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Going one above todays current wild wild west landscape of digital sampling and officially licensing a legendary 60s-era song thats made its rounds in the golden era of sample based hip-hop. Akshin Alizadeh, the man from Azerbaijan, is the lucky one tapped from the label’s roster to remix Marlena Shaws Woman of the Ghetto. The producers strong funk and nu-jazz influences, as well as his ability to combine funky grooves with punchy hip-hop beats, are on full display once again. Rightfully dramatic orchestral strings give way to bluesy rhythmic wah-wah guitar plucking, slightly cabaret-ish piano, pitch bending keys, and a totally sultry sax. The percussion sounds like signature Alizadeh with a flickering hat pattern, well placed snare rolls, and punchy interplay with the kick. For the DJs needing to spice things up, an instrumental is included.