two productions for todays dancefloors from samuel. these are rough and rugged club tracks built from hardened rubber, with plenty of rhythm and a melancholy edge, and they dont sound like anything else. this is the first time ive released another artists music on not so much and honestly, i cant think of a better way of doing it. im very proud and very excited.

new sounds from an old friend... i d been running franklin de costa s records for years, but after i played for his party in berlin a few years back we kept in touch. he runs a club night called mother s finest which puts on artists like tessela, truss, untold, dj fett burger and more, as well as releasing singles under his own name on labels like killekill and curle, and, as mudkid, beautiful tracks on greta cottage workshop. the three trax built for this ep on not so much are, like anything fresh and futuristic, hard to pin down in words. sssooo is a kind of detuned chattering b-boy cut that slides sideways between dimensions while always driving forward. mldk is another one for any dancers with moves.

in moscas own words, this release embodies melting miami, rio, a field just outside the m25 and the bronx into modern-day london.

a slightly fresher direction with this ep - no, we’re not a couple is a funked up rolling thing with jungle subs, dubby hats and percussion, shifting textures and film score strings. cortisol is a stressful warehouse jam in 7/8, filtered every which way then taken to church. pacy but doesn’t really sound it. white mice is an afterhours, dubbed-out, drum machine samba workout for smoky basements. slow but doesn’t really sound it. hope you enjoy em! respect, mosca.

nsm002 is me, mosca, again. two not-house not-techno tracks, a little more raw and textured than my last 12inch but with the same emphasis on dark, sexy grooves and just enough dissonance and freakiness. the greyhounds is a dubby rolling thing with an indulgent breakdown that i wondered about scrapping. i ended up backing myself because the crowds i played it to seemed happy, and ive wanted to use those strings for eleven years now. i tried to make clinical trial for the basement clubs, dust and metal and tape. thanks for checking it out.