a new platform for her boundless range of musical expression alongside her career singing with hercules & love affair. now her second 12 inch is coming out on bpitch - just in time to set the tone for her coming solo album. the berlin sound wizard tobias freund is on hand once more to produce and mix ìright body, wrong timeî. he has commanded the mixing desk for a whole host of artists and labels from minus to warner over the last twenty years or so and made himself a regular fixture in the bpitch sound cosmos with his production work for ellen allien, dance disorder, heartthrob and indeed aérea negrot

pursuit grooves releases her solo full length cd entitled >frantically hopeful< this summer on tectonic. the album continues rhythmically where last years >fox trot mannerisms< ep left off, but launches into a different head space with lyrics touching on current affairs and technological dependency. juggling all angles from production, songwriting, mcing and singing, pursuit grooves continues what she does best, fusing elements of hip hop, house and broken beats with sensual melodies and vocals. preceeding the release of the the cd-only 11 track set is this limited run vinyl ep, presenting six of the album’s more floor-friendly tunes.

if you were waiting for a soulful vocal record with the full power of a peak time club groover its here now! a powerfull vocal gem featuring maiya with her incredible gospel flavoured voice. produced by antony fennel who knows how to get together the voice and the music. and create the perfect record for purple music. including various choices of mixes!

meine zarten pfoten ( my tender paws ) is the eagerly-awaited album by lady ada that everybody s been longing to get a hold of for so long. her second album after debut blondie truly is a revelation. ada has successfully cast off that four-to-the-floor yoke and has recorded songs that go way beyond all our well-known categories, hovering above everything in a state of serene disengagement. it s certainly ppp in its broadest sense, but ultimately it s a work of music that radiates such an amazing warmth and tranquility that it will even sedate the biggest nervous wreck into a state of subtle receptiveness. this record is your friend. it s a shining light of beauty, glowing from the inside. humans have feelings. and it s only the noblest of feelings that these nine songs arouse. after listening to them you’re left with a slightly sheepish smile on your face. and then you press play again

this summer heidi brings her jackathon concept to a new physical format! the vinyl release features four exclusive tracks from soul clap, deetron, mathias kaden feat. gjaezon and lauhaus & kabale und liebe feat. wkd and is an irresistible mixture full of raw funk, shaking out those grooves until you can’t stop moving. heidi’s jackathon parties started october 2010 as a concept to bring some new life into the dancefloor. she invited some of her favourite artists and friends to play alongside her and to make the crowds bounce in berlin and then london. now the jackathon holds residencies in both cities, as well as paris, manchester and amsterdam, and it has brought the jack to many cities around the world. the jackathon is about energy and feeling and expressing something that lurks deep in the soul.

bullion announces his new single >magic was ruler<, for vinyl only release on 25th may 2011, featuring 3 full length version of track from his non-lp >you drive me to plastic< and one exclusive new composition. the title track is a sample-based tapestry, rich in jangly guitar chops and pert horns, it dances along with the merriment of a tropical beguine. >magic was ruler< is a crate-diggers journey to encompass all manner of musical styles from krautrock, leftfield disco, all the way through to afro inspired 70s electronics, and continuing on from 2009s >young heartache ep< (one handed records). the searching, syncopated track >you drive me to plastic< has all the dynamic of the non-lp with which it shares its name and new track >good news on her< has the pulsating verve of shep pettibone-era ny house, whilst packing bullion s signature hip hop punch. >too right< completes the set, supported by benji b and gilles peterson in the uk.

the unique partnership is the brainchild of local dance music aficionado dj vidis. he teamed up with top lithuanian producer mario basanov in 2007 to form the most influential local production combo and to deliver what could be the freshest sounding and truly adventurous house music in lithuania and around. vidis and marios first vocal track and video >i ll be gone< featuring young but much promising lithuanian singer and songwriter jazzu became national phenomena on its own right. hitting number one in radio charts, not leaving mtv baltic top 20 for half a year, and becoming the most blogged and youtubed lithuanian music video ever says it all. and the single featuring british songstress kathy diamond as well as vaguely provoking black and white video cemented their reputation as local institution and the purveyors of top quality deep sounds. with duos debut album released december 2010 on their own silence music to big commercial success as well as a few singles being lined-up for early 2011 on top notch international labels like japanese endless flight, australian future classic, german best works, and british crosstwonrebels also remix work commissioned from soul clap, john talabot, andre lodemann, marcus worgull, and softwar the future looks bright and bold.

>i can see< by the oliverwho factory is the second release of german label couldnt care more (following stareaways - learn how to love me) and its just marvellous: the duo from detroit, who by the way runs the stunning label madd chaise inc. and recently released >galactic transit< on rush hour and >night lights< on planet e, delivers finest detroit tech deep house with a twist, that will make you wave your arms and scream on the dancefloor. while the basic track is voluminously wafting and rawly pushing forward vocalist shone tops it with her power- and soulful singing. both tracks are mastered straight to the point by a.o.s.. classic.

steve lorenz is the guy you will have to look for in the next months. he works around many musical influences. the first track >overclock< evolves into fat basses, bursted kicks & percussions. >overclock< remix, operated by damon wild international acclaimed and legendary synewave boss label (joe beltram/ jeff mills / adam beyer…,), results in an energic deeper techno, mental beats & dubby influences, a mind blast! the track >viraga< keeps the finest line. industrial noises & subliminal female voices are twisting in speakers & surely ll keep your head! close your eyes & start the journey. closing the race, >viraga< remix was realized by narrow friend kane roth (smallroom / lessismore), south french producer who recently moved to berlin. her production means well being quality, there is no coincidence if she has been remixed by maetrik & monoloc some months ago. keeping essential elements of the original viraga , she dropped a muscle main floor edit! hands up!
support from deetron, renato cohen, angel molina, claude monnet, loulou players, ashley beedle (x-press 2), hector romero, southmen (yoshitoshi), aga heller, corbin dooley, tim richards, esben b, mister no (motor), crystal method, aldrin ...

nice price deal !!! following on from her acclaimed debut last year on jansen jardin, yuki suzuki and producer, max essa, return with another slab of far east magic entitled >we don?t have much time<. combining yukis sultry vocal with a very muscular, bass heavy groove, the track comes across like some pitched down (way down!) early 90s nyc garage classic. big, rolling drums push the track along while some glorious strings and piano make sure, as usual, jansen jardin have something for your mind, your body and your soul. on the flipside neville watson delivers one of his finest productions to date. pushing the tempo up and dubbing things out he provides a brilliant reworking which is already causing a fuss from tokyo to berlin. moody, emotional dance music for late nights and early mornings. one limited pressing - as before - first come, first served

hypnolove are a cult band from toulouse, in the southwest france. their first album >eurolove< included the french pop song >mademoiselle< which featured across french national radio stations, a kiss cover (i was made for loving you), a feist featuring (bitch lap lap) (but sshh, no one is allowed to mention her real name, she became famous just after recording it) and even a punk track! the album was going places. nothing short of brilliant, but alas, audiences had a hard time understanding the logic of it, which of course was simply the songs, the taste, the musicality and the talent!dj-support from tiga, busy p, steve aoki, pilooski, the magician, munk, jerry bouthier, rory phillips ...

in an age saturated with soundalikes and retro throwbacks, the truly unique and unconventional can be hard to come by. storming the 2011 scene with her self-titled debut album, berlin-based barbara panther seems to embody these latter characteristics - and then some. the singer takes risks, blending musical influences and crossing boundaries of musical style innovatively and effortlessly, and the result is a journey through vibrant soundscapes, frenetic arrangements interspersed with moments of beautiful melancholy, and the creative explosion of elements of her past, the present and the future.

played by loco dice, luciano, estroe, stephan bodzin, luca doobie, afrilounge and many more. p.toile is back. her single >faces< hooks up with the other releases on ostwind ... an exclusive sound, driving forward with lots of esthetics and sensitiveness is the trademark of p.toiles tunes. she knows how to tie the crowd down with a certain looseness. to perfect this vinyl, frank martiniq, youandme and cosmic cowboys will contribute terrific remixes to a marvelously successful release. many thanks to all artists for this outstanding jobs. save the vinyl!

black gold also contains a rendition of sandy denny s who knows where the time goes, in a minimalist arrangement that ends in an uplifting orchestration true to both the writer of the song and the performer. throughout the entire performance ms simone keeps a regal, aloof and sometimes goofy composure, her monologues in between songs ushering the listener a little closer to her moving performance.

alison moyet started her career in 1982, at the age of 21, when she formed the electropop duo yazoo with former depeche mode member vince clarke. yazoo scored several hits and recorded two albums. however, in 1983 moyet and clarke decided to disband yazoo.in 1984, moyet released her debut solo album alf (titled after her punk-era nickname). the record became a huge hit and spawned three international hit singles: love resurrection , invisible and all cried out .

if you will permit me to get a little honors english on yall, classical scholar sir richard livingstone once stated that >our danger is not too few, but too many options ... to be puzzled by innumerable alternatives.< say what? well, take flo ridas predicament on new david guetta single where dem girls at: upon stepping into the club, so many fly females catch his eye simultaneously that he finds himself incapable of deciding where to begin. as hes struggling to resolve this deadlock over the veteran djs stark synths and four-on-the-floor percussion, an especially alluring specimen swoops in to make the decision for him - not only is she gonna kick it with him, but shell bring her equally fly friends along for the ride. playing the woman in question, young money heavy-hitter nicki minaj attacks the beat as only she can, dropping what may well be her most off-the-wall guest 16 since monster. so, readers, this dancefloor-scorcher + remixes on this vinyl will whet your appetite for more body-moving bangers, no doubt about that

a classical neil young album mastered from the original analog master tapes

la fleurs certified hit, the flowerhead ep, launched her power plant records imprint into the stratosphere in 2010. following the flowerhead ep would be no easy task, but its one that young danish talent jesper ryom takes in his stride. the second chapter of power plant records story exists within jesper ryoms refined musical universe, where samples and live guitar merge and mesh for a kaleidescopic whole thats greater than its parts. as ryom drifts in a dream-dance state, he delves further into sonic experimentation, but is ever mindful of the dancer and the dj.

>when an idea first comes to you, it has an intrinsic power. you have to try to remember the way you felt when the idea first came to you and to remain faithful to that< - david lynch a1: >whats her name again?< - a fluorescent, rnb influenced house track. a2: >whats my name again?< - the first tracks dark and twisted little sister. b1: >the drift< - a hypnotic journey into the wild. b2: >monte sacro< - imagine climbing a mountain of flashing lights.

yam who?s ism label come through with a four track slice of disco centric futurism, featuring the man yam himself alongside pbr streetgang and ron basejam. its the latter who takes the lead with a remix of alenas >changes< that sees her sultry vocal teased by a most excellent of analogue synth leads that splurges brilliantly across the crisp mid tempo chug. yam who? teams up with vocalist natasha watts for the similarly bottom heavy bump of >i m in love< which has a certain warehouse appeal to it. on the flip, pbr pay respect to the godfather of soul james brown with the gritty flex of >j2thab< with the sadly departed mr brown strangely sounding at times like he wants to go to tesco. we always took him for a waitrose man, but regardless this is probably the track you will reach for most! finally brothers young do their thing to a trammps classic, with little more than the bassline retained.

so it was a massive pleasure that maya chose 2020vision for her next full single release. when we discussed the project with her we agreed it was vital to put together a single that truly reflected her diverse tastes and skills. the title track >focus now< is a unique work that will be hard to even categorise. reminiscent of early matthew jonson records >focus now< features delicate synth sequences weaving in and out of intricate rhythms. it sounds amazing on big systems, like at fabric, where it was road tested by ralph lawson at the recent 2020vision party. it is one to drop at the right time to make a real change in mood and set direction. we then have >little one< which is a solid deep house groove, simple but effective. vocal snippets are added by mjc herself on both tracks but her true vocal talents are shown on >senseless<...

zwei-phasen restaurationskit für zerkratzte schallplatten. es basiert auf zwei substanzen je 100 ml. die erste wirkt wie ein waschmittel und dient zur vorbereitung der oberfläche. die zweite stellt die micro-rillen wieder her und bewirkt, dass die oberfläche antistatisch wird. laut hersteller für ca. 150 lps geeignet.

jess mills is on everyones lips at the moment as she sets the barrier high with her single >vulture< – which is actually out today. having worked alongside digital soundboy main-man, james breakage, providing the vocals for his track, >fighting fire<. breakage has returned the favour by producing >vultures<. theres a moody photek re-edit on the flip, if you know what rupert parkes is capable of then you wont give this one a miss. limited to 250 vinyl.

desolat is proud to present a release where veterans meet manon aka manon maeder has been part of the swiss techno and house scene since the early nineties. starting with illegal parties in bern, later involvement in legendary early days afterhours at the >oxa” in zurich, followed by first productions in 1996, residency at >hive< club and her involvement with the >vision< festival, manon is today probably more thrilling than ever before. for desolat, she delivers remarkable tracks that sound like a sonic snapshot of a balearic sunset. pat carnal speaks about manon getting lost in brasil 20 years ago and the conversation was recorded at one >formbar< afterhour. guitar virtuoso mats küpfer added his part at studio willeneger in bern. we d like to tell you more about >que cara é essa” but its probably better to listen to the music. first remix comes from another veteran and one of our heroes, stacey pullen, a kosmik messenger and an innovator from the second wave of detroit techno. he takes vocal snippets from the original and wraps them up in his trademark percussive, driving, stripped down sound. second remix comes from desolats own tini representing a new generation of electronic music talents. she turns manons original in a dark claustrophobic shaker that will gently take you by the hand and stay on your side until the next sunrise

this album builds more than just one bridge between the best worlds of frivolousness and dependability – horizontally, vertically, all the directions in between, and in time. no matter what the current when you cross, the beginning and the end dissolve into an everlasting flow in true 25 character. the journey is fueled by its own limitlessness, all the while delivering crucial reference points for a purposeful riptide ride.
the experienced hedonist lets herself be driven through her beloved quarter-note spheres, relishing the moments when, in certain beats, twinkling details lead her towards a different route – one familiar but long forgotten. she strings this pearl on her chain of rhythm-driven moods, calling upon it at the right times to amplify her individual push. the allure of the impacts unfolding redeems each secret whispered by the spirit of the sound.

for his third release on dont be afraid semtek brings a rolling acid house vibe with remixes from neville watson, justin harris and isa gt. check!the original builds from trademark uk bleeps and analogue drums into a wigged out discoid groove. neville watson takes you far up into the aether with a hypnotic hymn to the night, justin harris produces a dark and driving techno dub, and isa gt refashions an early semtek track key into a bara house banger equally at home in croydon as in her native columbia.

the 12-inch sampler for >panorama bar 03< could have hardly been better. hitherto unreleased, the tree tracks on ostgut ton 47 tick all the boxes that make prosumer such a unique dj: house in its various identities. soundstore starts the triptych with >take u<. greatness and frantic fever visions go hand in hand while hitting the core of chicagos second wave: dance mania, cajual, and relief with siren-like hooks in a feverish delirium. irresistible. prosumers panorama bar fellow steffi slows down the pace. >sadness< that surprisingly did not make it on her album debut is not only the opener of the actual panorama bar mix, but also a tribute to that kind of deep house that doesnt take its prefix lightly. in the end, berlins hunee teaches you a freestyle lesson. in a similar way to the young pal joey, he feeds his sampler a well-known dish, but throws in peculiarity, rascality and deviation to get new results. after all the time, this music is still not getting a bit long in the tooth. lets take a love break.

with its intriguing melodies, strings and piano orchestration, >silk city< has got modern classic written all over it. nathalie is a jazz singer and the tone of her voice reminds of telepopmusiks >love can damage your health<. fred everything once again steps up to the remixes with a straight forward modern house production and a dub that brings back early influences of mauritzio and mood 2 swing. hope you enjoy the release as much as we do.

bullion announces his new single >magic was ruler<, for vinyl only release on 25th may 2011, featuring 3 full length version of track from his non-lp >you drive me to plastic< and one exclusive new composition. the title track is a sample-based tapestry, rich in jangly guitar chops and pert horns, it dances along with the merriment of a tropical beguine. >magic was ruler< is a crate-diggers journey to encompass all manner of musical styles from krautrock, leftfield disco, all the way through to afro inspired 70s electronics, and continuing on from 2009s >young heartache ep< (one handed records). the searching, syncopated track >you drive me to plastic< has all the dynamic of the non-lp with which it shares its name and new track >good news on her< has the pulsating verve of shep pettibone-era ny house, whilst packing bullions signature hip hop punch. >too right< completes the set, supported by benji b and gilles peterson in the uk.
single sided pressing with etching on the flip.

we are very happy to welcome a new outstanding artist on hello?repeat records. kate simko is a woman of many talents, and she works them well. this chicago native continues to be one of the standout dance music artists in the united states, earning the respect of her peers and catapulting her career to international sucsess. with >mind on you<, kate delivers a little teaser to her forthcoming and highly anticipated solo album on h?r. inclusive tevo howard & daze maxim remixes

to put it in a nutshell, in just two years, selah sue has fulfilled her dreams. to keep her grounded, she has insisted on keeping the songs she wrote during her teens for her debut album. its a way of reminding the world that she has not been unfairly spoiled by destiny and that before prince, cee-lo green, radio play and incredible press, there was just a teenage girl, with her guitar, who was chosen spontaneously by fans on the net.

act re act: daaaaark is the typical expression used to define act re act. uplfting synths, spastic latin percussion, and a pummeling 808 bring some light for the harder moments.
ms. minnie: kitty ms. minnie, age 39, was caught saturday evening sneaking a 909 into the club and having her way with the hi-hats. she ripped it up in honor of larry heard before being forcefully removed by security. the whereabouts of said 909 are unknown.
the origin: a minimal bit of italo kit shoved through the hatch of a nasa shuttle (it was recorded in houston, tx after-all) and sent around several moons of several planets. what was discovered is only now being made available for public consumption.

this album is a first for nina simone. it features nina accompanying herself at the keyboeard. there is no instance of overdubbing the organ and some others dubbing her voice and of clapping and tambourines, but in this album everything is done solely by nina simone with no outside help.

chilean born dinky is a long standing resident at panorama bar. her warm, technical house sound, underpinned by intricate rhythmic and harmonic elements is a much loved staple of the scene. >take me< is a wonderful meeting of thuggish house and soul-infused, feel-good energy. a surprise break leads to unexpected vibes and a brief encounter with some rhodes keys action. >polvo< is a psychedelic ride through more cerebral moments, possessing the power to truly lock you in. the extended passages of this breezy, garage-house hybrid just highlight dinkys instincts for dramatic timing.

the labels hiatus is over. a few years have passed and neurhythmics resurfaces after like-minded souls decided to bring it back. juergen junker returns with a 3 track 12inch that stems from a live-set concept he created over the last few months. raw as you like, it takes a distinct bow towards the earlier days of the windy city. dirty, knackered sounding drums, and cut-up vocal bits fused together to a driving force that is hard to resist. the a-side , >unclean mutha< is a definitely x-rated affair that has the jacking feel built right into arrangement. on the b-side, this is suitably followed up by >working her for real<, which is what we want to happen when this is being played in the club. work it, baby..! the second track, >honey< with its camp statement vocals and similar vibe rounds things up for the first part.

maya jane coles was one of the biggest sensation of 2010 with the ep >what they say<, released under real tones records. the 23 years old anglo-japanese dj topped legal download sites charts, and this ep put her and the label under the spotlights. now is the time for the awaited remixes, especially the track >what they say< which has appeared to the eyes of the public as highly inspired by 90s house music and particularly by marc kinchens style while in facts, maya jane coles influences encompass many different styles, ranging from hip hop and trip-hop to dub, and nights out in londons drum & bass/ jungle underground scene.
early djs supports and feedbacks by the martinez brothers, reboot, ryan crosson, dennis ferrer, delano smith, laurent garnier, lee curtis, matthew styles, michel cleis, steve bug, sascha dive, damian lazarus, shawn reeves, raresh, dj t, lee foss, robert dietz, anja schneider, jimpster, deetron, sebo k, djulz, nick curly, culoe de song, tony humphries, dj spinna ...

a welcome return for quentin harris! who gets to grips with toni braxton on her make my heart single for spens code red !!

akiko kiyamas latest release features four tracks of intricate drum programming, bringing her characteristic warmth to the groove with their ghostly whispered vocal samples and the clicking and clanking poly-rhythmic sound made famous by the legendary berlin imprint, perlon. the first track, carnival, brings all the fun of the fair, a swirl of coloured lights barely glimpsed amongst the heaving throngs of somewhere like bar 25, followed on by an abstract slow burner which sneaks up on you with its sneezed vocal snippets and jangling bassline. talon, a real dancefloor creeper, clips along insistently and the final track, with its bass-guitar and pulsing synth line rounds of the record in perfect ethereal fashion. as akiko puts it herself, >deepness, depression, beauty, irony, fun - these are keywords for my music also my life itself<. you can definitely feel that there is much more thought put into these productions than just purely the need to move people on the dancefloor.

for this project the barking dogs rework two tracks by jessie evans, adding their producing skills to her post-punk sax and vocals lines and giving us two old school burning, sweaty killers. the pack is complete with remixes from a couple of hot names on the scene. altz with his enormous, mad remix (something really unique, we where stunned when we first listened to this one) and the deep acid version from rune lindbaek & mental overdrive.
support from: prins thomas, todd terje, jd twitch (optimo), trevor jackson, severino (horse meat disco), sam proper, italoboyz and many more ...

supported by luciano, timo maas, pig & dan, anthony collins, woody, dustin zahn. rifraf is rafael gimelstein, recently relocated from sydney to berlin, born in lithuania, raised in israel, flowered in sydney. classically trained violinist, deep as fu*k party organiser and creator of sydneys earthdance festival, rifraf is now full time producer making his distinctive sound in electronic music world. philosophy started as a casual recording of his granny klara telling stories about her time in a concentration camp in germany, and singing the yiddish song tumbalalaika and ended as a very intelligent moving sound collage. the whole peace is a trip, which feeds you constantly with changing noises and visions. although philosophy is transferring a lot of aural information, it is never telling to much and still works perfectly on the dance floor. its just an intoxicating musical tale which drives you on a wild journey. with the both remixes, one of alexkid with his deep as fu*k remix and phillip baders off runner the release get its pretentious dance floor alternatives. fifteen seconds close this fine ep, which rafael did in coop with the young israeli producer omer from tel aviv.

ché ché the >ché ché< project produced by sid vaga & guillaume boulard featuring adeline michele is finally out now ondate in a limited vinyl pressing 4. being parisian by birth and martiniquaise by heritage, adeline brings her suave and erotic voice with words in créole to this deep, soulful yet tribal track filled with african instrumentations. >ché ché< also has its dub version >ché ché le dub< which becomes a tad more electronic, keeping the original roundness of the track. wen are also proud to announce a remix by highly renowned producer roy davis– a gem!

pounding beats! classic hard techno edits!!

what a journey! well, these guys have been around for a while- they have gone through: rave, jazz, krautrock, garage, detroit, house, hip-hop, disco, folk, dubstep, electronica, funk, punk, wave, chicago house, handmade music and soul. all those nights at clubs, the records, the shelves, the dirt in the second-hand record shops, the stacked audio- and studio magazines in their toilets or elsewhere in the house, the hours spent making their own radio-shows, hundreds of hotels checked in and out of, dozens of sound-checks done. last but not least, the revivals, the subgenres, the fusion - well these peeps have given real influential input into some of these (sub)genres in the past. >lovin< is the second single release of the upcoming >alex and the grizzly< album which is due out in april 2011. alex barck is on the vocals together with lois longerling, who is known for her work with dollkraut. andre lodemann delivers a smart remix giving the tune his trade-mark sound and putting onto the house-dancefloors. prommer and barck are on tour with their own live show.

deep house and tribal beats with remixes from jt donaldson. jt donaldson and adam pickrell (white lotus society) team up with zimbabwean artist hati monetsi to create a unique work entitled >ceremony<. spoken in her native tongue of shona, hati pens a passionate tribute to loved ones who have passed while jt and adam frame her words with their elegant, deep musical production.the original mix features driving tribal beats while the techno mix is presented in a vintage detroit style. jt also provides two key bonus remixes: a straightforward house mix and a lovely early 90s deep house mix that pays homage to the early beginnings of the beloved music we all have come to love. timeless. support from fish go deep, scope, oliver desmet, jask, nathan g, groove assassin, marques wyatt, deron delgado, soul minority, john hawley

lowkey & kardinal back on goog records with her friend commuter (skryptm) for tow big electro techno tracks ! enjoy.