anders trentemollers career is a travel-heavy one, with his touring schedule taking him pretty much all over the world. but its his home port thats inspired his latest project, the sprawling, stunning compilation mix harbour boat trips vol. 02: copenhagen. clocking in at just over an hour long, the compilation sees trentemoller curate and craft sixteen songs into a heavy, hazy mix that ranges from shoegaze to electronica, featuring both familiar and celebrated artists like a place to bury strangers (with a new trentemoller remix) and slowdive to more obscure finds, as well as trentemollers own tracks and remixes, most notably a brand new trentemoller cover of neil youngs classic transformer man.the mix sees him pick up a thread he left off earlier in his career. in 2009 he put together harbour boat trips 01: copenhagen, a compilation mix comprised of his favourite music, both danish and international, from across four decades, loosely inspired by the motion and movement of copenhagens busy harbour. closing in on a decade later, were getting the second edition, with harbour boat trips - 02 arriving this november.

deena abdelwahed’s first album is shifting the epicenter of contemporary electronic music south: “khonnar“ will be released on november 16, 2018 by infiné. this limited edition vinyl includes a poster and an embroidered badge.

adam port , well known from his famous keinemusik label from berlin , now with his debut on solomun s diynamic imprint ... great hypnotic , groovin house like tunes, please order fast to secure your copy

ltd edition color vinyl, auch auf seinem dritten album nutzt sebastian kramer aka redshape den für ihn prägenden sound von 90er-jahre-techno allgemein und speziell aus detroit nicht als zitat, sondern erzeugt mit seinen neuen tracks ein sehr spezielles, eigenes narrativ: düster, gespenstisch, und doch entschieden romantisch. in gewisser hinsicht ist -a sole game- sogar die erste echte redshape-lp überhaupt, die nun nichts mehr imitieren will, sondern sich durch selbstbewusstsein, selbstreflexion und souveränität ausweist. im klassischer redshape-manier begeben sich die acht tracks von -a sole game- auf eine reise durch nächtliche welten und düstere industrielandschaften, durchzogen von seltsamen stimmen und geräuschen. eines der wichtigsten ziele lag unüberhörbar darin, ein nahtlos perfektes, ganzheitliches elektronisches album zu produzieren, das ohne interludes oder typisches füllmaterial funktioniert. entsprechend warm und analog klingt die platte. letztendlich setzt redshape damit klassisches songwriting mit den codes von techno um und macht in seiner musikalischen entwicklung einen großen schritt nach vorne.

auch auf seinem dritten album nutzt sebastian kramer aka redshape den für ihn prägenden sound von 90er-jahre-techno allgemein und speziell aus detroit nicht als zitat, sondern erzeugt mit seinen neuen tracks ein sehr spezielles, eigenes narrativ: düster, gespenstisch, und doch entschieden romantisch. in gewisser hinsicht ist -a sole game- sogar die erste echte redshape-lp überhaupt, die nun nichts mehr imitieren will, sondern sich durch selbstbewusstsein, selbstreflexion und souveränität ausweist. im klassischer redshape-manier begeben sich die acht tracks von -a sole game- auf eine reise durch nächtliche welten und düstere industrielandschaften, durchzogen von seltsamen stimmen und geräuschen. eines der wichtigsten ziele lag unüberhörbar darin, ein nahtlos perfektes, ganzheitliches elektronisches album zu produzieren, das ohne interludes oder typisches füllmaterial funktioniert. entsprechend warm und analog klingt die platte. letztendlich setzt redshape damit klassisches songwriting mit den codes von techno um und macht in seiner musikalischen entwicklung einen großen schritt nach vorne.

the first studio album of the albanese duo i tpame i tvrame “ikin vijne&#776,,” is a catching, surprising and innovative masterpiece work composed of 10 new songs where they shown how noise can be dominated. if you follow and likes projects such as november no&#776,,velet, portishead, tropic of cancer or not waving, more than likely this album will be a highlight of your collection. it will be presented on double 12&#8243,, ep format and produced in a one-off truly extra limited edition of 200 copies lacquered pressed on 140 gram high quality solid black vinyl. all tracks have been specially mastered and remastered for long cut vinyl by eric van wonterghem.

die erste singleauskopplung aus herbert grönemeyers neuem album “tumult”, das im november 2018 erscheint.

slices of life celebrates the 10th release with a two-part vinyl compilation: sol10.1 and sol10.2! for the 10th release label owner barbara preisinger is gathering seven unreleased tracks on two seperate 12inches, by previous slices of life artists as well by producers who have a relationship to the label through frindship, events and personal support. each track presents the personal unique style of its producer, but all have a feeling for warm sounding organic house grooves in common, what slices of life stands for since the beginnings in 2009. on the first 12inch, sol10.1 the mole, baaz and john tejada excite us with an extension of their previous slices of life repertoire with 3 further timeless pieces of house music: trippy and soulful (come on kid), deep and percussive (fitzy), minimal and playful (how i used to). dana ruh celebrates her debut at slices of life with out of ada20: an upbuilding sunrise track carried by a driving beat and thrilling string lines. november 9th 2018 the 2nd part, sol10.2 will follow with exclusive tracks by dj deep, cab drivers und oscar schubaq.

limitierte nachpressung als transparentes vinyl! sam prekop ist als sänger und songschreiber von the sea and cake vielen ein begriff. darüber hinaus ist er auch fotograf und maler. er veröffentlichte 1999 und 2005 zweil soloalben, die pop-songs mit afrikanischen und brazilianischen einflüssen enthielten. auf -old punch card- geht er nun ganz andere wege. er hat songstrukturen über bord geworfen und sich von music concrete und elektonischer musik beeinflussen lassen. den bbc radiophonic workshop, nuno canavarro, raymond scott, david behrman und freie improvisationen nennt er als einflüsse für sein neustes album. -old punch card- enthält keine stimmen, keine gitarren und keine beats. die limitierte lp enthält einen mp3-download-coupon und die cover sind ebenfalls handgemalt.

all day i dream returns for another summer sampler with seasonal tunes from the likes of jonas rathsman, sébastien léger, volen sentir, leo grünnbaum, yokoo, and more. wonderous pads, delicate percussion, and soft voicings cohesively blend the 9-track compilation into a spectacle of aural bliss, weaving between dancefloor friendly and the more sonically relaxing tracks under adid’s signature modus operandi...

crazy 12 track library music style album on this ace italian label. all based around bumping live rhythms triggering an obscure japanese drum synth module recorded in 2018. it was november 2017 when i received a call from an old friend, hi fabrizio, i found a rare japanese drum machine, you should come and see it before i put this on ebay. i went to check it out and immediately realized it had more potential than just drum sounds generation, it was able to produce quirky and creepy sounds if triggered by any sound source. so i bought it and brought in the studio, where me and alex were laying down new beats and ideas. it took just three days of jams to get the skeleton of this record done: i programmed the module to receive alex s drum hits and the device started creating synth lines, almost as it was speaking its own language.i ve found a soul in this machine, and i wanted to bring it to life in these tracks, a mix of arranged compositions and improvised jams. no root keys, no grids, no clicks, everything came out in an instinctive and natural way as far as we know it s the first time this synthesizer/drum machine is been used in this improper and new way.

djeuhdjoah & lieutenant nicholson is a french composers and afro-soul singer s duo. t es qui ? is their first album, fruit of an intense collaboration during many years, on stage and in studio. they call their music as -afropean songs-, a collection of jazzy-pop melodies, afro-soul and funk arrangements. they ll be back in november with a tremendous afro-jazz and funky album titled aimez ces airs. until then, they present -el nino-, an afro-funk gem about climate change, and -fontaine-, an afro hit with a great combination of analog take and electronic dancefloor ingredients. after massive support from national radios and prestigious djs such as gilles peterson, it could be the funky summer hit 2018! limited press on a deluxe vinyl designed by the artist felix.

after establishing himself with rough but emotive house as rimbaudian and jungle as birds of sweden, he unveiled his dj seinfeld alias to the world, first with underground hit single u, then with his time spent away from u album on lobster fury in november 2017. it was a post break-up love letter to the dance floor with heart-on-sleeve emotions colouring the dusty and analogue house grooves. acclaim came in from far and wide, with everyone from rolling stone to pitchfork fawning over its heart swelling nostalgia and melancholic immediacy. jakobsson approached his dj-kicks with the intention of representing all the things that made him fall in love with dance music more than a decade ago, as well as showing some of the progression that has occurred in that time and reflecting the simultaneous fear of leaving something safe behind as well as the excitement of venturing into unknown territories, musically and emotionally.

following on from the release of fba21 collected works 1996 -2017, which was released november 2017 matthew puffett decided to wrap up the project, with a handpicked selection of artists to remix key tracks from the compilation. amongst these figures are some significant influences on puffett s early years the set includes kirk degiorgio, whose reworking of ‘cross dissolve’ reimagines the track in full machine mode, serving up a slab of driving techno for the main room.

stunning double pack from steven legget on firecracker. suitable for fans of shelter press, ecstatic, huerco s etc.
2x12” vinyl album double gatefold, screen printed, 2 colour sleeve strictly limited press silkscreened artwork by al white

madonna-fans und schallplattenliebhaber aufgepasst: 2018 erscheint »the immaculate collection« wieder auf vinyl. »the immaculate collection« war das erste greatest-hits-album der popikone. es erschien ursprünglich am 9. november 1990 und versammelt insgesamt 15 stücke, darunter hits wie »like a virgin«, »material girl«, »papa don’t preach«, »la isla bonita« und »like a prayer«. das gesamte tracklisting finden sie im folgenden. »the immaculate collection« landete in großbritannien auf der eins, in den usa auf platz zwei der charts. das album gilt heute laut guinness-buch der rekorde als meistverkauftes best-of einer künstlerin. jetzt gibt es das erfolgreiche album erneut als doppel-lp.

it was vladimir ivkovic who introduced me to the world of rex ilusivii. a world where the spirit of a genius holds sway. i remember spending an entire night at vladimir s house in germany, listening to all those recovered pieces, and feeling like i had entered another space-time. mitar tragically left us, one november night in 1999 in brazil, leaving behind an extensive body of work consisting of more than 500 pieces, for the most part never released. being submerged in such a unique universe, so singular, brought me happiness. it also filled me with hope, because i tell myself that today there must be many other outstanding musicians who produce in the shadow of the traditional circuit, just for the pleasure of making music. listening to the music of mitar suboti&#263,, makes you part of his world. he did not stop producing from 1983 to 1999, in different styles, but with an instantly recognizable touch.his music also marries the evolution of recording techniques with new instruments that have appeared over this time, from the tr808 to the digital samplers. it took me more than two years to select the music for this record, as each time i listened to the material it revealed other details and other possibilities. i am extremely happy and honored to present this record to you, in which i try to do justice to the different, versatile- facets of suba.

deutschrapikonen in endzeitstimmung vier jahren nach ihrem letzten nummer-eins-albums »rekord« haben die fantastischen vier 2018 den lang erwarteten nachfolger im gepäck. »captain fantastic« heißt ihr neues album, wohlgemerkt ihr zehntes. und mit »endzeitstimmung« präsentierten die stuttgarter deutschrapikonen im november 2017 bereits die erste single, die ihrem namen alle ehre macht. selten hat man die fantas so wütend und gesellschaftskritisch gehört, aber in die aktuellen weltpolitischen gegebenheiten passt dieser musikalische aufschrei bestens hinein. erscheint als 180 gramm doppel-vinyl im klappcover, inklusive cd-version.

all tracks and patterns were composed in berlin during a nonstop 48 hours session in november using a korg electribe only.

selections from the acid attacks tape with an exclusive vinyl only track. jamal moss has cultivated an unmistakable sonic vocabulary. genre signifiers are contorted into perplexing polyrhythms of perpetual dynamism and velocity. the chirps and squelches of acid heritage are subverted and lunged into new zones without sacrificing spirit. this is another essential statement from an impossibly unique and uncompromising talent. tadd mullinix (jtc/dabrye), november 2017

almost ten years ago, back in november of 2009, before lets play house was even a humble basement-bar and hotel-lobby party, jacques renault quietly released a four-track ep on hole in the sky, an imprint run by canyons leo thomson and ryan grieve, called favicon, that was both a snapshot of new york citys glitter-dusted disco-revival haze and the culmination of the first few years of renaults career through the club circuit. it quickly became a cult classic and set in motion much of what followed for renault it added some fuel to the fire that was runaway, his project with marcos ca

zwei jahre nach dem reissue von david bowies »changesonebowie« wird 2018 endlich auch »changestwobowie« wieder aufgelegt. »changestwobowie« erschien ursprünglich im november 1981. es handelt sich dabei um ein compilation-album, eine sammlung mit insgesamt zehn songs von bowies karriereanfängen, die es nicht auf den vorgänger geschaffte hatten, darunter klassiker wie »aladdin sane«, »starman«, »1984« und »sound and vision«. »changestwobowie« wurde in den 1980er-jahren nur für eine kurze zeit veröffentlicht. der sampler war bislang auch nie teil einer wiederveröffentlichungsreihe.

subtropical breezy charming casanovas

schwarze 180g heavyweight vinyl inklusive downloadcode.
das mercury award-prämierte schottische trio young fathers ist zurück, mit neuem album „cocoa sugar“ auf ninja tune! im november 2017 gaben young fathers, das trio - bestehend aus alloysious massaquoi, graham ‘g’ hastings and kayus bankole - bereits bekannt, dass sie die arbeit an einem neuen album abgeschlossen haben. das 12-track-album mit dem titel “cocoa sugar” erscheint am 9. märz 2018 via ninja tune. -cocoa sugar- wurde im laufe des jahres 2017 geschrieben und im hauptquartier der band aufgenommen - ihrem kellerstudio. das album zeigt young fathers in neuer klarheit und ist ohne zweifel ihr bisher sicherstes, selbstbewusstestes und vollständigstes statement. es folgt dem 2015 veröffentlichten, aufsehenerregenden werk “white men are black men too”. bereits 2014 erschien das mercury-prize-prämierte debüt “dead”. “cocoa sugar” hat wie alle young fathers releases eine starke, eigenständige visuelle Ästhetik. (cover-fotografie von julia noni, kreativ-regie von tom hingston)

limitierte blaue 180g heavyweight vinyl, inklusive downloadcode.
das mercury award-prämierte schottische trio young fathers ist zurück, mit neuem album „cocoa sugar“ auf ninja tune! im november 2017 gaben young fathers, das trio - bestehend aus alloysious massaquoi, graham ‘g’ hastings and kayus bankole - bereits bekannt, dass sie die arbeit an einem neuen album abgeschlossen haben. das 12-track-album mit dem titel “cocoa sugar” erscheint am 9. märz 2018 via ninja tune. -cocoa sugar- wurde im laufe des jahres 2017 geschrieben und im hauptquartier der band aufgenommen - ihrem kellerstudio. das album zeigt young fathers in neuer klarheit und ist ohne zweifel ihr bisher sicherstes, selbstbewusstestes und vollständigstes statement. es folgt dem 2015 veröffentlichten, aufsehenerregenden werk “white men are black men too”. bereits 2014 erschien das mercury-prize-prämierte debüt “dead”. “cocoa sugar” hat wie alle young fathers releases eine starke, eigenständige visuelle Ästhetik .(cover-fotografie von julia noni, kreativ-regie von tom hingston)

manni dee might be best known for his upfront techno tackle on perc trax and the like, but he s also been quietly building up a separate identity as nuances, and it s a world away from his dancefloor output. following on from some choice album appearances on bastakiya tapes, it s up to tabernacle to give the project its first outing on wax. while tabernacle can have some range in their sound, this finds the label plunging wholeheartedly into ambient climes. heavily processed textures and delicate chimes all feed into a truly evocative atmosphere loaded with significance. ignore the familiar name behind the music - this is an album deserving attention all on its own.

freigeistige interpretationen, die dem ursprungsmaterial ungeahnte, aber stimmige facetten hinzufügen. das doppel-vinyl erscheint im klappcover, downloadcode inklusive.

the album is titled timespan and is by the veteran pittsburgh artist shawn rudiman and will be released on november 24th worldwide on 2xlp and digital. the album is a carefully curated journey through almost 20 years of shawn s music productions. the tracks collected here--the majority of which have not been heard outside of shawn s studio--showcase a producer with seldom matched knowledge of studio techniques, while also hinting at his world renowned live performances. having access to a vault of hundreds of unreleased compositions, we believe this is an important step in documenting shawn s contribution to pittsburgh and american dance music. * artist statement: -all of these tracks are simply snapshots of my life moments. they go from base-level warehouse to more cerebral sophistication. so, take them as such. timespan sums it up well. some songs are almost 2 decades old, some are fresh. it s a paragraph written with words that have years between them. somehow they still all sort of make sense together.- - shawn rudiman

3rd release from dark circles on their own london based label dc trax. released only on vinyl at the start of november. follows the previous release remix package by kamera, lord of the isles and emperor machine.
this release sees 3 tracks of new material aimed directly for the dancefloor at different stages during the night. the release is getting plays from dj harvey, roman fluegel, nd_baumecker, dj bone, laurent garnier, huxley, catz n dogz and dusky.

am 22. november 1967 nahm otis redding seinen größten hit “(sittin’ on) the dock of the bay” auf. er wurde der einzige hit, den redding sowohl in den r&b- als auch in den pop-charts auf position 1 platzieren konnte. doch das schicksal wollte es, dass otis redding dies nicht mehr erleben durfte: er kam vier wochen vor der veröffentlichung bei einem flugzeugunglück ums leben.
heute gehört der song mit der charakteristischen, gepfiffenen melodie am ende zu den bekanntesten und beliebtesten songs der musikgeschichte und zur säule des bahnbrechenden recording-katalogs von otis reddings. noch immer fasziniert er ganze generationen und gehört zu einer handvoll von songs aus den 1960ern, die über 100 millionen streams auf spotify verzeichnen!
50 jahre nach der erstveröffentlichung am 8 januar 1968, bringt rhino “(sittin’ on) the dock of the bay” als 7”-single auf goldfarbenem vinyl in einer detailgenauen reproduktion der original-monosingle heraus. als b-seite enthält es “sweet lorene” in der optischen wiedergabe als volt-veröffentlichung, verpackt in einer gestanzten hülle wie jene, die atlantic records seinerzeit benutzten, als sie die stax / volt-schallplatten vertrieben.

double 12 inch vinyl in gatefold sleeve.

der multi-instrumentalist matt kidd aus houston schreibt tiefgründige kompositionen. slow meadow veröffentlichen das 43-minütige album costero am 17. november. die 10 songs sind matt kidds zweites werk als slow meadow.
costero folgt dem debüt des 33-jährigen, das vom new york observer und vielen anderen gefeiert wurde. costero ist eine wehmütige und zum teil opulente sammlung mit entwürfen für piano und streich-quartett.
kidd legt den fokus auf die verbindung zu zeitgenössischen minimalisten wie goldmund und nils frahm. der französische illustrator jan garet steuerte original-werke für jedes der zehn stücke auf costero bei. die platte wurde von james plotkin gemastert.
pressung auf 180 gramm vinyl, downloadcode inklusive.

reissue eines exzellenten und sehr seltenen vocal jazz-albums, aufgenommen im november 1965 im studio grunewald in west-berlin, mit dem quartett von gunter hampel (vib/ fl), featuring bobo stenson (p), pierre courbois (dr) und victor kaihatu (b). die einzig reguläre lp von europe s finest female jazz singer, sorgfältig remastert mit original cover-design und liner notes, mit fantastischen versionen von summertime, out of nowhere, its alright with me oder round midnight. in memory of inge.

previously unreleased from the original radio broadcast tapes. recorded on 3rd november 1972 for vpro at heemskerk societeit progress, the netherlands. pressing on 180 gram vinyl, download code included.

the second release from cassys new collaborative label kwench records sees new york native fred p turn in three stellar remixes of cassy & demuirs please me from the labels inaugural release from november. the remit for each release on the label is for two (or more) collaborating artists to produce original material, whilst a different artist will deliver one remix. however, after hearing three fantastic interpretations from fred p, cassy was adamant that the tracks were so special, they had to have their own release.

the long-awaited exos and ohm record will finally see the light of day this november on exos new label, x/oz. this is the second release from the label and also the first exos and ohm ep in 16 years. exos and ohm are old friends and long-term collaborators having released on the legendary force inc. label as well as thule records. the pair met in reykjavik in 1997 and played together in clubs together such as thomsen and tunglid, both historical cornerstone in the icelandic club scene. soon after that they started making music together. this release, frodari, marks their fourth collaboration and is a sort of sequel to the 2001 thule records record paint me up. the records share the track frodi which has been remastered for this 2017 release

mid november will see the martinez brothers cuttin headz imprint return with andrea olivas vermona, backed with steve rachmad and sterac remixes.

record kicks proudly presents james browns original funky diva martha high with japans funk ambassadors osaka monaurail. the 45 vinyl is limited to 500 copies worldwide and anticipates martha highs forthcoming album tribute to my soul sisters out onn record kicks on november 17.

this november will see elia perrone launch his new jun’ai imprint with his very own flowers ep, accompanied by a remix from romanian minimal powerhouse vid.

copenhagens echocord colour returns this mid november with brendom moellers magic city ep, featuring four originals from the new york based artist. brendon moeller has long been a purveyor of authentic dub-infused techno since stepping onto the scene via his 2006 sweetspot / humpback ep via echocord and has since gone on to release on reputable imprints such as third ear, kimochi sound, delsin’s ann aimee, mule musiq and of course his very own steadfast. here though moeller makes a welcome return to where it all began with some fresh material for echocords colour sub- label. caravan takes the lead on the release and in typical brendon moeller fashion were treated to densely layered dub chords, throbbing subs and expansive atmospherics whilst robust drums drive the composition along. magic city’ follows and ups the energy levels even further with pounding industrial drums layered underneath billowing dub stabs and eerie drones. ‘magic city in dub’ follows and as the name suggests offers up a reduced take on the composition, dropping the tempo and shining light on the billowing echoes of the original whilst stirring in some off-kilter rhythsm and additional processing for good measure. lastly,departure closes the package, with haunting synth drones, bumpy rhythms and murky vocals wandering throughout the seven-minute composition

pleasure zone proudly welcomes silat beksi from ukraine to the family! well - his demo convinced us from the very first listening, so we decided to release two parts. the gravity ep will be out in november - watch out for more!

in 2018 the dutch band new cool collective celebrates their 25th anniversary, but before this celebration starts, there s another reason for a celebration, in cooperation with dox records, music on vinyl announces the release of the brand new and 19th new cool collective album electric monkey sessions 2 on november 24th.
electric monkey sessions 2 is the highly anticipated follow up to their critically acclaimed 2014 album electric monkey sessions 1 movlp1315.
the eight-piece band have, again, recorded the follow-up to ems 1 in the electric monkey studios in amsterdam. their goal was to obtain a raw and more analogue sound. recordings took place in the purest form, everyone gathered in the studio room at the same time, a couple of microphones, a few takes, straight to tape. the analogue spacedubs by studio owner/engineer kasper frenkel completed the vintage feeling.
the result? electric monkey sessions 2 is a multi-diverse album with a typical stubborn psychedelic cumbia vibe.
limited edition of 1000 numbered copies on transparent blue 180 gram vinyl. comes in a gatefold sleeve with download code included.

‘utopia’ is the ninth studio album from the iconic artist björk, out november 24th via one little indian records. the album s artwork was created in collaboration of m/m, jesse kanda and james merry and reflects the records sonic direction, optimism, lightness, utopia. of the album she explained to dazed this summer that, ““maybe that’s why it became a utopian theme – if we’re gonna survive not only my personal drama but also the sort of situation the world is in today, we’ve got to come up with a new plan, if we don’t have the dream, we’re just not gonna change. especially now, this kind of dream is an emergency.” björk wrote, produced and recorded the album between reykjavik and new york, working closely with arca and writing for, conducting and recruiting a thirteen piece flute orchestra which will be on the road with her next year.
double heavyweight lp in gatefold sleeve with mp3 download card included.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus- years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 longer than usual tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the 11th edition of the golden ravedays album will be released on hippie dance in november 2017. side a brings brothers. with two decades of spinning experience in disco’s, nightclubs, festival arenas, shady after-party zones and intimate studio soirees there is no doubt that superpitcher is seasoned in throwing a damn good party. brothers is party personified and a celebration of the night and the wise owls that respect its magical rituals. its ultra-chic disco groove and dreamy female vocals transport one to a carnival of blessings. side b features sleepy head, a hypnotic lullaby carefully tucked away in a hammock that rocks to and fro like dozing mermaids in a wavy curtain of seaweed. sleepy head is a smart artistic statement and whimsical pause just before the release of the grand finale of the the golden ravedays saga.

new york’s dj spider returns to rekids with four murky vinyl-only cuts this november. a highly respected label owner, dj spider is well known for helming esteemed imprints like plan b, sub level sounds and btu music. as a producer he has made appearances on the likes of the trilogy tapes, bleed, killekill and vanguard sound!, whilst last year saw him make his debut on rekids. returning to the imprint, the american artist follows dj deep, jon hester and fbk for the fourth outing in the rekids special projects vinyl series. opening with ‘mobius strip revisited’, a squelching bass line and rolling percussive loops underpin ethereal pads and airy atmospheres before an extended keyboard solo plays over inspired chord progressions and a grooved low-end to give ‘antikythera mechanism part 2’ an improvised feel. on the flip we have ‘sub-atomic vibrations’, providing a series of irresistible lead synth melodies and crunchy drum compositions followed by ‘struggles with phantoms’, an unrelenting rhythm section lays the foundation for an evolving mid-range giving the release a stylish close

die schönheit des Übergangs. im november 2017 erscheint das debütalbum von yeah but no. das zur band gewachsene projekt der in berlin lebenden und arbeitenden musiker douglas greed und fabian kuss spürt in regnerischer electronica der schwere von bruch und ende nach. es zelebriert die in jedem wandel liegenden energie und die schönheit des neubeginns. in cleveren kompositionen kartografiert das duo wie nebenbei die in synthesizer und drum machines verborgen liegende melancholie. greed und kuss lernen sich vor vier jahren kennen, als ersterer einen sänger für neue tracks sucht. das geschmackvolle erfolgslabel freude am tanzen veröffentlicht zu diesem zeitpunkt greeds musik. er tourt damit quer durch europa, spielt in mexiko und australien. mit mooryc hat greed außerdem ein album mit dem gemeinsamen projekt eating snow veröffentlicht. nach gut hundert gemeinsamen auftritten in klubs und auf festivals national und international und der veröffentlichung von gut einem dutzend gemeinsamer tracks - unter anderem auf bpitch control, noir und cocoon records - entscheiden die beiden, sich die künstlerische verantwortung zu teilen und in zukunft gemeinsam stücke zu schreiben. greed und kuss beziehen ihre energie dabei aus ihren grundsätzlich anderen herangehensweisen. greed beschreibt sich als autodidakt, lässt gern zufall oder fehler entscheiden. kuss hat gesang studiert, sich mit seinen bands und projekten von jazz über funk oder pop in allen erdenklichen musikrichtungen ausprobiert und lässt jede menge außensicht mit in das projekt einfließen. in diesem spannungsfeld verschmelzen sie elektronische musik mit klassischen songstrukturen zu einem klugen und mitreißenden hörgenuss und schreiben weiter an den greatest hits of niemals-ankommen. immer ein schweres ende, immer ein hoffnungsvoller anfang.

another excellent soulful record on fides. this new collaborative project by z.i.p.p.o & hiver contains four special cuts: dub techno, electro, idm inspired. a must have!

dexta and crypticz are delighted to announce their long awaited 12” single, together , featuring two remixes from munich-based danny scrilla. two years in the making, the project will finally see the light of day on 10th november 2017 via diffrent music. available as a limited 300 run of 180 gram clear & pink coloured 12” vinyl.

released in honor of the november full moon, 2017.