after debuting on mr. gs phoenix g imprint in 2016 with the unfamiliar territory ep, jayson wynters makes an appearance on dba for this, his second release, backed by a kowton remix. jayson wynters is a dj that is able to combine many genres in one set and make it work. wynters was first known as a garage mc in birmingham, before rising to prominence in the city s underground radio and club scene, where he showcased an impressive knowledge of rare groove and house music. as he got older his taste for music began to mature, his collection began to grow, and he soon began to dj. using music as an outlet for expression, whether in the form of djing or having fun on some drum machines and synths, is one of the most defining features to wynters. he continues to fuel his passion by keeping an eye on the future rather than the past and striving to remain different.

during the last ice age glaciers slowly carved away the landscape creating mineral rich sediment. for hundreds of thousands of years melt water carried this fine-grained sediment downstream to parts of north america. in some areas strong winds carried this sediment and deposited it forming a network of ridges and dunes. these deposits of loose silty wind-blown, or aeolian, sediment are called loess. flash forward to the present, and the duo of clay emerson and ian pullman may seem to have gone the way of the glaciers and all but disappeared. instead, their signature loose aural silt has been slowly and methodically accumulating and now makes up their new full-length pocosin. others may have no point of reference and pocosin is a welcome introduction to the sound of loess, in a mere blink of an eye from when they began.
limited clear vinyl with download code included.

mystica tribe is the musical alias of tokyo-based producer, taka noda. drawing on a wide range of influences from dub, soul, bass music, rhythm and blues mystica tribe has quickly been developing a very distinctive sound that exists in a weird, freaked out zone between dub and techno. noda is especially interested in deep, psychedelic music, and this is reflected in his productions, which are equally suited for late night listening sessions or bent, broken in dancefloors. his first track, meditation stick, was released in 2011 on dutch label sd records, backed by two remixes from label owners syncom data. this was followed by two more eps on sd records in 2013: stars are mine and flowers. artists like gilles peterson and 2562 have supported these well-received releases, and his track. his temple recently appeared on pangaea s fabric live 73 mix cd. in 2014, noda is launching his own label, mystica tribe records, through which he plans to continue developing his uniquely psychedelic take on dub and techno. his recent ep, lizard, was released on his label in 2014. jade eye ep was released on his label in 2016.

it is a real symphony of the organic and the electronic and as such cannot fail to make its mark. this is an artful package that demands close listening with suitably eye catching visuals supplied once again by artist daniel rajcsanyi. thanks for purchasing a real copy!

the staub conspiracy. i am a shape-shifting reptilian alien. my kind controls the planet earth by taking on human form and gaining political power to manipulate human societies. if you don t believe me, i suggest you do some research on youtube. there you will find undeniable and overwhelming evidence. but hey, maybe you ll still doubt it later... what can i say? the human eye is too primitive to perceive the blunt truth, it is far easier to completely bend reality than accept what is in front of you. why am i talking to you? well, i just realized it does not really matter if we infiltrate television, governments or even your minds-eye. the world will be ending soon and the only thing that still matters is to dance. that is why i ll do techno. before you all get abducted, and all that is left is dust.

wsr001 tremila ep is the ep for sapporos debut on the newborn wats records. three tracks with classic rolands drums and powerful synths, which best represent the music-path believed by wats records. melodic techno, with an eye on the dancefloor

voodoo down returns to the compilation series that started it all: possible side effects vol.1, released in late 2012, was the first release on the brooklyn-based label and marked the inception of a concept ep series that would come to define the labels sound. featuring an a1 cut by german journeyman producer stl and rounded out by the label founders’ eclectic techno styles, pse vol. i was the perfect vehicle for the producers still working to carve out their own individual aesthetic. now with a dozen releases under their belt, the founders l estasi dell oro, nconduit and 12 x 12 have returned to their roots and this time recruited the prolific berlin-based producer deadbeat for volume three of the series. like the first two volumes, its a slightly chaotic mix of beefy dance floor tools and heady experimentation. the separate personalities shine through more than ever on this release. vdr always striving to keep things interesting.

comes with free download code.

comprised of elastic idm-inspired hardware vignettes, plastic marks the debut full-length from pascäal. each sketch captures a fleeting feeling, an ephemeral moment imprinted to the posthuman beyond.

die queen des electro-goth, katie stelmanis, ist mit ihrem dritten austra album zurück!
limitiertes rotes heavyweight vinyl im klappcover, downloadcode inklusive.

die queen des electro-goth, katie stelmanis, ist mit ihrem dritten austra album zurück!
schwarzes heavyweight vinyl im klappcover, downloadcode inklusive.

elliott thomas, aka etbonz, portlands prodigal son, touches down for the first time on loveon the rocks with my kinda future. etbonz, the lovechild of buckaroo banzai and thetalented ellen ripley, utilises the latest krystalvision technology over this eleven and a half minute opus to bring you to the edge of a future where maybe, just maybe, arnold didnt kill the predator.. where some wild-eyed, eight-foot-tall maniac grabs your neck, taps the back of your favourite head up against the barroom wall, looks you crooked in the eye and asks you if you paid your dues. where you cant even get to the chopper, because kurt russell is in the cockpit with a head full of acid, wearing a hat made of drum machines. should we check it out? or just check into a psycho ward? whichever comes first, huh? its a kinda future that leaves you asking yourself, if i am not me, then who the hell am i? am i prins thomas? what is a diskomiks? you ever fuck a mutant? tall guy, weird clothes. first you see him, then you dont. the best mindfuck ever!

heisenberg starts 2017 with a carefully selected 3 track compilation. all tracks are tested and approved on the deepest floors! as usual its vinyl only! no digital release, promos or shares! 180g. blue-transparent vinyl. a1 comes from the rising german artist reyam and u better keep an eye on this guy! b1 made by our homies adjustment bureau, guys already released vinyls at pleasure zone, hypertone, body parts and more. full b-side goes to jamahr & riciar ghir and for their long waited track >indisponente<.

the always trustworthy sound carrier label steps back into the limelight to hit us with another fix of quality techno from monsieur chris carrier. the parisian producer never stops making music, and he presents three new extra terrestrial cuts here on this latest instalment from his excellent label. the story here is about two powerful intergalactic beings who discover that they have been lied to by their leaders - there are no magic mushrooms, just a forest of poisoned ones. they have laid down their arms to discuss this despicable turn of events… track one is a rolling slice of analogue techno with acid licks and squelches bubbling away at its core. named ‘cat’s eye nebula’ it sucks us in to an interplanetary vortex, with cosmic fx transporting to the interior of a spaceship, while the beats give the feeling of a bumpy ride into the cosmos. this is followed by the more composed solemnity of ‘galactus’. shuffling beats slide over a funky bassline, the outer space theme continues with carrier implementing a series of manipulated sounds which convey the feeling of futuristic machinery, blinking dashboards or robots communicating with one another. finally, we have ‘dark poison’, the inspiration behind the whole ep. more deep 303 vibes on this with a simmering analogue riff, percussion which increases in intensity alongside several layers of melodramatic effects, high-pitched twinkles and chimes which really add to the tension

der film der zweifachen oscar-preisträgerin barbara kopple begleitet die dynamische frontfrau bei ihrem kampf gegen den krebs im jahr 2013 und auf ihrer triumphalen rückkehr auf die bühne mit dem release von “give the people what they want”. der soundtrack besteht aus klassikern von sharon jones & the dap-kings: von frühen singles auf daptone bis zu songs vom album “give the people what they want” von 2014. der song “i’m still here” ist exklusiv auf dem album zu hören. so wie der film gewährt auch der soundtrack einen intimen und ehrlichen einblick in das leben einer frau, die sich weigert, auf ihre kämpfe reduziert zu werden. kurz: dieses album ist die perfekte ergänzung zu einem wirklich außergewöhnlichen film!

aesthete obfuscation (computer club) computer club presents aesthete (aka thom barnett) with his debut release obfuscation. a 4 track ep of bass-heavy minimalism. micro-precise percussion bursting through minimal electronics with chattering industrial machines, the 4 tracks take an experimental approach directly to the dance floor. we first encountered the unique aesthete sound in a dark former ballroom in sheffield in early 2016 and were mesmerised by his sonic assault. as the name suggests, barnett s skill isn t confined to audio. a talented designer, he runs mamnick, an internationally renowned brand sold online and via outlets including a flagship store in tokyo. mamnick clothes and items blend sheffield craftsmanship with a love of cycling and a sharp aesthetic eye. everything barnett turns his attention to is expertly crafted and this debut ep on computer club is no exception.

a real treat for any fans of tangerine dream, innovative communication or mike oldfield, paladin brings us the contemporary sound of visionary uk synth-prog music via berlin-based label per musica ad astra on his album unknown zones . epic tracks dominate the record in true 1970s tradition, containing suites of music that elevate, transcend and transport the listener in his mind s eye to faraway exotic realms of musical dreamscapes hitherto unimagined. comes with free space insert and copies are limited!

32 mayday-klassiker auf limitiertem 4-fach vinyl im klappcover.

intense tempos, railing percussion, muscle charge. the music of repro radiates like an electric skyline across the inner eye, as the striking beat sends you spiralling down through the cold fabric of modern life. this is techno in it’s most urgent, and unapologetic form.

nice price deal !!! next single eatures the russian songwriter duo: vangosh. remixes are coming from the italian hype of the moment: alex kenji, german electro houser: dave darell, swedish techhouse prodigy: style of eye and of course there is another club remix by master toca himself!

nice price deal !!! supported by nick warren, timo maas, darko esser, steve porter, mark brown, d.ramirez, anderson noise, dj tee.
bit027 is by 2 italians (who do it better as we already know anyways ...) mario masullo & glitches who deliver a pure particle riot on their >pimps ride free< ep. the kids (mario masullo from rome and glitches peepz from naples) without a doubt know what they are doing on this strong as it gets 3 track ep. the message is raw driving techno with an orchestral feel and an overall extra ordinary hypnotizing mood that really breaks away from the norm and will leave the dancer behind thirsty for more. while the a-side is more on the techy driving side of things, combining orchestral sounds for creating a very quite unusual vibe, b1 goes even deeper in hypnotizing your ears and fucking with your brains, real phsychotic dancefloor madness is the key here. b2 then heads back to the melodic side of the game, without forgetting to keep a strong eye on an intense dance-floor aspect here also. melodies so sweet and clean keep flirting with your ears on this one and its just all so well put together, that it manages to keep an minimal feel, eventhough its filled with so many ideas and great sound details, that it simply leaves us behind speechless and answers the question why our new pimps, sure ride for free at the same time ...

nice price deal !!! for all fans of tiefschwarz and international deejay gigolos !!!! man parrish style !!! mega electro brett

ein leben für highlife. retrospektive des ghanaischen topstars.
das 180 gramm 3fach-vinyl erscheint im klappcover inklusive album-cd.

originally from brighton, kutmah made his name while living in the us, releasing some acclaimed mix tapes and building up connections with the brainfeeder & low end theory crews. in 2010 he was deported to the uk, lived in london for 5 years and now resides in berlin (while still holding down a show on the east london-based radio station nts). in summer 2015, prolific leftfield beatmaker kutmah released the 20-track instrumental beat album blk/smr on bandcamp. during march 2016 he selected & sequenced his favorite nine tracks for a forthcoming limited-edition 10 inch vinyl version of blk/ smr on hit+run.

25th anniversary edition of the soundgarden album “badmotorfinger” from 1991. first ever 2x12 inch edition, pressed on audiophile 180 gram vinyl with etching on side 4. comes in a gatefold sleeve with lenticular artwork and download code included.

review 89:ghost present an ep recorded in 1996, and originally only a test pressing (2 copies remain in existence) on nottingham house oracle cas roc s big fella imprint. now remastered from the original tapes, it s 20 year wait for an official release is over. 4 late nite trax from deepest 90s nottingham, diy studio kinda cloudy. 300 slabs of no-frills black wax

the chemical brothers invite us to a trip through their soundscapes. great 2002 album.

nice price deal !!! support: karotte, amir, stephan bodzin, basti schuster, style of eye, tim green, mihalis safras, sam bailey, tobias henecker, bjoern scheurmann ...
the new various artists ep on circus records proves that grooves, thumping techno and fun can all be placed in one package. ey guapa by falko richtberg is a summer review with playful grooves and a few exciting and unexpected sounds included. the tronic love dj on big fm radio makes his first appearance on circus records and what a debut this is! the cologne based dompe presents us katharina, a tune built for the dancefloor. a dark bassline and a cracking hi-hat only interrupted by short breaks, make sure the party keeps on rolling. circus records boss mikel mckay presents us his junglefever and this will find many a fan not only in the tribal movement, but also amongst most tech-house lovers. with mikels releases on bcb tec and of course circus records, he has made many a fan, including the likes of richie hawtin, ricardo villalobos and magda. hope you enjoy!

supported by oscar mulero, jonas kopp, the advent, zadig, blawan, pfirter. the fifth release on dimi angelis angls label is here, featuring four original tracks. opener eye of the storm v1 is all about its hook. powerful yet playful, its loopy nature masks raw, driving techno hiding underneath. a foundation that is also very much present in electric tree. the second banger on this side of the ep almost sounds like analog equipment in conversation with itself. trippy, moving and constantly changing. on the flipside, speed boarding is growling lead synth propels the track forward, opening up and showing a glimpse of its contained grit every now and then. closing down the four-tracker, eye of the storm v2 trades some of the raw feel of its a-side counterpart for a more introvert, subtle vibe, making it.

belgian producer joris biesmans (aka cashmere* and benn lian) delivers a counterweight to the fast food music that ram-raids its way into todays mainstream consciousness, with a project named tve - the virtual escape indicating his urge to escape from todays data-saturated, musicas mass-industrial-product environment. musically, tve aims for an aesthetic ambush incorporating strange & self-made hardware instruments, tape machines, non-standard structures, atonal abstraction, noise, distortion and randomness - openly embracing imperfections instead of smoothing them out with calibrated presets & templates. to this end, tve has brought two masters of this approach on board for the labels debut ep and with creme organization alumni legowelt and asok bringing forth their own inimitable style on remixes of biesmans delightfully askew original productions. keep an eye out for more engaging oddities on future tve releases to come. early support from: massimiliano pagliara, tim sweeny, ambivalent, lando

seeingsounds debuts with alcis floating ep.

break records are being released at an astounding rate. yet most of the sounds and samples used are just the same recycled material from the last dozen break albums. this leaves the dj who is looking for new material to create with, disappointed. that is… until the arrival of grime-n & starfunkle’s sushi breaks, a break record that is the compilation of a decade’s worth of crate digging, sampling and beat making.
featuring all new production from an international array of renowned hip hop djs and producers. each track of beats is set to single bpm, letting the dj juggle endless sets with no need for sudden pitch adjusts, giving maximum creativity to battles routines. sushi breaks is chock full of original sounds and samples not used on previous break albums, offering the dj a whole new tool box of scratch to paint their sound canvas with. pressed at maximum groove depths, sushi breaks keeps the needle where it’s supposed to be, so you can do your best work without interruption.

adam beyers drumcode juggernaut attracts more fans and critical plaudits with each passing year. holding firm on its future facing ethos, techno s number one label presents a new volume in its acclaimed a-sides series with 20 prime tracks to signify its 20th anniversary. such is the volume of quality music adam beyer receives throughout the course of the year, releasing all of it would be impossible. enter the blue chip a-sides series: a chance for the quality-obsessive label head to issue a collection of outstanding tracks that couldn t fit in their regular ep release schedule. with an eye on future talent, as much as the label s established roster of heavy-hitters, the compilation showcases the full breadth of drumcode s multifaceted techno sound, equal parts inspiring and functional. the compilation takes in exciting highlights from big guns such as alan fitzpatrick, dustin zahn, bart skils, pleasurekraft, luca agnelli, jay lumen, kaiserdisco and gary beck. also showcasing emerging techno talent boxia, enrico sangiuliano, juan sanchez, ian o donovan and timmo also drop fire, establishing their credentials as some of the most promising talent breaking through the ranks in 2016.

adam beyer s drumcode juggernaut attracts more fans and critical plaudits with each passing year. holding firm on its future facing ethos, techno s number one label presents a new volume in its acclaimed a-sides series with 20 prime tracks to signify its 20th anniversary. such is the volume of quality music adam beyer receives throughout the course of the year, releasing all of it would be impossible. enter the blue chip a-sides series: a chance for the quality-obsessive label head to issue a collection of outstanding tracks that couldn t fit in their regular ep release schedule. with an eye on future talent, as much as the label s established roster of heavy-hitters, the compilation showcases the full breadth of drumcode s multifaceted techno sound, equal parts inspiring and functional. the compilation takes in exciting highlights from big guns such as alan fitzpatrick, dustin zahn, bart skils, pleasurekraft, luca agnelli, jay lumen, kaiserdisco and gary beck. also showcasing emerging techno talent boxia, enrico sangiuliano, juan sanchez, ian o donovan and timmo also drop fire, establishing their credentials as some of the most promising talent breaking through the ranks in 2016.

those who preordered, do not have to do so again, we will contact you when we have stock! the music fell into the lap of wt records and it seemed only natural to release this 2 part big room art piece. moon temple is gabriel andruzzi. you may know him as the bass player/sax guy/engineer of a well known defunct nyc band. this well polished piece contains 9 tracks of delicate interludes, big room acid stompers, and weirdo spastic mechanical marches. there is no way to know if this release will end up in a big room, a sweaty basement, or a museum. not only does it sound good but there is a visual aspect too. both 12inchs (pressed on 45) are packaged in beautiful silver foil op art by moscows art crime.

ultra fast schnrazin acid techno - old skool

lhs opens the voight label with 4 futuristic cuts of industrial techno. themed around the components of the human eye, the tracks explore the borders between the peaktime dancefloor and blurry after hours. goldffinch add a functionalistic-reduced interpretation.

we are very glad that our favorite spanish producer eduardo de la calle is back to mule musiq. there are four deep analog techno tunes.

hvl seems well thought of by many within the house and techno community, with labels queuing up to secure his services. bizarre realms marks his first appearance on los angeles hesperian sound division. it s an undeniably atmospheric affair, with the georgian keen to show off his noted eye for detail. check, for example, the spacey, detroit deep house-goes-acid vibe of -escape in time-, or the watery, deep space electronics and jazz-flecked rhythm of -bizarre realms-. he s not afraid to doff a cap to techno, either, as both the deep and dubby -sio-, and the more ragged, mind-bending -sforzando-, so neatly prov

hinter dem projekt xander harris verbirgt sich justin sweatt aus austin, tx. er bezeichnet seine musik als dunkel gefärbten snythie-pop. nach seinem debüt urban gothic erscheint sein zweites album nun bei rock action, dem label der musiker von mogwai. folgende assoziationen tauchen in besprechungen zu seiner musik immer wieder auf: der soundtrack zu dem spielfilm drive, der soundtrack zu assault on precinct 13 von john carpenter, daft punk, die interessanten schaffens-phasen von künstlern wie tangerine dream oder kraftwerk. california chrome jedenfalls wagt den spagat zwischen atmosphärischen synthiesoundscapes und rhythmischen knallern wie etwa dem track buckle bunny. seine musik ist instrumental realisiert und überzeugt bei titeln wie basilisk stare auch mit wunderbaren melodien, die sich für eine nachtfahrt auf autobahnen ideal als soundtrack anbieten. die vinyl-lp erscheint inklusive downloadcode.

“i still hang around” goes the deep haus mantra from clouded house (lobster distribution) label boss lukas lyrestam. stockholm born but currently based in london he had this to say about the record… “hang around is equal parts club-tool and introspective banger, for the moment you should be leaving but you got nowhere else to go. scandinavian masters is a solid gold thumper harkening back to the glory days of jesper parnevik.” ”on the flip-side two alternative versions give the tracks new legs. common labour alumni powel (fresh off a tour with lee burridges’ all day i dream outfit) delivers a smooth house odyssey remix while x-kalay mainstay kask goes 100% techno on a remix that takes no prisoners. make sure to keep an eye on the estonian upstart as he debuts on common labour in 2017 with an ep of his very own.” hang around ep is a vinyl only release, limited to 250 copies worldwide.

and then the log lady said: beauty is in the eye of the beholder. yet there are those who open many eyes. eyes are the mirror of the soul, someone has said. so we look closely at the eyes to see the nature of the soul. sometimes when we see the eyes those horrible times when we see the eyes, eyes that that have no soul then we know a darkness, then we wonder: where is the beauty? there is none if the eyes are soulless.

the frightnrs escort daptone into the world of long-playing reggae with both the sweetest and the roughest record of the decade. crafted under the meticulous eye of black-belt reggae mastermind/producer victor axelrod (aka ticklah), nothing more to say is a rocksteady masterpiece the likes of which has not reared it s head since the golden era of studio one. however, you ll find no imitation here - none of the faux-jamaican cliches of lesser reggae bands. like all things daptone, this record is above all soulful and honest.

2lp+download ! in my room proudly presents fixion, the fourth full-length offering from anders trentemoller. with fixion, anders has crafted a logical successor to 2013s lost - a record that in many ways managed to truly capture the visceral live experience of trentemoeller as a full-band. in much the same manner that lost built on from the somber cinematic classic that was into the great wide yonder, fixion has embraced the danish artists trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.

limited deluxe collectors edition 2lp,180g, gatefold with spot varnish+mp3 download+download bonus track rework! in my room proudly presents fixion, the fourth full-length offering from anders trentemoeller. with fixion, anders has crafted a logical successor to 2013s lost - a record that in many ways managed to truly capture the visceral live experience of trentemoeller as a full-band. in much the same manner that lost built on from the somber cinematic classic that was into the great wide yonder, fixion has embraced the danish artists trademark melancholy and matured it into something uniquely atmospheric and darkly romantic

yaqaza is their long-awaited vinyl debut. the duo surprises with a multicoloured, mystic and intriguing collage of deconstructed pop hits, italian music concrète, king tubby-like dub and algerian rai.

with an eye in the past and a foot in the future, acid avengers aims at federating the vibrant but little recognised acid french scene. through a series of split eps (jaquarius, monoenzyme-307, voiron, botine, umwelt, paris acid boys), the record label celebrates the hallucinated sounds of the golden age of rave. for that first release of fucked-up electro and raw techno, jaquarius and mono-enzyme 307 resuscitate the nineties sounds through a modern understanding of acid music. an ep for the legs and the brain, that will thrill all the braindancers

ltd 50 % deal, o.xander is back on nous for another jaunt into textured techno rhythms all sewn together with a cheeky side eye on diverting off the obvious path and sustaining a reticence for anything too formal.ep opener snowspeeder blues is a glacial skitter around pitch perfect retro-techno territories, while thru our veins harnesses the eternal power of acid and a perfect balance takes a wry slo-mo lens to the synth-core sound.over on side b we are back in the acid zone for full spectrum, if a more mournful and disquieting rendition of that genre, with the junipers dub version squirming through a gauzy terra firma of dim lit detroit design.

vinyl only! amazing atmospheric and warm dub techno and house by plug and lay records. plr is a new uprising label you should keep an eye in the future.