the *delayed back and remixed ep* is based on the album *delayed back* by the german band noetics. it will be co-released with the eleven-track *delayed back and remixed* album (cd / digital). the ep contains a selection of 6 remixes by jon kennedy, biodub, tom tyler, violent public disorderaz, kova and stundman.

twisted hulk hogan joints on 180 gr. vinyl

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

nice price deal !!! quenum is an extraordinary individual. a professional breakdancer that was raised in africa, he found love in london in the 80s through mastering the art of djing to early electronic music and broke into the spotlight as acess58 in the 90s before forming the cadenza label with luciano in 2003.
his debut album *face to face* is deliriously deep and melancholic, rhythmically complex and gives a fragile new voice to techno. across the eleven original tracks, phillippe quenum exudes a graceful temperance creating tracks that flutter and take flight (indulge in synth voices of *children of the sun*) as well as rattle the bass bins (sample the raw energy of *basic solution* and delicate power of *ritual*). both sparse and insightful (*my people*) as well as intricate and anthemic (*never loose my soul*), quenums delivery is always quirky and slightly surprising and *face to face* is a curious analysis into this honest musical soul.

shadi megallaa, taimur agha and fahad haider are the 3 wise men behind the second ark of ashes self-titled release. untitled is the deeper cut on their debut 3 track ep, whereas eleven eleven and streets of hope are more big room oriented. ark to ashes is a record label conceived in brooklyn, realized in abu dhabi & fantasizes about the universe. it was founded in 2013 by shadi megallaa.

after 2 albums for eat concrete, belgian/italian duo lumisokea deliver their debut ep for stephen bishops opal tapes label.

after the success of ante perrys turbolized ep, be an ape 02 is ready to rock the worlds dancefloors. mono negro is ante perrys live project together with his friend flo mrzdk. they released their debut ep, incl. kolombo remix, on kittball records

during off map excursions seahawks encounter the woo tribe, legendary creators of celestial tones. via mind-meld the two groups merge and blur to create two eleven minute plus journeys that explore the outer reaches of mystic disco, warped house and psychoactive boogie. drenched in delay and smeared with hazed reflections of a thousand birds lost in a tropical jungle mist, the results leave you fazed, stunned and overflowing with euphoric intent. designed with the most creative dance floors in mind, both journeys are deep, disorientating and empowering. this release is in league with the wonderful emotional rescue label whose recent re-release of woos *whichever way you are going, you are going wrong* album has brought so much joy to the world. swim on forever.

final part in the charles cohen trilogy on morphine records. featuring various works made for dance & theatre productions between 1976 & 1988. eleven tracks in total - lovingly spread over double lp and featuring some of the most beautiful material of the series. another essential purchase. tip!

in his debut album *villa / 11 rooms* florentin berger-monit aka toju kae wants to take us on a journey through his world and creates eleven unique, fantastic soundscapes, so intriguing and haunting that they will make you listen to the album again and again. in this concept album toju kae carries us through 11 very detailed and rich, but at the same time never overloaded tracks that perfectly showcase his proficient producer skills and his attention for detail.

simply he has never done us. the low-key friendly turkish producer with the unpronounceable name, has never made music for the hip all-together-happiness-floor. the man comes from jazz and blues. and at tolga baklacioglu means electronic music production to test the depths of house music. sometimes tricky, sometimes playful, sometimes psychedelic, but always deep. his tracks have often a length of eleven or twelve minutes. music takes time. prime-time music sounds different. and that is why we like him. and so tolga published with *feeling now and then* his fourth lebensfreude - ep. music that was heard up to buenos aires, where the argentine producer and dj violett (telegraph/unfoundsound/igloo) contributed a functionally magical remix. one thing we know. this time it will not be simple again. luckily.

must is pure sonic architecture that breathes and sweats, this is how asphalt and steel sounds in contact with rain and sun. the hunch synthetic of pablo bolivars interlinings, reaches in must a degree of warmth and unpublished maturity. oblivious to this musician modes and contemporary fashions, he deliver the album he always wanted to do. idm, deep house, soulfull and sunny electronics designed and crafted with the meticulousness of a goldsmith. songs as sophisticated as friendly, loved but without raising fears. never bolivar has been as musical as now, delight and enjoyment in each beat. that is must, an album to listen carefully.
comes with code for free digital download of the full album.

pontape was originally released on carl coxs intec label back in 2002 and sold over 50000 copies worldwide. this led to renato playing at clubs around the world such as fabric, womb, space and i love techno among many more. renato cohen has remade his pontape original eleven years on, bringing new life to one of technos classic records. beginning with the immediately recognisable droning bass line that has become so synonymous with the release, cohen introduces a build during the middle section that gives the track a new depth second time around. alan fitzpatrick has been selected for remix duties

the essentials of techno! its been twelve years since the first and last mike parker album called >dispatches<

camp supafrico return with the sixth edition of their highly acclaimed sound of funky africa series. digging even deeper into the afro-funk vaults, side a features the ber-rare 1984 shina williams and his african percussionists agboju logun. grooving along for a massive eleven and a half minutes, this super-heavy nigerian disco cut splices raw sounding horns with choirs and chants. seriously epic. flip over for dont do it from bongi makeba, a mesmerising afro-funk workout with her powerful voice weaving in and out of the grooving bass and spaced-out sax. last up is the sought-after mangous ye from black soul. originally the b-side of a 1976 release on tiny but top-quality nyc label beam junction, this tom moulton mixed slice of high-octane percussion-soaked afro-disco hit big on italys cosmic scene as well as the clubs of new york. another surefire hit from the supafrico imprint.

absys records returns with first release in 2013. are you happy? you should because with us return dimitri kuzmin also known as nuage. this russian producer from st petersburg is one of the most talented newcomer on drumandbass and deep electronic music scene. music of branches as his first solo lp contains eleven tracks on cd and two tracks on 7inch vinyl single. dont waste your time and limited copy!

the weird house music composers from brazil strike again with four slices of spaced-out dance floor sounds. psychedelic is just one of the adjectives that come to mind when hearing brazilian duo colors sound system. on their first single for lovemonk, sao paolo brothers jota wagner and wander a, who call themselves weird house music composers, continue on the path to a higher state of consciousness with four slices of mind-altering disco and house splashed with spacemen 3-like vocals and seventies prog guitars and organs. just listen to the almost eleven minutes of *ar* if you dont believe. or *1974*. or *poeira lunar*, for that matter. the beatless title track is the only one staying under the seven-minute limit, and it is also the last track on the ep, like a much-needed comedown. space is the place, as the great sun ra said.

mule musiq now proudly presents eleven unreleased compositions by roedelius produced between 1990 and 2001. all of them are pearls of electronic deepness that show another side of the man that lives in the little lower austrian town baden. his famouse ultra sweet piano melodies can be heard – but they are not the centre of the productions. instead a more electronic side of his genius call the tune. with a minimalistic approach he let synth melodies highfly while some droney, melancholic atmospheres enlarge in the background.

for over eleven minutes jonsson & alter extracts bass sounds and gliding tonal textures of the originals and takes us on a deep and very trippy journey into taxi driver territory. suitable the remix is called tylerss dream. and we just love it.

after all these years nick wants to give something back to the audience and his true fans, which led him to the concept of his debut, each of the eleven tracks can be seen as a unique lovely flower embodied in music given to you as a sign of his gratefulness! the music speaks for itself and lovers of nick previous works like minimal summer, world dubbing etc. will surely find some new treasures here for their collection and for the novices this album is a great introduction to the inimitable trademark sound of nick solé!

considering the 60s psychedelic heavy metal sound which wolfmother gained fame with in 2006 with their debut album >wolfmother<, they could be called a band out of time.
with this mindblowing rock album your stereo doesnt need to go to eleven to get that extra push over the edge!
pressing on audiophile 180g double vinyl, housed in a gatefold sleeve.

number eleven on uncanny valley focuses on the soundscapes of cvbox who debuted on the fourth compilation, uncanny valley 4, in 2011. releasing his first solo record, hes finally able to express his very specific idea of sound somewhere in between meditative ambient and compelling techno on the analog amputations ep. past the eclipse is shaped by echoing choirs at first and mutates then into a serious detroit funk killer for self forgotten techno dancefloors. counterflow starts to roll with menacing drones but quickly surprises with its optimistic atmosphere and an irresistibly catchy synth flute. the flipside starts off forcefully with the oldschool techno stomper droid swift 836. after that orience floats in a sea of pads without losing the funk of the cvboxes. the cover artwork was created by visual artist paul barsch from dresden.

for uzuri 018 we return to one of our home grown artists – jitterbug. time has flown since his last release for us in 2010, but we have been quite eager to get some new material out from him for a while – and, based on feedback we have had, plenty of other people are keen to hear more from him too. both his raw winter and beaten trax eps were pretty popular releases for us and his dj appearances always create a stir, so we are pleased to bring you this, the arcane theory ep. the track sequencing on this record is pretty aggressive – front-loaded with the confrontational rise of the machines. a track that really lives up to its title, sounding like the production line at cyberdyne systems… all stomp and evil synths, like a bad mood e-dancer. fallout couldnt be further from that – relaxed and making no attempt at all to get in your face. itll win you over, though. just a nice, deep groove and a lovely, phased beat. could play it for hours… the whole of the flip is devoted to nomads, a chiming, acidic wander. nearly eleven minutes in length. the kicks never at the fore on this one – most of the action occurs at the mid and high frequencies – a resonant 303, lots of hi hats and, later, synths which expand on the eastern-flavour of the track title

after a two-year break, detroit producer and wayward star-child jimmy edgar debuts on scubas hotflush recordings armed with an album full of futuristic sleaze. known for his unique take on jacking house and electro funk, he has recently been splitting his time between the us and berlin, exploring transcendental meditation and the boundaries of the non-physical. this offering is an extension of that journey, bringing eleven tracks of erotic robo-pop to the table. titled majenta, this lp is a departure from his past sound, marking a shift in his own ever-expanding consciousness, as well as another exciting chapter of his musical career. each track is an aural manifesto, giving well-deserved nods to his varied musical influences.

bird scarer is andrew weatheralls new vinyl only limited edition (300) record label.bird scarer 001 is by timothy j fairplay - r.g.c. studio s resident engineer, analogue curator, multi-instrumentalist, remixer and solo artiste. its called the final reel and during its eleven minute duration it passes signposts marked john carpenter, klaus schulze and doris norton.the epic piece has been consolidated into a seven minute remix by mr. weatherall himself, who has also done a limited edition lino print to accompany the first 20 copies.remember, bird scarer is a download free project.

incl free mp3- download code, sven kacirek, the much praised multi- instrumentalist from hamburg, releases his third album with pingipung. scarlet pitch dreams presents intimate solo works, following his debut the palmin sessions (2007) and the interna- tional success the kenya sessions (2011), which was honored with german record critics award for the second quarter 2011. whilst the kenya sessions revealed fruitful col- laborations with kenyan musicians, almost every single instrument on scarlet pitch dreams has been played, recorded and produced by sven kaci- rek himself. within these dreamy scéances of per- cussive virtuosity, sven kacirek has effortlessly found his original sound – from the first whirring of the prepared grand in the opener to the massively rolling drumset crescendo in the last track...

following releases on mathematics, boxfade and vuzkid, chris moss acid returns with an extraterrestrial four tracker on holland’s 030303. the a-side features bay of cadiz, an eleven minute cut built around an hypnotic bass line and a simple hitchcockian synth that would do well in a horror movie featuring zombies with smiley faces. on the flip, lynchette matravers is an energetic, crystal clear banger reminding of early 808 state. the big freeze sounds a lot warmer than the title suggests and should please anyone into afx’s later output. the rhythm, the fourth and last track on the ep, continues on that vibe with beautiful synth work. chris moss may look like a nutter, this sure is serious sonic pleasure

right before christmas, its the perfect time to pause for a moment and to draw a balance of the past year. cocoon recordings eleventh year of operation was characterised by pacesetting compilations: the >k< composition designed an intensive vision of modern electronic dance music,and also >eleven years< was a techno retrospective and an outlook at the same time.and if this wasn’t enough already,cocoon now puts a very special christmas gift under our tree,the >dots and pearls< double vinyl compilation.

doublepack of transparent blue vinyl featuring eleven tracks. a prequel to the debut album >welcome to mikrosector-50< due early 2012.

big room 80ties coverversions

for all the wonderfully subtle shell-breaking he did on his full-length, mark e falls back on old, slow habits for his new single, >the day<. and welcomely, we might add. pitching things down to a basement lounge floor crawl, the midlands dj/producer wraps his always chugging kicks and snares in serpentine synth-bass, jazzy, tripleted hi-hats, and moaning, wordless soul vocals. its grasp is tantric—hinting coyly at ecstatic release, but never fully delivering. for the vinyl junkies that bought stone breaker and missed out on it the first time around (it was absent from that version), this release should be a no brainer. but >the day< isnt carrying all the weight here. a new track called >special fx< will have sample hounds—particularly those with a thing for classic electro-pop—salivating. and the oft imitated, never replicated prins thomas shows up on the flip for a (naturally) eleven- minute revamp of >the day<, livening up the bass and drum patterns, adding in strings, piano, guitar, organ, and ending up with something that totally could have emanated from a camaro at some point in the early seventies. (albeit, one owned by someone with interest in eleven-minute instrumentals.) it even has a fade out!

forma (mark dwinell, sophie lam, & george bennett) emerged on the nyc minimal synth scene in 2010 with a singular vision of cosmic krautrock for a new age. on their eponymous debut lp, the brooklyn-based electronics trio merges the melodic flow and primitive rhythms of their motorik predecessors with the hypnotic drones of minimalism, creating an intricate work both addicting and rewarding with repeat listens. like many of the lp s eleven tracks, the churning and relentless forma237b draws its energy from a precarious equilibrium between structural rigidity and free improvisation, a dynamic at the heart of forma’s universe. with lush, distant soundscapes as interludes between these peaks, forma’s inaugural full-length is a harmonious and expansive expression of the enduring power of kosmische musik.

cyber dance records are proud to present their first album release >messages from the void vol. 2<. after six years of gaining a worthy reputation for only releasing the finest material from up and coming electronic artists such as andy romano, matzo & pauli, mark du mosch, brassica, ali renault and many more they finally showcase on double-vinyl and cd a compilation that confidently re-defines the sound of the label in more exciting and varied directions at once than ever before. consisting of eleven tracks that range from electro to synth-pop and from italo to disco-funk, the album features contributions from cyber dance regulars like mark du mosch, ali renault and tommy walker 3 alongside tracks from emerging artists like bill ambrose, brassica, meschi and serious lover and also the more mysterious night system and martin aston.

full length double lp from stockholms biggest sound, skudge..tip! although the duo was only formed in summer 2009, they have already moved out of near anonymity to become precious favourites of deep, warehouse-styled house and techno fans. their output to date has moulded together classic ideas and modern aesthetics with a keen sense of minimalism: their looped soundscapes are often bare, but never lacking, and the intersection between house and techno seems to be the point at which the duo most often find themselves. as a result, thats the area most explored on their debut album, phantom, which conjures up exactly the sort of adjectives you should imagine given its title.

olm029 - layo & bushwacka! - double a side summer gone/what do you say now layo and bushwacka! spent most of last year recording, the first offering from this period came at the end of last year with their endangered ep on plus 8. we now present their first release on their own label in eleven months. summer gone is a groove that starts on an up that slowly breaks down and brings in sounds, voices, rhythm and then kicks back with a really strong vocal and groove. what do you say now hits from the moment it begins with a stripped down sound and dub vocal and then slams with strong percussion and then back to the groove. totally tested out by layo & bushwacka! but supported big by the only two other djs with copies, richie hawtin and laurent garnier.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

clink closes out the year with a powerful double pack from tony rohr, titled >oddmatik<. this is his first solo release on clink since 2008, proving that the best come to those who wait. refining what is most popularly known has his >voodoo techno< sound, rohr has accomplished a mature collection of six diverse tracks via his virus b, nord modular, lead 2, an elektron monomachine and machinedrum. each piece has a different charisma, ranging from melancholy house to peak techno, achieving an absorbing variation of ideas that only a few are able to do so fluently. rohr is one of new yorks most prolific and interesting techno artists and has an impressive discography dating back to 1999. he has achieved popular releases on iconic imprints like cocoon, plus 8, drumcode, weave and podium, and works closely on production with american heavy-weights tim xavier, alexi delano and john selway. his charismatic and futuristic production style is ever-present throughout his music, and he maintains an unparalleled and dynamic sound while staying in tune with the ever-evolving techno and house genres. >oddmatik< summarizes tonys eleven-year journey in the studio and on the stage, and is some of his most compelling work to date.

the neophyte 050 is a fact! the new banging release on the successful neophyte records label is available now! this fiftieth release contains three tracks and is produced by no one other than neophyte himself and it sure is going to be a classic! its obviously neophyte himself who also was responsible for the first vinyl of this label eleven years ago and this 12 inch will represent the good old neophyte style.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.
limited edition colored vinyl plus poster.

not many single releases can be labelled as events, especially not in the ever homogenised techno world, but the first single from model 500 in eleven years, and the first recorded by the new band line up is most definitely an event.
its only fitting that this single is released on r&s records, whose relationship with the man widely acknowledged as the originator of detroit techno goes back 17 years and who released the last model 500 album back in 1999.

supported by: troy pierce, camea, par grindvik, ambivalent, alexi delano, someone else, dustin zahn, paco osuna, dubfire, paco osuna, ellen allien, chris liebing, butane… lurking far below the surface of the ocean, the mysterious viperfish swims in solitude from any signs of human life. dwelling in the dark, cold waters, he waits patiently and lures his prey in with a light producing organ, attacking at an astonishing speed. this fish is considered to be one of the most unusuallooking and fascinating predators of the deep blue sea. he is a born hunter, a misfit, and yet his intricate design is beautiful and intriguing. this is the beginning of the story. tim xaviers first full-length work, titled viperfish, is a meticulous assortment of live studio recordings, deep ethereal techno cadences, and fun, driving dj tools.

sustaining a standard of quality underground music, rippertons perspectiv has again picked fresh talent for their next release. canadians jonny white and james teej joined forces in the studio to share their passion for a stripped back sound of intense house tracks. at just over eleven minutes, narco balada casts a deadly spell of inertia that transports the listener to the endless depths of club. pure club tracks that reveal their beauty and power on a sweaty dancefloor in the darkest hours of the night.

deluxe edition double 180gram vinyl, double cd, 2 booklets, 1 speakeasy. includes interpretations & remixes of all eleven tracks by thom yorke, carter tutti, devendra banhart, alan vega, melvins and more!

uno6 and sven tasnadi demonstrate once again why they can be called some of the best producers in leipzig.