bullion announces his new single >magic was ruler<, for vinyl only release on 25th may 2011, featuring 3 full length version of track from his non-lp >you drive me to plastic< and one exclusive new composition. the title track is a sample-based tapestry, rich in jangly guitar chops and pert horns, it dances along with the merriment of a tropical beguine. >magic was ruler< is a crate-diggers journey to encompass all manner of musical styles from krautrock, leftfield disco, all the way through to afro inspired 70s electronics, and continuing on from 2009s >young heartache ep< (one handed records). the searching, syncopated track >you drive me to plastic< has all the dynamic of the non-lp with which it shares its name and new track >good news on her< has the pulsating verve of shep pettibone-era ny house, whilst packing bullion s signature hip hop punch. >too right< completes the set, supported by benji b and gilles peterson in the uk.

for all the wonderfully subtle shell-breaking he did on his full-length, mark e falls back on old, slow habits for his new single, >the day<. and welcomely, we might add. pitching things down to a basement lounge floor crawl, the midlands dj/producer wraps his always chugging kicks and snares in serpentine synth-bass, jazzy, tripleted hi-hats, and moaning, wordless soul vocals. its grasp is tantric—hinting coyly at ecstatic release, but never fully delivering. for the vinyl junkies that bought stone breaker and missed out on it the first time around (it was absent from that version), this release should be a no brainer. but >the day< isnt carrying all the weight here. a new track called >special fx< will have sample hounds—particularly those with a thing for classic electro-pop—salivating. and the oft imitated, never replicated prins thomas shows up on the flip for a (naturally) eleven- minute revamp of >the day<, livening up the bass and drum patterns, adding in strings, piano, guitar, organ, and ending up with something that totally could have emanated from a camaro at some point in the early seventies. (albeit, one owned by someone with interest in eleven-minute instrumentals.) it even has a fade out!

ramrod is a rebell on the dancefloor and on the decks! known for his guitar and rock based productions he brings us 4 tracks with strong songcharacter in his rebell-rave style. he is also known for his great dj sets together with syntax error as the die bomclikks (german pronounciation) dj team. another new record which can be used to bring the dancelfoor up to the boiling point.

claque musique ready to unleash their latest offering, from an artist who has become a key member of the claque family, rio padice. having in recent years devoted time to learning the production techniques of the 90s, blending the use of software, hardware and sampling, his productions, unlike so much of the current trend for looking back, have a mature and studied classic sound and feel to them. his work this year has seen firmly rooted in the front of the most discerning of record boxes.rio follows his remix of micro_on (claquemusique10) with his very own woodland ep. as we have accustomed to, rio delights us with another selection of tracks that see him exploring and bringing together the best in classic sounds with his very own fresh contemporary spin. the beautiful trip through woodland opens the ep. a dreamy bass-heavy acidic number. much different is ocrons land, with its static sounds and almost industrial feel. mutant camels with its bubbling bass, rasping hats and dromedary movement rounds out the originals. remixing the title track is padova born alex picone. renowed for his releases on bass culture, mus and cadenza and fresh from the success of his fahrenheit single, alex ramps things up for the dancefloor on woodland, replacing the original acid line with some fresh guitar licks. perfect!

we are proud to present you the new bottin ep! its not a surprise that both tracks have a great live feel, you can hear bottin play the guitar and the keys and his friends rodion and francisco did the live percussion and singing!
limited edition on grey vinyl.

man-of-the-moment tiagos new project i-boat captain arrives on is it balearic..? recordings! >slower< is a beautifully smooth & laid back synth journey with added guitar melodies weaving a web of eastern influence while dipping its toes into subtly psychedelic waters. this is sunshine grooving at its best. the backwoods (dj kent) turn in a truly mesmerising remix. hypnotic and dreamy but with added 4/4 kick, this is mellow acid house done exceptionally well.

this is it! 2 tracks from the forthcoming/work in progress/almost finished rub n tug longplayer. this is original rub n tug music put together with a lot of love & help from our talented group of friends...
rub n tug have pulled together quite the all-star team from the many life members of the party itself - among them american alt guitar hero matt sweeney of bonnie prince billy and zwan fame. as well as his cousin spencer, a major figure in new yorks art world. justin vandervolgen of! & tbd is the man on bass. for some native rhythms rnt call on rene lopez a native of nyc who s father was ray barrettos trumpeter (acid), its in his blood...

bedroom community broadens the scope with their newest release: en garde by puzzle muteson, a mysterious, intimate record by a fearless songwriter and lyricist from the windswept isle of wight. arranged and produced by collaborators and labelmates nico muhly and valgeir sigurdsson, en garde is a strange, comforting and alarmingly personal record. driven, spare lyrics are hoisted high by vocals of steady, sturdy tremble. each tune swells with plush guitar pluck in a sea of orchestration and electronics. recorded in the greenhouse studios in iceland, the album collects puzzle muteson s odd and beautiful stories - about love and horses, rust and polar bears, heartbreak and birds. puzzle s songs are curious sounds from a troubled heart and his lyrics are urgent and open, striking a note with their vulnerable memories. i was once a horse is an unforgettable song about nostalgia. the first single and title track, en garde , pits puzzle s longing against waves of dense strings and jagged rhythm, while perspex disguise sets his naked, translucent vocals against shimmering piano that refracts off epic chords. in flamingo head he sings, i left your house. you let me. i left you ugly , buffeted by guitar and distant murmurs. not a single thing could take this magical sight. i ll find you still , he sings in medusa , the story of a man tracking down a lost love. like many bedroom community recordings, en garde takes an unexpected and unique voice and elevates it out of any easily discernible pocket. puzzle muteson could be folk or something completely different - instead he s an intense stranger from the isle of wight - at once both familiar and unfamiliar. en garde heralds a haunting and essential new voice, beautiful, earned and yearning

shocks is a project by northern italian dj/producer wanmhope with his occasional partner-in-crime max dolphy. while fundamentally simple in approach, the dynamic maintains a deceivingly complex harmony and disharmony rendering a visceral, sometimes violent listening experience. waves of feedback, distortion, frantic guitar noodling, vocal collage and field recordings soar like an ominous cloud over primitive, hedonistic rhythms. this, the first of two shocks vinlys preceding the full-length, sets the tone, serving as your marinade before youre thrown to the lions

following the wild success of a tune called >miezekatze< the viennese duo ogris debris now teams up with munich based academic producer and guitar virtuoso bartellow for a split/vice-versa feature ep. bartellows opener track >the thrill is gone< calls its home the kenny dixon jr. house territory while its funk feelings remind us of soulmates bootsy collins and george clinton. then the so called >rethrill< performed by ogris debris drives the tune even further into a pumping house excursion going crazy on a euphoric vocal chorus cryin out loud: thats why we party all night long!

jeremy glenns >new life ep< is filled will sun-drenched euphoria, it comes bearing soul, embraces jeremys natural pop sensibilities and celebrates the underground scene thats shaped him as a dj. the title track takes us down to the beach with its 90s pads and thumping bass line to hang out with mitch buchanan, >found a love< reminds us of a rare vintage cut that the revenge or jacques renault dig up (check that acid line!) while >overtime oozes of prince. alex barck of jazzanova also rolled out a cheeky feel good remix of new life. its sure to make you grab a partner, throw them into a twirl or two and play an air bass guitar. already jeremy glenn has shared the decks with james murphy, tensnake and andy butler as well as performing live alongside dam-funk, aeroplane, and alexander robotnick. check the video by dakota of >new life< and take in all 80s boobs, 90s muscle, yachts and tiger fades

set time-dials to 2011 and engage. here we have two slick, italian producers bottin and rodion, they both may have (professionally) lost their first name, but they sure both make up for that with their italian style and extra analog-burbleness. their original vocoder nugget and dub both feature on the vinyl. for remix action we teleport over to argentina where toomy disco (a pretty spacey name already) delivers us some remix action. slick grooves, flowing bass guitar and more shine than a sparkly new saturn 5.
unless an intergalactic born space-plague fuses our brains back to reality, expect more cosmic lunacy in 2012. get your submissions in now producers.

la fleurs certified hit, the flowerhead ep, launched her power plant records imprint into the stratosphere in 2010. following the flowerhead ep would be no easy task, but its one that young danish talent jesper ryom takes in his stride. the second chapter of power plant records story exists within jesper ryoms refined musical universe, where samples and live guitar merge and mesh for a kaleidescopic whole thats greater than its parts. as ryom drifts in a dream-dance state, he delves further into sonic experimentation, but is ever mindful of the dancer and the dj.

third release on colourful has tobias linden, orange muse wander into somewhat darker territories. title track oyster comes with a rolling groove, techno rides and stabs straight outta d-troit. add to that an infectious guitar loop and sexy vocal chants et voilà - we have a true floor burner for the wee hours. on remix duties we are superstoked to have mr john selway deliver a new york techno nugget, seriously funky with a killer bass line and great atmosphere. finally wed like to introduce an upn coming producer from s.a, lebstar, sharing with us a throbbing afrotech joint with loads of attitude, string hooks and strong percussion. expect more action from this young man in the near colourful future…

their debut three tracker ep has a theme running through it.. yup, its all about sides. first up is a riff you may well know from trevor horn and fgth. they take the tribe groove, slow it down and strip the groove back. using just the riff from the famous 80s monster hit they cunningly carve out >two sides< as their sultry opener. next up >by my side< enlists the help of the handily associated brass section. shuffling grooves, stabby horns and muted picked guitar are the order of the day. its a perfect one for those early dj-set appetizing sections. to round things off we tone it down even further with the beautiful >by my side<. subtle tones, lazy keys and a smouldering groove. when the keys kick in during the last minute its a glorius and sublime treat. stay tuned for more sides.

the band celebrated their 25th anniversary by touring the world, which started in 2002 and concluded in 2003. they recorded their show in amsterdam and released it in late 2003. music on vinyl is proud to release this album for the first time on vinyl.

with age comes maturity, or that is at least what one would normaly think. together the three men (jin choi, walker barnard & tolga fidan) associated with private golds second release, the >i m just the rain< ep, clock in at over 100 years… and yet this release is all thrusting crotches and wriggling teen lust man-booties. only kidding, the songs on this release are nothing if not mature. sure the aforementioned sex is there. in the cooing vocals, stompy bass and 60s psych of the contrapuntal guitar of the eponymous >i m just the rain< or in the jimmy edgar-like funk and grind of >revolution for the lovers<.

desolat is proud to present a release where veterans meet manon aka manon maeder has been part of the swiss techno and house scene since the early nineties. starting with illegal parties in bern, later involvement in legendary early days afterhours at the >oxa” in zurich, followed by first productions in 1996, residency at >hive< club and her involvement with the >vision< festival, manon is today probably more thrilling than ever before. for desolat, she delivers remarkable tracks that sound like a sonic snapshot of a balearic sunset. pat carnal speaks about manon getting lost in brasil 20 years ago and the conversation was recorded at one >formbar< afterhour. guitar virtuoso mats küpfer added his part at studio willeneger in bern. we d like to tell you more about >que cara é essa” but its probably better to listen to the music. first remix comes from another veteran and one of our heroes, stacey pullen, a kosmik messenger and an innovator from the second wave of detroit techno. he takes vocal snippets from the original and wraps them up in his trademark percussive, driving, stripped down sound. second remix comes from desolats own tini representing a new generation of electronic music talents. she turns manons original in a dark claustrophobic shaker that will gently take you by the hand and stay on your side until the next sunrise

the wonder boys from denmark are back on the game after remixing djn projects music. here comes the next strike to their pocket a fantastic production with an incredibly funky driven guitar groove and a robotic vocoder break that makes this record an explosive mixture of the 80s giorgio moroder feeling.

rhythm of elements consists of internationally renowned pianist makoto kuriya and japanese club scene pioneer dj uchikawa. together they combine exquisite musicianship with the deepest club beats to create a unique hybrid - musical tracks for electronic dancefloors.
over the years, rhythm of elements has called on some of the biggest talents in dance music to re-interpret their tracks. these will now become available for the first time together on cd later this year, but as a teaser, beyond remixes ep selects four on this heavyweight slab of vinyl.

bullion announces his new single >magic was ruler<, for vinyl only release on 25th may 2011, featuring 3 full length version of track from his non-lp >you drive me to plastic< and one exclusive new composition. the title track is a sample-based tapestry, rich in jangly guitar chops and pert horns, it dances along with the merriment of a tropical beguine. >magic was ruler< is a crate-diggers journey to encompass all manner of musical styles from krautrock, leftfield disco, all the way through to afro inspired 70s electronics, and continuing on from 2009s >young heartache ep< (one handed records). the searching, syncopated track >you drive me to plastic< has all the dynamic of the non-lp with which it shares its name and new track >good news on her< has the pulsating verve of shep pettibone-era ny house, whilst packing bullions signature hip hop punch. >too right< completes the set, supported by benji b and gilles peterson in the uk.
single sided pressing with etching on the flip.

die 18 stücke auf the only she chapter sind weitaus mehr zeitgenössische kompositionen als beats & loops-tracks. sie beginnen wie der titel auch alle mit the only... und featuren insgesamt 7 sängerinnen, darunter zola jesus, shara worden (my brightest diamond), niki randa (school of seven bells, flying lotus), sowie die bezaubernde, jüngst verstorbene trish keenan (broadcast). obwohl das album konzeptionell strukturiert ist, wurde der musikalische wandteppich eher unorthodox gewoben - ein effekt, der durch die unterschiedlichen herangehensweisen der sängerinnen noch verstärkt wird. mit the only she chapters gelingt es herren, eigene klischees und bisher erlerntes zu überspringen und seine horizonte und Ästhetik zu erweitern.

al kent continues his quest to bring his definition of disco to the ears of the world with another killer three tracker. >be my baby< is an uptempo disco monster – dope bassline, rhodes and wah guitar with nice loud hihats for full dancefloor appeal. >sun shine down on me< is a dark, sweaty, latin disco beauty soaked in strings, horns and rhodes piano. think that says it all. >time is moving< picks up where a1 left off, with the addition of strings and occasional vocals to wrap things up. million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

al kent was once described as scotlands walter gibbons, and on >fantasy< he pays tribute to his hero with an alternative take on a track walter made his own. with beautiful rhodes piano, sweet strings and heavenly jazz guitar, file under >lush<. flip over for some disco madness… >check out the sounds of nyc< may once have been a loft classic, but in this incarnation may have proved too much for that particular musical journey. tough as old boots. wrapping up we have >gimme some loving< – built around a cool piano hook and an instantly recognisable voice and featuring some proper hands in the air string sections. million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

for his latest musical offering kupper offers up two versions of the superb >bloom< a deep and melodic slice of underground house. warm filtered keys, rich bass, percussive riffs and old school drums come together to create a compelling piece of house with a laid back vibe on the original. the >jazz mix< follows the lines of the original version with the addition of some perfectly placed jazz guitar parts to lend a further musical note. wave music is well known for its eclectic musical output, ranging from tough techno, to quality electronica and underground house. with this latest release with eric kupper they have proved once again that whatever they do put out, its always of the highest quality.

nich premium edition 12inch come with maxicd big with markus kavka, dubfire, aki bergen, andre kronert, feygin, sebastian roya, secret cinema, pierce, moodymanc and many more.
dont miss the next long awaited vinyl on night drive music. this time we gave the black gold to hypnos. hypnos (deepology, urbantorque, myhouse, box music) presents now his 2nd release on night drive music. he graduated from music school in guitar, and played keyboards in a rock band for a few years. he was member of the infamous >demoscene< in poland - an unofficial and underground group of like-minded people mixing music with street graphics. the original is a never ending dream between sweet deepness and techy elements. its hard to describe the tune. just listen please! remixes are coming from pawas, subsky and stefan mallmann.

silky vocals, warm basslines, gentle guitar licks and a smooth melody – a perfect ode to a beautiful day. prins thomas kicks off the 12 inch with an epic 12 min long remix. eli escobar remixes night spot, a heart pounding dance floor scorcher and trap.avoid do a minimal disco remix of under the sun.

inclusive download code.
>gable is the story of two drummers who decided to play the guitar and a girl who learnt to play the keyboard by sticking coloured sticky labels on the keys.< french art-pop pioneers gable have been causing a significant stir of late, captivating audiences with their unique luxury diy. having spent the past year experimenting with a bizarre collection of odds and ends lying round their studio and home, they have created the fabulously eccentric and catchy album >cute horse cut<.

still above the clouds, team skylevel picks up a fellow pilot and drops a package that is all about the raw essence. a1 is a thrilling jazz funk onslaught that hits you hard right from the beginning. an energetic uptempo groove meets the most wicked guitar patterns, teasing with beautiful melody fragments while clearly focusing on its irresistable rhythm section. no jazz on b1, but an uncompromising barebone funk stomper of the highest order that locks you in a cell made of drums and bass holding the promise that you wont find >disco< within a five mile radius. b2 obviously has to reduce the heat and takes you on a ride through the swampy mississippi delta of the early seventies, telling you a truly mystic sunflower county story you might not have heard by now

souvenirs kid-brother, re.you - is all grown up & showing of his muscle. having previously worked with his brother phillipp with remixes under their belts for &me, turntablerockers and m.in. - now under his own guise he brings a new danceable creepiness to the label as he partners up with hometown hero, rampa of souvenir & keine music - well-rounded producer & dj extraordinaire, versed in the sways of shake - for the >our thing ep<. re.you grabs the a side on his own…with a rework of >ghost< by hamburg duo phantom/ghost - with a haunting vocal that is foggy & vague >relax…its only the ghost…< - matched with excellent guitar underpinnings, and a strong percussive sway…distant & smoky, >ghost< does the trick. the b side brings rampa & re.you together for >awareness< a deep, dark track with a chugging bassline and a heavy, syrup-soaked vocal

funky, upbeat, guitar-lead todd gardner mixes of this soulful garage tune.

>sis surpriz< is the third in debruits trilogy of eps which began with futuristic electro hip-hop workout >lets post funk< featuring jamie woon and ommas keith, and was followed by 2010s african highlife inspired spatio temporel. the trio of releases all feature 3-d artwork by german designer rainbowmonkey, and 3-d glasses are also included for your viewing pleasure. debruit is currently crafting a debut album based around trips to west africa and recordings with the regions indigenous musicians and traditional instruments. debruit has also been honing his live show which now incorporates a three-piece band, thumb pianos, african drums, highlife guitar, talk box and more, all accompanied by live visuals from rainbowmonkey. the new and improved live experience will be unveiled at the dates below and debruits album is due out later this year.

to put it in a nutshell, in just two years, selah sue has fulfilled her dreams. to keep her grounded, she has insisted on keeping the songs she wrote during her teens for her debut album. its a way of reminding the world that she has not been unfairly spoiled by destiny and that before prince, cee-lo green, radio play and incredible press, there was just a teenage girl, with her guitar, who was chosen spontaneously by fans on the net.

shining a light on hypers explosive production style and showcasing jim davies (ex prodigy + pitchshifter) astonishing guitar work, the end is an intriguing snapshot of some of what to expect from hypers eagerly anticipated long player. with its richly layered synths, thunderous bassline and anthemic vocal hook >the end< grabs you by the scruff of the neck and takes you on a five minute journey through massive build ups and breakdowns. think pendulum meets cooper temple-clause. with remixes from interface, beatman & ludmilla plus minus monumental dubstep re-rub watch closely as the next chapter of the hyper manifesto unfolds. you have been warned …

after almost a year of only dancfloor related releases dial is back with an outstandingly special record: dirk von lowtzow presents his guitar solo work >tod in theben<. dirk von lowtzow, also known as a member of phantom ghost and tocotronic, creates a slowmotion drone-a-like folk meditation. the result is a breathtaking piece of deepest devotion, an incredible sound and room composition. at last years salzburger festspiele von lowtzow performed >tod in theben< in jan fosses same named theatre piece directed by angela richter.

its now more than 20 years that arnaud le texier started his dj career in the west of france and in the paris club scene. since he moved to london five years ago, le texier has been able to put his stamp on the european techno scene, being label head of safari electronique and regular dj at fabric. his debut ep for cocoon recordings is borne by le texiers deep understanding of melancholy melodies, especially >elusanes< with its piano keystrokes coming directly from the basement and the ample detroit strings proves with hymn-like intensity that deep sensuality and unquestioning dancefloor ecstasy can be two sides of the same medal. besides a beat-less version of >elusanes<, the hypnotic >nightleads< with its bass guitar theme does already whet your appetite for the next sunrise in the balearic dunes

its early days yet, but things are going well for the london-based trio factory floor: nik colk (guitar/vocals/electronics), gabe gurnsey (drums/ electronics) and dom butler (electronics/vocals). and optimo music are in the unique position of doing a remix for factory floor and having a exclusive single release for it. ~ (r e a l l o v e) an optimo (espacio) mix is already getting attention from james holden, the quietus, and it was only mastered about a fortnight ago. the optimo (espacio) mix was made at the behest of factory floor an was done by optimo music head honcho jd twitch alongside his sometime collaborator dave clark.

mainakustik is proud to present the next regular release. on the new mainakustik you will find two hot originals from danjel esperanza(a1) & chris köhler(b1) + remixes from soulrack & mikel_e (a2) and sebbo vs agent!(b2). danjel esperanza is running very successfully the labels “meleon music” and “backdoor beauty . his track “mein kleiner cowboy” is a nice tech-house song with organic melodies and superb drumming. its getting a remix from no one else then sm aka soulrack and mikel_e (cray1 labworks). these guys know how to produce a floorbomb. chris köhler is already known in the rhein-main-area as one part of “der eine und der andere” and his own label “one way ticket . his track “abenddämmerung is a cool tool for the morning hours, with nice harmonic guitar chords. it’s remixed by sebbo & agent! which need no further introduction, let the music speak!!! early support: matt star, frank leicher, pascal feos, die haustiere, wjh…

visionquest unleash the second superb release on this years most exciting new label. footprintz possess the kind of musical magic that seems to be created through some unfathomable chemical reaction, their pop sensibilities perfectly balanced with a mystical sense of kudos. sounding like hot chip in paradise, hercules in a new love affair with a euphoric lcd soundsystem, >utopia< is the first step in a great musical journey for this magnetic partnership. charming guitar led melodies strung out over blissful poetic lyrics and dreamy synths, >utopia< is the embodiment of its definition. a captivating blend of pop magic, hatched in a dream and painted in vivid colour, it creates devotion to its musical heart. its elusive partner in crime, >golden dreams< is cloaked in mystery and soaked with attraction. uttering choral cries and apocalyptic echoes, it evokes the thrilling sensations of falling in love. steering to the dancefloor, house music king ewan pearson breathes melancholic pulses through utopias veins in a heart-rendering remix for the small hours a truly inspiring remix from ewan who mastered the whole ep.

rome, italy native fabio bacchini has been holding it down for underground house music with his label mind travel, but takes a step to the left to give us a hot little ep on transport. the roman disco ep is exactly what it says on the box: no fancy gimmicks here, this release is comprised of four solid disco house jams. the first tune >weekender< is a nice phase guitar loop jam with signature disco pulsating strings amidst the happy snapping snare beats and soul train vocal snips. next is my favorite cut, >money talks<, a straight up disco rhodes organ jam a la the crusaders. add some saxophone in there for points with ladies, and you have yourself a jam. on the flip we have >in the mood< is takes the mood a bit deeper with a nice n spacey groove amidst a rhythm heavy beat. throw some synth strings and keys riffs in there for good measure and there you have it... disco house. sometimes stays within the same formula but brings a more pulsating sound that pushes the music. the tune is still deep and groovy as the ep winds down...

akiko kiyamas latest release features four tracks of intricate drum programming, bringing her characteristic warmth to the groove with their ghostly whispered vocal samples and the clicking and clanking poly-rhythmic sound made famous by the legendary berlin imprint, perlon. the first track, carnival, brings all the fun of the fair, a swirl of coloured lights barely glimpsed amongst the heaving throngs of somewhere like bar 25, followed on by an abstract slow burner which sneaks up on you with its sneezed vocal snippets and jangling bassline. talon, a real dancefloor creeper, clips along insistently and the final track, with its bass-guitar and pulsing synth line rounds of the record in perfect ethereal fashion. as akiko puts it herself, >deepness, depression, beauty, irony, fun - these are keywords for my music also my life itself<. you can definitely feel that there is much more thought put into these productions than just purely the need to move people on the dancefloor.

prins thomas spreads proper, earthy dub house vibes in a good old bobby konders tradition with >lang tung ting<. a hard driving jacker with dry, punching drums and grumbling, low-frequency acidic sounds not modulated by an 808 synth but from warped cello and bassoon lines. an ode to the timeless magic of beats and bass. much less sparse >ny maskin< on the flip is a dizzying disco/ rock jam backed by african derived beats and a gyranting, buoyant guitar lick . prins thomas brilliantly proves himself a jack of many trades again

the danish duo darkness falls is a new alternative rock duo right from the centre of the emerging copenhagen music scene, a collaboration between josephine philip (vocals, keyboards) and ina lindgreen (guitar, bass). their sound is rooted in rock tradition, with elements of post punk, distant beats, and chanting, textured productions wrapped up with a great passion for classic 60s twang guitar sounds. a beautiful mixture of charming pop and melancholy, this is feel good music for 2011 and beyond. produced by trentemøller these 4 tracks are a spellbinding taste of things to come. the combination of trentemøllers glistening production and the unique, heartfelt music of darkness falls is sure to uplift and inspire.

for fans of nein mann ... i m dancing in front of speakers like a robot….! the nightworker s new single -roboter- + a remix of keira. b-side contains a track of the nightworker feat. niklas on sax -gitano- with relaxed sound of saxophone and guitar.

the third edition bunch of limited edition afro disco boogie edits on the guynamukat afro disco boogie edits label with a value for money 4 tracker. a side kicks off with an absolute stonker of with >ghana boogie baby<. trumpet, slap bass boogie african stylee with punchy brass and smatterings of catchy chorus. >butterfly funk< is straight out of the 1982 disco boogie period with the chunky bassline at the fore. sounding a little bit like chic with gorgeous chords, rhythm guitar and organ stabs. on the flip we travel back to africa for nigeria disco calling for lashings afro boogie with an irresistible shuffling african guitar and keys work out. b2. we ease into more afro boogie with >afro heat< for an infectious afro boogie workout with a pulsating disco bassline. essential music for your dancefloor!

edu continues to demonstrate his personal artistic development on niquel. staying loyal to his unmistakable groove, he explores a more a progressive and melodic style and sound. diynamic artist david august again shows his midas touch. with a simplicity that belies its effectiveness, david plays heavily on the melodies, creating a most precious of remixes. quite different, yet equally as impressive is the remix from dosem. beautifully emotional, and laden with synths and semi-acoustic guitar lines, it is a mix for the purists, without a doubt

the trio of moritz von oswald, max loderbauer (nsi / sun electric) and sasu ripatti (vladislav delay / luomo), with a third album, this time enriched and expanded by guitar contributions from paul st hilaire (also known as tikiman), and double bass courtesy of marc muellbauer (via ecm). horizontal structures is palpably a more open, more expressive album than the previous studio recording, vertical ascent. there is more contrast, more light and shade. st hilaire and muellbauer add fresh drama and swing to the intimate tonal and rhythmic interactions of the core grouping. the coherence of the five-piece is remarkable, the boundary between acoustic and electronic undone.

what needs to be said about move d? overused, though the veteran tag is, david moufang has been producing excellent music for many, many years. yet, the last few have seen him receive particular acclaim, especially for his more house-flavoured work - buoyed by his increased reputation as a dj... already played by ricardo villalobos