we are extremely delighted to announce the highly awaited new release of peter makto & gregory s latest ep. an amazing piece of work filled with cool atmospheric sounds that paths the future of deep house tech music. support ep by marco carola, carl cox, maceo plex, todd terry, josh wink ...

three tracker of primers. top tune mixmag germany. on my own - a heaving banger with filled with gloomy stabs and strobe-filled crescendos, slapped with heavyweight claps in all the right places. cut and thrust - frenetic synths spin in a shower of sparks around razor sharp hi-hat barrages. duck and cover! relax - a deeper, organic feeling permeates this lights-out groove filled with wooden hits, simmering shakers, and warm synth washes.

for the last 50 years, american popular music has been filled with the timeless songs of jimmy webb and here, flannelgraph records helps to continue that legacy with still on the line: a tribute to jimmy webb.

raam follows up his two earlier eps with some warm, gritty and analogue fuzz. the ep starts with padme which is a heavy and chord driven techno track. a thick synth stab is building up over a tight 909-beat, wooden percussion to a big crescendo which makes this track a peak time banger.

after retiring from the jamaican police force arthur duke reid established his treasure isle liquor store and sound system in pink lane kingston and was crowned the undisputed king of sound and blues in 1956, 57 and in 58. the duke then moved into record production and after relocating the store to 33 bond street, he then built a recording studio on top of his new premises in 1966. according to the musicians and singers the wooden construction of the treasure isle recording studio gave the music a distinctive warmth and richness and with resident engineer byron baron/smithy smith at the controls, the sound of a bond street recording was immediately recognisable.
but the studio one sound is different to the treasure isle sound! the people have to know. - bunny striker lee
a glittering selection of strikers treasure isle recordings are featured on this compilation. so please sit back and enjoy the set!

limited edition of 500 copies on 180 gram vinyl.
*bring us some honest food* sees argentinian guitarist alan courtis and brooklyn-based british drummer aaron moore explore sounds and instruments far beyond their regular guitar and drums set ups. here they utilize anything from grand pianos and balaphons to metal lampshades and wooden staircases.

returning home after the acclaimed holding ep and the highly regarded clap clap remix, lurka continues with his journey into sonic bat country. partials kicks off with lurka’s typical intrigue, pads swell with distant spectres of percussion build into the most saturated kick of the year slapping you in the face like wet rag, while an architecture of syncopated hats and bit crunching snares lock the angles a shower of haunting bells falls. dancehall for witching hour. mach steps in with an equally holo-deck soundscape. drums swing in awkward alliance with dry wooden blocks and woozy binary language. both tracks united in their skewed viewpoint and distinctive awkward funk.

steve murphys curiously long shadow casts itself ever further over the realms of gritty house and techno with a barn-storming follow up on the lobster theremin core series, this time ratcheting up the tempo and rhythm to epic levels. shed-esque kicks thunder over asteroid-crumbling basslines, crackling wooden percussion is slammed into the muggy dirt and leaves, seriously filthy, rolling numbers for the all night crew.
*uk treatment* kicks and thumps in all the right places, with a stuttering synth stab loop and vocals giving it some serious peak time currency. *spleen* is all sludgy, skittering mpc business, while *rules* goes off-key chicago and *total recall 2084* swims around, pestered in the mud until a lonely, droning piano key scares away the flanged swarm of wasps and noise.

two release from kaato music for one special price! contains these eps:
- kaato023: björn wilke - cumbuco ep (white vinyl)
- kaato025: sonic & wooden / björn wilke - split ep #1 (yellow vinyl)

additionally to the lifesaver compilation 2, ramona will release an extension-10inch-vinyl containing brand new tracks by the two supergroups, hotel lauer and tuff city kids.

nice price deal !!! the very first release of the new >somos< imprint curated by alejandro mosso. a label intended to enlarge the family and serve as a platform for related artists who share similar aesthetics. expanding the mosso label manifesto into a larger community. ! joachim holm, a young talented and skilled producer from trondheim (norway), wrote some unique and mesmerising wooden melodies which became the foundations of these two songs. alejandro added some extra production and a beautiful record came to life. ! tre rytme, the rhythmic version, focuses on the main melodic motif while adding an intense and pulsating beat. morphing slowly but firmly into a club burner. a spring optimistic piece ready to add a spark of life into any dancefloor. ! tre melodi is the soft and mellow version. a 12 minutes ride of polyrythmic, repetitive and hypnotic riffs, recalling american classic minimalism in an innocent and playful manner. take the time to listen until the end, it promises to be a comforting experience.

opening up with the deep space atmospherics of quiet life the album immediately transports you to another world. the title track is then a melodically lush and uplifting affair with curious synth patterns ebbing and flowing beneath crisp percussion. tracks like we search for answers combine organic, wooden textures with more synthetic and trippy synth sounds that are as far away from your standard sample packs as can be imagined. across the course of the album there are dark, moody and emotive pieces like worship (previously released in extended form on the mdl02 single) featuring qzen who reads a poem by patience agbabi in tantalising fashion as well as heavyweight, dubbed out techno groovers like shadow theory. make it true (of which seth troxler will be releasing an extended edit on his play it say it label, complete with high profile remixes) is another great collab featuring the vocals of jojo de freq, and the track itself is a harmonious, radiant house jam that is humid and human in equal measure. the otherworldly, snaking feel free again showcases berkson & what s ability to coax alluring emotions out of their machines and closer logan five wraps things up in suitably spangled, textural fashion. despite the fact much of this album will work on a dancefloor in the hands of the right dj, there s an invention and musicality to it that renders the whole thing hugely listenable away from the club. a testament to berkson & what s analogue invention and fluid ideas, keep up appearances really is a master electronic oeuvre.

jonny nash (land of light) pulling out he deepest set of cuts on his own new label... sublime tip! melody as truth is a record label run by jonny nash, primarily as a vehicle for his personal output.

>sleduyushly< or who is next on sol asylum is anton zap. we are pleased to be closing out 2014 with the delightfully well-crafted deep house that resonates within anton. we start with talking a simplistic yet deep and ever-evolving atmosphere with peculiar echoes and noises that speak to us through constantly moving metallic percussion. next rublewood with its trotting wooden clicks and oscillating claps we morph through the track until the euphoric themes expand bringing us to the next level. in my lesson, anton channels a 90s ambience with a definite feel for funk. arpeggiated synths with just a hint of acid mixed with harmonic pads and unconventional horn riffs bring this eccentric soundtrack together. finally her lesson brings us to more experimental territory with a futuristic outer galactic journey through space and time where a metronomic kick, walking bassline and gleaming pads transport us to another dimension.

the boys of mappey again achieved to compose a very picturesque sound telling the story of mr. miyagis wisdoms.a technical and yet precise fighting scenario between miyagi and a muk yan jong (wooden dummy) opens up this track using a warm wooden percussions and a solid human kick.

in contrast to his *heart* release, scrases *another* ep provides a dark and twisted journey down more alien avenues - the streaming melodies & warm atmospheres of the previous ep supplanted by arcane wooden rhythms and mechanised bass movements. *another* delivers a slab of crawling, warehouse-weight with an eastern flavour, *movon* provides a minimal take on uk bass music fine-tuned to devastating effect. the three percussive tracks littered throughout the release explore a very different angle, combining dusty wooden rhythms with dread-filled tones and complex manipulations, lending the diverse collection of tracks a strong ritualistic feeling, topped off with a brooding remix of the title track by the ever consistent irish techno duo lakker.

trunk - and branches fetched by klangscheiben manager demas with diligent helpers from the forest. they built a wooden house of joy in the middle of the thuringian pampa. in the tree house they set up a small vinyl manufactory. what counts is lively, honest craftsmanship. hunter s tree! here they are, the pieces of wood, uh vinyl. scratched into the inner bark stands out: artists have placed their saws and axes in the shed and carved a few tasteful sounds in electronic sisyphean. chapeau et voilà, because what s crawling out of the wood boxes (clearly!) is not a worm, but musical understatement with pure groove research and a commitment to a culture of sound of the early perlon vinyls. oh god, always these analogies... but there were, no, there are good times for good music! this is magnificent fizzle funk with emo edge. relish and dance!

there is a common thread that runs through all of brandt brauer fricks music. it is this: interesting things happen at the interface of machine and hand-made music. the berlin trios 2010 album, *you make me real*, fused techno and classical. the 2011 follow-up, *mr machine*, saw them go the whole classical-meets-club hog with a ten-piece ensemble playing dance music live. then, earlier this year, came *miami*, a darker, more song-based collection exploring the same man-machine ideas. the berlin trios instalment of the dj-kicks series does the same thing with a mix.
the double vinyl comes in gatefold sleeve and includes the dj kicks mix-cd.

vinyl only! very special pressing with real wooden centre label! paul brtschitsch, mr. rod & malte schlorf deliver a mixture of techno, vocals & deephouse - recommended!

usb stick - kein vinyl !! (usb stick - no vinyl)
2014 is the year of degree records first anniversary celebration. after three highly successful eps, which all hit the top 10, the label owners veitengruber and 212fahrenheit give their love back to the audience with the most sustainable and utterly stylish gimmick - a wooden 8 gb space to race usb flash drive with 16 exclusive tracks by the best national and international deep house and techhouse artists. it will be delivered in a precious box together with a necklace.

welcome to the world of magic eye, an illusory duo from leeds experimenting with light and sound. the mystical pairs debut release, inside my love, comes on the legendary house label strictly rhythm. kicking off with plummeting and rubbery kick drums it sucks you down into a warm and inviting place somewhere on the edge of the cosmos. when the dulcet chords of a certain minnie riperton song drop in its pure bliss. wooden percussion clacks away and then the whole thing drops into a serene breakdown complete with heavenly vocals. its a sympathetic re-imagining of a classic track that works to perfection. remix wise the label features interpretations from purp & soul artists harry wolfman & mark wells, plus mike mago.

fields is the only utopia artist to have 2 solo vinyls, and now it is time for his third. championed by the likes of break, calyx and goldie, *on your own* is rugged yet snappy piece of bass music. going for a wooden not plastic approach, it combines classic hip hop vocals with new age bass work. the flip is the best stepper yet on utopia and has the funk, which is hard for most 2 steppers. the interchange of bass and mid tones creates an infectious groove perfect for the dancefloor. supported by: break, dlr, doc scott, goldie, calyx, teebee, andy c.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

it is neither a new computer game, nor a novelist - but most certainly the tightest live formation that jazz & milk has to offer to date! gta hoffmann sips out of your ear, sways your hips and bypasses the vessels of your awareness, 120 times per minute. three musicians, experienced in diverse and manifold musical areas, play their own and unique creation of live dance music. beni brachtel, aka bartellow (guitar), lukas rabe (keys) and gabriel hahn (drums) operate their instruments as armatures of turning knobs, sliders and effect pedals and pave their way through earthy rnb grooves, wooden house and analogue elevator-minimalism. as improvisers and composers they love to play with shapes, moods and all types of sounds. the result is pure energy, which inspires deep listening, immersion and dancing. what appears to be an artificially produced electronica record is in fact the live sound of a trio, which levitates through space and time - far away from any musical categorization - while sonically complementing and reorganizing earthly pulse.

ltd 180gr vinyl repress
after their hot contributions for treats vol. 2, session victim prove indeed that they are on the roll with a funkafied and no holds barred ep that pays homage to their hip-hop roots. move me so starts rather simply, with just a guitar and a vocal, but you can hear a moving bassline and distant rhodes chords creeping up from the background. two minutes into the track and theres still no kick drum, although the level of excitement produced by the magnetic groove is almost unbearable. a filtered drum break finally gives way to a four to the floor beat that should turn any dancefloor into a frenetic party. the track builds with high energy, as the pounding bassline seems to be directly lifted from an early 90s hip-hop classic. the breakdown sees the vocal/guitar loop being played differently until the second part shifts gear and brings more surprises in the mix with the intro rhodes chords coming in and out.

crossing classic alleys with the eintakt 28 – another various artists compilation offering a warm summerblend of well grown techno/ house/ dub plants and vegetables. starting off with >>achim maerz<< and a harmonic drifter with just that tiny acid touch it needs here. then mr. >>dub taylor<< takes over with a wooden dancefloor spoon cooking up a decent mixture for the massive floor.on the b-side >>idealist<< reduces it to the max with the well known hits and drum bits and so fulfils his past future classic promise once more.fading out with >>pawas<< and his slight jazzy cold dubb (which is not so cold at all) and being aware it’s another proper piece in the eintakt puzzle

limited record store day 2013 release.

the second part of the >what about talk about< series by baaz starts with >owls night<. a deep house tool with a vigorous bassline, some classic 909 elements, weird vocals and a pumpin piano chord. >those things< the second track on the a, infects you with positive vibrations and the magic mood. the b side enters with a remix by the highly skilled producer michel bauman under his moniker soulphiction. he turned the track called k.m.s. into an emotional and strong kicking house tune. a cut for the special moments. the original is produced by iron curtis & baaz . 90 bpm, a dippy pipe organ, wooden beats and shaky percussions. the last track >whatabouttalkabout< is a lush experimental listening slice, prober for the dark and chilly winterdays.

it is a cold dark winter – snow is lying everywhere. simon12345 and the lazer twins are heading up north into a little wooden house in the northern parts of denmark. they will live there for the next weeks and build up a temporary studio in this secluded cottage. simon has got a handful of sketches with him. musical states of mind and conceptual games he developed over the last years. basically the idea is to develop something truly unique and powerful – although none of them knows how that will sound exactly or what will happen in particular during this time. it is not even clear who plays which instrument, who will do what…nothing is set. the only thing clear is that they have things to say, things that have been burning in them for so long now. tell me. how can (mostly) instrumental music suggest a way of life? how can you criticize without pointing at something particular? how can music transport you into place of quietness and self reflection?

the jefferson airplanes sixth album volunteers was released in 1969, a mere two year since their monumental psychedelic hippie rock album surrealistic pillow movlp034. a politically charged album, volunteers mainly dealt with the injustice of the vietnam war.
180 gram audiophile vinyl and 4 page insert in gatefold sleeve.

comes with code for free mp3 download of the full album.
formed in san francisco in 2009 by wooden shijps guitarist ripley johnson and sanae yamada, moon duos first two critically acclaimed eps, killing time (2009) and escape (2010), fused the futuristic pylon hum and transistor reverb of suicide or silver apples with the heat-haze fuzz of american rock n roll to create tracks of blistering, 12-cylinder space rock.

fuselabs first physical release – a vinyl 12 inch lp of russian/norwegian band onego. onego is igor bogdanov, victor shubin (both from russia), bernt simen lund and gudmund ostgard (both from norway). these guys met together to bring this finest electronica album with natural slavic and nordic touch. and that is what >bukhanka dreams< really is: a thick sonic universe of glitchy rhythms, deep ambience and truly authentic melodies. not just a fast-produced snack you know.

the wind up of phillip lauers album debut phillips (still available in all formats including gatefold double vinyl) is in the hands of nyc remix/production outfit runaway and versatiles very own i:cube. runaway do their best to turn tentatious into one of those early morning deep house dubs that you could find on the b-side on vintage designer labels of their hometown. music for baby powdered wooden floors. i:cube does the opposite and manufactures a bumper car boogie beat that also works as a uk rave dub. he likes to move it. on the flip, lauer himself turns in the hidden album track boringtone - his very own secret ode to the café del mar - and the super exclusive smashing pumpkin that is highdimes 100percent overground melodies

le peuple de l herbe eine mixtur aus triphoppiger electro, hip hop, dub, funk, jungle und alternative-rock, mit messerscharfen breaks und bläsersätzen.

here uto karem returns to plus 8 for his second release on the label, with the two tracks he serves up - take control and all over you - continuing in the rising italian stars good run of form. as well as being an in-demand remixer, dj and producer, karem also runs his own agile recordings imprint on which he explores the same deep techno rhythms and loopy hypnotism as he does with his two original tracks here.take control is a liquid track which builds in looped layers through piston pumping percussion, up-right beats and plenty of melodic drama. though it pushes on from left to right in true plus 8 style, the warmth and atmosphere that surrounds the main beats and bass is what really sets the track alight. all over you again features a crisp, almost dry production style as various percussive elements flesh out a 4/4 techno groove. hidden within each bar are some wooden sounding hits and various melodic notes, all of which are heart-warming additions to a killer dancefloor groove. as well as this, there is a more driving dub version of take control which canters on a knife edge for its six minute duration, closing out another efficient and streamlined techno release on plus 8.

2x12 inch with geopark001+geopark002 for a single 12 inch price!

supported by tornado wallace (delusions of grandeur), pete herbert (reverso 68/dance disorder)... when jay shepheard launched retrofit in early 2010, deep house with a splash of disco was on the menu. six releases later and the quality of music hasnt faltered once. jays own work has always been the main focus on all five releases but for retrofit 6, rudys midnight machine, (who is in fact robin lee of faze action) takes to the stage alongside an appearance from shepheard (as ee_ef_ex) on remixing duties. >ecstatic love glow< kicks off the ep, diving head first into the disco and synth heavy realm that we expect from retrofit (and, for that matter, from mr lee), whose house outputs with faze action as far back as 97 speak for themselves. the intro of tip tapping hats and congas leads into a penetrating bass guitar, a riff that goes on to be cleverly mirrored by keyboards and later, by what sounds like a scratchy lakland guitar. wooden hats, sirens and a plethora of cosmic elements boogie their way around until the tracks dominant synth parades in and takes over the arrangement, striking a dramatic and smug pose at the close of each stab. the second track of >east side good living< sticks with its predecessors groove, cosmic sirens, electronic whistles and metallic drum taps yet again highlighting rudys modern disco sound

code for free digital download of this album included.

new kanada wades deep into the white waters of bass for this black summerdub. >my best dress< is a tough, confident jacker with awesome, mystic vocals by rosina of lal. 808 thumps, moog whispers, and a serious cr78 swing – nicholas murray (aka murr) really massages the mixing board on this one, and the resulting production shimmers with unexpected aggression. adams remix extends the raw groove into a 12-minute journey that beats the wooden floorboards into pleasant submission. disco hats, b52 bass lines and suburban base drops – the new feel for the old style. new kanada goes blue.

some days passed by and now its just time for the next episode of danjel esperanzas musically diary. >das kleine nachtgespenst< describes the story of the little ghost who comes every morning.three songs of spooky wooden notes, deep strings and acoustic instrument snippets. you listen to cold whispers here and there, doors creeking, footsteps and strange noises. all combined as always with warm pressing basses which are goin under the skin and take you on a spooky dark trip.

striking the elusive balance between creativity, originality and pop sensibility, canyons have just unveiled the first taste from their debut album (due 2011) in the form of the new single, >my rescue<.
with an aural likeness to elements of psych, folk, house and everything deep, what is essential to canyons is that their music evokes a sense of feeling and truth, ruth. close your eyes, feel the sun on your face and prepare yourselves for the sonic vision that is canyons.

joel alter blew us away some months ago with his soul clap release on sweatshop! a much under-rated record which makes things go wild everytime its being dropped. now he is back strong with more straight pumping chicago-inspired tracks that continues alter s forays into the rougher, tougher side of house music. simple and effective tracks that reminds us of early raw house projects of jeff mills with basic elements and phat drum machines. joel alter going back to the basics and pushing the right buttons!

for deep house lovers and beyond laid presents the first release by lawrence on dials sublabel. the 12inch features tracks inspired by the magic experiences in two of lawrences favorite venues. precious hall probably is the best club in the world- a wooden shelter in sapporo on japans hokkaido island. a gorgeous deep sound, the sweetest crowd and a lot of ulong high at the bar are the namegiven substances of the a-side. >dwelling on the dunes< was firstly tested at uri lahavs cheap friday club tel aviv in 2009. when laid co-founder dor levi mentioned that night it was the track who could play forever laid number 09 was born

the latest addition to the miasmah roster is oslo based musician fns aka fredrik ness sevendal. a veteran of the oslo experimental scene, sevendal has been associated with several bands over the years: del, slowburn and kobi. additionally his previous work has involved collaborations with makoto kawabata (acid mothers temple), mitsuru tabata (zeni geva, marble sheep), mark francombe (ex-cranes guitarist), and bill wood (1/3 octave band).

fresh & ltd repress !! mark murphy is a jazz singer legend. he started in the late 50is, ruled the 60is and his records are a hipsters must have since the 70is. then he came to fame again when one gilles peterson got him into dingwalls in the late 80is and japanese producers united future organisation made murphys version of stolen moments (he wrote the lyrics) really big. recently he releases his second album love is what stays on verve (germany), produced by famous german trumpeter till brönner. another famous german producer, yes its henrik schwarz, touched the original track with its deep vocals and full orchestrra arrangement and created the ultimative fusion of jazz and the recent deep house sound from berlin. extremly tasteful. you will never heard strings, wooden brass, and such deepnees of murphy featured in the recent clubcontext but will do thanks to henrik schwarz. different to many others this remix gets released right after being finished in henriks studio so you can say this is the sound of the moment

just a fanstastic hypnotic / groovin techhouse tune... flipside more relaxed housier