glitterbox resident dimitri from paris and remixing pioneer tom moulton present their retouched mixes of ron hall & the muthafunkaz modern day soul classic ‘the way you love me’ now available on 12” vinyl. initially released in 2006, marc evans provides velvet-smooth vocals complimented by background harmonies and timeless disco production. for his iconic t.s.o.p. remix dimitri from paris enlisted the help of salsoul orchestra founder vincent montana, jr. for fresh strings as well as a new full orchestra arrangement in his version, and here he gives it an update with his previously unreleased ‘dim’s t.s.o.p. version - dimitri from paris glitterbox retouch’. tom moulton’s retouched sweet-sounding ‘philly re-grooved remix’, previously released on harmless in 2013, comes laden with guitar riffs, dreamy harps and xylophone for even more instrumental glory. two disco legends come together under one stunningly soulful glitterbox release leasing new life into this timeless record.

after the release on french label basse resolution and after a couple of years since his last ep on bosconi, having released with the -under the line- track one of the highlights of our latest 10 years compilation and as bss together with his mates fabio della torre and mass prod, rufus is back on bosconi with a new four tracker record which goes on a new direction compared to the past music he did. -ritual chants- was mainly recorded in the abandoned industrial area of milan called bovisa and probably for this reason the release sounds all around a bit sci fi, cinematic and especially gothic. all begins with the raw techno jam of -fast rituals- where structured mellow and dreamy synth lines combine with the dusty, aggressive and driving rhythmical transportation of its drum section. fast rituals is one of those electronic pieces which tells you a story from the beginning till the end, so please pay attention to it. -sapere sparare- looks calmer but actually has the more mental and psychotic feeling of the whole record, driven by an intoxicating and fat bass line, rough jazzy beats and a lot of twisted out fm synths goodness whose times are punctuated twice by the warning female vocal theme of the track. -last shot #5- instead is a jacked out, hypnotic and darker broken house track dense of pumping low ends and subtle but glorious synth riffs properly made for the late hours and totally in the vein of a baby ford - minimal man production.-tenebre- closes up the ep with its horror movie atmosphere, drilling drones here and there, big bouncy bass lines, reverberated snares, drama strings and a dominant sinister melody which slightly reminds of some old dbx track.

the next release on crosstown rebels sees made by pete come together once again with vocalist jem cooke. returning to damian lazarus’ impressive imprint, made by pete invites diynamic label boss solomun and gruuv founders audiojack to take on remix duties. the original cut of so long opens up the ep. you are at once immersed in its trance-inducing elements, intensified by cooke’s powerfully sensual vocals. solomun shapes the title track into a grittier, industrial version whilst audiojack’s leans on the more percussive side, with ambient sounds and a prominent vocal hook. closing the ep is modify saturn, a track graced by tribal drums that beckon you to succumb to the groove. made by pete has been carving a name for himself in the dance music scene over the past thirteen years. he’s had releases on respected labels such as dftd, crosstown rebels and kerri chandler’s madtech records. his music has been supported by some of the scene’s most respected taste-makers from pete tong to joris voorn and eats everything to groove armada. jem cooke has lent her stunning vocal talent to some major musical players including cher, zero 7, kate simko, martin garrix and hot since 82.

tom hodge’s collaborative relationship with czech producer tomas dvorak, a.k.a floex began with a chance meeting in berlin. after a series of initial experiments in making music together, in 2016 tom completed a remix for floex’s “samorost 3” pre-remixes ep.
over the last three years, tom and floex have been working on “a portrait of john doe”, an album collaboration created with the prague radio symphony orchestra.

richard searling’s music & memories from wigan casino 1973-1981 - the soundtrack to the book “setting the record straight”.

phil gerus is a natural musical talent who oozes sound from every pore. fusing together cassette pop, disco, soul, r&b and funk, his sounds are effortless but hugely emotive and have come out on labels like sonar kolkektiv, manmakemusic (george fitzgerald’s label), futureboogie and true romance. growing up in moscow, phil studied classical piano and was heavily influenced by his parents’ music tastes, including jazz records of oscar peterson, bill evans, and keith jarrett, it is these classy vibes that permeate his own creations. phil has played around the world at leading clubs like japan’s dommune, studio 80 (amsterdam), mojo club (hamburg) and various hotspots in europe and russia. phil is also a regular guest on radio shows around the planet and is considered as an artist on the rise.

the 2017 remix and rebuild of one of drum and bass biggest dance floor anthems ever. babylon. dj future has delivered an absolute tearing remake of this all time legendary track and brought the original classic into the 21st century. with andy c, randall, uncle duggs, ray keith and many more playing it across the world at many of the major festivals the demand has never been stronger for the juice to start flowing again. for the original heads that loved the original you are in for a treat as bladreunner has pieced the original masterpiece together and rebuilt it piece by piece and it sounds stunning. an absolutely essential piece of drum and bass history revisited.

he might have lived a century and a half ago, but antonín leopold dvo&#345,,,ák resonates on. in 2014, the deutsche symphonie- orchester recorded parts of his ninth symphony and released them into the wild for the masses to cut up, stretch out, and have their way with. this is the result of one such experiment. ludwig zibell and martin schmitz translate dvo&#345,,,ák’s operatic dramatism into a techno moodiness that sees the coming together of two unlikely worlds. alex ketzer’s 5 am reduction is a dubbed-out remix of the remix that plays out and dwells upon some of the moments you might miss listening to it in the orchestra. finally these strange, otherworldly meditations upon music from another time see a vinyl release.

whether or not techno music is destructive and to what degree is fair concern to have, but there s no denying that it can call upon our primal instinct of surrendering to rhythms together with everyone around the proverbial camp fire. sure, the camps of today are the clubs, and the fires are strobes, but that doesn t change the essence of rituals that we continue practicing. the release stays close to 130 bpm and offers efficient tools for the dancefloor: airy, for one, represents a syncopated narrative of wonder and magical realism, whereas in the hands of gotshell it becomes less contemplative, shifting to a more direct perspective. backed by cascading kicks xi takes a dive into atonal realm, and kujin —the most brutal number of ep—offers a densely packed treble range running above the hammering 3/3 kicks. with hydra, it s a trip laden with wondrous soundscapes, shamanic percussion and sensations of unexplored grounds emanating from the bassline, after which the closer trioptic provides a rebellious theme fitting for times of unrest and resistance.

a heart from your shadow is the debut collaborative lp from michael beharie (new york) and teddy rankin-parker (chicago). since graduating together from oberlin college, beharie and rankin-parker each veered into markedly different avenues. beharie joined up with the ever-confounding new york ensemble zs (northern spy, the social registry). rankin-parker became an on-demand cellist for his prowess in the work of improvisation and avant-garde music, lending his talents to a wide array of collaborators such as primus, iron & wine, steve reich, and pauline oliveros. rather than jump into stream-of-concious improvisation, beharie and rankin-parker chose to focus the albums themes via intricately composed pieces. a heart from your shadow could be described as protest music, brimming with intense energy, harrowing anxiety, and steadfast optimism. produced by michael beharie, mixed carefully by jim o rourke, mastered by james plotkin and cut to lp at d&m berlin. black virgin vinyl housed in poly-lined inner sleeve in reverse board-printed double-width spine jacket with spot uv finishing. first pressing of 300 copies.

super dope 6 tracker by maspykes tableek on this japanese label - comes with mitsu the beats remixes also!

this 3 track ep from the legendary lee perry brings together new and unreleased tracks recorded at mad professor s ariwa studio in south london. the ep kicks of with this is the upsetter, which sees lee chanting and philosophising over a rollicking bass, underpinned by understated guitar and perfectly placed hats, and continues to the straight up dub, lion share dub . and on the flipside is the title track, game of the throne , with brass section and backing vocals belting out soul fire, with lee offering his words to selassie. mastered by the legendary noel summerville, artwork by henry dubroot alderson and g.s-l studio.

having worked together as -thrinax- in the past, prague s duo exhausted modern & aliver collected their solo material for endless illusion s second white label series. their complimentary sonic languages speak in slow, percussive rhythms, sadistic, industrial sounds, and uptight bass lines transmitted through a chain of pedal effects. the track -project germs - cuatone- is another one of aliver s collaborations.

british producer zepherin saint has always been a man with a fierce passion for quality-strewn, vocal heavy deep house. a thoroughly captivating affair throughout, butterflies sees the producer return to his tribe records imprint alongside regular vocal collaborator, miranda nicole. kicking off the release is the ‘tribe vocal mix’- full of hazy, fuzzy sounds that play out beautifully. a refined house cut, it’s made all the more mesmerising by nicole’s sultry vocal contribution. a perfect foil to zepherin saint’s beats, the coming together of both is truly a joy to behold. bolstering the latter is a live mix, as well as an instrumental version, named here as the tribestrumental offering. zepherin saint is a truly exciting artist and one whose stock continues to rise thanks to his infectious-sounding, afro-tinged house sound.

loyoto are the east-berlin born eva be and cle from the western part of the formerly dived city. both started their dj and producer career almost at the same time in the heart of the then developing scene, the very center of berlin, just after the wall came down. originally rooted in very different styles of music, they encountered for the first time djing together in 2011, finding common ground in more than just music - a gig, that should lead to more: they decided to combine their talents and knowledge and build a studio together. here, and during legendary back2back dj sets, they finally united their different musical backgrounds - dub/reggae and underground house music - and defined their very own sound.

tiagos wonderful interzona13 deliver another duo of mesmerising, psychedelic club jams from stellar om source a message from tiago. i met c ages ago when both of us were traveling europe with our separate experimental music units. fast forward to today and we got together again to put out this amazing rocket showcasing her latest work. recorded at club lux in lisbon in a interzona13 effort on putting together the city s finest to wrap it with much talent in music engineering, design and poetry in one single object.

after their butterfunk ep from last year, fouk are back again with their new offering mating call ep. as the name suggests, this three track ep is made for the hot & heavy moments while dancing away, during those infinite summer days. the title track mating call is a funky beast, driven by a very infectious bassline and live instrumentation, edging the line between disco and house, as has we have come to expect from the duo. the next track on the flip furthers the fact that this release is all about the groove. housey vibes with a classic hint, rhodes floating on a solid rolling funk bass. just feel good ? yup! finally we come to down below . you might wonder what s down below? well, there you can find a dreamy thumper, driven by the compact kick, repeating drone and deep bassline, while the synth pads in the middle tie it all together.

we present you the third release in our very successful collaboration series with roar groove and the revenge. straight after his new brilliant album when the thrill comes that was release in may this year graeme clark is back on dirt crew with four new gems. the opening, funky and twisting, times get tough is a deep rolling down tempo disco/ house stomper that builds into this ecstatic groove we got to love so much from his previous outings. pure good times and hands in the air action promised on this one! subconcious is that darker and meaner side of house track with a slammin chicago beat he delivers this old school jackin feel. big bass lines and soulful vocal samples tied together by on the fly drum patterns. the b-side of this new ep opens with an hypnotic jam that builds and builds till those sweet synths start soaring in. all carried by this ultra phat bass line, we can only imagine how this one will sound on a massive sound system! searchlight is def a highlight of this release. can we go even deeper and darker? oh yes! with come down we get a proper come down to close this ep. deep sub basses with floating tops and again that classic jack house beat. certainly a late night track made for those sweaty and long dj sets. summer is here and the revenge has the perfect soundtrack for hot and steamy nights, inside or on the open field!

after three major releases by tell, nachtbraker and s3a, its time for debuting italian artist verner to close our beloved trophy quartet. this milanese key virtuoso is ready to blow your mind with this eccentric yet humble ep, taking you on an emotional journey. long stretched pads, playful chord progressions, organic percussion all produced with analogue 70s and 80s vintage synthesizers and drum computers in verners studio reminding us a bit of harvey sutherland and nu guineas style. were talking groove, funk, jazz but also house and soundtrack style compositions which together form a very complete record carefully a&rd by nachtbraker. drop the needle on the a side and youll start off with linizio, a majestic piece of synthwork. hurdling through different emotions and vibes, this could easily be the intro of one of your favourite 80s tv series. upset takes you on a happy groovy tour whilst crash of the web era and the motion pictures take us on a trippy and ambient voyage that is hard to wake up from. when flipping the record to the b side, verner is stepping back into the groove and funk with tecladista, arguably the dance floor hit of this debut ep. starting of with again a majestic synth intro area drops into a festive funk and jazz bomb with some intricate synth work treating us with some lovely solos. closing this versatile ep is late night job, a deep, deep tune with a thriving baseline and mesmerizing synths. we suggest to dont sleep on this one and have a listen to this piece of art by the very talented verner.

in 1982, a group of friends deep into post-punk, jazz and dub got together in mad professors studio and lay down their youthful interpretation of a nyc disco cut. their unique take included trombone, vibraphone, piano, and an ital dose of tape delay. they called the song trouble and released two versions (vocal and dub) on their friend tony mcdermott s !drum! label with artwork inspired by russian constructivism. tip! . the group, comprised of justin langlands, chrysta jones, john schofield, tom dixon, and dave killen, decided to call themselves a-team, having no idea that mr.t and co. would make them almost totally ungoogle-able 30 years later. the result of their adolescent studio idealism sounds akin to otherdisco misfits like arthur russell, maximum joy, talking drums and wouldn t sound out of place on legendary nyc label 99 records. remastered with an extended club dub formaximum dance-floor action.

the tenth release on miles sagnia s aer, marking the tenth year since the labels inception. this time round, a more hypnotic dancefloor sound encapsulates the artists mindset. with previous releases on applied rhythmic technology (art), aesthetic audio, ornate music, common dreams, amongst others.together we glide into the pacier textures, where moments of intensity meet serenity.

the mutable nature of our lives leads to a constant pursuit of musical incentives. last month we launched a new series on mindtrip aiming to bring together diverse sounds and musical backgrounds under a mutual project. mutable minds edition ii welcomes the very exceptional work from five of our favorite artists out there. the release opens with our head honcho pfirter and his anti-routine that comes with his trademark modular effect and a well-constructed sequence. sleepwalker belongs to mexicos finest techno export aka fixeer who delivered a pounding track with great energy. on the b-side things are getting deeper and more tripped out yet still powerful and intense with the swedish duo kuf & dold and their track mint. mutual minds ii closes with a familiar name that is none other than jonas kopp who returns to mindtrip with a very interesting piece that comprises a narcotic feeling and space stabs. the final outcome of the second mutable minds edition perfectly describes the musical perspective and ethos on mindtrip. hope you enjoy this trip to the fullest. this is mindtrip!

after a wildly successful collaboration on thatmanmonkzs turn it out from the lp, columbus-ing, dave aju suggested they should continue their production streak for a new percussive tracks project. at the same time, aju had finally kept his word to legendary bay area club/underground mc and personality, foxxee aka foxxee brown aka lawrence petty, to work on a track together as well. petty being a core part of the infamous ya mamas house radio show on 106 kmel alongside pete avila and david harness that introduced legions of young bay area djs to real house music, includ-ing aju, in the early 90s.

rare & underrated album mixing soul, boogie, pop and synth styles together
favorite recordings presents this new official album reissue of state of emmergency by french band the fizz: a real underrated, complete and intriguing album, originally released in 1986 as a private-press lp and quite hard to find in good conditions nowadays.

when cities collide iii features lithium parasites which is a project from former ultradyne member alex lugo together with alonzo, who released a great record with wt records last year, on this rotterhague release their combined strength brings out what sounds like dystopian cruising music. watch those crumbled skylines pass by. dj overdose does what dj overdose does.

following his ep for amazing stories, otis makes good on his long time friendship with the partisan crew via four dazzling cuts of future-minded machine funk. from swinging techno to breakbeat and electro, all glued together by that 909 house vibe, the playful side of otis’ unique sound masks an understated swagger that will rock the floor wherever it’s played.

the shortest connection between the past and the future leads through the music of boston 168. drawing inspiration from both classic and contemporary approaches to the acid techno sound, early nineties rave culture and the throbbing pulse of the now, sergio pace and vincenzo ferramosca have carved out a niche for themselves which over the past four years has become a musical microcosm of its own. having released a slew of records on such labels as involve, attic, odd even and dustin zahn s enemy, the italian duo now presents its most cohesive musical statement thus far on ellen allien s bpitch. on the three tracks of »drops in heaven«, boston 168 seamlessly mold together lysergic acid lines with elements of nineties ambient techno and a rhythmic groundwork that is as thrilling as it is intricate. »cosmic tribe« translates its idea of universal togetherness into a nerve-wrecking groove punctuated by complex percussion work and a subtly building acid line, while »drops in heaven« uses a booming kick drum as base for an emotionally driven exploration of sonic textures. the psychedelic »straight to light« nods to nineties pioneers like emmanuel top, showcasing ferramosca and pace s talent for creating musical depth by ingeniously bringing together a few select elements to greater effect. these are tracks that relentlessly head towards the unknown final frontier of what techno can sound like in 2018, while not in the least neglecting the rich tradition that they draw from.

the third release of weorus comes with four massive tracks perfectly delivered by talented maurice giovannini and remixed by cocoon’s rising star dana ruh. the ep enter with “orange”, a mystically track perfect matched with the label concept of timeless music. dana ruh on a2 gives the perfect energy for a fully crowded dance floor, maintaining the spiritual feeling in the background, just a perfect interpretation. “plasma” for maurice is the tune that truly can make you go on a higher level, the structure, the sound design and feeling are deeply matched together for a nice and warm b1 start. “bunka” ends the ep in a perfect way giving you the need to reloop the entire ep. maurice again hits with a perfect vinyl already supported by ricardo villalobos, rhadoo and many others.

completing the recent lp reissue of black voices by tony allen, comet presents a 2 tracks remix ep by folamour and nit. the two rising french producers provide great new versions of “get together” and “the same blood”.

for the fourth reissue release ltd, w/lbl got together 2 artists heavily diving through the world of house and jazz.

get down edits return with a 3 track ep of latin inspired edits just in time for the summer. festival (just beginning) kicks things off with an exotic disco edit complete with killer horns, sultry stings and that maraca flavoured feeling tied together with an uplifting vocal hook. the a2 two man sound combines an instantly catchy bass and infectious guitar lick combo with summery brazilian lyrics and jazzy rhodes perfect for the imminent festival circuit. festival drums rounds off the e.p. striping back all the melodic elements from the original to offer up a fusion of maracas, cowbells, congas and guiros to unleash a south american styled drum tool perfect to add a little zest to any mix.

180g. 12” only incl. aiff download code the sun does not move. the sun has never seen a shadow. – leonardo da vinci paul and alessio of possible futures believe that some essential fractions in the history of music need to be transmitted in new ways to budding generations. as we seek to bring together a new educational system around contemporary music, we urge anyone with homologous intentions to get in touch. over the last 15 years, possible futures have been witnesses to the wildest fauna and flora the great nocturnal jungle has to o er. possible futures source their inspiration from the many shades of color that co-exist between black and white on the great designer’s palette. it is through their open and eclectic selections that possible futures turn the dancefloor into spaces of self-discovery and musical trance-en-dance. possible futures believe that the eternal act of dancing is one of the most active form of contemplation. facing our own selves in the mirror of movement, we realize that we indeed are reflections of one another at all times. compassion forms and in turns gives way to kindness and love

from his debut on tresor in 2012 with the super strength ep, all the way through to his vibrations long player in 2016, paris based artist marcelus has continuously provided some of the most intricate productions to come out on tresor records in recent years. marcelus instills unpredictable rhythms as the very eseence of his music. these di erent layered time signatures move together in spiraling forms designed in the french enchanter’s mind. the magnet ep o ers one long trip in four chapters. the title track, “magnet”, ushers in the ritual and strikes with its creole flavors, drawing careful listeners back to sound palettes and rhythms of some decisive ur references. from there on, the mind-bending begins. “parenthesis” is the second slow step in this brooding ceremony. “say it again” picks up the pace, driving the listener further down into the tunnel. the beads of “descent” finally brings the mind back to the surface of reality.

dutch live-act and dj duo artefakt return to delsin records with an intricately produced three track release entitled falling into the light. artefakt began releasing music together in 2012 and now boast a discography spanning field records, konstrukt and deep sound channel, not to mention regular appearances on delsin where their debut album entitled kinship dropped in 2017. returning to delsin, the pairs next outing once again demonstrates their ever-evolving sound and is an exciting precursor for the launch of their own label later this year. rolling drums open the release in the blue hour as murky synths join hazy atmospherics, making way for weltformel with its racing syncopated percussion and ethereal pads that ebb and flow throughout the mix. finally, falling into the light combines springy kicks with crystalline melodies, metallic elements and rattling effects to conclude a mesmerising release.

seven davis jr proved once again he s one of the brightest lights in authentic soul-soaked deep house with attitude when he released love from the other side back in 2016. now he s pulled together a strong cast of cats to offer up remixes of key album tracks, with scintillating results. davis jr s heady atmosphere is maintained in all of the versions, from marcel vogel s funky broken beat treatment on -99 candles- to the woozy bump of the teflon dons version of -this weekend-. watch out for the tracky heat of coflo s remix of -me like you- as well - just the kind of lean, mean, sexy jam that will get bodies heaving in the right party spot.

“ferns and stuff” is wild & free’s debut single on discotexas. it’s part of the much anticipated debut album from this la based duo. titled “shapes on shapes” the album sees drew kramer and george cochrane deliver on the promise of their early releases with 11 tracks of languorous poolside disco, tropical pop and balearic house. this first advance single stands as a perfect example of the exotic album s vibe.
both multi-instrumentalists, singers and producers in their own right, the pair came together in 2015 and have spent the past 2 years crafting a series of acclaimed eps and remixes (for the likes of joe goddard (hot chip), panama, gigamesh, rac and ben browning of cut/copy) that saw them tipped by the likes of spin, xlr8r, indie shuffle and many more and take their live show on the road playing alongside the likes of brooklyn’s body language.

evod music is glad to welcome binny and dj surgeles on its limited catalogue. the english dancefloor killer and the dutch sci-fi master fused perfectly together on this split ep. organic by binny is a perfect tool, thanks to its mesmerizing acid sequence, masterfully fused with powerful drum patterns and hypnotic drone raids. missing link is another killer tool, perfect for a dance floor full of people. its old school sound and the various changes make this track a must have. the b side is managed by dj surgeles, with three outstanding sci-fi tracks. science fiction contains a randomic, spaced out sequence blended with heavy drums and various drum patterns variations. commander pete is the most millsesque track: in this piece there is a real space ambience, thanks to a its far pads, the electronic ringings and bleep sounds incursions that create a constant suspense, broken by the interruption from an astronaut radio message. the ep is closed by message to earth, an ambient outro that fits perfectly with all the other tracks.

prolific and long-serving canadian producer fred everything is never one to rest on his laurels, but it s been no less than 10 years since he last released an album (the classic lost together on om records). now he finally returns to the long player format on his own lazy days label with the appropriately titled long way home, a widescreen exploration of his sound via all manner of styles. there s gorgeous broken beat and neo soul, slow-strutting electronic disco and modern boogie, and that s just the a side of this expansive 12inch track album. warm, immaculately produced and unafraid of embracing pop as much as underground styles, it s a masterful return from mr. everything.

as a dutch label, were proud supporters of the homegrown sounds of guys like nachtbraker, frits wentink and fouk. adding another dutchie to our list of exquisite producers, we present you pitto with his debut on heist recordings. pitto is a musically omnipotent creature, venturing into deep house with the underground hit richklap on wolfskuil back in 2012 and dreamy electronic pop with his album breaking up the static on sonar kollektiv and virgin. he has also moved beyond producing his own music, running studio stekker, a dutch music festival that focused on freeform creative interactions between musicians where the artists performing on the festival locked themselves up a week in advance in kytopia (colin benders synth paradise) to make new music together. through this, hes worked with people like kyteman, matthew johnson, sebastian mullaert and colin de la plante, better known as ‘the mole, who is also present on pittos heist debut with a remix. the ‘late night studio moves ep is one of varied styles, where pittos inspiration from african music, jazzy and soulful samples becomes evident. he finds his ‘funk in repetition, clever sample combinations and combining electronic and live elements in the most organic way. ‘late night studio moves finds its basic groove in an african percussive loop.

two berlin underdogs and a detroit ravemaster. a driving force in the very early frankfurt electronics since the late 80s, to hardcore acid in brooklyn in the early 90s, producing legends as carlos peron among many others along his way, adsx aka andre fischer might sound new to many but has been an active part of the underground electronic movement for the last 30 years. benji df aka hanoben is no newbie to the scene either and might have soundtracked your night if you were to be found at clubs like tresor or snax in the late 90s. together they recorded an ode to aural sex, its acid counterpart, and a genius sketch of a club banger. when label honcho capablanca heard the latter had little doubts about commissioning an extended mix to motor city s special forces gen. sharif laffrey aka thee activator, who needs little introduction to the discerning raver ears as the man behind instant acid classics turn it up and always, among others. after countless studio days and nights and endless versions (we stopped counting at 56th) sharif delivers what is possibly his best work to date, an unstoppable 12 minute dancefloor annihilator. to wrap such special release we asked legend alan oldham aka ur s minister of information aka dj t-1000, (also responsible for label designs for transmat, djax, submerge, pure sonik and a long etcetera) to create one of his classic artworks. capablanca deconstructs his center pieces for the fully printed sleeve, and everybody s.c.r.e.a.m.

chapter four in the line of vinyl releases on cue line records is also the beginning of something new. elements part 1 is the first piece in the various artists series on the label called elements. driven by an urge to explore how elements can form something greater together, and the other way around, how anything can be broken into its elements, every single track on the v/a is by multiple artists. 100% collaborative content. rdg x cessman, gaze ill x 3wa, binary x zygos, murk x shiva ft. rob. nine minds, four tracks, one piece.

no moon blends electro, breaks, acid and uk bass into a forward-thinking club ep for the 7th release from berlin based collective, mechatronica.
opening with “sirens”, the a-side plunges straight into deep and breaky sub-domains, before sliding on to the brighter and melodic, but equally heavy workout, “bathtub dub”.
on the flip, electro and uk bass come together on gloomy tool “where am i”, before “acid ix” finishes off the record with a blissful, distorted acid frenzy for the floor.

elektroliza is a series of club events formed by a group of dedicated electronic music enthusiasts in 2006. it is hosted by ljubljana s channel zero, a legendary club that is part of the autonomous social centre metelkova which used to be the slovenian headquarters of the yugoslav national army.

filling a void in slovenia s electronic dance scene, the night was a hit from the start and quickly grew into a diverse and successful series focusing on new and exciting electro, acid and dark techno.

elektroliza hosted many memorable dj and live acts by performers/producers/pioneers coming out of international music incubators in gothenburg, the hague, berlin and as far as detroit. even more importantly, it brought together producers and crews from the former yugoslav republics of slovenia, croatia, serbia and macedonia. inside the former yugoslavian military barracks djs and producers from skopje to ljubljana began bonding again through music, forming new friendships, starting new collaborations and dancing the night away... in -electro city ljubljana-.

this first double vinyl compilation of the balkan elektroliza family is a collection of our shared memories and visions of the future to come.

edition of 300 copies ... many years in the works, ogon batto finally unleashes his album hedoro. a journey into japanese soundtracks and 90s adventure-gaming. ogon batto is bent von bent from antwerp, belgium. besides working as a visual artist around archiving systems and collections, he is also the co-runner of the hare akedod label, together with david edren aka dsr lines. following his debut release, &#332,,,,,,gon batto secretly started working on a second album hedoro, meaning slime or chemical ooze.

dilated pupils is a collective group of likeminded friends home-based in the netherlands. when forces are joined in one of their many studios each individual brings his own influences and styles to the table. together they share a distinct flavor in productions and raw one-take jam sessions created with the use of analogue machines and often recorded on tape. each of them have their own solo productions as well as other collaborations, but when united as dilated pupils they prefer to be known jointly as one entity with their own unique and distinguished sound. since 2014 the group has developed an interesting and widespread discography with releases on labels such as fear of flying, sol asylum, mode of expression, tabla, music is art, dorcas, make sense and mayak.

del the funky homosapien and amp live have teamed for gate 13. the full-length collaborative album pairs the hieroglyphics veteran and grammy nominee with the zion i and unified highway co-founder. after working together during amp’s authorized radiohead remix project, these friends from their oakland days embark on 15 tracks that fuse hip-hop, funk, edm, and more, with guests including goapele and eligh. as they explore their overlapping chemistry and challenging music to a new place, this album may be another portal into something progressive, futuristic, and fun.

modd finally arrives on the label after swinging by on last years summer sampler. four beautiful compositions come together in harmony. beautiful music for sure but its the lead track that youll most likely be hearing across numerous continents this summertime. well leave it up to you to explore the eps nuances and blissful charm. if youre simply looking for a track to play in the clubs then be really lazy and just listen to salomeya.

for its tenth anniversary, killekill decided it is worth to resurrect the main label and bring it back in full effect with another compilation of tracks by our beloved family members, favorite artists and bestest friends. cat. number 020 was never released, and we thought, this celebratory occasion was perfect to fill that gap, so everything is cleared, and we can step into the next decade. we start off with a track by mmm, the legendary duo consisting of fiedel and errorsmith, known for pushing the boundaries with every of their very rare releases. this one is an extremely simple, but effective weapon to destroy all dancefloors with its slightly loutish appeal. neil landstrumm got together with brian rays and produced a bleeper hit with catchy vocals. we don t know who the lyrics refer to, but they definitely express a punky fuck-off attitude, which we are missing a lot nowadays.