• more superb live jams from the project of earwiggles sunil sharpe and defekt
• features unique hand embossed foil stickers
dublin based flanagan and sharpe s live jam project continues to dazzle with four more killer club tracks. as before, this release features a custom foil sticker. limited first run copies so please pre-order to ensure fill

reissue of a 1986 italo-disco classic.
accept no imitations, this is a genuine reissue from the label who gave us this now-legendary italo maxi-single back in 1986. often discussed in hushed tones among italo and disco enthusiasts mirko galli s most successful release tapped into the british songwriting/pop dynamics with both tracks while retaining full focus on the dancefloor with heavily synthetic grooves that refuse to quit. -when i let you down- is a visage-style love story blessed with intricate melodic layers and big catchy vocals. meanwhile -boogie tonight- is all about the metallic arpeggio, a nagging hook and future-minded arrangement twists that foretold the drama of house music before it even happened. a serious document, this.

returning to his original home for this ep, it represents yet another left turn on the ukkonen musical path. the man himself says: *once again i want to change direction a little, whilst still keeping all the things i love in there - the polyrhythms, phasing loops, ambiguous timings and so on* however this set sees the tempo looser than before. we are not sure if post-techno actually ever happened, but maybe post-discotronica is, er, in the post. anyway, we liked the tracks so much that we once again went the extra mile with the physical product - a clear and white marbled thing of beauty, cut to 10 inch size in a 12 inch pressing.

plr006 - posh brings us a 2 track ep of stripped back minimal groove with strong break beat influence. this ep finishes off our series of 300 only vinyl before we increase to a still limited 400 copies. vinyl only | limited 300 copies | never repressed

here comes the broadwalk tales remix ep. after the very succesfull broadwalk tales ep and album by fluxion, we now release a remix ep. joey anderson did a remix of the track you dont know and rod modell aka deepchord did 2 versions of the track for you. its the first time joey anderson appears on echocord, and since we are a very big fan of his music this a big thing for us. the remix is a beautifull driving track full of energy, melodies, and power, perfect for the dancefloor, and a typical joey anderson treatment. rod modell aka deepchord did eps and remixes on echocord before, and we always likes what he do. 2 deep floating, almost underwater kind of heavy tracks, beautifull and raw, at the same time.

fish go deep return with a double header of intense electronic house music. over a muscular rhythm track, turning stones builds layer upon layer of melody before a jagged synth riff knocks the track into another orbit altogether. the dub takes a different path, with a steady rhythmic pulse that allows plenty of space for the music to soar.

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats, the driving grooves, but not always the melodic universes. leman & dieckmann have been making music for several years, both together and apart, but almost all of their music was driven mainly by the beat. but both having an urge to discover the dynamics of melodic synths and melodic percussion they decided to make an album. they agreed that the album had to tell a story, and like so many times before in music the topic became love. the story they try to tell through the music on the album *takes two* is the story of a breakup, the denial of the need of love, and the discover of the fact that often in life it takes two, to be happy.

jel ford kicks off his return ep with two tracks of clean big room techno. the title track backyard is a moody affair with a low drone throughout that is complimented with layered synth stabs. using reverb to create atmosphere within the track it subtly breaks down before a vocal hook transcends the track to deliver a killer blow. meeting of minds is dubbier and uses a tripped out synth to add rhythm whilst working alongside a synth pattern to keep the track chugging along. the slow evolving pads add texture and keep the track nicely filled out whilst this timeless classic keeps on giving.

bournemouth based abstract culture continue to add facets to their blooming imprint as it gradually gathers steam behind releases from zoo look and ampers&. with support across these two releases from maya jane coles, huxley, eats everything, jimpster, dusky and dam swindle, the next release comes courtesy of brazil based sara garcia a.k.a whim-ee.

trulz & robin akatrulz kvam & robin crafoord return with sol and the names pays tribute to the sound. a very strong deep detrot influenced transmatesque electronic house, forward optimistic / euphemistic sun come out track, on b prins thomas sets a slower but less warm pace and gives it a non less positive balearic twist before froskelar goes way back to the main 4 2 the floor.

after making waves with early and idiosyncratic eps on labels like rush hour and astro:dynamics, singular uk talent bnjmn now steps up to make his debut on delsin with six tracks of experimental and inventive noise and techno. coil opens his account with screechy, unnerving synths squeals, imposing and throbbing pads and super deep kick drums that come at you from miles below. it s a hugely textured and spine tingling affair before the ambiance of berth comes rippled with glassy and alien little melodies. merge has turbo charged drums hiding beneath more unsettled synth based noise that sound sernee at the same time as being paranoid. on the flip, and suddenly makes your hairs stand on end with is gothic celestial glow and slithering synth patterns, blown is a damaged and degraded bit of icy, thumping and reverb heavy techno and azure ends on a brain soothing, chilled out ambient high. these are the sort of truly unique and magically textured tracks you would expect from a producer like bnjmn, and mark a fine debut on delsin.

poppet is the bold alter-ego of california-raised musician molly raney. before poppets genesis in 2008, raney spent many years training in a wide variety of musical fields from western classical to jazz to choral to hindustani (northern indian classical tradition)

this time an unique colab ep on flatlife. supersonic bass is a fresh happy feeling acid techno track which is created by sterling moss & jack wax in london, uk. the wipeouts (chris liberator, aaron liberator & sterling moss) forces of anarchy is already a huge classic in the acid techno scene! with the beautiful special artwork from damnrijt this ep is not-to-miss !! get this one - before its sold out!

indeed, everything is permissible if god does not exist, and man is consequently abandoned, for he cannot find anything to rely on - neither within nor without. first, he finds there are no excuses. for if it is true that existence precedes essence, we can never explain our actions by reference to a given and immutable human nature. in other words, there is no determinism - man is free, man is freedom. if, however, god does not exist, we will encounter no values or orders that can legitimize our conduct. thus, we have neither behind us, nor before us, in the luminous realm of values, any means of justification or excuse. we are left alone and without excuse. that is what i mean when i say that man is condemned to be free: condemned, because he did not create himself, yet nonetheless free, because once cast in to the world, he is responsible for everything he does.

with his new album >whats fruit<, schlammpeitziger touches the dancefloor more than ever before in his 22-year long career. yet his dancefloor is a playful one. the cologne based composers sounds electrify with their multi-layered melodic structures. he weaves countless details in perfection, to a high density of musical activity, always focusing on the slow, driving beats which hold everything together.

dense & pikas offshoot label kneaded pains returns with another techno focused 4 tracker from the mysterious moss a1 brings the heat with a spacious warehouse jam, kicking off with a warm pad before unloading with the tracks monstrous bass hook. a2 dives into lo:fi realms with a moody yet effective groove complete with male spoken vocal. b1 keeps things main room albeit in a more clean and serene way with razor sharp kicks and percussion providing a nice counterpoint to the rougher edge of the a side before b2s deliciously deep jam rounds off the ep.

it s only so long before liam geddes becomes a name you ll start hearing on the worldwide underground stage. having already churned out a number of uncompromisingly deep house tracks over the past couple of years, he comes armed with another exceptional ep on mil - the third release on the new music is love sister label - that further demonstrates his genuine dynamism as a producer. the with closed eyes ep should win this very talented producer the recognition his fresh beat work deserves into the wild gets proceedings underway, a ripping bassline paves out over rattling percussion shakes while oscillating dream like jingles play out during the course of the track. chopped vocal samples are introduced and tease against the shuffling drums which elevates the track with real drive and groove. close ya eyes for the journey packs the same layer of heat with its similarly groove-heavy bassline - a staple of geddes well-crafted sound. firmly footed, intermittent chimes seep into the track and are complemented by siren-like chords which grow truer in presence, until a hypnotic vocal snippet fulfils the deep terrains of the track. a saint is a tumultuous techno-fused roller with it s rip-roaring bassline and percussive loops which rhythmically swing out over shuddering pads, sustained chords and a cut up female vocal, brining a twist of colour to the arrangements of the track. there s a keen sense of tension and release, elevating this above your average and confirms geddes does depth and darkness with real conviction. broke will surely prove a high point for any decent dj set, and sounds like a cut you d expect from someone like delano smith. strings faintly play out over looped key chimes and a funk-like riff, while ticking hi-hats and a careful use of vocal sample gives the track extra heat, each element powered by the rumbling bassline.

according to ancient mythology, the woodland nymph echo was fascinated by the handsome narcissus, and wished to lure him into marriage. unable to say anything on her own, her voice could only repeat the last words said, and this act was not enough for the arrogant narcissus. heartbroken, echo fled deep into the forest, her body turning to mountain stone. her soul is often considered to be the faint reverberation of the wind, still calling out for her lost love. a song for echos central character embarks on a spiritual journey through earth and water, attempting to discover herself and her relationship to the elements before nightfall. ricardo donosos score really heightens the interplay between the attraction and repulsion of the doomed lovers and makes for an all-consuming, disorienting immersion.

limited edition of 150 copies on white vinyl.
according to ancient mythology, the woodland nymph echo was fascinated by the handsome narcissus, and wished to lure him into marriage. unable to say anything on her own, her voice could only repeat the last words said, and this act was not enough for the arrogant narcissus. heartbroken, echo fled deep into the forest, her body turning to mountain stone. her soul is often considered to be the faint reverberation of the wind, still calling out for her lost love. a song for echos central character embarks on a spiritual journey through earth and water, attempting to discover herself and her relationship to the elements before nightfall. ricardo donosos score really heightens the interplay between the attraction and repulsion of the doomed lovers and makes for an all-consuming, disorienting immersion.

black drop effects is named after the black drop effect, the dark bridge which appears to join two almost-touching bodies against bright light: famously, venus becoming teardropshaped on its transit across the sun, just before it moves into the darkness of space. all four tracks on this ep from italian-born producer palese are named after scientific aspects of the planet venus, confirming that industrial can most certainly still be intriguing. the ep surprises you with twists and turns, defying any stereotypical assumption of techno being all uniform monotony.

in 2013 bootshonk was the white label release spurred by the calls from dc10s dance floor. this time around bootshonk steps ahead of the game and pre-empts two of this summers sure-fire underground dj weapons. troubled times brings high energy tribal drumming, simple and stripped back to ultimate rhythmic effect. patiently building up with claps before sliding into a moment of surrealist vocal samples, for a woozy, trippy vibe. with stamper square the mood shifts deeper, delving into the late night mystery and a new level of dance floor entrancement.

beesmunt soundsystem is swiftly becoming a dutch institution. commanding the controls at their own events in amsterdams legendary paradiso by the age of 18, david van der leeuw and luigi vittorio jansen carved their path as discerning selectors long before they established their own studio. emerging into the world of production in 2012, their breakthrough cuts arrived on soweso music and were received well across the board

the next bleep release comes in the form of spaces debut ep, one. showcasing a wide range of styles and production talent, the ep opens with the frantic rush of beats and hushed voices of *apologies* before a reese-like bassline slices through the mix, coming across like a darkside snd remix. next up is *outside in* bridging the gap between edmx style electro-funk & gescom-style glitch. on the flip we are presented with *lever*, a broken techno track of the highest calibre, chopped snares and a off-kilter acid line whipped together to devastating effect while the ep’s coda, *in wait* combines a kaleidoscope of beats transported through an ambient techno mainframe before fading into oblivion. sounding like no other, this new artist makes his mark with clean rhythmic programming set against dirty compressed textures. the first in a series of releases, expect to hear a lot more from spaces. the vinyl edition is limited to 300 copies worldwide.

since the labels inception, sistrum has kept an ear to the future while always keeping its roots firmly planted in the rich musical heritage of early house and techno – raw, real & unfathomably deep. in keeping with this ethos, sistrum proudly presents a true chicago original, mr. brian harden. three classic, late 90s cuts are brought together for a new generation of music lovers to enjoy, never before available as a 12inch release. simply, timeless.

this october, the compilation disco sympathy will be released on versatile. it’s author is vidal benjamin, an outstanding dj / digger, considered by his pals as one of the most brilliant in his category. and that says a lot! here he makes us rediscover the sound that was so characteristic of a certain early eighties french scene: wacky, happy, dancing and at times even poetic. one begins to travel through an era during which the french producers were not afraid to tackle disco, american boogie, british and german synth wave, to present us their version: french, poppy and above all... fun!as a prelude, before releasing the compilation, versatile will come with limited 33 rpm and 45 rpm maxis, on which every track has undergone an editing treatment by mysterious french producers: jean-marc misère (last sighted somewhere near london), dj ringardos (who, since his last versatile release in 2008, chose roman exile), alt (already spotted on the edits du golem and on the us label black disco), and of course vidal benjamin himself, accompanied by gilbert cohen - the boss. on the 45 rpm you ll find no-one less than jeff lasson, of the get a room! duo, who came through with flying colors. and as a bonus beat: misère on the b-side.

petter b delivers an outstanding new ep on drumcode proving that swedish techno is thriving! the first track which, is a collaboration between petter b, john h & m.e.e.o, uses an arpegiated synth before storming to the main section of the track and breaking down the doors. the gliding synth sounds really fire with all guns blazing to produce a techno monster that growls. petter bs next two tracks involve two solo offerings that are heavily techno based.voltage controlled time uses raw distorted drums and a catchy synth line to really give the track a lot of energy and power.

before sonar kollektiv unveil the new studio album from stee downs, he returns with the his new single caught up, backed by remixes from alex barck, pascal & urban absolutes and kyodai.

londoners kiwi and ashworth return to sneaky for a follow-up to dawn ep, the warm, dusty and at times experimental release, championed by the likes of daniel avery, eric duncan and tiefschwarz. the past few months have been busy for both halves of the duo, with kiwi signing to duke dumont s blase boys club and remixing for house music super-labels bpitch control and get physical, whilst ashworth has signed music to tomoki tamura s holic trax and needwant. second ep takes a new format, with two original tracks alaska and na am on the a-side, backed up by a nicholas & marcoradi remix of cux3 and ranacat s remix of zubr. alaska could be described as an amalgamation of the inspirations that lead to the first sneaky release, combining the pumping house beats of cux3, the comforting wurlitzer of zubr and the ethereal movie-soundtrack dusk. na am is something totally different, existing mainly as a collage of recorded and found sounds, avoiding the usual structure of house music in favour of something reminiscent of the weirder side of the chemical brothers. strange though the track may be, the climax would undoubtedly move a room full of pilled up ravers to a state of frenzy. the b-side remixes both hint to dance floors of the 90s, with nicholas and marcoradi making you wait and wait before dropping an unforgettable piano hook, whilst sneaky s ranacat lifts zubr out of context and into peak time territory.

banging dxr tracks from the vaults!!! hand stamped white label business.. you know the drill.. limited supplies. out before the summer kicks in+

number 3 on ruff draft comes from louis guilliaume. having met louis back in 2009 and followed his music since way before then, it was an exciting day when we received these tracks from him. known more for his harder edge techno productions on labels such as soundtravels, bio rhythm holland, teng, sd holland and a remix on skudge, here he edges slightly away from that harder sound. the tracks vary from deep, groovy and meandering house to a beatless soundscape reminiscent of early larkin and pullen to a powerful kick drum driven sermon.

merck 274350 with its propulsive mechanical basslines, industrial-strength percussion, and a germanic vocodered mantra, this teutonic panzer tank of a track takes absolutely no prisoners - an electronic matter of fact statement inspired by the passing of time, fate, circumstance, and synchronicity. holland s misanthropic high priest of psychedelic, doomy, dark house & techno, drvg cvltvre, delivers a trippy interpretation, turning the track into a lysergic love letter to this iconic chemical catalyst, maintaining the dynamic bassline of the original but adding a nagging 303 line to deliver an explosive 3am dancefloor device. one step closer to heaven begins with a metronomic, rhythmic new beat stomp and a nagging insidious synth refrain that recalls the more electronic side of new order. muscular synth riffs then drop in and out of the mix, taking the track into dark ebm territory and ramping up the pressure before the influences of giorgio moroder and cerrone come to the fore, propelling the track into a rapture of hypnotic celestial electronic disco.

after last years second part, the third contribution of the >vinyl only edits< series is curating a wonderful showcase of the diverse artists on bpitch control. besides joy wellboy, furfriend, snuff crew and cesare vs. disorder & dave vega put hands on their own tracks again.

various artists, countries and atmospheres, is what croisiere musique proposes with its sophomore release, escales vol.1. these 3 young artists from swiss, japan and france share in common to have released yet only one ep before

umkhosi wokweshwama, the celebration of the first fruits among zulus and the sweet name of the first disc at big brothers. this young parisian collective focuses on storytelling, multimedia and smashing ! they feel good in the confusion of styles and the audacity of an approach. their aesthetic is complex because before mind they look for senses. this vinyl is a cycle, it was born in the spring. look at its front, its back, listen to its a-side, its b-side and enjoy the massive flavor of the summer. at that period, a year ago, big brothers was conceiving this baby.

a kaleidoscope of rainbow textures and rhythms disperse into the exotic soundscape of *tropical*. electronics, real folk instruments and noise-making objects feature here generously on this six-track concept album, blending together a sonic palette influenced by a rich variety of music, people and places. the material was initially written over the course of a few months during what seneviratne called *a beautiful burst of inspiration*. working with veteran producer asier leatxe ibanez d opakoa (electric lady studios, nyc), seneviratne then set about disassembling all the songs and re-working them meticulously, enriching the sounds by adding a huge range of live instrumentation, before processing the audio through vintage analogue studio gear. the vinyl lp comes with download code.

last year tornado wallace touched down at the esp institute with his thinking allowed ep, a slab of wax that proved pivotal in his musical aesthetic, beautifully complimenting our catalogue. he ups the ante further with circadia, his second 3-track ep that riffs on esp themes whilst sophisticatedly amplifying their character. the title track lays trance-like arpeggiated vocals over thunderous tropical toms, opening up into an epic group chant. time of nectar coasts along, blanketing us with soft pads and soothing pan pipes before jonny nashs palm-muted stratocaster makes its cameo. the essential house jam on the b-side, soft light, will no doubt pump its way through dance floors this summer, dont sleep!

ambient, leftfield, broken beat and techno-like tracks - 5 track white vinyl ep - uv-varnish print sleeve - check!
*push* sees the bridging of two minds, a spontaneous event of shared loops, ideas and vision. my panda shall fly & maulin join creative forces giving birth to five abstract free-form compositions. having followed each others work for some years, the pair found themselves in an east london studio first commencing a sonic dialogue just days before christmas.

fascination set of remixes of trentemollers recent album opus lost that already served as the logical continuation of his varied work and delivered his signature sound intact, yet it really didnt sound like anything hed ever produced before. the vinyl lp includes a download code.

nx1, spanish duo samot and surit from nexe records step up to the plate for the next release on terence fixmer’s planete rouge label, with their ‘pr’ ep. having also released on the likes of semantica, dynamic reflection, m_rec and modularz, their tracks are the result of many years of experience in the electronic music scene where techno was the main soundtrack. the ep is comprised of three new cuts, opening with the thunderous ‘pr1’ with its pulsating bass setting the tone for the rest of the ep. ‘pr2’ follows with some dappled electronics before ‘pr3’ pounds into play, rounding up this triple techno-header. big with marcel dettmann, luke slater, marcel fengler, joseph capriati, truncate, drumcell and many more

nobody can deny the fact that vilnius in lithuania is currently a very creative and agile place. first and foremost mario basanov of course, whose ten walls moniker swept the board last year and whose hype seems to have only just started. his popularity was heightened by the start of his own label boso. it took off with the highly praised -walking with elephants-, which was already one of the biggest tunes of this summer, before it even came out. the second release is by few nolder, another highly talented native from vilnius, who showed frst signs of life on connaisseur with his lovely tune -space espace- on our last edition of livingroom techno as well as with his remix for -canto d amore- by marco effe & francesco carone. -clouds- is the name of his boso release, and it looks to be the next big thing for this young label. for his frst own release on connaisseur he delivered -if-.the fact that it is different from his other output is why we have decided to present this tune in two versions as a 10- vinyl-only single. the original is a summerish and catchy house cut with a bouncy bassline and a slightly uk-approach.this tune makes you move without there being much you can do about it. the alt version goes deeper, building up with a question/answer theme until a strong, driving piano element joins to complete the track. lovers of older pokerflat releases will truly enjoy this version.

token followers can rejoice that now, 2014, surgeon finally makes his official debut on the label. fixed action pattern comes as prequel to aphelion, a forthcoming compilation of new and exclusive material. aphelion will differ from last years token introspective mix cd by providing a collection of bespoke productions from token regulars and like-minded artists who were commissioned by label owner kr!z to bring their individual and complimenting sound to the belgian imprints all-consuming 48th release. following this surgeon 12, rødhåd will release his second record for token before the final unveiling of aphelion.

the next outing on mora music comes from leeds based tms, delivering two well-rounded & versatile tracks. *fuck you, pay me* is the peak timer with firing, pounding kick drums and off-key stabs in the background. it builds to a crescendo of intense feedback, before suddenly dropping with the bass line you have been waiting for. *slomotion* on the b-side is the slow burner of the ep confirmed by the beautiful hook that comes in halfway through the track. rounding off the release comes a remix of slomotion from mora music favourite bobby o donnell. this hypnotic trippy little number raises the bar, taking the track to an intense dance floor high.

dj goethe big classic here, at least realesed on vinyl. a superb 140 bpm acid techno tune with everything needed in a good tune. on the b-side stands a very ptit gris, playable any speed and totally minimal and easy. a superb dj tool bringing a fat kick like never before and thats the point.

finally, a new 12-inch record of emma music is in stock. loverboy and label owner leave deliver a sexy four track release inclusive his new single i didn t miss you. mother recordings dry & bolinger which get regulary support by pete tong are on remix mission

itokim, aka tendo-based producer takuro ito, aligns with dj bone s subject detroit label with the subject japan: rhythm poems ep and his opening gambit certainly leaves a dent. -motechnique- has been a staple of bone s 3 deck attacks in recent months and it will have eyebrows raised and mouths open from the off. weighty but warm kicks start as they mean to go on, bursting with pace and vigour as thrusts and stabs pinprick the brooding chords. the laidback, easy-going connotations of the title to -roll up and shine- are very much the ethos and aesthetic of the production, as a playful, bubbling melody sets a warm and almost sugary tone from the off before being bolstered by a suave melange of full-bodied kick and dexterous percussion. itokim rounds off his first outing on subject detroit with -the mood device-, a to the point groover that melds elements of the previous productions to stunning effect. a genuine builder of a track with a straight and true trajectory, -the mood device- melds innumerable coatings of percussion and synth as stabs are layered and layered again, clotting and coagulating the composition in to one delightfully deep and multidimensional slice of formidable dancefloor composite.

to rack & ruin comes thundering your way slap bang in time for summer courtesy of our italian disco brother in arms dj rocca and his compardre n2b. the usual high standard of sounds are as present as ever on the 6th instalment of our edits and reworks imprint. get up hits you with a rolling bassline that brims with plenty of pant flapping groove & wah wah guitar licks before that ever so familiar vocal kicks in for a full on reggae disco workout. weird safari certainly lives up to its name - a stripped back, dark & almost techno sound, alongside tinkering percussion and spaced out wild animal noises surely make for a weird safari. dubby pino has you from the off, all the foot stamping & money shaking elements are present - hooky guitar, fat bass loop, infectious percussion, soulful vocal licks and a gorgeous little piano break. mr rossi’s backpain starts off by getting the award for the best song title we’ve ever had on rack & ruin, but as well as that it’s in the proper groovy dance floor tackle category with a bassline & guitar that commands your respect and then when the 4/4 kicks in at 1 min, well just have a listen.

for our second release on wavereform, we continue our explorations into sophisticated sounds from mostly-unexplored areas with the production debut from juras lietus, a 25 year-old latvian producer from riga whose mysterious origins in this out-of-the-way locale may surprise listeners, but whose sound fits very well into the label’s mission to reform the sound sphere with simple and elegant tracks that demand attention and bring unknown talent deserved notice. lietus wastes no time in showing off his developed dub techno style on >dark frank< as the bold, well-defined contours of the bottom end are contrasted with gentler ambient textures in the opening, it acquires more force as it moves along as he adds harder percussion patterns to the framework while the dense atmospherics progress barely in the background. >direct< is the more subtle and atmospheric of the pair, as crisp, delicate drums develop slowly while also suggesting melody. it too gains strength as it goes though, with ricocheting percussion and a barely-controlled feedback wail leading into a dramatic breakdown before he slowly winds things down in the detail-rich final section. j&#363,,,,,,,ras lietus and latvian techno may be mostly unknown, but this strong showing for wavereform 002 reveals much still to be uncovered in these eastern lands.

rough, rugged and raw psycho jackers, that fill you up before the main course is served. parts unknown, weight unknown, this hasnt been the first and definitely is not the last you will hear from this guy. promo only like way back when, just to give you a little taste of what is to come. not coming back!

all we want is vario volinski. you may recognize his name from one of the summer tunes of 2013 - falling in love. with all i want, mr. volinski created a tune that is more garage style than the things he did before. proving, that his previous summer tune wasn t a one hit wonder and that he surely is one of the producers to watch in the future. and pwu wasn t pwu if we didn t find a talented young gun as a remixer. so we found him. dan grassler. a guy from munich who convinced us from the very beginning. and his remix awesome!