nice price deal !!! limited 10 inch clear vinyl with hand stamped logo... s.o.b. is the alias for the new partnership of dave jarvis (moton records / faith) alongside richard rogers (black booby). rolled stone opens like a phoenix rising from the ashes bathed in golden light, before shuffling rhythms and a hooky low slung bassline make you shake your rump to the funk. on the flip givin is a swirling heady 4/4 number with soulful vocal licks.

a new set by the coolest chap in new york city documenting the before-and-after development of a solo electric guitar piece that alan licht has been playing out for last four years. revered for his work in the blue humans and text of light, and a key figure in his generations pantheon of experimental solo guitar players (such as jim o rourke and oren ambarchi), four years older is his debut editions mego release, representing another peak in a career of mining the rich seams of minimalism, noise and avant-garde in general that stretches back more than two decades.

no stranger to the basic fingers camp koko have already graced us before and thats why we are also bringing him back a third time for another release with rnb & soul drenched disco gems. light of the worlds >time< has got everything you need to encourage feet movement. an infectious bassline, horns, strings, percussions, sing-a-long-chorus and is presented in beautiful way, giving the original enough room to breathe. flip over for a great re-edit of melisa morgans >fools paradise< - funkier than a mosquitos tweeter!

the next vinyl-only release on candela rising is a 3 track ep from irish duo dara smith & ian mcdonnell, a.k.a lakker. all topped off with a remix of the title track by us born and birmingham based dj skirt. after a string of extremely successful releases on blueprint, killekill and an early 2013 release in the shape of a remix for stroboscopic artefacts, lakker are back and showing more range than ever before. coal bath is a real frankensteins monster of a track, a techno/garage hybrid with haunting vocals hiding through the middle and broken beats that hit hard. skirts remix takes coal bath and lays down some heavy demented bass, chops up the middle and grooves things up. all of which leaves a remix ready for the bunker or warehouse. on the flip, rsspstp is a heavy hitter. distorted bangs set the pace for this one, which evolves into a prime example of the attention to detail lakker are so famed for. machine music at its best. the final track on the ep, brood, is dark and dense, full of cold atmosphere, sub-low beats and distant, distorted drones. techno for the darkest floors ...

deadly poison is the fourth installment of st petersburg-based producer sanys on discerning downfall theory series. retaining to the a/b format and treading a heady, analogue-hued line with releases thus far on predecessors control freak / event horizon, forward thinking logic and daily situation which supported a stunning rework from chicago-based, detroit-born producer alex israel, deadly poison continues to march on in gritty, idiosyncratic fashion only this time fractioning off and multiplying into four distinct, yet symbiotic floor workouts. on the a-side hired guns kicks off with no-holds barred, full-on weighty bass weaponry before grab them back in reins things in, just a little: a dystopic soundtrack full of clanging machines rung through with the filmy dread of a waning humanity. on the b-side concern continues in plain rude as distorted vocals are twisted into evil barks and plied with itchy hats to warning chimes and a bounding bassline in this weird and wonky builder. down and dirty then concludes—as the title suggests—in deep, raw analogue terrain. having already caught the attention of people like blawan, rivet and brendon moeller, deadly poison consolidates sanys skills as a one to watch maker of provocative, sensitive and fiercely independent dance music.

few people stand for a real underground approach to techno like adam x does. for over 20 years he has been right in the center of the scene. before moving to berlin he ran the sonic groove record shop in nyc for 15 years. the sonic groove label also owned by adam is still a dominating force in the scene and has released music of legends like abe duque, blake baxter, frankie bones, kevin saunderson and many more. with djing, producing music adam in recent years has received a lot of support from people like chris liebing and many others for his productions as adam x as well as for his aliases traversable wormhole, admx-71.adam’s sound is dark and heavily influenced by his passion for industrial and old school ebm music. with coercive persuasion on the a-side he combines these influences with a functionality that can only derive from his extensive touring as a dj and live act. it is a dark anthem that will destroy all real techno floors. no doubt. the b-side deprogramming sequence comes along with driving bells that give the stomping beat of the track a little uplift and therewith balances out the heavy dark side of the ep.

i had dinner with breach in london and he told me: hey, i have a track that is really dirtybird. i would put it out but its really sounding right for you guys. i took this with a grain of salt but then i heard lets get hot and i found out he was right. it has got the swagger and the sound. it makes girls grind their asses into boys crotches on the dancefloor. perfect. signed. so i then asked him to make something even more sexual, thinking it would be ages before i got something back. 10 days later the a-side came back to me as a 2 minute clip while i was on the train to warehouse project in manchester. i liked it so much that i edited it on the train to stretch it out to 5 minute. as expected, it slayed the room and the final version breach has delivered is one of the best records of the year in my opinion. with the simple title of jack you can see for yourself when you play it. this is the real deal. love, vonstroke

snw01 contains some previously unreleased cuts from labelowner kastil. where he never thought of releasing this before. he rapidly changed his mind after seeing the reactions to these cuts at his gigs.after several people requesting a release of the a side rush he decided to press them up to serve his loyal followers. these are two rough, peaktime house jams which have a mesmerizing effect to them. the vocal in gather up! is the perfect example. these are two underground slammers, produced with class and in high demand

in the here and now of house and techno, a flux is taking place. the newest generation of souls possessed by the beat has never had a better chance to look back at the unbridled creativity and vitality of the 80s and 90s, and channel it into their contemporary creations. the gospel of youtube and a wealth of mixes with convenient tracklists make it easy for the lazy artist to absorb what was great before and reflect it in their contemporary productions. this of course is of no concern for someone like franck roger

labelowner meiko presses again on the accelerator with a hefty floorburner before he starts to produce his first album. also on board are two great remixes from andreas kraemer (construct rhythm, nachtstrom schallplatten) and audio transmission aka michael kruck & hierro (herzschlag recordings)

new mysterious no name label dropping 4 amazing house tracks, from well known artists showing their skills. the label is focussing on downtempo, warm deep, soulful, and sexy house music, handstamped and numbered. make sure you get your hands on this before its gone.

the legendary 1965 beatles album - stereo remastered and pressed on heavyweight 180 gram vinyl.

absys records returns with first release in 2013. are you happy? you should because with us return dimitri kuzmin also known as nuage. this russian producer from st petersburg is one of the most talented newcomer on drumandbass and deep electronic music scene. music of branches as his first solo lp contains eleven tracks on cd and two tracks on 7inch vinyl single. dont waste your time and limited copy!

finally out of little britain, ahum, sorry, out of little paxton, mr. rogers is currently thriving on his newly acquired medication of high-quality codeine, all thanks to the benign blessings of the pharmaceutical industry: his house is definitely jackin it deeper and browner than ever before, almost sounding like a ron hardy shooting up at the end of a hard days night back in the days of the warehouse.

demdike stare return to the lab with two extended new productions, inaugurating a series of untamed releases brought together under the testpressing banner. collision was recorded in late 2012 and is pretty much unlike anything you will have heard from demdike before, an intense high-frequency re-arrangement of jungle and noise, like a more brutal variant of the demdike-affiliated hate project, fed through a bank of analogue boxes and pedals, left to spin uncontrollably for 10 minutes before fading to black. misappropriation on the flip feeds off a different noise altogether, perched precariously between the mangled percussion you would most commonly associate with muslimgauze and the metallic clank of industry, a proper sunstroke riddim: angry and unforgiving.

nice price deal !!! though this is camps debut solo release and first offering on hakt recordings, listeners have heard from him before. last year, he was featured on no regular plays debut album, endangered species, out on wolf + lamb. he also appeared on the track no more time, along with collaborator michael christopher, from the zurich-based cityfox label. and in april 2012, he was featured on a track from double standard records, the vinyl-only imprint from wolf lambs gadi mizrahi.

lower east, the brainchild of cozzy d & lee brinx, returns with michael jansons brand new single *addiction*. following his debut release *i know you re feeling ok*, jansons returns with this slick new offering, stamping his authority as one to watch for 2013. title track *addiction* kicks off the proceedings and is deceptively ambient, before jansons drops in a pulsing bassline that rolls out under mizbees eerie yet classy original vocal.
*addiction* is given the remix treatment by none-other than detroit dub master marc mk kinchen. mk retains the deep, gritty and brooding elements of the original, adding his own trademark organ riffs. on the flip side *just us* deliver a more uplifting affair, with a precision bassline and chopped and cut vocal samples adding a touch of soul to give the record and overtly classic house feel.

containing proper art, raised with time & dedication. the tracks are guarented natural and can live up to a hundred years with proper care. thery are also stocked and accessible at the bibliotheque national de france & converted numerically for a safe and proper memory of today music. featuring designed sounds melted to rare vinyl sampling covering a 40 years area. reaching classic textures and close current structural forms, meanwhile using today tools to the max combining digital technology with analogic and hardware analogic processes. it is just amazing, thousand of details to discover for your pleasure by the professor. a rich, complex and truely unique sound enhanced by the mastering of mathieu berthet with who he collaborated on several projects before and also do music together.

the last time patrick vano appeared on mos ferry was a remix for jedi jet in the beginning of 2013. and the new year seems to be a changing point in his career. before that patrick released under his nickname peddy, which is - to be honest - no longer appropriate

in the great tradition of count ossie, four new grounation furies - hypnotic, thunderous, urgent, mystical - with dubwise repeta, funde and bass drums embedding the light of saba veterans gorgeous trombone classicism.
the opener is a rocking kumina rhythm, with ring-the-alarm metal percussion and exhortatory brass, free the people swirls some apocalyptic reasoning into the foggy, thumping mix. universe in crisis is another emergency call, chuffing headlong down the grooves ... before the beautiful, anthemic chant takes a step back from the fire, closing with a sense of thankful, spiritual reconciliation, the expert drumming and lyrical bone-work in full effect.

adam beyers original track starts with a heavy bass line that is a sure-fire, grooved out killer. the infectious vocal hook and melody line supplies the extra force to make this track one of the strongest releases on truesoul to this date. nic fanciullis take on take me away uses a rhythmic melodic synth-line before bringing in the vocal to maximum effect. alans darker approach gives this release an extra dimension, using deep-pounding toms to create a cool, stripped back vibe with warm stabs and hats to match.

sasha zählt neben paul oakenfold oder carl cox zu den weltweit bekanntesten britischen djs und produzenten. er startete seine karriere in manchesters legendärem club hacienda, und er remixte u.a. madonna, pet shop boys, depeche mode oder die chemical brothers. 2002 arbeitete sasha mit junkie xl zusammen und diese unterstützten ihn auch bei seinem debütalbum, airdrawndagger . im jahre 2000 wurde er vom britischen dj mag zum dj des jahres gekürt, und für seinen remix für felix da housecats watching cars go by erhielt er eine grammy-nominierung.

mit fade veröffentlichen yo la tengo eines der homogensten alben ihrer geschichte. durch seinen warmen sound und die dichten kompositorischen texturen erinnert das 13. werk des us-trios vor allem an die bandklassiker i can hear the heart beating as one und and then nothing turned itself inside-out . hier wie dort dominieren fein gesponnene melodien, rhythmische schattenspiele und dezent orchestrierte noise-passagen das variationsreiche klangbild. vor allem aber geht von fade eine tiefgreifende, schwärmerische erhabenheit aus, die selbst für die band aus hoboken, new jersey, außergewöhnlich ist. aufgenommen wurde das album in chicago zusammen mit john mcentire (tortoise). durch dessen unterstützung entstanden geschliffene songs, die trotz ihres facettenreichtums ein im zusammenhang geschlossenes klangbild ergeben - vom bedachtsam tänzelnden well you better über das fiebernde stupid things und die warmen verzerrungen von paddle forward bis zum groovenden schlusssong before we run mit seinen wunderbaren streicher- und bläserarrangements.

people have all the power - they just have to remember it, findet steve mason und sorgt mit seinem neuen eklektischen meisterstück *monkey minds in the devils time* für revolutionären wind in der flaute der aktuell doch sehr unpolitischen popwelt. das neue album besticht nicht nur durch seinen inhaltlichen tiefgang. dass der ex-beta band sänger mason auf stolze fünfzehn jahre erfahrung als musiker zurückgreift und produzent dan carey (hot chip, bat for lashes) seine finger im spiel hatte, merkt man dem album an. das glanzstück *monkey minds in the devils times* ist an musikalischem facettenreichtum zwischen pop, indie und elektronik kaum zu überbieten.

debut album by the blues-rock duo the black keys on black vinyl.

meet stabber, aka stafano tartaglini from laquila, italy. after doing nice work with luckybeard records, here stabber graces vinyl for the first time on halo cyan.
his huh! ep is tittilating yet terrifying, a collection of razor-sharp club tracks that bring the party as much as they terrorize it. title track huh! begins with a smattering of innocuous hi-hats and claves that quickly give way to a thick fog of giallo-style paranoia. voices grab your attention, leaving you to look over your shoulder before being overtaken by a wave of sinister, gleaming melodies riding twisty, mechanically precise breaks.

after the massive success of ut015 undertones kcik off 2013 with another killer ep from nathaniel x this time under his vil-nx guise alongside long term production partner mr vil. as before they will be limited pressing on 180 gram vinyl and comes in a high quality printed sleeve

flying bodies are beta evers and charles kent. they produced only three tracks together of which only one was released on vinyl before. here are the other two tracks. one is a dancefloor smasher and the other one perfect for night drives on the highway... dark, minimal elektro to energize and sooth you. limited to 150 copies.

now, the zenker brothers are back with their first release for tresor, brandishing a matured sound and level of sensitivity yet displayed by either before. *lion in mars* is like a fresh breeze billowing through the tresor vaults. honing in on signatures from the archive and repackaging them in modern sentiment, here zenker brothers deliver a record that gleans through the generations to deliver a cunning symbiosis of techno future, past and present. on the a-side *knighthof* and *the future is you* offer driving vintage basement techno with a zenker twist, whilst b-side tracks *davin* and *cosmilian*, the eps clattering dystopic closer, blend detroit tones together with their respective ilian-proven pallets.

marco freivogels first solo release provides a fresh direction for this seasoned producer. marco will already be known to those in the techno world for his live project exercise one, with his partner of 10 years ingo gansera.

following a 4-release strong 2012, djebali) is set for its first ep of 2013. once again a 2-track package, the a side throws up a classic house drum-kick warmed up by a soothing melody, while a sexy and sultry number on the reverse reminds us why djebali is up there with the best deep house producers of paris. as before, topping off the offering is a vinyl loop on each side. released as part of the djebali limited vinyl series, all tracks are arranged and mixed by djebali, and made with analogue gears.

tropics a.k.a. chris ward first appeared on planet mu last year, following up two eps with the album parodia flare. commended by pitchfork for his lush soundscapes and hazy pop, whats clear with tropics is that he listens to a lot of dance music and he cares about production values. the synth and beat programming is as competent as anything out there, and he avoids lazy indie stylings and one button bontempi organ beats – his are crafted songs, much of the pleasure lying in his gift for dynamic arrangement, which is a joy amid rafts of useful formulaically assembled house tracks.
in common with the general post-financial collapse vibe there is less sunshine in this ep than before, and he has absorbed something from a year of intensive house music listening, but chris essential qualities remain a forward-looking wistfulness, hope beneath melancholy, something even more acutely needed now than before. oh look! here comes winter.

magic feet introduce three new artists on their first label sampler, as well as a remix from label owner craig bratley. the tracks cover various genres, taking their inspiration from house, italo, new beat and disco. first up is paresse, an alias of swedish producer ivan bergren. *the night before you came* is a hypnotic, evolving slice of future disco. craig bratleys remix shows craig indulging in his obsession with the world of analogue synths and sees the track taking in a deeper and darker direction. craig has also had a hand in editing *lost era* by kepier on the flipside, a track with a direct lineage to the belgian new beat sound. to round off the ep, we have soul tension, an alias of tony beardsley, who also produces as dark strands. *suburban life* is a superb take on the slo-mo techno sound.

the new vinyl release by stefan gubatz features unreleased new dance floor versions of his tracks >byte and scratch< and >offshore< (which had originally appeared as electronic versions on cd) which appear now exclusively for the first time on the telrae vinyl 10 inch series as reworks. >byte and scratch rework< generates a subtle form of urgency which slowly step by step takes possession of yours and does not loose its grip till the very end. stefan has reworked the original for the club, has kept many details in the process of the sound shaping while on the other hand has changed the arrangement and dominance of key sounds very skillfully. he has transferred a piece of electronica into an intense piece of dub techno. >offshore rework< is the counterpart of >byte and scratch rework< being much more ease and repetitive... more in the fashion of some of stefans 10 releases on telrae before

2xlp , incl cd... rundes elektronisches housealbum der eigenen art. daumen hoch.

kinda soul recordings is finally back with a 3 track ep featuring chet, mnks (a project by m.napoletano & ksoul), isoul8 & k.tatham. this time the label wanna focus on the hidden sides of our past experience before starting a new phase of our little history.

crystal mazes album debut is a murky acidic analogue trip with multiple moments of melodic optimism. the long player is called *enter the maze* and features ten tracks on a double 12 inch package with full artwork in limited quantities.
italian producer marcoantonio spaventi and dutchman gijs poortman aka g-string are also known for their work together as part of r-a-g collective alongside m>o>s recordings boss aroy dee. crystal maze debuted on label adepth audio in 2011 with a self titled ep before gracing paul du lacs fledgling rotterdam based label bio rhythm with the dissolve ep in 2012.

rainer veil are liam morley and dan valentine, two friends who met while studying contemporary music in the north of england. the pair began improvising and making drones in a dark basement before incorporating a broader palette and forming rainer veil as an ongoing concern last year. *struck* is their first ep and debut for modern love, following an appearance at the label boiler room takeover in august 2012.

the small, exquisitely formed take records maintain their reputation for tracks that elegantly live their life on the peripheries of house and techno with this release from one of the labels co-owners, rick grant, and a fine cabal of remixers. the west london-based producers original mix adopts the full widescreen effect, cascading deep bass throbs and a trembling metallic clatter across a ponderous 2-step click. consequences reworking wires in some heavy-ass sub-bass transmissions and a rapid-fire hi-hat rhythm, before jack dixons late-night submission takes a clockwork 4/4 tempo and bolts a springy, low-slung bassline to it, accompanied by layers of velvety synth patterns. crossing is an ep of uniformly consistent quality, where texture and atmosphere take the spotlight.

august darnells swaggering alter ego kid creole dons his famed fedora and gets back in stride with his first high profile studio album in over 10 years this summer, i wake up screaming. darnell first came to prominence during the mid-70s in new york, forming dr. buzzards original savannah band with his brother stony browder before producing a slew of eccentric projects for ze records including cristina, don armandos seventh avenue rumba band and gichy dan, as well as sporting his trademark zoot suit and fedora for the first time for the debut recordings by kid creole & the coconuts.

slamming minimal groovin techhouse

shir khan is back with another killer-selection for his disco-house-edit imprint black jukebox. 3 heavy cuts from kruse & nuerberg & polargeist from hamburg, the mekanism from paris and stefano ritteri from london. limited collectors vinyl only. cop that before it sells out.

big tracks alert! - the third release from the vinyl only bokhari label with two new artists appearing on a hand screen printed ltd edition 10&#8243,,,,,,,. igor jadranin brings you a heavy dose of percussive, groove-laden house music, packed with tension, swirling sirens, and melodic synth stabs. the ‘for just one thing’ vocal refrain burrows it’s way into your head, before morphing into an inspired neo-soul breakdown. on the flip glitchell moore’s skadarlija is an infectious slice of warm, intergalactic deep house. a lost, echo-laden vocal glides in and out of the track, whilst hypnotic keys and a lingering bassline give proceedings a lush, trippy feel. not a million miles from the nostalgia tinged future boogie of a certain space dimension controller, perfect music for the twilight hours.

nyc (via paris) based dj and producer sid vaga returns to nickodemus wonderwheel recordings with another 12 inch full of exotic deep house vibes sure to light up dance floors everywhere. it is an impressive follow-up to his genuinely well-received *brazuca* single from last year. on the a side, sid delivers *na na ye*, a driving cut with a pulsing bass line and hypnotic african chant that pushes the tune forward before getting flipped into a percussive section alongside deep and subtle synths. on the flip *manouche* can be found, a late night house tune with psychedelic balkan guitars and swirling gypsy vocal samples punctuating the track. rounding out the single, valencian producer oscar barila (plastic city) gives *manouche* a truly funky remix with a squelchy 80s new wave style bass line, thumping house beat, and irresistible synth work coming together for a real after-hours nightclub workout.

since its inception in 2001, each entry in the pop ambient series has included its year of conception in its title, an irony in the fact that many consider the music being timeless in more than one way: a feel-good classic to some, a rigorous experiment to others, pop ambient always has located itself between the poles of habitual listening and sonic curiosity, with the space in-between beats being a way more interesting material than the beat itself. as in the years before, pop ambient 2013 collects an illustrious cast of producers uniting genre pioneers alongside old friends and some surprising new arrivals.
the 12 inch vinyl comes with a cd-copy of the full album.

last copies left !!
first 500 copies with a2 poster packaged in a gatefold cover!!!! the thunder from thuringia, genosse from gera, mr. minimal samba, the man that goes by many names is here to present to us his very first lp on none other than his solo action vakant home. about 2 years in the making, studio 10 takes mathias kadens life-long work as dj and producer, world wide tours, twenty something years of listening and thinking, machines and people, wraps a bow around it all, and delivers it with roses dipped in chocolate. always taking his time with production, mathias focus on quality over quality continues to pay dividends no matter the state of the economy. unique in many ways, studio 10 was also unique for the producer himself. never before has mathias incorporated into his music so much hardware, field recordings, messages, and invited friends and orchestral musicians to collaborate

alex costa is a simple but very talented guy from torino italy! in 2005 he started to produce deep- tribal and tech house and made very shortly his first releases on labels like intacto, time has changed, alchemy, bitten, potobolo and many more. we are very happy to present you his first ep on kd music!

we welcome traumfabrik (ton liebt klang, gris musique) – michael & florian are presenting their new sound with the darkroom honey ep. its all about riveting melodies, beats and vocals – a great mixture between electro and tech house. for people who like anthony rothers stuff

the latest 12 inch in the acid test series from l.a.s absurd recordings. cardbox is a laid back, stripped down and tripped out groove with a spacey dubbed out remix from chicagos innerspace halflife on the b-side along with the bonus cut harmonia. hand painted sleeves. was delayed due to a manufacturing problem but they cleared it up right away so we could get it before the end of the year.