ein weiteres jahr ist vergangen und damit ist es zeit für den neuesten teil von taus großer compilation-serie, spektrum.

limited red coloured vinyl

selected tracks from the fabric presents set of mcde on double vinyl with download code included.

cabaret deluxe beginnt mit einer erhebenden feier von hooks, bläsern, glocken und effekten. feinfühlig platziert über einer revolvierenden, arpeggierten disco-basslinie. star gazer erinnert uns an diese lang gehegten sommertage. diese herausragenden nummern klingen im sonnenschein besonders üppig.

night tribe steigert die intensität noch einmal mit einem moroder-artigen karibischen workout. orgeln und hörner sind himmlisch ineinander verwoben.

disco nomad ist ebenso verspielt wie sparsam. sanft gearbeitete vocal cuts gleiten über eine verführerische bassline mit eingestreuten drumhits.

on the corner records presents the debut album from moroccan producer guedra guedra.

slamming deep groovin house music

suction records sub-label ice machine is thrilled to present a new, deluxe reissue of pow wow, the debut 1982 solo lp from cabaret voltaires stephen mallinder. essential!

cool collection of 90s british bass techno on 2 lp

fresh modern breaky house electro tunes

men with secrets aka donato dozzy und retina.it (lino monaco und nicola buono)

cabaret voltaire frontman stephen mallinder is back after more than 35 years with a new solo album. the vinyl release includes a download code.

great experimental wave album by the trio of todd sines, charles noel and vocalist alyssa barrera - in the vein of liasions dangereuses or cabaret voltaire tip!!! alyssa barrera vocals, pajaro tortuga todd sines clarinet, bass, guitar, electronics, engineering charles noel bass (a3, d1, d2), backing vocals (a2), drums + percussion, engineering amanda berkowitz bass (a1) written, produced + recorded to tape at helic.al 2016 - 2018

the 1972 soul-jazz masterpiece back on vinyl, remastered from the original tapes. housed in a gatefold sleeve with download code included.

limited edition of 350 copies on pink vinyl.

vinyl only

ebm, black synth and dark beats from the 80s on double vinyl, housed in a gatefold sleeve.

2nd release of art of dark comes with omar (moj, time passages, cabaret) and unai trotti (cartulis)

pal joey (aka joseph longo) came up in the heady days of new york street culture, amidst b-boying, boom boxes and an unusually entrepreneurial spirit of beat-making. beginning with crude �pause tapes�, he was soon making tracks with drum machines and sampled vocals, all painstakingly assembled with razors and reel-to-reel. working at vinylmania, where larry levan might be found shopping for records in his pajamas, helped joey�s entrance into the city�s nascent house music scene, and he was soon working with everyone from krs-one to sade to the orb, whose �little fluffy clouds� he tweaked for stateside tastes.
true to his city�s inclusive spirit, pal joey consistently blurs the lines between disco, house and hip-hop, dropping scraps of old soul and recent rap alike over his skipping drum patterns and head-nodding keyboard lines. joey�s records (under his principal moniker and also aliases like earth people and soho) have appeared on jive, epic, talkin loud, wave and coco machete. he also has run three labels of his own - loop d� loop, cabaret and footstompin records.
limited pressing, be quick!

2018 reissue of an unknown masterpiece regrouping old recordings from the chelmsford (uk) based chen yi commune. the sound of chen yi is rough & brutal. electronic music, soundcollages that reminds to throbbing gristle or (early)spk aswell as electro-pop-tracks & songs like early cabaret voltaire, chris & cosey, severed heads.

this summer, my favorite robot records release another of their excellent and immersive full lengths, this time from german production outfit, rework. the trio of daniel varga, michael kuebler and sascha hedgehog aka rework, describe their musical aesthetic as cabaret-independent-house and combine icy minimal structures with catchy euro-girl vocals, anglo-french funk antics and a dash of dance floor melancholy. playhouse, meant and items & things have all released their work, which includes three albums before now. this latest is another musical adventure filled with surprises. this is an effortlessly diverse album that brings a wide range of influences to the table and ties them all together with reworks unique sense of style and cool

tc80 gives his second album after �vestiges of fools� from cabaret recordings. �play�!!

erste reissue des 2001er albums -dread- des detroiter post-industrial/noise-trios wolf eyes (hanson records, american tapes, bulb records). ein freak-klassiker aus verzerrter elektronik, brodelndem dub und dystopischem proto-punk á la cabaret voltaire und suicide mit ausgeprägter us-midwest-sensibilität. 4 tracks zwischen 4-14 minuten, plus dem 21(!)-minütigen bonustrack -sandpapered eyes- als hidden track (cd) bzw. mp3-bonustrack (lp). lp mit download-code und doppelseitigem a2-faltposter.

born in cameroon, vicky began banging the drums at the age of 9. by 13 he had moved onto bass and within a couple of years he was playing every night from 10pm to 5am in the castel douala cabaret. at the age of 19 vicky moved to paris to study banking and commerce and cram in even more music. he took classes at Épinay-sur-seine conservatoire music school and it was here that he met bandmates of his dikalo project. word spreads and he soon becomes one of the most sought after bass players in the afro arena. his session work features on many scenes stars, manu dibango, eko tala am, kemayo, sammy massamba, toto guillaume and many more. a chance meeting with the gibson brothers also see him play on two of their hit albums. in the 80s vicky moved to the us for spell and excels as a session bassist and touring musician. we pick up the story in 1981. with his stature as a musician and bass player riding high he takes a detour to nigeria to record with the afrodisia label in lagos. the thank u mamma album is the result. it is repressed for the first time, here in 2018 on the revitalised afrodisia label. musical proceedings open up with the heartfelt ode to his mother thank u mamma, smooth pop meets afrobeat boogie. marina driv slows things down with its smoldering jazz. side two opens with its not serious a catchy vocal number underpinned with funky guitars and striding basslines. stormy rain is lazy guitar jazz swansong. we close off the album with the ever so funky you. slick funk grooves powered along with a dose of slap bass. as a side note vicky actually plays left handed but with a upside down right handed bass. this upside-down precursor making his effortless slap playing even more impressive. vicky went on to record a two other albums and still tours and plays as an ever-in-demand session musician.

one of the biggest sampling innovators and the pioneer of electronic music in eastern europe max vincent initially played in belgrade s max & intro band whose first single: -we design the future- from 1985 remained one of the most wanted electronic records from this part of europe . . in 2015, discom has released -the future has designed us- a lifework compilation of previously unreleased songs from 1984 to 2002. the new archival release max vincent- beograd is a lost lp album which consists of 8 previously unreleased tracks made in period 1986-1999 which max wanted to use in a single concept album.

fresh from his recent tour full of sweaty live sets & deep record digging in the motherland, todh teri is back with the 3rd instalment of his deep in india series of edits & reworks. first up, a chunky acid rework of a huge 90s hit brimmed with relentless drum programming & shimmering peaks of ecstasy. followed up by a suspenseful tribal house reinterpretation of a 60s cabaret classic (with a breathless twist that would definitely leave the purists scratching their heads). the final one is strictly day time dance business drenched in caribbean sun rays & the evergreen vocals of 80s pakistani disco diva.all 3 tracks in this release are the essential bollywood disco curve balls that you need in your record bag to set dance floors ablaze all over the world.

pure ddr-groove! the exorcist is a gothenburg-based trio consisting of osynlige mann, pontus and petrus - members from bands as uran, tentakel and ultra satan. hoga nord invites you to their soundscape with their full length debut album the exorcist gbg: everyone could be an informant. the cold war is alive. dark cabaret. spy-theme-mode. david lynch-electro. italian horror. easily put - this is kinky organic acid-funk for all of you looking for a gateway - but know you have to stay.

sacred summits returns after a two-year hiatus with an album of interpretations of the music of eric satie by acclaimed composer morgan fisher. active for over 50 years morgans career has moved from 60s number one hit wonders love affair, to 70s rocknroll keyboardist in mott the hoople, before finally on to 80s ambient, improvisation and soundtracks, working with the likes of yoko ono, haroumi hosono and dip in the pool. based in japan since the mid-80s, fishers long-standing admiration for erik satie (1866- 1925) led to these inside satie recordings. satie�s unique work as a precursor to artistic movements such as minimalism, surrealism and repetitive music are acknowledged but for long periods he was not given the accolades his music warranted. a strange, eccentric, surreal man, he was never as acclaimed as the established masters, but influenced not only the likes of debussy but also many of the dada artists. on this album morgan played his music freely after just a brief look at the scores. recorded in just three days, it features piano, melodica, synthesisers, and morgans favoured tape delay system. inside satie is one of the first albums i recorded in japan shortly after moving here in 1985. in three days i improvised on several of my favourite satie themes. mostly i played piano as well as the rich, analog-sounding yamaha gs-1 (precursor of the dx-7), and sometimes used long tape delays to build layers of sound. all the pieces were recorded in single takes no overdubs (no time!).

das norwegische, in berlin lebende electro-pop-duo soft as snow, bestehend aus oda egjar starheim und oystein monsen, präsentiert mit -deep wave- auf houndstooth sein debütalbum, co-produziert von wife (tri angle records). die 13 tracks bestechen durch einen frischen, originären und innovativen leftfield-pop, inspiriert von cabaret voltaire, throbbing gristle, detroit techno, 1990er idm, fever ray, cold-wave und den 1980er -mutazione- compilations.

mit mr dynamite erscheint über bella union das debütalbum von creep show. hinter dem namen verbirgt sich das düstere, analoge electronic-trio wrangler, bestehend aus ex-cabaret voltaire-frontmann stephen mallinder, phil winter und benge, sowie john grant, der die creep show als quartett komplettiert. aufgenommen wurde das experimental pop- und surreal funk-projekt in cornwall, uk unter der zuhilfenahme einer schier endlosen sammlung von synthesizer-modellen

privately pressed to lp in 1978 under the name j. jasmine and made especially for the ann arbor film festival, with artistic collaboration from the festival�s founder and once group artist, george manupelli, my new music is the debut album by jacqueline humbert and david rosenboom. featuring a cast of mills college personalities like david behrman and sam ashley on backup vocal duties, this song cycle is at every turn boundary-pushing and gender-busting, yet still hilarious, sweet, and genuine, all delivered in a post-genre, art-song, cabaret musical style that happens to boast some serious avant-garde chops, courtesy of rosenboom. if it weren�t so spot on, you�d swear it was a guilty pleasure. as j. jasmine writes, my new music is a collection of personal stories and private desires, exposed, articulated, performed and dedicated to the hope that one person�s fantasies can contribute to another person�s freedom. get lost in j. jasmine�s world for a little long while, and be free.

calendar crowd was the duo of alan heaton and terence tiernan who met in their hometown of widnes, cheshire as schoolboys and played together in various bands in the �70s. in the �80s they formed a 6-piece band called room for humans and recorded one single�telephone telephone / girlfriend�. when the band split and alan and terence continued as calendar crowd in a more experimental direction. their influences were wide reaching: kraftwerk, neu, cabaret voltaire, eno, pil, and joy division.

the industrial project of oliver ho and tommy gillard at its most subversive and evocative, with two preoccupations threaded throughout: middle-eastern percussion, most vivid in the chimes of casting and the driving doumbek rhythms of burning and the sands and the structural iteration of chaos, underlying a collage of wild left-turns, scornful of repetitive hooks and other musical routines. early birds bag a 7inch by hos desert burials, evoking classic punk/funk hybrids like cabaret voltaire.

berlin based japanese industrial synth duo group a make their debut on mannequin records with a killer 3-tracks self titled ep. tommi tokyo (synth, drum machine, vocals) and sayaka botanic (violin, tapes and sampler) released 2 studio albums and 1 live album in tokyo, before to move in berlin in 2016. with their mixture of dark minimal synth, avant-noise, striking visuals and performance art, the duo still carries on the very breath of early industrial pioneers such as throbbing gristle, die form, klinik, cabaret voltaire. the ep was recorded in tommi s bedroom and later mixed together with mannequin records head alessandro adriani in his own studio in berlin. the first two tracks of the ep, t.o.p. and ketabali represents the duo personal reaction against the current economy, an up yours to capitalism, news and politics, all permeated by industrial rhytmic-noises and words with no meaning. the b2 alibi instead was inspired by an autobiography of hi-red centre(japanese avant-grade art group in the 60-70 s) written by one of the members, genpei akasegawa. tommi found the word alibi in the book and she just started singing about the group. as she never wrote lyrics for that, during their live performances they are always improvised, so changing and mutating every time.

times are ruff celebrates their 5th anniversary and bring together a nice group of friends for this special va edition.

die wiederveröffentlichung von -the taste of tg - a beginner�s guide to the music of throbbing gristle- fasst das schaffen von throbbing gristle eindrucksvoll zusammen, erscheint erstmals auf (rotem) vinyl als doppel-lp im klappcover inklusive downloadcode. die sammlung umfasst, wie im original, tracks von verschiedenen tg-alben, live-aufnahmen und wird im rahmen dieser veröffentlichung durch den song -almost a kiss- bereichert.

the dub-ito label was founded on the friendship and musical vision of southern italian duo claudio mate and francesco mazzocco. the label s name is a play on words from different languages, giving a unique outcome the label s new series, nihon no toshi (japanese year) will feature ongaku (music) from the japanese underground scene.the ifrst release in the series is by the tokyo unit of rikinari hata and adam gyenes, aka soloist & second apartment, who summon up a reverberating analogue selection for lovers of industrial, ebm, noise and new wave. -untitled- is the perfect album for fans of cabaret voltaire, spk, suicide, and factory records.the album comes in a black disco bag with a 12&#8243,,, full color poster.

a complex web � the story of dive position and the shining path ... began in 1982 when peter miller (aka dr. william s ray � vocals, tapes, guitar) met andrew millar (aka maurice spectograph the nose-y pieman � program execution) in gold coast, australia. while sharing a similar taste in music, they decided to form a band, so dive position was born. equipped with a korg synthesiser and tascam 4-track recorder, they -wanted to have the sound of kraftwerk, the groove of can, and the menace of throbbing gristle-, ending up with -a cross of suicide and the residents-, as peter recalls. in a local record shop they met stig andre leonardson (aka vincent blackshadow), who joined the duo on percussion and drum machine programming. their motto was -now is then-. dive position then became the fatal charm around 1984, and the fatal charm became the shining path who eventually released their only album -basic training manual- in an edition of only 250 copies, most probably in 1986. the band then started to drift apart, and shortly after andrew sadly passed away � this compilation -now is then- comprised of previously unreleased dive position and the shining path material is dedicated to his memory.

3 original amiga klassiker von silly in einer sammlerbox: bataillon d�amour, hurensöhne (doppel-lp) & paradies.

going one above todays current wild wild west landscape of digital sampling and officially licensing a legendary 60s-era song thats made its rounds in the golden era of sample based hip-hop. akshin alizadeh, the man from azerbaijan, is the lucky one tapped from the label�s roster to remix marlena shaws woman of the ghetto. the producers strong funk and nu-jazz influences, as well as his ability to combine funky grooves with punchy hip-hop beats, are on full display once again. rightfully dramatic orchestral strings give way to bluesy rhythmic wah-wah guitar plucking, slightly cabaret-ish piano, pitch bending keys, and a totally sultry sax. the percussion sounds like signature alizadeh with a flickering hat pattern, well placed snare rolls, and punchy interplay with the kick. for the djs needing to spice things up, an instrumental is included.

imagine a collab between cabaret voltaire and eric copeland mixed by the scientist and you�ll start to enter the sphere of robin asselman. all spectrums explored. the off kilter dub waltz of �16-16� stutters into view with a heavy and heady rolling dread, whilst inaudible vocal snippets and flatlining synth lines echo and enforce a melee of repetition and danger. �fitness talk� perhaps best showcases assel�s interest in dubwise production techniques, and his ability to soak up a palette of sound and turn it into something truly his own. soft familiar bass pads provide the backbone here for all out sample mayhem, a space where recognisable dub effects and sonars vibe alongside absolutely unsettling outer samples of jarring vocals and inaudible upset, purposefully mixed to jolt ears into unfamiliar territories. being the nephew of dj marcelle, this experimental approach and inspiring concept of pushing samples to the absolute limits of their origin to create a new unexplored path is clearly something that has been fed down from marcelle to robin throughout his youth....

ltd to 100 copies + insert
helena hauff s label continues to subvert all expectations by celebrating the truly underground and ignoring all expectations to provide obvious club material in line with her dj sets. instead we get treated to blood sport, a daring post punk band with a whiff of the pop group in their frenzied, messy style and plenty of sonic trickery occurring in between the intricate playing. -harsh realm- has the textural finish of earliest cabaret voltaire, but with a little more deft playing from the intensely talented players. -boiled in dust- meanwhile has a distinctly afrobeat-meets-industrial spirit that makes for striking, original material that should appeal to lovers of the truly alternative side of british music culture.

repress from their 1982 12-on shout - comes with additional 1981 demo version from the sargasso sea track. shoc corridor was the london post-punk quartet of paul o�carroll (voice, synth), andy garnham (synth, drum), chris davis (guitar, bass, e-bow) and nogi prass (synth) named after the sam fuller film from 1963. chris met nogi shortly after moving to london in 1979 � they started playing music together, fell madly in love, and decided to form a band. they recruited andy, who had previously played in a band with stephen luscombe of blancmange, and lyricist and vocalist paul. their influences were wide reaching: kraftwerk, neu, cabaret voltaire, brian eno, pil, and joy division.

medical records in collaboration with our friends at crispy nuggets blog are happy to reissue a very obscure australian gem from the 1980s. ironing music were a three piece band from brisbane. they originally formed in 1984 as a result of their collective love for new order, human league and eventually jean michel jarre and cabaret voltaire. comprised of bass and electic guitar, yamaha dx-7, melodica and an 808, they recorded a 12- single as their sole outpt in 1985 in a limited run of 250 copies (obviously excruciatingly rare now!). it was recorded in their bedroom studio with at teac 4 track. the video clip for the -hit- shopping bag women was played on several national and local television music shows. they also recorded demos in hopes of landing a lp deal which unfortunately didn t attract any takers at the time. they actually only played 3 gigs and were forced to disband after one of their members fell ill in 1986. the lp presented here included the original 4 track single as well as hand picked demos which nicely congeal to form a well rounded lp documenting the band s brief existence. they can best be described as lo-fi synth pop with an emphasis on excellent pop songs and interesting synth/instrument arrangements. the first track shopping bag women is infectiously catchy and just screams to be worn out in the club. fans of early to mid 80s synth pop and new romantic will fall in love. the tracks have been lovingly remastered by martin bowes at the cage, london. features original reproduction of the front cover painting. presented in a limited edition on 180gram vinyl.

todh teri announces the launch of its debut release,with a limited vinyl only edition. todh teri is the revival of the golden era in indian cinema. its the resurgence of indian disco, funk & cabaret from the 70s , 80s & 90s. deep in india vol.1 goes back to its homegrown roots and gives us three classic gems. each edit retaining its original flavor & a little something more to take to the dance floor.todh teri polishes off each track with a signature groove if its own. ten seconds into an edit and you are deep in india! in the past, todh teri has brought this style of music to berlin�s clubs like rummelsbucht & wilde renate. the act is scheduled to showcase in july at sispyhos, berlin & set for a very special live debut at wilde renate, this august. in an interview with todh teri, red bull said - indian artists have been loath to touch anything bollywood and understandably so� step in todh teri who wants to connect the lost world of indian disco with western club sounds. teri understands that most indian artists are (or were) not sure about edits, because without proper execution, they can be easily clubbed as mainstream bollywood remixes.

following celebrated compilations from motor city drum ensemble and young marco � and with the second edition of its limited-capacity festival in croatia right around the corner � dekmantels selectors series now continues with an edition curated by marcel dettmann

helic.al, the new label from todd sines + charles noel / archetyp, functions as an constrained exercise to break from restrictions. instead of the obvious new electronic dance music label that would be expected of these seasoned producers, helic.al turns history on its ear, resulting in collaborations new and old. the debut album from interval, featuring bassist andries boekelman, sines on vocals, guitar, synths & engineering, noel on drums and percussion, steps outside the comfort zone of endless tracks and overdubs from a digital workflow, tracked to 8-track tape, and mastered direct to lacquer by josh bonati, with no computers in between. future releases include crash course in science s michael zodorozny and todd sines as i/tmsz, soviet s amanda berkowitz and alyssa barrera as artefactos de dolor, möthersky, excepter s ssps & gramma, and is in discussion for releases from robert görl of deutsch amerikanische freundschaft, graham lewis of wire, dome and he said, and stephen mallinder of cabaret voltaire / wrangler, for a follow up to his seminal 1982 release, pow wow

nice price deal !!! in november last year, undo released �disconnect�, his third album. a charming long-player that has won very good feedbacks and reviews. now it�s time to unveil the first ep with remixes from the album. a great and variate package including reworks from friends and artists he admires as mexican iñigo vontier, russian dimitri veimar and belgium cabaret nocturne. there�s also a new mix by undo himself.

in november last year, undo released �disconnect�, his third album. a charming long-player that has won very good feedbacks and reviews. now it�s time to unveil the first ep with remixes from the album. a great and variate package including reworks from friends and artists he admires as mexican iñigo vontier, russian dimitri veimar and belgium cabaret nocturne. there�s also a new mix by undo himself.