look up at the night sky and make a wish… it appears fleetingly.
vinyl only

wm009 is the debut album from white material co founder young male. a collection of dark ambient and textured experimental songs created as a personal soundtrack for life in uncertain times. paranoia, lust, virtual experience, and tension/release are themes explored in this tour through a dystopian american landscape.

die “environment”-serie der kult-elektroniker future sound of london basiert auf den gleichnamigen ‘lost’ alben aus 1993, die erst 2008 komplettiert und veröffentlicht wurden. in der folge entstanden weitere arbeiten in anlehnung an die früh-1990’er electronica der fsol, die jetzt nach und nach erscheinen. der sechste teil erstreckt sich über zwei separate alben und umfasst 46 unveröffentlichte tracks auf 2 cds. die lps enthalten 17 bzw. 18 tracks, wobei der track “silent around them” auf lp vol. 6.5 vinyl-exklusiv erscheint.

ron trent brings back the “dance floor boogie delites” tag for 2 tasty cuts featuring similar flavors to previous releases on prescription and future vision! the artwork is appropriate as “boogie down” will make you want to break out your rollerskates and “in the light” is a nod to early prince!

subjecting itself to the essence of musical rummaging and the sole joy of musical discovery, dive ii swim was created with the vision to compile productions from already well-established producers together with gems from upcoming talents. eclectic and inclusive, it’s set out to be a compilation that should fit in most bags and shelves. emphasising its musical core, previous notions and expectations regarding the persona of a producer is of no importance, all of them will take on a new alias before they dive to swim.

video for the title track “mango bay” was played for hours over stream by one of the top dota players rtz, achieving legendary meme status over night. “rush” and “rocky bay” are wrapping up the a side carrying faster tech grooves, while still maintaining the organic component (warmth) with bass, chopped vocals and woodwind leads.
b side starts off with “calypso”, one of the earliest x-coast productions - a steady house groove made from layers of keys, trumpet stabs, rich with hats and ghost snares - perfect to get the party started. being the last track, “don’t stop” is a hidden gem of this ep - what seems to be a hawaiian steel guitar classic, quickly transforms into a floor stomper, it’s a house beat reinforced by a classic rolling break, hammond stabs and samples of sterling void & paris brightledge’s “it’s all right”.

black vinyl repress - some pirated copies circulated illegally, but this is the definitive version…tried and tested in the last few months and always ending to be the tune of the night, marvinello is the result of the collaboration between michel cleis and klement bonelli.

exactly one year after developer s 5 year anniversary release on modularz which also was also celebrated in a special label night at berlin s premiere techno club berghain back in november 2015. he returns for is next ep named -dispatches from la- developer went to his home city of la over the summer 2016 to play a calendar of shows in the us and to record this ep from his 2nd studio in los angeles. its more of his trademark sequenced based yet hypnotic sound with a bit more of analog gear used for this one. tip

los angeles native, dyed in the wool hooligan zeroh gets loud, technical and strange all over again on his new ten track album tinnitus hnr65. organized noise was haphazardly strung together and embellished amongst 15+ hours of music in a dark smokey garage on little to no sleep. the severity of this raw bludgeoning echoes pain in the heads and ears of your typical everyman in an attempt to bring them to higher state of consciousness. zeroh emanates a low glowing light close to the chest. the one saving grace for this genius god awful cacophony. written and produced by zeroh additional vocals on gun metal by the koreatown oddity. harp & additional vocals on my beautiful new age nightmare by low leaf

makam returns to dekmantel records with his first full-length album for the amsterdam based label. blankens ongoing search for fresh sounds, textures and rhythms has lead him to than sadet, a gorgeous piece of work that takes his sound into new directions. that sadet displays a refinement of makams sound. the music is highly tactile, with an emphasis on the surroundings of the environment in which it was created. blanken: than sadet is a secluded beach on an island in thailand. a mysterious atmosphere haunts it. its windy and the weather is always a bit worse compared to the rest of the isle. there are many cliffs and you cant swim because the waves are too high. four years ago i visited than sadet for the first time and ive been coming back ever since. at one point i decided to bring my studio equipment. for a week, i dedicated my days to making music. those sketches formed the basis of the album.

apollo introduce sieren, aka matthias frick. a software engineer at ableton by day, sierens love for uk influenced bass music and field recording and experimental soundscaping has resulted in this masterly ep of atmospheric street-rave soul. this is his first release since his debut lp transients of light, released earlier this year on christian lofflers ki records. fittingly, fellow apollo cohort synkro was instrumental in the curation of the static polymorphism ep hand picking the tracks, as well as road testing them to memorable effect on berghains hallowed system no less.neglection opens the release, with billowing widescreen pads, a ghostly 2-step drum figure and pulsing subs,rebase ratchets up the intensity, with sinister bass drones punctuated by strafing perc and hissing ambiance while relicts angelic yet melancholic atmosphere pulls the listener in with heart-aching synth washes and whispered female vocals. closer how to pairs mechanistic slo-mo funk with caustic 808 kicks, muttered vox and juddering bass stabs. this is richly textured and intricately programmed post-bass music that is sure to satisfy fans of burial, dbridge, akkord with its soulful sincerity and warmth.

kuedo returns to planet mu with his long awaited second album ’slow knife’. it’s been five years since his acclaimed debut ‘severant’ and time has proved it prescient, its futuristic trap influence is now ubiquitous. ‘slow knife‘ seems to return to where ‘severant’ left off, but with the intricate sound design of last year’s haunting ep ‘assertion of a surrounding presence’ subsumed into the compositions, making them more exacting and beautifully crafted.

madrid s analogical force reaches number five and are proud to present the v/a series called voiceless. x is the first chapter of x, y, z and features exclusive and unreleased tracks from the usual talents involved with af as reid dunn (dwaallicht / wisp) and reimer eising (kettel), next to new additions likes stian gjevik s stunning eod, london based james shinra and the young underground malta s producer microlith. the overall sound can be described as timeless uncompromising electronics, acid braindance at its finest, an exquisite piece of intrincate electronica...blah blah blah... we prefer to call it: the guiding light. no further words are needed. just enjoy as always, made with love from our brain to yours.

tropico timelexia is a rare tropical disease. in the midst of oppressive heat and humidity, the subject loses notion of time and experiences delirium. fearless explorer benoit b takes us through his elevating journey in the depth of an atemporal and sweltering world with this beautiful new ep for peur bleue records. from the hazy and voluptuous atmosphere of zanzibar sunrise and weekend girl to the rough and throbbing vibrations of crystal fuselage and a night in gobi desert , tropico timelexia ep is a flushed expedition where humans seem to have lost control over nature.

zum fünfjährigen jubiläum legt das britische label invada eine special edition des soundtracks auf. musikalisch gleicher inhalt, aber die verpackung ist völlig neu: regisseur nicolas winding refn und komponist cliff martinez haben neue liner notes verfasst. die komplett überarbeitete grafik stammt von dem künstler john bergin. das vinyl selbst ist zur hälfte transparent, zur hälfte pink. diese edition gibt es nur bis zum jahresende. sie ist zeitlich begrenzt und damit sehr limitiert. danach wird wieder die ursprüngliche version aufgelegt. -drive- gehört zu den populärsten scores der letzten jahre. die mischung aus elektronischer pop-musik (unter der leitung/produktion der chromatics) und dem elektronischem soundtrack (von cliff martinez, ex-red hot chilli pepeprs) geht wunderbar auf und verbindet sich treffsicher mit den suggestiven bildern des films.

mitte november 2016 wird bei ninja tune romares lang-erwartetes zweites album love songs : part two erscheinen. love songs: part two entwickelt und erweitert die lässige brillanz seines debütalbums projections. es war die art von gefeiertem album, die einen weniger talentierten künstlers ins straucheln gebracht hätte. vom dj mag zum -album des jahres- gewählt, erhielt es begeisterte kritiken auf der ganzen linie. es wurde von größen wie bonobo, four tet und annie mac unterstützt und etablierte fairhurst als produzenten, den man gesehen haben muss. es scheint, als nehme er diesen druck recht gelassen hin. -love songs: part two- zeigt eine erweiterung, entwicklung und vertiefung seiner techniken. obwohl sampling von vinyl noch immer eine wichtige rolle für ihn spielt, hat fairhurst weitaus mehr musik auf dieser platte selbst eingespielt: von monophonen synthesizern über den rekorder seiner großmutter und die mandoline seines vaters, bis zum e-bass sowie einer vielzahl von gitarren und keyboards, die ebenfalls zentrale rollen einnehmen.

mitte november 2016 wird bei ninja tune romares lang-erwartetes zweites album love songs : part two erscheinen. love songs: part two entwickelt und erweitert die lässige brillanz seines debütalbums projections. es war die art von gefeiertem album, die einen weniger talentierten künstlers ins straucheln gebracht hätte. vom dj mag zum -album des jahres- gewählt, erhielt es begeisterte kritiken auf der ganzen linie. es wurde von größen wie bonobo, four tet und annie mac unterstützt und etablierte fairhurst als produzenten, den man gesehen haben muss. es scheint, als nehme er diesen druck recht gelassen hin. -love songs: part two- zeigt eine erweiterung, entwicklung und vertiefung seiner techniken. obwohl sampling von vinyl noch immer eine wichtige rolle für ihn spielt, hat fairhurst weitaus mehr musik auf dieser platte selbst eingespielt: von monophonen synthesizern über den rekorder seiner großmutter und die mandoline seines vaters, bis zum e-bass sowie einer vielzahl von gitarren und keyboards, die ebenfalls zentrale rollen einnehmen.

2016 repress - following on almost 5 years after their first release *journey to the centre of the sun* on esp institute. 2 big excursions from a couple of very well respected heads. featuring the label’s very own tako reyenga (red light records, music from memory) and jonny nash (melody as truth, land of light) these two tracks were cut from a weekend of sprawling space-jams recorded in jonny’s north london home in 2012 and until recently were thought to be lost.

expanding on their psychedelic-soul sound, the 11th sky continues the surreal storytelling of last years aeons ep, which also featured kimbra and deva mahal on vocals. the brand new album is described as david lynch meets motown by frontman and producer mara tk, and indeed, a sense of the otherworldly is present here within ewh s layered electronic production and maras soaring vocals. tracks like go slow walk into the genre-fog amongst drum machines and synthesizers. meanwhile i light a candle with it s piano, chopped vocal samples, towering strings and 808s strikes right at the heart of soul music. electric wire hustle s last album love can prevail found support from the new york times, bbc radio and wax poetics, and won best electronic album at the new zealand music awards, continuing a track record of critical acclaim that started with their debut self-titled album. the 11th sky is due out on september 30th on lp, cd

between the vast flatlands of western ukraine and the pacific shores of vladivostok, a new quirky techno underground has been racking up hefty grid rhythms below the radar. initially free from the weekend routines of the established club circuit, producers from etapp kyle to stanislav tolkachev have been experimenting with the possibilities of shifting grids in their post-socialist bedroom studios.

future sound of antwerp are the post-digital children of the citys techno scene, all forgotten mixtapes, and nighttime drives to ghent. these three tracks, all different, were all produced and mixed at deewee, at night, with a purpose.

being heavily championed by the likes of a:rpia:r, cezar, priku and barac, it is now the time to share these precious cuts with everyone. after critically acclaimed debut albums, ada kaleh (dene descris lp) and sepp (timpuriu lp) dive even deeper into rhythm and sound with personal interpretations of an outstanding late night chicago gem from minus & ion, originally released on the models adult central, a close friend and collaborator. crafting pieces of the the original sounds, on the a side ada kaleh delivers an introspective, minimalistic version of the original, while the b side takes us on a darker, ever evolving journey, courtesy of sepp. bucharest based photographer felicia simion masterfully captures the natural and organic soundscapes with a wonderful visual interpretation.

the motorcity boys are back with loveit003 a fresh sounding 4 tracker strongly reflecting the diversity of styles found at their parties. lds kicks thing off with 909 to heaven, a jacking and balearic workout with a rootstrax, chicago style bassline keeping the floor hypnotised until the small hours of the morning. snares, kicks & rhodes is a more laid back jam. lazy warm pads and a slow winding sub bass rise and fall intermittently only to be interrupted by a lo-fi distorted bass that snaps you right out of that trance. nico brun opens the flip side with an absolute banger, hazily reminiscent of that 90’s warehouse rave. lds and nico brun close the ep with an atmospheric collaboration perfect to start or end the night with. splashy beats keep up the footwork whilst pulsating synth sounds slowly wind together and drop with a beautifully crafted sample that’s guaranteed to bring some sexyness back to the dance floor. this ep will definitely be a regular addition to your record bag to spread those warm summer party sounds. bruno farace early support: xdb (echochord / dolly): debut ep? congrats! end monologue is my favourite.

mono junk’s cult label dum records is back with a new five track various artists ep that again packs a vital punch. he appears himself along with some fellow legends of the scene. first up, morpholgy is a consistent performer who has continued to serve up quality electro since 2009 and here serves up a hot new piece. ‘vector plant’ is busy and industrial, slick and metallic as it unfolds and burrows deep into your veins. then comes the a2, irwin berg featuring freestyle man (aka finnish moodmusic boss sasse aka klas lindblad) with a track made in 1995 and never released before. this pair worked together and made a cult electro record for sähkö recordigs in 1998 and this one is just as impactful. it is frosty and frazzled, slow motion but high impact and full of distorted lines and heavy drums. next is mr velcro fastener who were the first kings of electro to come out of finland and between 1999 and 2006 were famous all over the world. their brand new cut ‘almost there’ is a deep one that is riddled with bleeping melodies and has smeared chords bringing a sci-fi feel. then it is mono junk’s turn to dive into the vaults with an unreleased track from 2005. ‘feeling or destroy’ is a physical number with crashing hits and snaking, gurgling bass that is dark and dystopian. last of all comes irwin berg with mono junk as new york city survivors. says the dum boss, “our unreleased track here was made after the new york city survivors – static light cd 2002” and it is a turbo charged track with screwed up grinding bass, icy hi hat rhythms and menace in its grooves.

former descent is the free spirited project by the mastermind behind neurobit and rioteer… with this project he blends in a very successful way minimalism and lo-fi electronics with tough rhythms… these rhythm based tracks take its cue from old school ebm and new beat… this while the melodic elements give the tracks just the right touches to draw you deeper into them… harsh and playful and light and dark never went so well together before… resulting in pure rave anthems!
limited 200 copies.

having previously turned out some refined club tracks for friendly neighbourhood label banoffee pies, christian jay comes to idle hands for his debut solo 12inch. as revealed in our past support of artists such as i.a. bericochea and matt karmil, an appreciation of the finer end of the minimal house and techno spectrum weighs heavy at idle hands hq, and christian embodies everything good about the micro-genre. the stylistic approach on this single is consistent across both tracks, fusing shuffling, 2-step fuelled drum patterns with blissful atmospheric content in a most natural of ways. on 117 this manifests in a more flamboyant end result peppered with playful hi-hat tones and delicate melodic licks, while on contrail the mood is resolutely low-end focused with some choice bass touches in amongst the tightly wound funk of the beat. what makes jay s efforts stand out is their immersive finish, using dexterous doses of dub processing to create a quintessentially bristolian mood while retaining the razor-sharp edges of upfront european minimal. its a tone that speaks to limbering up at the start of the party, or shaking down deep into the morning. that said, we could listen to this all day and night.

willrijk joins the lt roster with a dust-flecked, deep aquatic release of ambient house. escapist elements with pangs of elation and dry roasted bass-lines that crackle with every throb. proper deep-diving, late night house music.

intimate music for big rooms and banging sound systems from this new duo, brought to you by li&#7749,ga &#346,har&#299,ra, a sub-label of lisbon’s helena imprint dedicated to emerging talents from around the globe.
lucid dreams already appeared on lobster theremin’s rinsefm takeover, showcasing a gritty and cavernous aesthetic. warm zone is faster and sharper, hats and claps slicing through a dense mid-range until the track suddenly opens out halfway through. feelings (original) is a melodic beatdown for open landscape and clear skies, one for morning, noon or night. bringing the release home is non other than route 8, who delivers a stripped back, dubby and super infectious rework of feelings thats gonna have everyone hugging on the dance floor.

the kloom surfaced one night in dusseldorf through members of autarkic, naduve, stabil elite and more. this is what they have to say about it: -kloom, in hebrew, nothing. the kloom were not a one-day-band. they did it because it was there, all around them. whether we like it or not, the kloom surrounds us, envelopes us, makes us confess that it really exists. and you, sitting now in front of this screen, you are literally touching the kloom, an illusion that in its exceptional complexity makes you feel like you have the option of joining the other 20.000 newcomers. who will be credited for future kloom productions? no one knows. is there even a point in that sort of thing? it just doesnt really matter, because its too fun to bath in kloom

mr. g extends his ever growing discography with another full length album. “a good place..?” comes as a 2x12” package which includes 10 tracks which range from signature mr. g style drum track cuts with the usual vocal cuts to somewhat more “dubbed out” bits and funky disco tainted dance floor bits. “a good place..?” proves to be the perfect follow up to last year’s “night on the town?” with mr. g showcasing his versatile skill set whilst thoroughly molding the tracklist into the feel of an album.

new years deal - the next chapter in the creme organization ecplise series comes from cosmic garden with three original tracks and one remix from orgue electronique. little is known about cosmic garden other than he is from southern italy and has had two eps out in 2016, one on hotmix and one on cosmic rhythm. he heads out the blocks here with reptilian treant , six minutes of lo-fi deep house that is roomy and atmospheric. lazy synths bring soul and a gentle chatter of claps and hits helps drive it along. rare centaur is also way below the surface but is darker and more celestial, with turbulent bass, frantic claps and angelic chords glowing like a white light at the end of a tunnel. dutch house and electro don orgue electronique then remixes reptilian treant into something that is slick and serene, with metallic lines dancing above rubbery drums as big piano chords boucle up top. it is joyous and colourful and truly majestic before final track apocalyptic moose takes us back down into a mournful house vibe that echoes chicago with its roughhewn analogue textures and lovestruck chords.

alleviated records is proud to present the donnie tempo ep re-issue. darren brandon, producer behind artists such as nature love night life collective, knu je distant music and club ice black market international/mca and dj quad gives us this 3-track ep. deeper house-music enthusiasts who are into the historical facts and aspects behind the music will find much interest in the selection mental problem on this ep. mental problem has it s own special place in the history of chicago and the development of this music that the whole globe now enjoys. there were many dance tracks that were exclusive to the dance floors of clubs in chicago that were never released as commercial recordings, well - not until this issue of this very deep and energetic selection that embodies elements of acid, deep and tribal dance cuts. enjoy!

kanja records is sincerely honored to present its second vinyl release, based on a concept called sunday mornings. with this series of releases we will focus on that warm up, early morning, after party gems and slowly fading away from peak time music. our philosophy behind this concept is that the focus goes to the tracks being timeless, and music that you can listen to in every time of day and night. music that offers a vast variety, but in the end coming together in that sweet and warm morning glory.

absolutely classic double header of brand new mixes from the mighty mike maurro! a detroit classic goes head to head with another solid gold philly classic on this 12- of exclusive mixes lifted from his -peak hour remixes- project, all produced from the original master tapes. the spinners evergreen soul classic -i ll be around- takes up the a-side with mike s trademark respectful flourishes evident - a restrained, classy version of this all-time anthem is what we re treated to by someone who truly understands the originals and feels the music. a must have for all serious soul lovers out there. on the b-side we have the trammps stellar -the night the lights went out-, a long time favourite that has been extensively sampled by numerous house artists and the trammps paean to the infamous city wide blackout during the summer of 77 in nyc that ended up subsequently reshaping popular culture as we know it. maurro s mix, as always, has respectfully rearranged the track in such a way that he s managed to put a new spin on a legendary disco classic focussing on the incredible arrangements of norman harris original. simply put, another set of essential mixes from a modern day master! file under - *essential disco*

dj and producer, co-founder of the legendary london club night lost, steve bicknell returns to the fray with a brilliant new 12, modes of thought. comprising three full tracks and six locked grooves, the record represents the debut release on bicknells brand new label, 6dimensions. art by harumasa kono.

nice price deal !!! it s been a big shock for all of us to hear the sad news that our good friend andreas gehm passed away this year. his last big project is the -worldwide electronics- - series on his own label -cologne underground- which brings his friends from all over the world together. the idea of „worldwide electronics“ is to combine music from all over the world on one album (in fact, there will be a vol.2 too). the second idea was to combine well known artist with newcomer. when gehm, who runs cologne underground together with dbh distribution, ask the artist for tracks, he don’t ask for any specific style. the artist were free to deliver whatever they want. so at the end it ended up from deep house (oldschool definition, not edm definition) to acid. „worldwide electronics vol.1“ contains one track from greece (dimdj), germany (hardfloor), netherlands (baz reznik), england (perseus traxx), columbia(s.valencia) 2 tracks from japan (takeshi kouzuki and jin-cromanyon) and the first of hopefully a row of collaboration tracks from legowelt (netherlands) and elec pt.1 (germany) as „gehm & wolfers).

red axes s massive waiting for a surprise gets new remixes from heavy hitters audion, moscoman, manfredas and multi culti label-man thomas von party. the jewel in the crown of israels underground music scene, red axes have produced a steady stream of hits on labels like permanent vacation, i m a cliché, crosstown rebels, and the freaky all-inclusive multi culti where they dropped what became, somewhat surprisingly, their biggest hit to date with waiting for a surprise. the dark, stripped down disco bomb had one of the most memorable hooks of the year in singer abraos staccato chorus, a late night voodoo incantation that was always begging to be remixed

neue 12” des kanadiers jacques greene, einem aushängeschild der unabhängigen, jungen label-generation, bestehend aus uno, 3024, night slugs und lucky me, deren künstler moderne sounds wie hip hop, r&b, house und techno perfekt fusionieren. sowohl “afterglow” als auch der sommerhit “you can’t deny” erscheinen hier in vinyl-only extended versions, downloadcode inklusive.

daniel meuzard aka feater originally hails from a small mountain village in the western austrian alps. the music producer with north african roots calls vienna his home for quite some time now. for more than ten years he has been involved in electronic music and working with analog synthesizers and classic tape recording. as an owner of a studio equipment shop he was able to get his hands on a wide variety of equipment. experimenting with different instruments and recording techniques helped him to develop his own musical ideas. in 2013 he released the 7inch vinyl single digital love on paradeis garage. in february 2015 he recorded his debut album waste the time on a 8track tape recorder and finalized it together with the producer and recording engineer sam irl in the summer of 2015. as a member of the finishgermanaustrian group skymax (along with stilettiana & sam irl) he released the vinyl ep trucker trans on his own label called international major label

the long awaited reissue of the classic aim debut album from 1999. limited edition translucent ice blue 2x12 inch vinyl.

brian auger, the london born keyboard genius & musical pioneer, lauded and loved by everybody from herbie hancock to mose allison, from the brand new heavies to the beastie boys, whose tracks have been sampled by mos def, common, air and kid loco, and his original compositions covered by sarah vaughan, richard groove holmes and he is the proud recipient of a us congressional award for services to jazz!
back to the beginning..again is a fantastic collection that demonstrates why brian auger is considered legendary.

andrea pellegrinelli and davide brugola are two men born and bred in the traditions of italo and electro disco. the duo, as forklift & saw, release their debut 12”, regression, as they melt past influences into the present. meandering hooks, emotion soaked keys and snapping rhythms are at the centre of this milan partnership s music. across four tracks the pair delivers crashing snares, starlit synths and rumbling arpeggiators. infectious full bodied funk oozes from this fledgling outfit, crisp percussion supporting their night gazing melodies. welcome to the world of forklift & saw.

channeling the spirit of moodymann, rick wilhite and other such detroit house greats, guilhem monin follows up on the promise of his debut for colors last year with this sizzling slice of rough hewn deep house gold where the samples stay locked in the groove and the atmosphere of the room is captured forever on the record. -social music- would surely not sound out of place on kdj, while -i plan to stay a believer- calls upon the warming tones of rick wade et al amidst an irresistible 909 house bump. -vlg- gets a little more sassy with its choppy edit style, and then -people- brings in a fist-pumping riff to hit the sweet spot later in the night.

6 tracks, extra fun. tip!

in ancient greek mythology, olympos was the living place of the twelve olympian gods and has inspired our limited series record label under the same name. olympos, will release a series of eps , with the figure of an olympian god, from various artists which will remain unannounced until the project is complete. kicking off the series is hephaestus, the god of fire and metal. dounai and lavein is an ancient greek phrase meaning give and take. a-side features lavein which is a broken beat, glitched up number, with a rather metallic timbre. resonances, filters, drums and arpeggiators arranged and programmed in style, resulting in a modern electronic piece with plenty of quirky, edgy vibes. on the flip side dounai is a melodious, esoteric and slow moving late night /after-hours affair, which expands slowly and steadily over a beautiful chord progression of lush strings and sparkling pads. a steady punctuated beat rolls smoothly throughout the track, completing this ep in a misty, hypnotizing and charming fashion. one copy per customer .

the second chapter of the various artists serie -obscura europa s.a- is here. synth based -dark band sound- on its maximal exposure. from brazil to belgium, passing by switzerland, poland and australia, this serie presents some of best darkwave hymns uncomprehensively not pressed on vinyl to date. all tracks have been analogically remastered specially for this vinyl version by eric van wonterghem.

a rosy light, shows her profile bleeds of tears and the bruises over her face. the shouts, have deafened of herself, the ears short is the breath, given by the humiliation the curled up limbs, to do not feel pain. and those tired eyes, to see of her nightmares, the faces they fade, as dissolving the dim light is, of another, damp, sun. -utopian soul –

fur coat return to crosstown rebels - the label that launched and empowered them to grow into the major techno force we know today, with their ’numbers ep, featuring a remix from us native vin sol. this is music that keeps you guessing. initially it appears dark and forceful, and suddenly a sound appears that results in a smile, a warm feeling that only the highest level of production can deliver. fur coat’s schedule is unrelenting. the last couple of months involving a standout set at dgtl festival, releasing on watergate records, remixing nicole moudaber & skin on mood records, combined with numerous festival appearances over the summer. resident of the popular night club lonely in san francisco, vin sol, founded an imprint with the same title earlier this year. a self confessed lover of the drum machine and regularly collaborating with matrixxman, sol has previously released on soo wavey, clone jack for daze and delft among others.

scubas entry in the revered fabric mix series features four debut-making artists, three of whom, isaac reuben, glaskin, blursome, feature on the present sampler 12inch alongside the already-emerging talent of tallmen785. together they cover a rich gamut of style. tallmens gear-shifting opener a charge of the techno brigade replete with live drum fills leads into blursomes compact, broken, nocturnal outcry. isaac reuben then messes with structure and genre, bringing deep house tropes into a lofi, rough and raw world before glaskin blow the door wide open right at the very end to reveal their cavernous, ultra deep field. you’ll be hearing a lot from all of them on hotflush in the coming months, so for now let the music break the ice