thule records camp is hitting it hard these days. this time its a collaboration between two pioneers within the icelandic techno scene. on the a-side, we have static, a hypnotic groove with indistinguishable voices and shimmering dub chords, and Útkall, minimalistic dub techno mantra. on the flipside we have the heavily-rhythmic sedna, where the drums and bass compliment each other in such a way that it might cause involuntary muscle movements, and at last timelaps, a delicate minimalistic voyage. ohm is best known for his releases on force inc with exos. octal industries, a veteran who has already gained a respectable reputation within the idm community under his ruxpin pseudonym, returns to his origins with this collaboration. thule records is considered by many to be a pioneer in the field of dub-influenced techno music and was a starting point for many of iceland‘s most renowned electronic musicians.

new label: black jesus casino!

commonly found steering his own nabuco label, noha slides over to constant black (sub label of constant sound) to round out a very productive 2016 with another round of on-point deep house cuts sprinkled with immersive techy leanings. -hamal- may have a stout rhythm section at its core, but the layers of synths and processing on top all speak to a tripped out dubby mindstate, while -palette- only reaches further out into wistful 4/4 territory. there s still a crucial clubby mentality powering this ep though, and the reduced hypnotism of -annabanana- taps into this perfectly before the live drum workout -discovery-. vinyl only release

wolfgang voigt is a man of many means and monickers, having engendered a unique take on electronic expressionism across multiple media - from riotous early 90s acid to cyber-folkloristic techno or the abstract drama of his current rückckverzauberung project, a pioneering vision to be found on vinyl, canvas or flickering screens. ranking among of the most dense, hypnotic, atmospheric recordings in his oeuvre, the gas releases have since become internationally recognized classics with a cult following, hailed as a wondrous high point in the history of electronic music (pitchfork) and some of the most influential albums of the 90s (the guardian).

subjecting itself to the essence of musical rummaging and the sole joy of musical discovery, dive ii swim was created with the vision to compile productions from already well-established producers together with gems from upcoming talents. eclectic and inclusive, it’s set out to be a compilation that should fit in most bags and shelves. emphasising its musical core, previous notions and expectations regarding the persona of a producer is of no importance, all of them will take on a new alias before they dive to swim.

makam returns to dekmantel records with his first full-length album for the amsterdam based label. blankens ongoing search for fresh sounds, textures and rhythms has lead him to than sadet, a gorgeous piece of work that takes his sound into new directions. that sadet displays a refinement of makams sound. the music is highly tactile, with an emphasis on the surroundings of the environment in which it was created. blanken: than sadet is a secluded beach on an island in thailand. a mysterious atmosphere haunts it. its windy and the weather is always a bit worse compared to the rest of the isle. there are many cliffs and you cant swim because the waves are too high. four years ago i visited than sadet for the first time and ive been coming back ever since. at one point i decided to bring my studio equipment. for a week, i dedicated my days to making music. those sketches formed the basis of the album.

nervous horizon co-head tsvi follows up 2015 debut ep, ‘set you free’, with powerful new record, ‘sacred drums’ — a 12” that delves even deeper into the raw, no-frills potential emanating from the nh camp right now. already sought after for his fierce and complex club material, ‘sacred drums’ sees tsvi up his game even further across four heavyset new solo productions, as well as bringing in nh crew members, luru and dj jm, to collaborate on two digital exclusives. opener, ‘the healer,’ is an immediate case in point, a dark, rasping drum workout that’ll function both in or away from the club, while ep tracks ‘darabukka’, ‘parade’ and ‘assam’s children’, although punctuated by deft sample touches and flashes of melody, deliver the sort of power-drum, club pressure that tsvi has made his firmly his own

silencio, a new label out of chicago, will debut its first release from new young talent cirq’on titled the other side ep. on the a-side, “screaming around”, makes its presence felt with a beefy bass line that periodically stacks and stutters throughout its progression. this track is impossible to resist. even the most hardened scenester, the type of person who never dances in an effort to look cool, will be forced to cut a rug as they acquiesce to the bombardment of this pleasing beat. peppered throughout with spooky vocals, tempestuous tones and mysterious snippets, it leads you down a path of rhythms that pushes past the point of no return. similar to the first transmissions intentionally broadcast out into our universe for the purpose of contacting intelligent life, “the messenger” delivers on the b-side with layers of haunting harmonies that unfold over simple, satisfying drums. it’s steadily driven by scintillating sounds in the form earthbased radio signals that rise and fall, as if bouncing off of orbiting space debris on their journey to the great unknown. this track is best described as a mind-exp.

ut of control hot tracks provided on the 3rd ep from chicago basement trax! this vinyl has it all featuring the 1992 style that influenced jeremy underground paris to create mliu as well as 1980s trax reminiscent of artists like mike dunn or steve poindexter. at that point we d be happy but there is even more included for the disco edit and dub crowd. you can t go wrong with this ep!

anngel records releases #002, 003 & 004 all bundled up for one special price!

nice price deal !!! meet thorsteinssøn. the iceland-born-denmark-bred gunnar thor viggosson better known as one half of 76-79 with tommy vicari jnr and bossman at comfortable records and vanity. right now, though, were calling him the man behind the first pets artist album this year… deliciously cosmic and cheerily schizophrenic, academy of heroes is inspired by a brilliant creative project thorsteinsson practiced during his years living in amsterdam: solar industry radio.

following on from alex cellers haz / pacificon single, baby fords ever on-point trelik label turns to jonno & tommo, a production duo with a rising profile in and around the london house music scene.

quanta records’ third release, correspondances, is a mini lp by aeon that combines experimental techno, ambient and musique concrète elements. the tracks of the album communicate through similar sounds, noises and rhythmic patterns, but while atmospheres diverge, there is a constant exchange from cold and industrial to solar and melodious so as to form a complex and balanced ensemble.
aeon’s has placed randomness at the centre of his creative process. computing and random programming have allowed the artist to explore new structures and to no longer simply consider a glitch as an error, but rather as a primal source of novel sound.

keys in the ignition, no turning back: dubfire and miss kitten are about to take us on another late night road trip. and this time there are two very special ways to ride, plotting new routes from where they last dropped us off in 2014 with exit, and presented in miss kittins own artwork, the two long term friends and musical kindred spirits cover a side each with two version journeys youll never forget. kittin jumps straight on the autobahn in a tank-shaped techno hummer. thumping the tarmac down with every gas-guzzling kickdrum, lights blur and trace and the mission gathers momentum as we cruise almost majestically into a brighter unknown. dubfire brings us back home via the trusty widescreen house plains. roads running parallel with the grand, emotional highways he once took as deep dish, the vanishing point is far on the horizon where a vast sky of twinkling stars opens up with a feeling you could ride for days on end. unhurried, restrained and timelessly crisp and futuristic: trips like this dont come about very often the keys are in the ignition, care to take a ride?

das debütalbum des schottischen duos naked ist eine brutal-verzerrte experimental-pop-vision über den desillusionierenden masochismus der heutigen jugend im digitalen overload, über menschliche isolation und ein deformiertes gefühl für sex und körperlichkeit. co-produziert wurde zone von paul corley (anohni, oneohtrix point never, ben frost). naked veröffentlichten bislang eine ep auf luckyme, produzierten mykki blanco, sowie den soundtrack zum film “a silent man” von regisseurin charlotte colbert.
die vinyl-lp erscheint inklusive downloadcode.

funk was the syncopated groove that emerged in the mid-sixties through hits from james brown and dyke and the blazers. it was a natural development out of rhythm and blues. thousands of local bands tried to emulate brown’s success, and in the process created a plethora of rare and sought after 45s and album cuts that have been mined by djs and producers to fill floors or provide breakbeats. whilst the 20 tracks on this compilation would cost you thousands of pounds to own on their original issue, that isn’t really the point. instead you get to listen to magnificent grooves such as mickey & the soul generations explosive ‘iron leg’, andrew brown’s blues tinged ‘you made me suffer’ or the message music of 24 carat black.
j&d records release three exceptional compilations that look at vintage african-american music through the prism of uk club culture. all night long, can you feel that beat and extra added soul will be available on double vinyl and are compiled by dj and award winning compiler dean rudland, with stunning artwork from his long-time collaborators the unknown. across the three volumes there are 60 tracks of soul, funk and boogie.

from 90 s to now, electronic music at his largest point. some dark sounds between techno, acid, electro and noise. apocalyptic music of future, from england to new-york,with a track from 90 s producer, jason szostek.

2016 reissue - this rarity from the thule catalog has been considered by many to be one of the finest releases from the label and has been extremely sought after by techno-loving vinyl collectors. these couple of minimal techno masterpieces were released in 1998 and immediately caught the attention of big names within the industry, such as richie hawtin. from the hypnotic and atmospheric t1 to the driven minimal beauty of t2 this release is a solid feast for the ears, mind and soul. thor (thorhallur skulason) is one of the founders of the thule records legacy. with his numerous releases on sushitech berlin, connaisseur recordings and missile records (to name a few), he has established himself as one of the leading techno producers of our generation. thule records is considered by many to be a pioneer in the field of dub-influenced techno music and was a starting point for many of icelands most renowned electronic musicians. repress

ltd edition! michele pinna presents a new lp under a fresh moniker and alter ego, time traveler, representing a direct confrontation of the artist s own fear of time as an unrelenting force. the lp, titled ‘i m made of stars / journal’, takes inspiration from conversations between pinna and his father on the topics of galaxies, space and of course, time. these converstions were the starting point for the abstract, futuristic and dark work presented on the new lp. the release also draws on pinna s artistic interests outside of music, presenting a work not just of sound, but one with a coherent visual aesthetic spanning the physical releases of the lp. this visual aesthetic has taken shape through multiple collaborations with the photograpers, stylists and designers nicolas mazzei, danila tkachenko, khourianbeer and cinzia ara

danny krivit s name has been synonymous with quality, underground dance music for many decades now. his roles as re-edit pioneer, legendary nyc disc jock and all around music obsessive have long been written about.

just this s first various artists aims to the research of a mix of sounds by producers from different countries, to a journey into a variegated world. melancholic vibes, deep ambient atmospheres. the second part of the various artists, gets straight to the point, reaching the dancefloor in a more hard and deep insistent way. the first track inside world is composed by hunter/game, as a playful banger with a solid kick, brushed percussions and surging, subtly atmospheric synth pads that make the track dreamy while fierce. the second one by pisetzky comes with a strong, continuous 4/4 bassline and organic percussion from start to end, further on dominated by a hypnotic melody followed by a more romantic and dreamy motif full of longing melancholy and eternity. the third one comes from just this new artist altman, with a breaking mellow downbeat theme, it lets all squeaky sounds mesh nicely like a dream landscape opening up into a widescreen chord progression, with an epic build up.

as a central point of reference of grischa lichtenbergers la demeure/il y a pe&#769,,,ril en la demeure complex, raster-noton releases a limited edition of three 12inch vinyl eps that are accompanied by a handmade, signed and individualized screen print. the three eps were set up as an experiment. each of the records is guided by a word that could be described as a phantasmagoria, a delusion of the 20th century – like a metaphor that is concerned not only with its immediate meaning, but with an implication more emotional, more irrational, telling something about the mindset of the not so distant past.

nice price deal !!! michele pinna presents a new lp under a fresh moniker and alter ego, time traveler, representing a direct confrontation of the artist s own fear of time as an unrelenting force. the lp, titled ‘i m made of stars / journal’, takes inspiration from conversations between pinna and his father on the topics of galaxies, space and of course, time. these converstions were the starting point for the abstract, futuristic and dark work presented on the new lp. the release also draws on pinna s artistic interests outside of music, presenting a work not just of sound, but one with a coherent visual aesthetic spanning the physical releases of the lp. this visual aesthetic has taken shape through multiple collaborations with the photograpers, stylists and designers nicolas mazzei, danila tkachenko, khourianbeer and cinzia ara

after a run of releases including music from rex club residents d julz and phil weeks, and a beautiful atlantic breakaway with fred p, rex club music brings in the boss of poker flat recordings, the maestro himself, steve bug. a gentleman and a scholar who has been a key figure of the techno scene since its very early days, steve bug is also the mastermind behind a prolific and in demand label. he is a man who is always on point, looking to the future, maintaining the present and drawing on the past to operate in that magical intersection between the different eras of time.indulge in this short course of rexology for proof of his mastery, which is expertly applied with this polished new ep.first up we have ‘what’s happened’, a track that occupies the space between tech house, acid and dub. get ready for some hard stepping on the dance floor when this track is unleashed. then rod goes in hard with two remixes of ‘what’s happened’, upping the ante, increasing the tempo and urgency to create an air of emergency. with ‘remix one’ rod has us on high alert, while ‘remix two’ focuses a little more on the groove and catchy analogue flashes. on the flip we have a night of ‘berlinian rexing’, with its time-lapse atmosphere allowing us to teleport between berlin and paris in a cacophony of whirring synths and uplifting stabs. the track plays on timelessness, creating classic tropes and creating the kind of atmosphere that underpins all of the most unforgettable nights.

most excellent unlimiteds series of 45s celebrating the 45th year of danny krivits career continues with a blast of two heavyweight cuts that, to borrow the parlance of the era from which they came, are bonafide sure shots. wood, brass & steels *funkanova* a jazz-funk masterpiece and loft classic that was liberally sampled in the house world (black science orchestra, terrence parker, the bucketheads), is pared down to its most joyous elements. from the intro, a typical krivit maestros detail of an opening bass slide prefacing hands-in-the-air cascades of iconic horns and keys, to the echo of the last notes, its a perfect edit immaculately tailored for dj usage. the flip delves deeper into new york city dance history with a rough and rugged beat- down of a proto-disco, b-boy classic: boobie knight & the universal ladys * sex*. displaying his usual knack of going straight for the jugular, krivit takes the songs siren-call-to-the-dance floor horn riff as his starting point, peeling off another layer to the floor-shaking bass and drums before bringing it all back to the top with a perfectly placed drum roll that will have flash disciples fiending for doubles. solidifying this blazing double-sider is the fact that neither of these essential cuts has ever appeared in seven-inch form. another most excellent unlimited sure shot!

limited box set 3 x vinyl - 2 x dvd - 2 x cd - floppy disk (!!) - usb - biography - photos - postcards - stickers special remarks: never before seen for an electronic artist. complete discography of the past 25 years on usb, 3 x vinyl with all new remixes, cd greatest hits, cd live sets, dvd documentary, dvd animation film, bio, floppy disk w. samples from first track 1991 and much more ! tracklist: complete discography + new rmxs & unreleased material shortinfo: secret cinema has been making music for 25 years!

keeping up their regular and on point release schedule, french outlet d3 elements now looks to a dj and producer from the southside of chicago. ellery cowles has been making unique house sounds since the mid 1990s as well as being a respected dj who is revered across the states. his music has come solo as well as in collaboration with the legendary likes of ron maney, roy davis jr and brian harden and cowles has released on labels like dafunk, hybrid and hizou deep rooted music.

arnold steiner delivers a no nonsense classic electro ep with mood sequence offering 3 on point original tracks and a remix offered by juan atkins + kimyon huggins.

medical records continues to cut the strings holding it in 1 or 2 genres by presenting something just a tad askew

skalen ep consists of sleek, functional but no-nonsense techno variations from snitch. leading with >skalen< - a deadly, serrated tool fashioned to carve up the hardest of dance floors and takes you through the tunnel without a torch.>kromag< displays a bit more of the swing that this producer does so well adding darker atmosphere to a killer effective techno banger. the ep rounds up with a terrific laiva remix of kromag. laiva was discovered in the eastern town of kuhmo and made an appearance on wavereform before with a killer t16 record. he makes it all about dub-scuffed kicks here and pulsating bleeps throughout his version of ruthlessly straightforward, point-blank attack for the 48-hour-party people.

played by neuman (maddisco edits), eddie c
emotional especial comes together with future nuggets for a -special- one-off collaboration. reinterpreting the music of steaua de mare are four remixes from rising (eastern) stars khidja and mehmet aslan. the first in a short series of especial -specials- - where new artists are brought together for unique releases - we start by teaming up with future nuggets to present again the sonic offshoot in the unique band, steaua de mare. returning in remix form, songs from their self-titled album, as well as extra additions, are specially reworked. first khidja take album track babadag to new psychedelic depths, adding multiple layers of guitar and synths, all inexhaustibly dubbed and re-dubbed until a whole new track emerges for the more discerning minds. next mehmet aslan is focused on the dance-floor, carefully reconstructing new track shop into a club orientated groove, aiming straight at the feet with inevitable results. on the flip, mehmet then reworks album highlight, doamne ce greseala am, amassing tension in careful, subtle ways, crafting a version that is a proper meeting of hearts and minds. to finish, khidja return to remix the previously unreleased 1 septembrie. going to great lengths in managing a myriad of details, with balearic, kraut, pseudo-disco and exotica reverberations all pulsating, here then are on point examples of remix manipulation. a perfect way to start this series and showcase these wonderful artists.

the italian producer hydergine continues his deep sea journey with the tenth tiefenrausch release. on this ep gather three outstanding dub techno producers with their individual sound. the floating hydergine sound meets the different approaches by frank hellmond and don williams. the dancefloor oriented tune „dissolved“ gives the direction for the ep while „shamanic healing“ shows the introspective side of this gathering. with his remix don williams comes straight to the point and delivers consistent techno without compromises. frank hellmond gives a whole different face of dub techno with a soft and harmonic lead. audiomaster by salz music, pressed on 180gr vinyl, shrink wrapped and all covered up by the artwork of alex ketzer and the imagery from jules vernes „20.000 leagues under the sea“. supported by dustin zahn, luke hess, dax j, grad_u, philippe petit, plural, jamie mccue, vincent neumann, echo inspectors, mareena, hiver, arnaud le texier and many more...

following his release on stockholm s bossmusik, kalawila s third release really makes mountains go boom! the strength in the second release on mountain explosion device is undoubtedly kalawila’s sense of rhythm, straight to the point, no bs grooves, that swarm to form total dj tools, plus a subtle atmosphere that will move this record from the shelves into the booths. clocked into a near 13 minutes journey, this monster a-side of a track feels like a celebration of everything that makes us gather during those late hours. paired with a sonic wall that resembles mid 90’s lust for experimentation, which marks the entire a side of kalawila’s second release on his label. on the flip you’ll find even further explorations into the same territory. rest assured that virunga’s less organic but more metallic approach will find a place in the hands of more daring dj’s and listeners. the final track is a remix from jana sleep: a long lost tale of hibernation that keeps most hypnotists on the edge for more. this is only the beginning!

when pig&dan decided to join forces, they began a truly prolific production schedule establishing their reputation as producers of pulsating electronic music that straddled dark house and high-energy techno, whilst creating their signature style of twisted and experimental breakdowns. since those early days, they have created a repertoire that not many can match and have constantly been releasing their music on the most respected labels and playing at the best events worldwide. pig & dan make their entrance to drumcode with a full force, four track ep. the mexico ep encapsulates pig & dan s well known signature sound with each of the four tracks bringing their own identity to the release. the tracks, laced with driving kick drums, modulated samples and thumping bass lines, come together to create a heavy yet dynamic ep that prove pig&dan are masters of their craft.

ltd 2019 repress - thats classy! cab drivers serve a solid floor mover. this deep slice of a house track comes with a delicious chicago dip. and as if that were not enough, audio werner showing his point of view with a fantastic remix.

played by gilles peterson on bbc
* i just do what comes , i don’t limit myself when i’m in front of the mpc, just put the power on and fiddle shit with it.*
the words of lyon based artist and new robsoul jazz signing lb aka labat, a producer on the rise and a young man who’s already caught the ear of mcde. with a devotion to jazz and hip-hop it s no surprise that both genres heavily influence his own work, but house music? well, that’s more a means to an end. “first and foremost i love to dj. i’ve discovered how much i love that feeling of sharing my music and whats the point of a live show if it doesn’t make your hips shake? thats why i produce house music.”2014 was the breakthrough year, when his track ‘more kindyness’ was included on the ‘le sampler des copains’ vinyl release on face records. since then his soulful, groove-heavy productions have impressed and lead to the current 2016 pinnacle of ‘disques solaires’, his debut album release on groovedge records. a new chapter now opens with his debut robsoul release. an impressive five track selection that sashays through styles and sound to present a perfect picture of lb aka labat. house, soul and hip-hop feed our soundtrack, powered by a sublime sample selection. swing ghetto vol.1 … enjoy!

dieter moebius is a renowned experimental krautrock / electronic musician (cluster, harmonia), conny plank is a legendary sound engineer. they recorded five albums together, the last one being *en route* (recorded 1986, released 1995). it transports us to moebius and planks customarily audacious, bizarre, wonderful and definitively unique world of sound, noise and rhythm. *en route* is hip electronic music, yet it steers well clear of the mainstream. includes three remixes by manu guiot. pressing on 180 gram vinyl.

nice price deal !!! next phat 12 inch on smalltown supersound incl. ariel pink, oneohtrix point never, mark mcguire remixes!

nice price deal !!! with davidchristoph we have a fresh, fulminant dj battle, which stands for extravagant work behind the decks! feasting up to the point of ecstasy, dancing in great profusion and music that forces you to move your body, are just 3 maxims they act on.

flore delivers her first ep for polaar, both the starting point for the label and a defining moment of her ritual live show where she questions the visceral relationship between art and the holy throughout history.

even brenden is back, after his unmistakable hit with fp046, media vision presents chmmr true to form. media vision is a 12 minute, slow burning syncopating killer of almost metro areasque proportions. understand and user are more direct, the first more percussive straight up to the floor the latter more piano driven and with a playful 90s pop edge, but yet again both sport evens distinct feel for warm sound and on the point grooves plus the actual unmistakable part always added always working dedicated hook lines. this is very modern very forward norwegian house music at their very best. tip! fp hq hamburg june 2016

a trailblazing radio 1 show, unparalleled club-nights and a promising label, the 1-800 dinosaur crew are undoubtedly a focal point for all tastemakers alike. with a string of understated 12” releases, 1-800 dinosaur are now set to unveil their first full-length release. anchored by trim’s polarising narrative, ‘1-800 dinosaur presents trim’ is a collaborative endeavour featuring a slew of 1-800 members and affiliates, including: happa, dan foat, airhead, james blake, klaus boothroyd and bullion. outspoken and sharp, trim’s introspectively sinister delivery weaves hypnotically between the 1-800 crews’ varying soundscapes. emerging yorkshire producer happa - who’s stock continues to rise with each release – puts forward a tribal-like march on ‘before i lied’, with trim eerily advising to “be careful who you laugh amongst”. already in circulation, the videogame like progression of ‘rpg’ seeps with blake’s signature off-kilter soul, feeding the subversive nature that trim revels in.

in the spring of 2016, detroit’s elzhi (of slum village) will release his highly anticipated album, lead poison. serving as a follow up to the instant classic, elmatic, lead poison is poised to become elzhi’s most desired album to date. made with the help of kickstarter backers, the album features a bevy of producers from 14kt to karriem riggins.

tim green is back with another brace of high impact club tunes of the sort that have made him one of the most in demand producers of the day. whether serving up rolling techno treats for cocoon, essential mixes for the body language series on get physical or laying down compelling club sets in the dj booth, brit tim green is unstoppable right now. here he steps up to the get weird imprint with two more tantalising cuts that show just how broad and brilliant an artist he is. stirring opener ‘for a memory’ is eleven minutes of wordless and intoxicating female vocals, slick rubbery drums and plunging bass. the overall effect is hypnotic, rolling and perfectly groovy, and it will no doubt have whole dancefloors locked under its spell. some little melodic explosions, sweeping filters and luscious pads all help add a real air of grace to proceedings that mark it out as another classic from green. ‘for a distant memory’ is a subtle but noteworthy reworking of the same cut. in this one, the drums are less direct and more stripped back, there is a focus on the angelic, glowing pads and on spine tingling slices of synth that are reflective and emotive as they drop in and out. it is a perfectly trance inducing, heart warming cut that the likes of lee burridge at his all day i dream parties, or various djs playing on a sun kissed terrace around the globe, will all lap right up. these are two more essential tracks from the ever on point tim green.

in 1976, aura quickly rose to the top as hawaii’s preeminent funk band when it secured the most coveted gig in honolulu’s nightclub scene: a residency at the point after. consisting of eight siblings from the mendoza family of waipahu, aura became the first local band ever to play the venue. they kept the gig for ten years.

technologic sound research finds its simmetry in a point among past, present and future. kr/lf platform, founded in italy by kill ref, really aims at it. endlec, already known for his double appearance on mord, ushers the label series: “linear authority” is a fast techno cutting-edge sound designed ep. thus aesthetically classic, it can also truly represent the modern rhythm contemplation kr/lf is seeking.

killekill megahits ii is a jubilee release. but it’s not only that. it’s also milestone and turning point in the killekill history, because with this release killekill closes one chapter, and opens up another. we will start several new labels over the next months, so this is a hello and a goodbye release – looking back and forward at the same time. the full compilation got a lot of coverage and the tour was very successful, and so we will release the records as single releases as well. part 1 features some of the future key artists and crosses over from electro to acid and back.

killekill megahits ii is a jubilee release. but it s not only that. it s also milestone and turning point in the killekill history, because with this release killekill closes one chapter, and opens up another. we will start several new labels over the next months, so this is a hello and a goodbye release - looking back and forward at the same time. the full compilation got a lot of coverage and the tour was very successful, and so we will release the records as single releases as well. part 2 is chicago-inspired and is jacking like a rabbit.

killekill megahits ii is a jubilee release. but it’s not only that. it’s also milestone and turning point in the killekill history, because with this release killekill closes one chapter, and opens up another. we will start several new labels over the next months, so this is a hello and a goodbye release – looking back and forward at the same time. the full compilation got a lot of coverage and the tour was very successful, and so we will release the records as single releases as well. part 3 features the straightest tracks of the compilation. detroit-ish techno from alex cortex, stomping acid from blake baxter, the prince of techno and modern techno by ksp and cassegrain & tin man – 4 bomb tracks for the dancefloors.