if the eyes would be the mirror of the soul we could easily know others. but that may be not true so this is the aim of giorgio gigli and obtanes >the incredible tale of secret journey through your eyes<: penetrate your eyes and reach your soul and subconsce until we know your truth. psychoanalytic claims this time for zooloft, opening with an upbuilding, dramatic techno anthem, telling us of a true love on the hills. on the other side, geophones master mike parker delivers a pulsating and acidic techno driver where heart impulses are generated by a disturbed soul, creating spasms and panic feelings. the ep get closed by a strongly romantic drone track that tells us love is still the only way-out.

supported by: wehbba, ramon tapia, nic fanciulli, satoshi fumi, dubfire (sci+tec), juliet sikora,.. here we are with a new floorshaking tech house project by marcus schmahl and michael schickert called msms. you could know marcus schmal under his aliases broombeck, guardner or rauschfaktor who released on labels like utils, both are friend for two decades and decided to enter spring time with chrystal-clear sound, housy beats and a deep flavour. their first productions were released on starlight unlimited and heatflow so lets have a short look on what they are presenting on plastic

the eponym track of the album could not deserve any better musical researchers than ben klock, ark, tom taylor & paul woolford and fumiya tanaka to endorse his first prolog and the 30th vinyl of infiné s catalog.

produced in 2004, this ep marks an essential shift in the production of stefan goldmann to his modus operandi as a dedicated innovator. he had adapted the barricade guise to induce some serious deviations into the techno realm. yet, heads werent ready and he simply continued under his real name with his major breakthrough works: perlons blood ep and the legendary sleepy hollow tune. hidden from the public, aleko and frantic had built a prototypic aesthetic of rough, concrete-space sounds - reduced dark, metallic percussion grooves, spring reverbs and degraded post-acidic synths. you name it where you heard this sound years later. its revealing how far ahead these tunes were at the time of their creation. they sound more now than many current tracks. aleko is the 4/4 techno version of this soundset, locked-in clonk patterns built around a nitrous bassline. frantic could be a future development to todays dubstep, if it wasnt its actual historic predecessor. add the schizophrenic bass excursion heliotrope and you have a package of painstaking relevance. back then the a&rs simply didnt get it - thats why it took 6 years and the formation of victoriaville to finally bring these gems to light

man/machine: since their self titled debut album, vienna’s elektro guzzi made an impact on the scene no one could have imagined. being the first ever real techno live band, they took the scene by storm with their unparalleled stage appeal and future-forward sound. rocking clubs like berghain and fabric as well as numerous festivals (including sónar, time warp, spring 10, ade and mutek), it was the headstart of 2010. playing constantly live at countless gigs, plus live and studio appearances with patrick pulsinger and stefan goldmann, elektro guzzi’s music was set on fast forward evolution mode. “extrakt ep” captures the latest state of elektro guzzi’s incredible live sound, recorded in london with the outstanding capabilities of brendon ‘octave’ harding, the trusted engineer of dub legend lee ‘scratch’ perry, and mixed by mega-producer patrick pulsinger. the four cuts capture elektro guzzi’s raw side, turning out dark sexy grooves with an almost indie edge - probably their most danceable and dj friendly studio material to date - specifically produced for the vinyl format

back at the tail end of the last millennium bbe released a comprehensive overview of house music in the latter stages of the 20th century. >henry street music: the story so far - 1993 to 1999< was a slice of superior contemporary club classics featuring all of the key players, architects and music makers of the day. todd terry, armand van helden, kenny dope, dj sneak, 95 north, robbie rivera, davidson ospina, ralphi rosario, mike delgado, king britt, and a handful of others under various alter egos and nom de plumes. it was a given that they were all great records, what was all the more impressive was that they all originated from the same recording home, henry street music. a label conceived and devised by johnny demairo, an italian-american from jersey who talked the talk, could easily have been an extra in the sopranos, and was known affectionately as the shark. to others he was just plain johnny d, and one half of the production duo johnick with studio partner nicky p palermo jr. tracks such as d2- d2 by dj duke are collectors classics and will be re-released and re-mastered on vinyl for the first time in over 10 years

though there is something refreshing and original about the afronauts, their music could be described as somewhere in between the heavy afrobeat of fela kuti and the ethio-jazz of mulatu astatke. this debut 12 inch single combines all these elements, >journey through time< having a hypnotic, spiritual feel, whilst the b side >kibo< is totally exclusive to this 12 inch single, and is an upbeat positive groove, both tracks only hinting at the delights the forthcoming album flight of the ancients (fsrcd/lp085) will contain.

big with dj koze, superpitcher, julius steinhoff, dorian paic, marc schneider, sven vt, melon any many more... maybe i should give it another chance? i could go early in the morning... maybe the party isn t the real highlight... maybe i am just longing for the condition before and after... maybe i am just tired, maybe i need a little push... who said party anyway? i did... but i also said maybe

number 5 in the best selling killer funk disco usa series with the cheekily titled >these boots were made for dancin< ep. the kfd all stars drop another funk & breaks driven unreleased discofired edit on the a side whilst on b side slap bass boogie is the order of the day from a mysterious stateside artist and a rare but so, so essential nigerian mid tempo hypnotic masterpiece.

the first release for consequence and joe sevens new alias they live is on dbridge & instra:mentals autonomic label. creeping in with a slightly haunting melody and sparse drums, >pure palms< starts off with little indication of where the track might lead, it feels as though it could go in any direction. as it slowly builds, the warmth and weight û and deep-set rhythms û that consequence is known for begin settling, and open up to an evocative, widescreen track of immense beauty.

london grime producer swindle follows up his incredible planet mu ep with another slab of funked-up grime, this time for a rapidly expanding rwina records. swindles return marks a slightly stripped-down sound: the funk is meaner, heavier, and nastier. >playground< grooves on rainbow synths and leisurely, drawn-out melodies, as a boogie bassline carves memorable phrases in the ground below. all of this is shoved in an approachable halfstep template that means the track could just as easily slot into any dubstep set as the grime scene in which swindle dominates. did we mention theres a killer freestyling organ solo in the breakdown?

big with: deetron, tedd patterson, stuart mcmillan, craig richards, josh wink, chymera, stephan bodzin, monika kruse, ivan smagghe, paul woolford, stacey pullen, radio slave, ... the word >legend< gets bandied around and awarded far to easily these days. but a truer title could not be found for , kirk degiorgio. from the mid 80s working in sohos reckless records buying in the latest rare soul and jazz releases from the us, to his current 2010 releases on planet e and art. kirk has been at the very forefront of boundary pushing, electronic music since its inception.

south africa to paris back to new york... as we toured south africa last year we all came to enjoy a seed coming out of sa named black coffee and what a year it has been for him. the man has taken the music world by storm with his deep vibes and timeless songs that will stand the test of time. we signed this record almost a year to the date and have waited to get the perfect team together that we feel could take on this record. black coffee joins forces with tsepo on vocals to deliver >never saw you coming< a record that has serious written all over it.. on remixes duties the almighty franck roger & dj spinna. we will let the record speak for itself, enjoy this project that is very close to our hearts...

oooh super hot one from til! truth is light keeps charging along with what could be their most dynamic release yet. still obscure but rather less obtuse than previous outings! limited quantities again. the label shout a four track 12 inch beast that includes a huge gospel cover of sylvesters already smash underground disco hit >i need you<. if this doesnt turn people out, then you should throw these records at people in the club and aim for their necks!

created back in 1994 by secret cinema, no one could have predicted how timeless this track would turn out to be! if you are in to electronic music and live on this planet, theres a 75 percent chance youll recognise the weird reversed, reverbed piano riff! now, for the first time, the original is available digitally with remixes by slam, egbert and secret cinema himself that made their way to vinyl as well. the massive techno tune from 94 is ready for a little update! it can be a challenge to remix a track with so much history, but all three managed to complement the original while giving a unique spin to the track. the secret cinema 2011 remix is a peak time main room power tool that will turn a big crowd into a riot any day. slam take a deeper, more subtle approach that can hypnotize and rock a main room crowd without blowing their wigs off. finally egbert takes the track to a warmer funkier level, equipped with a funk-filled bass line and some warm pads over the top. a truly timeless package!!

jenifa mayanja, respected new york dj, producer and owner of bu-mako recordings, steps into the altered moods collective for an exciting two cut vinyl release, >desire more<. the first side slides into a subtle groove with voices and synthy keys over a beat itching to get you on to the dance floor. then a variety of warm melodies join in, bubbling and be-bopping onto the main cut, a collusion of claps, beats and riffs. jenifa comes back and leads us to a saucy clarinet that could be rehearsing in the next room, unaware of our presence. yet it echoes the feel of the piece, dancing away from and back to the rhythm.

the dream team return, another sinister slab from these amazing producers ! features trouser-flappin bottom-end mastered by the don, matt colton ! james ruskin and mark broom follow up their previous and serious selling outing (bp029 no time soon) with a stonking slab of the dark techno stuff ! if we are to reference this release then it perhaps could be likened to early surgeon or downwards titles with menacing riffs and destroyer basslines..... just fantastic

m a n i k returns to ovum after his incredibly successful park to the slope ep. he comes to us this whit his follow up keep that fresh ep. the title of the ep says it all as m a n i k is constantly evolving his sound and keeping the music fresh. the title track >keep that fresh< has a funky 303 bass line with intricate grooves and a hook made up of some chords. this is something that will clearly get the floor rolling. next up is ditmars blvd with its heavy drums and catchy synth line, is a stone cold groove track. on the b side we start with >hold on<. this track is inspired by the sounds of early west coast g funk hip hop with its lead synth and funked up analog bass line. the final cut on this diverse ep is >shes slow motion<, with its r&b vocal floating over the incredible deep instrumental. this is something you could hear in the early mornings at a brooklyn warehouse party. all in all a great diverse follow up from m a n i k that should be in the sets of a wide range of djs

brand new ep on qalomota records, after the successful >kolakola-dj steaw< (only on vinyl) we strike again with the new generation of french house music producer. the qalomota family is proud to present you lemy leopard. this young producer got 5 tracks to house u all night long. from old skool flavor with >from the jungle< featuring laetitia dana and >welcome to my house< lemy is crazy about old kerri chandler or bassmental stuff! on b side lemy and the wellknow jocelyn mathieu (maw rec, animal house, dj fudge) give us >state of the world<, this song is perfect for the actual dancefloor. the two other tracks, >lemy house music< sounds really detroit smooth house music, >true soldiers< is definitly close to larry heards work in the 90s. his first ep is just a little taste of what lemy could do, because this guy is absolutly incredible, from hip hop to house and electro, he is the man!

the eerier child, a rotterdam-based producer, now releases 3 new tracks on his newly co-founded label black sunday recordings after previously releasing several successful tracks on labels mindtrick records and redrum recordz. in a still ongoing journey through various music styles, the eerier child found shelter in the bold realms of dubstep. in these very realms, he discovered a world where he could release his full power of fierce rhythms and colorful soundscapes drenched in an eerie atmosphere.

prompt has been producing electronic music since the mid 90s and during this time has made a string of outstanding eps, some of which have even won awards. but who exactly is this man from madrid: prompt? to stand on a stage and party for hours in his own world is not prompts style. he would rather sit in the background of his studio and create unforgettable and ever more fascinating tunes. his debut ep on highgrade set the tone for his convincing mix of sound design and subtle hooks. these are also the most important elements for his new highgrade release. in >sharing sounds< its all about deepness. expressed through dense loopy forests and deep broken valleys. you have to engage in the sound experience and see the world prompt has built for you. few other techno producers have such a distinctive style or unique voice. with this ep you could be blindfolded on the dance floor and you would still recognize the music. the sound will convince you once again, both in the club and on the turntables at home.

debut release from new signing hugh crewdson jones, soon to be followed by his full length release >gravity<, scheduled fto hit the shops early next year. his music could be described as an upbeat and playful concoction of electronic music, taking in influences from techno, jazz, 2-step, dubstep, your doorstepË poses the question of what might happen if you threw polar bear, flying lotus, aphex twin and maybe even the streets in a room together.</ br>comes with code for free digital download of this ep.

it’s with a lot of excitement that archipel’s boss himself releases a vinyl extract of his album’s favorite tracks. while the album which consist of 2 cds, we thought some of the works would fit well in the hands of collectors who would push the tunes in their quirky sets. the opening track, titled “big trouble in little cave” is one that could haunt a techno party in berlin where in the breakdown, things just go out of control and while you think you can’t take anymore, the music takes you back to earth. tests have proven to be used with care, reports indicate some people reacted with a lot of noise. “dérape totale” is perhaps a cross of four tet releasing on raster noton. awkward combo indeed but the strange structure on top of weirdly arranged percussion is set to catch your attention and draw you into an inner journey. with the chance of having manchester’s dncn join him for vocals, pheek goes with his first interpretation of what a pheekie-pop tune could be: fun, intriguing and catchy! >follow the flow< is the closing track and is one build tension with surprising exploding percussion clashes on top of melodic waves.

support from oxia, rodriguez jr, radioslave, josh wink, dj koze, laurent garnier, seth troxler, joris vorn, jennifer cardini, dixon, claude vonstroke... two friends who have known each other for many years, who have often shared the same stage and recently enlightened our summer workshops at la carrière, who trade deeply-felt lyrics and singing for singular and refined productions and who delivered infinés finest electronic rhymes. after >silently<, clara called mimu again for >deer & fox<, the vocal pop wonder of >polyamour<. this fall infiné has invited forward-thinking remixers to work on clara s stems for four new opportunities to play the track. deep and introspective, the troublemakers of dop have kept the classy original textures, slowed down cleverly the bpm to carrying mimus voice into a bubble of euphoric bleeps. pampered by derrick may, juan atkins or kevin saunderson, stacey pullen offers the clubbers a one-way ticket into his time machine. right back at the heydays of the detroit second generation. terribly old school and consequently incredibly efficient on the floors. widely praised for their recent intrusions on the very respected karaoke kalk label, tolouse low trax on top having a profound liking puns, have turned >deer & fox< into a dizzying after party chorus, adding their own dark and hypnotic sound pallet. offered as digital extension but no less essential to the package, austrian producer ritornell aka richard eigner brings celestial violins and heavenly piano for a shining and delicate rework, which could almost let you forget the original.

if ever there could be a dream team collective of folks involved in just one single, this would be it. together, brit pop legend jarvis cocker has joined creative forces with two of the most exciting & innovative french producers — pentile and pilooski, both collectively known as discodeine — and created the much buzzed about dance track of 2010.

with friends and cohorts like these, you can’t be sad for long. after the longest and best-ever and final closing, the saddest, best-ever and most personal record on the bar25 label is here. as pure dumb numerical luck would have it, it is – naturally – the 25th release. and, we’re almost proud to say, it’s strictly family business. the closing record speaks more to the spirit of the bar than any words, spoken or written, ever could. every track unique yet well-rounded, somewhere between universal and personal. awash with emotion, as though the sound machines had begun to breathe.

the owl wing 57 has entered hyperspace, captain.
what about the anomaly?
further approaching, captain.
we are all lost!
not necessarily, captain.
what do you mean?
no one really knows whats hiding in there.
we wont make it anyway. we could right as well land on any planet and watch it swallowing us.
would this one be ok for you?
why not. betaowl, get ready for landing. right over there, at the bridge of that river. probably a good place for it to snatch us.
crew, get ready for the impact!

on >tribal tech ep< franksen & tom wax bring you three tribal tech house bombs. >tribe thang< is mainly drum oriented track, full of groovy percussions. >celeste is a fantastic tech house track & the harmonic sounds beams you to the caribbean area. best sound to flashback to the summer. >keep it comin< on b2 is the most progressive track on the ep. an hypnotic track that could be the soundtrack of your next voodoo session or if you prefer for your next 6 o clock booking.

do you wanna dance like plastikman? or do you like the darkness of bunker? this could be the perfect answer! strictly ltd to 250 copies... last copies available : now!!

if youre a fan of techno, we have something you might be interested in. have everything a true pan-pot fan could ever wish for - think dark and heavy, builds and drops, synths and loops - true four a.m. grit to get your hands in the air and keep you raving until dawn!

dimitri kneppers (1967) music career reads like an encyclopedia. a house encyclopedia. after 23 years of spinning records you could call this dj a true veteran. known for his enormous sensitivity, true feeling and mixing skills he gives you the sense you are the voyeur of an intimate act between two lovers. the music and the man. but nobody ever felt and looked so comfortable behind the decks as dj dimitri, for he brings the crowd at ease like don juan would do with women. when ecstasy is no longer just a word, but a true magical moment as the crowd, the surroundings and the music all come together in one hypnotizing state of happiness. this man knows -or should we say feels- what he is doing, not only behind the decks but also when producing. in september 2007 dimitri said goodbye to his headphones to work on a farm with mentally handicapped people. fortunately for his fans the break wasnt premanent in the middle of last year he installed a studio in his home, then this past june he returned to the decks - now he makes his planet e debut with a stunning track already tearing up dancefloors. included is the first of two remixes by carl craig. a second ep with remixes by orlando voorn and carl craig will appear in early 2011

yes, we finished the work on the 10th anniversary issue of playtracks records! its called spaceboutique and three fantastic tunes and one surprise are waiting for you. first of all we ask the marvellous lowtec to provide us a jubilee track. no country for soul men is a pure bliss of deephouse - a tightly controlled groove covered in hypnotic vapour sounds. furthermore we are happy to have the frankfurt am main based artist rubrique on this release. with chillum he produced a stunning piece of music which could have had the eligibility to be on one of the great spacenight compilations. label head t. bachner went deep inside his mind to catch the right track

an endless space disco flight.... richard sen aka padded cell with warm and heartful tracks you could file under electric-boogie-house...

we would like to dedicate this release to our colleague and good friend aaron-carl who passed away on the 30th of september 2010. during the whole process of creating and thinking this record with ivel, aaron has been supportive from day one. he was a great musician and an amazing human being. his loss has affected all of us. it is very sad to think that this will probably be his last remix to come out, thus making this record and his remix even more meaningful. out of all the words aaron could have chosen out of martin luther kings speech for this remix, he chose the phrase >i just want to do gods will<. i think that god, if theres one, has called him by his side way too early. life will continue, aaron-carl and his music will stay in our hearts

the first edition of the unirhythm green series. two brand new, smooth as ice tracks from the motor city madman marcellus pittman. the a-side is >tom remix<, a dynamic dj tool that will keep the heads bouncing in the club. the b-side, >if the earth could talk<, is equal parts deep and dubby, but still has that lo-fi detroit grit in the sound. this is a record that will stick around in many djs crates for a long time. this record is the first of a series of collaborations between unirhythm and fit.

nice price deal !!! prinzhorn dance school announce their return with new single – >seed, crop, harvest.< we havent heard a thing from tobin prinz and suzi horn for three years (their debut lp was released on dfa back in 2007) but theyve been far from work-shy. they toured extensively, then came home and built their own bespoke recording studio (the red shed) – and learned how to use it. time consuming endeavors which saw them drop off the music radar. which might just explain the title of the equally charged b-side >off the radar, off the system<. in their own words: >weve been busy. just not busy making records. you have to live too. you can only write so many songs about motorway service stations and airports<. they recorded and mixed both songs themselves in the red shed, with bob weston taking on mastering duties. …prinzhorn dance school are back! and dfa could not be more proud

goodvibe records project is an effort to expand the boundaries of hugo, and his favourite producers music, beyond standard nightclub beats. after the bright side, its time to reveal hugos dark side for the second release of his new imprint goodvibe records. hugo takes the listener down the darker alleys of his production and demonstrates to himself that 4/4 beats are made of many different feelings. we are all strongly attracted by the dark side of life, of humor, of music. it doesn’t make us bad persons, but in fact make us as comfortable with ourself as we could possibly be. it lightens the seriousness of subjects dubbed taboo. lets go on the dark side!

our dutch counterpart onno is known for his dance floor mastery. his after school ep on upon you was a multifunctionalmover that could teach any lethargic raver a few aerobic moves. >hit me< is in the same league and is completely unsuitable for yoga and pilates, so hes succesfully targeted the blonde dance instructor once again. onno brings the a1 fatburner to a peak with his charming impertinence. thomas schuhmachers pimped version of this awesome rave stepper on b1 tugs and pulls at your pants dragging you kicking and screaming to the dance parquet, where you soon realize that you never want to leave, but for those of you that want to lose some weight also know that you always need to condition yourself and >ghetto talk< on b2 is the perfect bouncy tune for that hour or so on the treadmill.

the newborn record label studio barnhus is the love child of axel boman, petter nordkvist and kornél kovács, three fine young gentlemen who in 2009 ended up sharing a studio space in downtown stockholm. studio barnhus is exploring the outskirts of electronic dancemusic, but also sharing a passion for hedonistic dancefloor madness. on this first release tracks from the trio which represent them in the best possible way. forward thinking dance tracks that bring joy to the dancefloor! studio barnhus presents 4 exciting and fresh house tracks that already created a stir on several dancefloors! we could do a lot of name dropping here and tell why we like it so much... but lets not do to much talking... listen to the tracks yourself!

this new record, drawing clouds, focuses on the raw techno aspect of andres production. never forgetting the more dubby textures and winding electrics so dear to the argentine master of wizardry, he creates yet another enthralling landscape right at the first seconds of the title track. as the maelstrom wraps around your mind, the unbeatable rhythms and fast-pace of the flip space mountain wallop your body for a tremendous trek. following the extremely favorable outcome of greeners first 12 inch, leonel castillos >el nino<, andres zacco pictures here the kind of journey we could only wish no end for.

brilliant. full radio support from me (laurent garnier)

>o god, i could be bounded in a nutshell, and count myself a king of infinite space< - shakespeare a1: >daidalus< redefines some of the ideas already put forth in aleph 01: dance music is not a prison. a2: >hoverboarding< is more of a concept which could not be put into words than an actual piece of music. an experiment in infrasonic structures. b1: >port hope< is not a place - it is a state of mind. b2: >week of fear< has no particular meaning. just the ramblings of some castaway on his desert island, waiting for a ship to come.

with vernissage one on trapez ltd amir kicks off a beat which could have been written by herbert. as amir says himself his beats are ongoing a constant change, nothing stays the same. >cadaques< indeed highlights a spiritual quality that is expressed by ethno sounds, constantly shifting dynamics and a feeling for deepness

tahloulas >we play house< in a remix incarnation by chris lattner is at last ready for release after figuring in charts and steadily garnering hype for more than a year. louise marie tüxens charming lyrics are sung on a morphing and modern house beat while a devastating organ-stab pushes the track on endlessly. a classic new york bass-line injects head-nodding and foot-tapping while small vocal snippets and fills create a layered floor-destroyer. a tune that easily could – and nearly did - stand alone, but to the luck of the listeners more is in store for them. emil & chesper, allows us the joy of putting out >the nigerian hustle<. dark and funky with rolling basslines and shadowy percussion, this track is heavily rooted in both berlins minimalism and detroits groovyness.to top off the good fortune is james braun & ubebes >neotony< – a percussion-oriented tech-house track reminiscent of chicago, where banging toms and vintage 808 claps all merge together to form a shining synergy, while blue chords and floating strings engulfs the listener.

the >captain deutschland serie continues on the vinyl only format and is limited to 300 copies, all hand numbered.
dandy jack is well known for his multiple collaborations. its now about time to lay them down on wax.
the second chapter is a honest, loud and direct ode to the joy of queen bass. if you are searching for deep house and abstract minimal you should better pass your way.
dandy jack teams up with geneva fellows lad and quenum on the a side for what could be described as a tremendous and heavy ride into the catacombs of techno. sonja moonear has a slightly happier and smoother answer on the b side and challenges us with a long and percussive intro that leads into a melancholic twist. quenum and lad arent new to the electronic music and have been active over a decade. they have already been working together for labels like num and thema. sonja is dandys partner in crime as junction sm and ruta5s half head.

bergerac is the new record label set up by uk producer and dj red rack’em (aka danny berman) to showcase the more dancefloor end of his music productions. danny is well known for his wonky disco outings as hot coins on tirk and also his deep as hell beatdown house on untracked. his style of production and djing have recently taken a slightly more banging angle due to the influence of larger scale festival gigs such as glastonbury, snowbombing and the big chill. so it seemed like the perfect time to start a label focussing on house and techno for the more discerning dancefloor. the label artwork will feature bespoke illustrations from german artist silke eiselt of all the houses danny has lived in chronologically. how much more fucking house can you get than that? how i program is a raw, heads down, whacked out banger, which straddles the wafer thin divide between house and techno with aplomb. with a massive loud donking bass noise, seedy late night atmosphere and danny shouting about how he programs his shit - this is some freaky deaky peak time business. next up is bonn, a warm crackly rhodes driven halcyon house moment, which evokes the slightly majestic and nostalgic vibe of people dancing alone together in a hot room at the end of the night. cheering sourced directly from bonn in 1982 mixes with naive keywork and distant female chants the first bergerac ep closes with it happens to us all, which could be an ode to prematurely greying men, the onset of senility or occasional farting in public places. its definitely a prime slice of wrong house with some seriously french hi hats and dubbed out bassline action though. yes, its more syncopated than an exploding castanet factory but thats how we like that kind of funk

a twinkle, a spark, and there you have it. many will say they saw it coming. at some point you could no longer ignore the signs, and actually youd suspected it all along: glamour is back in the club. berlin has become what new york was in 1981 and aÚrea negrot is the eartha kitt of the post-techno age. as part of hercules & love affair, perhaps the most enigmatic disco-ball band of the present day, the venezuelan disco diva has tackled issues of gender code through a four-four discourse and convinced the world that a slick performance under a strobe light can outdo than anything that has appeared in the light of day. now - as a taste of whats to come on her album next year - she is releasing her first ep on bpitch...

for deep house lovers and beyond laid presents the first release by lawrence on dials sublabel. the 12inch features tracks inspired by the magic experiences in two of lawrences favorite venues. precious hall probably is the best club in the world- a wooden shelter in sapporo on japans hokkaido island. a gorgeous deep sound, the sweetest crowd and a lot of ulong high at the bar are the namegiven substances of the a-side. >dwelling on the dunes< was firstly tested at uri lahavs cheap friday club tel aviv in 2009. when laid co-founder dor levi mentioned that night it was the track who could play forever laid number 09 was born

fresh new spanish minimal house and tech house sound by berlin based rekardo rivalo (killa beat)! you could discribe it as ska meets africa! fantastic! lets rock..