ltd to 222 copies only
you have to repeat the truth always, even because of the error around, it is preached, not by individuals but by the masses. so the madness is invisible when it adopted sufficiently large proportions. in this case we are connected: i am you and you are me! would i lie to you? who does not know the truth is a fool. but who knows it and calls it a lie, is a criminal. but one day you will have to admit officially that what we baptized truth, have an even greater illusion than the world of dreams. do you want to be a part of the silly people. available as limited edition red vinyl.

with *believe in love* yousef returns home to circus recordings with 3 cuts that have been turning heads all summer long. the title track features the legendary vocal of roy davis jr who once again, asks the world a poignant question. a rolling, infectious and gnarly groove develops and unfolds into a long and harmonic breakdown before a blistering crescendo. designed for the heads but with still enough action for the people that follow yousefs more musically trickier offerings.
just a beat is exactly that. yousef busts out a stripped back boogie bass over tight drums and oddball acid. no messing around, heads down, hands up. what is revolution is completely reworked by circus label mates acid mondays. remixing one of the stand out cuts from yousefs recent *a product of your environment* artist album, the mondays show how to bring authentic house music into the 21st century.

2013 proved to be an excellent start to life as a label for music is love. as well as truly finding their feet and establishing a breed of music representative of what the label symbolise, they simultaneously introduced us to plenty of fresh new talent and particularly pleasing was the unearthing of numerous promising uk artists

for their next release, hot creations call upon talented italian duo paul c & paolo martini, whose combined career spans over forty years in the business. true to their personal style and doing what they do best they deliver three tracks bursting with groove and energy, aimed solidly at the dance floor. title track get this! bounces along a prominent bassline, progressing with trippy vocals that swirl into an epic build up, erupting for maximum destruction on the dancefloor.

the prospect of a music is love release has become an increasingly notable proposition for electronic music fans with their assured consistency of groove-heavy beats having already resulted in four high-grade releases. the label has effectively cemented their reputation as a trailblazing imprint for fresh sounding house and from the introduction of new jack city through to the much hyped maxwell, their latest rendition further emphasises their status as reliable purveyors of effortlessly deep, contemporary house.

heavyweight 180 gram double vinyl in gatefold sleeve, includes cd of the album.

some more excellent modern house tracks from the north! boska with his second release on love od, and slowly gets a reputation for himself as a trustworthy provider of quality music on the post bass, nu-funky, what-is-the-new-name-for-house-music-this-week -circuit. did collaborations with studio barnhus, mental overdrive, asma maroof (nguzunguzu) attented the rbma, got picked by several cool festivals. boska is a name to watch for sure!

with what looks like a summer heatwave on the horizon, it seems right to call on dirtybirds european extension to deliver a sundrenched dance floor stormer to see in the new season. the two track love ep sees catz n dogz join forces with the everinnovative kink, a pairing that has proved striking in the past year after kinks beautiful follow the step release on the polish duos label, pets recordings.

what happens if you ask two up and coming and highly talented uk producers to create a track for local talk, then get a hyped house duo from manchester to remix it? you get the bitter love ep from the true rebels together with a fierce remix from deep space orchestra. its two very different takes in both tempo and energy. the original version is a battle of piano stabs with a bouncy yet filthy bassline that results in midtempo house burner with a slight techy feel. the deep space orchestra remix takes us straight to detroit, fusing classic techno sounds together with modern house.

mit der love it ep von turm 3 schmeißt das neue label von der ostseeküste boje records seine erste boje ins wasser und bringt die ep des bevorstehenden sommers heraus! mit dem track love it, like it beweisen turm 3 ihre liebe für gemeinsames feiern in engen, vollen & rauchigen clubs. unterstützt werden sie dabei von ihrer vocalliebe inga traub. mit dem zweiten track der ep what is this life for schlagen turm 3 bedächtigere töne an. passend zum start der festivalsaison liefern nico pusch, sebastian boldt, phoenix cruze und olectronic fantastische remixe der beiden songs ab, die auf den openairs dieses sommers und in vielen clubs ihre neue heimat finden werden.
played & supported by: thomas schumacher, slam, nico pusch, bebetta, mojiito, the micronauts, nudisco, marcapasos ...

adesse has recently turned heads with his sought after and limited versions releases. for prime numbers he brings another high quality ep featuring three more excursions. the title track, untitled love, is a dubbed up 90s-esque workout. repetitive vocal samples swirl over a deep, low-slung bass groove & peak’d-up snares. its an unashamedly wide eyed, bouncing production that will please those checking for the current resurgence of raw garage sounds. supernal takes things into deeper territory with an intriguing steppers outing. the track oozes soul with rousing keys & smoked-out production that is all kept in line by a mesmerising, metronomic vocal. the set is closed by metachemistry an equally engrossing track utilising a shuffling groove wrapped in breathy, reedy horns & heavily reverbed percussion. all told a deeply reverential release highlighting a producer with an obviously wide palette of influence & a natural feel for what simply works.

limited edition of 275 numbered copies.
when gilles peterson reacts to a house record, you know it is a very special house record. deep and soulfull, love it - was what the 6 music dj thought of these two. if that wasnt enough, trickski described best things in life are free as one hell of a bomb. add in support from jimmy edgar, mark e, severino and dusky and this is looking like one of glasgow undergrounds most successful records to date. love games is the a bit of a wolf in sheeps clothing. what starts off as hooky percussive groove slowly morphs into a full vocal classic with swirling chords and a killer synth hook. severino dropped it at fabric recently and took the roof off the place. best things in life are free is a darker affair – all wandering acid lines and moody, emotional strings - but as trickski proved when they played it at watergate, just as effective.

the lucky seventh release on beats in space records rolls on the back of an ecstatic track from dennis dj mcnany - aka jee day. a fixture in the nyc dance community as label boss of run roc records, a touring member of the juan maclean and an accomplished producer in his own right (see the like a child and auro go 12s for dfa), mcnany knows what music makes a crowd lose its collective mind.

what is good music? most of the time you judge by your feelings. and feelings differ. one step back ahead is a mindset shared by the wupwup group of creatives connected through their passion of music, this passion has resulted in the foundation of a record label without a musical focus. this freedom allows our artists to produce music that reflects their own personality - true music for warm souls is the heart of one step back ahead. a gathering of international artists operating in different fields of expression form the debut release. judge for yourself. underground is a fairytail.

hard ton are back. their 2nd ep on new german house label toy tonics. what to expect? as usual they deliver super effective 90ies house. made with the classic sounds of juno, 808, 909. and and even more effective remix by dj sprinkles. this is real house! house that makes the booty shake!

a hugely promising first release from new jack city helped established music is love as a label synonymous with deep, underground house music.

vinyl only! played by move d
for this beginning of the year caramelo has picked up for you some fresh sounds coming from his labels boss kosme and his new talent from the followed scene of vienna: perrez. this 3rd ep has many influences as it is the spirit of the label. *love sensation* from perrez sounds like a house anthem, a very groovy track with this never-ending piano and the fabulous voice of lh! his 2nd track *de l ame* is made with all his vibrations and his emotions for music, straight to the danceflloor with this funky bass and deep elements and of course: what a rhythm! on the flip, the lyons most wanted dj and producer kosme show here his house and dub sides. you can feel the beauty of kosmes house dub on *bonobo house* with also those synths used to bring this track on the heaven! *bear with a beard* is a house track with a touch of indus groove and a rhythm who made you slave of it!

taiki and nulight or to their friends rowan harrington and erka chinbayer have both been djing/producing for many years both in very different circles. taikis career started back in 2008 under his old alias name site 1 who was a house/electro producer. they joined forces and started working together in 2011 which now seems like a lifetime ago considering on what they have achieved in such a short time. when they first started out working together they were making a lot of dubstep, house and electro influenced bass music as we call it now. being heavily into garage, house and electronic dance music there sound heavily progressed across the spectrum of dance music. taiki and nulight released their first ep in february 2012 on subway recordings which gained a lot of support from the likes of mistajam, crookers, herve zinc, redlight, foamo, roska, benga, skream, adam f, hatcha, n type and more. gaining them a lot of frequent airtime on bbc radio 1, 1xtra, kiss 100 and rinse fm. now nearly a year and a half since they have joined forces, they have received massive support from some of the most respected djs out there not to mention air time nearly every week on radio 1 and kiss 100. with their next release on the horizon and due to drop december time 2012 on bengas very well respected label benga beats there is so much more that you will see from these boys and so much new material to hear.

every once in a while a record or in this case an ep comes along and its so bursting with feel good vibes that even the most cynical dance music listener cant resist. at the mere age of 19, francisco davalos is about to grab the attention of many. simply put, the young mexican has a superb ear for the language of music. after a recent 12 on nurvous (nervous records new sublabel), on the prowl finds itself lucky to land these four tropical themed disco tinged club bombs. with hints of what made tensnakess coma cat so successful the bronx skillfully puts together his tropical ep packed with plenty of playful pianos, strings, congas, marimbas... theres no holding back.

jack dice is a new project from john twells and walkmaster flex, now releasing their debut ep for modern love. john twells, amongst very many other things, runs the type label and has been producing music of various different disciplines and varieties over the last 15 years. although hes never released anything on modern love before, hes a long time friend and associate of the label. walker is the manager of main attrakionz and has been djing with them for the last couple of years as the official green ova dj. jack dice is fuelled by an interest in bass, twells being a car audio nerd and walker having an obsession with 90s southern rap music. these are their first tracks produced together, who know what might follow.

plymouths 14th best dj aldo vanucci drops his latest in the form of this killer ep. >you re all show< features the sublime vocals of kylie auldist - best known as the lead singer of the bamboos but also a massive star in her own right. in this track she lyrically tears down some unfortunate individual who has been showing out a little too much. >take me to a party< features rappers asm batting off the unwanted attentions of the post gig sparkle ponies and with aldos backing creates a classic hip hop party vibe. >what happened?< re-works a classic vocal to devastating effect and >alone< re-creates the off kilter breakbeat vibe of aldos biggest track to date >when i see you smile<.

after selling out all previous releases to elite djs and collectors worldwide, the highly mysterius artifact imprint is back to its original aim, that is crafting obscure sonic weapons for disco ninjas! a side 15 minutes is credited to milanese crew love supreme and it is a mesmerizing disco rock rework that builds up to a climax that takes no prisoners. bottin has been playing this to massive dancefloor slaughter and has finally decided to share the blame. on the flipside speed is an enthralling car chase or grand prix if you wish, with throbbing bass, lasers and cowley-esque synth stabs, while frisbee is a rare italo groove, a funk gimmick topped by acid synth patterns, a latin lover voiceover and packs of sultry italian girls chanting >disco! disco!< and definity getting what they are craving for.

the gold spiders project is a breath of fresh air on the russian deep house scene. those guys indeed know what harmony and lyrics are, and, nevertheless, what is instrumental fulfillment of a good composition. with a great deal of impatience we want to share with you things that really excite us, things that make us admire. we are truly glad having you as an owner of this vinyl. we hope that you will enjoy the whole color range of emotions that were put into this release.just turn it on!

eric erickssons not exactly the most prolific producer in the world but what he lacks in releases he certainly makes up for in quality. in 1997 eric signed his debut ep to derrick mays fragile records, established his own kass recordings in 2004 and then last year put out his killer someone is watching ep on carl craigs planet e. >love cannot< remixer mr beatnick has been in popular demand since his slow jack remix of hints >one woman army< on tru thoughts profoundly pushed his production skills into the limelight, quickly backed by the 2011 track >synthetes< on semteks >dont be afraid< label, which featured on many tracks of 2011 lists. his follow up ep, sun goddess, has already gained critical acclaim and support from the likes of gilles peterson on radio 1.

after firmly establishing their nu funk steez in the digital realm with countless releases, london label boogie boutique reached into the glamorous world of vinyl in fine style just before christmas with the double 12 inch drop a year on wax. they elect to continue their twelve inch shaped adventures with a label regular at the helm in the shape of funk ferret. the new zealander has featured on many a boogie boutique release, as well as other nu funk labels such as booty pirates and ghetto funk, so keen observers of the scene will know what to expect. >pushin forward< features the mic spitting skills of imagine this, whose mr lif style delivery is the perfect foil for a trademark mid tempo bass heavy bump from the ferret. boogie boutique have assembled a fine cast of remix talent too, with big beat veteran cut la roc dropping a fine sample heavy revision that allows the vox to shine. fellow bb artist and montreal dweller nick fonkyson adds some crunchy riffage to the mix, whilst the funk ferrets regrooved sound system partner dj alias concentrates on teasing out some bassline deviancy with some help from benson.

in the beginning god created the bass drum. he made it beat 8.601 days. then he left it away. god said: death is the greatest work of art. and its expensive. finally infinite. thats politics and science and art. the art of omission. the art of refusal. death is absolute. the bass drum is absolute. do you want the absolute bass drum? if you manage to convince him, god will be happy to lend you his axe, because what happens is what he wants. just like the people. they want it to happen, too. the most expensive work of art in the world is a skull encrusted with 8.601 diamonds.

from gui borattos latest album iii comes >this is not the end<, an indie minded track that convincingly demonstrates guis impressive skill set when it comes to emotional narratives embedded in a distinctively monumental context. like his timeless >beautiful life< and last years album highlight >destination: education< (already remixed to perfection by terranova and tale of us), >this is not the end< features the beautiful vocals of luciana villanova, who seems to know exactly what makes gui tick - which doesnt come as a surprise, as they are married – and possesses this rarest of all gifts, an unique voice that seems to address each listener personally. in his own 2012 mix featured here, gui doesnt so much concentrate on the originals tearjerking qualities (which were already fully formed), but streamlines the arrangement for ease of use on the floor of your choice, making the track even more refined and addictive. those of you looking for a slighty more adventurous approach will find their satisfaction with michael mayers rework on the flipside, where the source materials hypnotic qualities are brought to the fore, resulting in a masterful slice of catchy prime time psychedelica. with both mixes turning out to be instant classics, we can definitely confirm that this is not the end.

a - side: i love my lady (the black bahia version) ashley reworks an unreleased collaboration between chic and lounge legend johnny mathis. what ?!!!! this has summer anthem written all over it. beedle waves his magic wand over this future classic beach groove to create a joyful sing-a-long. b - side: addis ababa (afrikanz on marz kosmik rework ) ashley and his musical partner darren morris add their trippy aom vibes to this rare studio one classic to create an afro/reggae/drone/psychedelic monster. it pulls you in and does not let you out. this is an essential rework for all the true heads out there.

the impeccably talented organ grinder returns to the catapult records fold, with, believe it or not, only his 2nd solo single to date. the artists first sell out release obsession gained him some serious global attention with steffi charting the title in her 2011 end of year round up for clone. the organ grinder introduces vocalist jessy allen who will be a familiar name shortly with appearances on what i want by crst (forthcoming on valve records) and will also make an impression with her vocal contribution on the fourth studio album from high contrast the agony and the ecstasy on hospital records. for this outing he offers a simple and accessible track with an anthemic scope whipping up a combination of some serious teutonic funk and floor friendly, party-wise golden era of house vibes.

for over a decade, ray lugo has crisscrossed the globe bringing his punky afro grooves to countless audiences as leader and singer of new york powerhouse kokolo, a mainstay on the global music scene through their extensive discography and consistent touring.
in 2012, the ever-prolific lugo debuts his first solo album, >we walk around like this<, welcoming the sounds of bahia, lagos, kingston, san juan, and harlem all under one umbrella and echoing lugos eclectic tastes. the bahia love ep gives us a tasty preview of what the album holds in store, with two tracks destined for replay on your system.

something of a departure into uncharted territory for ostgut ton on the fiftieth single release of the label. following berghains hugely sucessful art exhibition alle which showcased the many visual artists among the members of staff at berghain/panorama bar, ostgut ton shows they cannot be pinned down easily to one genre by offering their anniversary release to two artists of the extended ostgut family who normally wouldnt be associated with what you might have come to expect from the label. shambhu the undisputed queen of the berghain bar ladies (she regulary holds court every saturday upstairs at her very own gitter bar) and rummelsnuff the germanic hulk of the berghain/laboratory bouncers come up with enchanting and surprising results. the release comes pressed as a 7 inch (a first for the label and limited to 500 hand-numered copies) and each side is given to one of the two artists.

golden gate... yes we love! this is the first 12 inch out of two, representing the golden gate club compilation. after all this wonderful years of sweat, heat and highlight in this unique club, some producers and djs are contributing their tracks, showing gratitude and love for this special place.

the sixth release on the excellent parisian imprint my love is underground comes from inner sense - aka french producer henri fontaine - who serves up only his second ever solo release (his first was back in 2006!) sprawled across the a-side you will find >lowdown<, a jam that brings to mind the output of new york house dons masters at work (indeed look closely at the centre of this record and you will see the totally appropriate inscribing >1993 forever<). swirling chords combine with a thumping kick, stuttering keys and, of course, a killer vocal wail for a slice of what can only be described as proper house music. >wanna dub with u< opens proceedings on the flip with the kind of thumping bass drum and funk-infused skipping hats that would make it a snug fit in the kerri chandler back catalogue and, again, the vocals are absolutely gorgeous. finally, >rawllin< wraps up the ep on a more stripped back yet equally groovy tip. limited to 500 copies on rather fetching 180g orange vinyl - essential.

hardly strangers to the scene, daniel bortz & sascha silber give what could very well be the summer hit of 2011. the 2 track ep titled >color of love/fantasy< is incredibly effective in creating a smooth late summer feel, perfect for open air nights. straight kicks, crunchy snares, and pressed hi hats, a bassline bounces next to the deep kicks

played by tini, ricardo villalobos, audiofly, matthias meyer, jimpster, hosh, till von sein, raresh, federico molinari, shlomi aber, eurokai, kruse & nuernberg, p.toile, reto ardour, patlac and many more. the sun can compare! our summer session - listen and feel! baalsaal is in love with this one . mr. rockford inc. delivers an absolut vocalstunner introducing terry lovique armstrong on the mic. follow him and please stay... a1 please stay (who is 121 remix) an hommage to those old strictly days where sweet vocalism ruled. no cheese, no cream. just a driving basement groover to spread love. a2 midnite soul a perfect warm up jazzmoody example by mr. rockford, that really hits the stompfunkin nail. everglades soundtrack it is what we called it to. i think i saw a dinosaur or is it just a dream. b: please stay ( jay haze rmx ) this one does the warehouse of those days interpretation and has it a little darker and edgier. jay who is such a pleasure to have on board drives it gaga till the grande finale enlighten us double xl. the way jay includes the vocs nearly took it to hazy fantazy land.

peters love of obscure disco and house shows in this solo album - wide ranging influences have gone into the musical hot-pot. take the slo-mo lazy groove of lead track and opener love is the key . this sets the sonic palette, laid back, underground and understated (but cucumber cool) throughout. deliberately absent are the commercial and pseudo-poppy sounds from the visti and meyland 2010 debut. this record is a club affair, less in your face and more all around you . for example lost in space is one part elastic groove, one part melodious, enveloping ambience and one part progressive disco groove. tracks such as i m out the door , bubble bubble and drinking in darkness are more direct, straight dance floor booty-shaking grooves. as is what you would expect from the man who has dj stamped firmly into his dna.

from rush hour s 2011 collection of shirts. this one comes in the classic i heart styling with our own witty twist... you see what we did there? premium 200 gr/m2 super combed cotton. fits as american apparel. shrink and fade free quality. shirts come sealed in a polybag and come with a rh neck label.

from rush hour s 2011 collection of shirts. this one comes in the classic i heart styling with our own witty twist... you see what we did there? premium 200 gr/m2 super combed cotton. fits as american apparel. shrink and fade free quality. shirts come sealed in a polybag and come with a rh neck label.

from rush hour s 2011 collection of shirts. this one comes in the classic i heart styling with our own witty twist... you see what we did there? premium 200 gr/m2 super combed cotton. fits as american apparel. shrink and fade free quality. shirts come sealed in a polybag and come with a rh neck label.

from rush hour s 2011 collection of shirts. this one comes in the classic i heart styling with our own witty twist... you see what we did there? premium 200 gr/m2 super combed cotton. fits as american apparel. shrink and fade free quality. shirts come sealed in a polybag and come with a rh neck label.

>now about how< is an album that fuses diverse styles, tipping its cap to a world of sounds absorbed over the course of a lifetime. it is the sound of fudges childhood spent learning from his record loving family about the many wonders of 20th century recorded music, filtered through the classic house and techno template which was the soundtrack to his formative years. fudge fingas is a man very much immersed in his music. as well as producing he manages edinburghs best dance music record shop >underground solu shn< whilst also lending his musicianship to tracks by other artists on prime numbers such as linkwood & trus me.

evil madness has been described as the traveling wilburys of icelandic electronic music. behind the name stand men like petur eyvindsson, johann johannsson, sigtryggur berg sigmarsson, helgi thorsson and bj nilsen (who is not quite icelandic but was born in a country very near iceland). this album, >super great love<, presented by editions mego will be their 4th album since the time their formation in 2006. now for those of you reading who know the music of evil madness will know for sure that this band does what ever they damn well pleases when it comes to making the music. with >super great love< they want to get people in the good mood for the fresh new year and present them with some upbeat icelandic disko tunes.

after the massive success of >dubsteppa<, no comply returns with two tracks aimed purely at the dancefloor. this is high-energy, contemporary dubstep at its finest. for those of you looking for sure-fire dancefloor smashers û this 12 inch certainly wont disappoint. keeping with the usual style, this 12 inch is hand-painted, and individually numbered, and extremely limited. the previous two releases are now very hard to find, so dont sleep on this.
dj support from: mistajam, rob da bank, caspa, trolley snatcha, 16bit, stenchman, funtcase, inspector dubplate, subscape, propatingz, mrk1, genetix, persist, suspect.

what do you get when one of the worlds most in-demand producers and one of the worlds most in-demand vocalists combine their talents?
what if the producer was hit maker and ambassador of club culture david guetta and the vocalist was internationally revered pop/r&b goddess and grammy winner kelly rowland?
following an astounding live premiere at this years winter music conference, david guetta presents >when love takes over< feat. kelly rowland, a song that will cross pop culture barriers from all over the world. backed up with dnb-remix by blame.

right in time for the start of winter federico molinari is back on >love letters from oslo< and presents us with >chucking express< a must-have ep. the same named remix is produced by rozzo from mountain people, an artist whose name speaks for itself. >chucking express< on the a side produced by federico molinari shows an unusual track, with a funky bass line and modern hip hop vocals, which the audience immediately smitten. also the remix of rozzo holds what it promises and presents itself as a classic rozzo track with harmonious chords, driving sounds and a groovy bassline. an experience in the cold winter days!

its back, its great, its acid, its deep, its house, its time! after a little break the label its is back with a fine release of deep acid house by the dj artist rvds. 3 tracks (two with british vocals) full of soul, acid and love, inspired by the detroit classics like mr.fingers, omar s, etc.. all house heads are in for a treat. listen, dance or take it as a dj tool? - the tracks goes into one another - in this time you can dance, talk to people, go to the toilet, take what you need and go back to the turntables!

nice price deal !!! a deep melodic bass line and mesmerizing arp lines adding weight to a otherwise straight beat, resulting in a fine example of what nick chacona sounds of today. watch out!

must have 1989 classic!!