sudd wax is a vinyl only label of sudd records family. fourth release brings another detroit legend, rick wade. authorial release with noble tracks on wades vibes

2019 reissue , original released on legendary guidance recordings

the prodigys seventh studio album, no tourists will be released on their take me to the hospital label via bmg. in a career approaching 30 unpredictable, uncompromising years, the prodigy have become that rare artist whose influence can be felt across all walks of life. continually defining (and re-defining) electronic music, the band have clocked up a staggering 6 number 1 albums, played to many millions around the world, and remain as relevant and respected as ever. though much has changed in the musical and social landscape, what remains a constant is the prodigy s resolute focus on following their own path, their own way. this, perhaps, is the true meaning of no tourists , and in 2018 the anger, urgency, and irrepressible spirit of the prodigy has no doubt never been more needed

limited edition of 500 copies on transparent & black splattered double vinyl, housed in a gatefold sleeve.
deru aka benjamin wynn is an emmy award winning american composer and music producer. deru’s last record, 1979, dealt with individual human emotions. his new project, torn in two, zooms out and deals with human existence as a whole. it finds feelings of frustration, dissociation and anger, but from a high vantage that affords perspective and allows the project to include acceptance, beauty and tranquility. torn in two is set for release on october 19th via friends of friends (anenon, shlohmo, perera elsewhere). the music lives in evolving landscapes of violence and beauty, with compositions that shape-shift, flutter, and decimate one s sense of time and place. the album is a collection of microtonal pieces where the pitches were derived from acoustic instruments, and processed woodwind and brass recordings. both represented new directions for wynn, and the results are pieces that are more dynamic and full-spectrum than his previous body of work. they explode into walls of distortion and recede into quiet acoustics.

due rent is a collaborative double album by solo artists lojii & swarvy. written & recorded in the summer of 2016 in l.a. by the two philadelphian transplants, lojii says this tape is a score to being a broke nxgga in amerikkka (emphasis on the kkk) – full of dreams and hustlin to make em happen, but dealing with the everyday pressures of making ends meet. a.k.a trying to pay rent. the 22 tracks, many of which barely break the two-minute mark, make for a vast voyage through remarkable contemporary hip-hop. the grooves and beats that skip and flutter are smooth and mellow, with nods to the old-school but entirely void of nostalgia. this is a sophisticated, thoughtful, and inventive modern hip-hop record that understands anger doesnt have to be loud. daniel dylan wray, bandcamp (best 100 albums of 2017)

central to the israeli club scene, deepa & biri have long been defying expectations even within a community they helped construct. serving as resident djs, activists and bookers for tel avivs legendary barzilay club, the pair helped build a transcendent club scene. hugely influential artists such as robert hood, derrick may, rødhad, ben klock and moritz von oswald passed through the club, enjoying legendary crowds and what they could surely sense was a genuine air of anarchy, rebellion and unadulterated rave pleasure. as the duo held down dozens of parties with dozens of djs, there was no ‘eureka moment for their emerging sound, just a steady stream of brilliant, inspiring electronic music, much of which left an indelible imprint on the pair. now based in berlin, for deepa & biri, things are much the same, even if the landscape and the city is different. always rooted in the fertile ground between machines and emotion, on their second full-length lp, ‘dominance, the duo demonstrate their unique grasp of the sensitive, unfolding relationship between man and machine. steadfast in their insistence never to remain in one lane in terms of their sound, ‘dominance flawlessly segues between forcefulness and weightlessness. from beginning to end, this is not a record afraid to show its teeth with an uncompromising, instantly recognisable techno palette that kicks the foundations of any sound system with menace, anger and determination, particularly on tracks such as the dense ‘voltage and pulsing throughout the more industrial flourishes of ‘ecole de nancy and ‘seeking solace.

straight out of underground paris and right onto pinkman s broken dreams arrives myn. the public systems label boss follows up a debut track on his own label with a poem about gloom, desolation and anger written in native machine language for the rotterdam imprint. the a stanza describes a mental outburst with punchy lines written in raw percussion and disconcerting 303 work. following a line break, the b stanza changes the meter from 4/4 to pummelling broken beat in a piece about power and dominance titled black rose . the violent poetry concludes with yet more deathly rhythms and spine-chilling verses in core collapse .

for the 23rd release on pinkman, rotterdam based mitchell goor delivers a 4 tracker of slow, raw and warped techno. the contrast between unpolished percussive instruments and ethereal melodies reoccurs throughout the release and gets polished and refined by haunting vocal samples and pungent acid bass lines. this gives the record an ability to take audiences on rollercoaster rides through tension and anger as well as hope and promise, powered by permanent, adrenaline stimulating, raw energy.

repress! the long overdue new alden tyrell 12inch. but it was worth the wait... a daring release actually... not the sweet italo influenced disco as his recent releases... but a unique hybrid between electro, italo, wave and rock!! alone together is a massive electro wave track that is just big and bombastic and has so much power! a great track with a euphoric feeling!! this track got all hands in the air during his recent live shows! b side is a new unique blend ofwave and rock... guitars, real drums and... nicole kuperus of adult. doing vocals!! agressive rocking tracks that throw out al anger and frustration. 3 tracks that will create a stir. a perfect start for the new clone west coast series!

the shadows is the new album from leeds-based six-piece tomorrow we sail. building on their debut release for those who caught the sun in flight (gizeh, 2014) over the course of three years, this new work combines perfectly the soaring atmospherics, gorgeously intertwined vocal harmonies and dramatic shifts in tone and dynamics that have come to characterise tomorrow we sail’s sound. yet, there is a new sense of urgency here. very much an album of its time, the shadows draws upon the same sense of connection to both past and present that defined its precursor but features storytelling that’s even more defiant and deeply personal.

like its predecessor, the record features seven songs but from the chiming guitars of opening track side by side it is clear that the stately pace of for those who caught the sun in flight has made way for a far more dynamic and driving energy, perhaps best captured in the righteous anger of the ghost of john maynard keynes. tomorrow we sail still invoke a keen sense of measured grace in their songwriting - from the sweeping, elegiac title track, through to the sparse, restrained, yet haunting beauty of winifred and to sleep. urgent, yet assured, the shadows demands your attention.

remastered reissue on heavyweight 180 gram vinyl of david bowie’s 1979 album.

continuing its cosmic techno research path, subosc is happy to present the latest work from hydergine. known for his deep and dub influenced techno releases on labels such as phorma, modelisme, knotweed and ranges, he delivers two ambient influenced techno tracks with a mental and dancefloor attitude. driving grooves, pulsating synths and melancholic melodies are the main elements of the original tracks, which journey narrates about cosmic energies, self healing and mental stimulation.
the “omega point” is, at fact, a spiritual belief and a scientific speculation that everything in the universe is fated to spiral towards a final point of divine unification. “light from light” puts emphasis on the eternal and bright light of wisdom, which allows to think and act using knowledge, experience, understanding, common sense, and insight. wisdom leads a person to overcome feelings of helplessness, powerlessness, anger or aggression by non-understanding of external elements and internal acknowledgement. the ep includes two immersive, dreamy, enlightening and spaced-out electro infused versions by artefakt (delsin / field records) and 2030 (construct re-form / clft).
already supported by svreca, etapp kyle, abstract division, quail, leghau, kessell, alfredo mazzilli, nihad tule, roberto clementi, shaded explorer, distant echoes, unbalance…

***
i run child-like
with god’s anger a step behind,
back to simple sunlight,
wondering
with curled smile
if anyone else
saw or sensed my crime
***

2017 remixed & remastered edition.
composed of members buckshot, 5ft, and dj evil dee, black moon simultaneously kicked off and defined the rap renaissance of new york with the release of enta da stage in 1993. whereas plenty of earlier groups had spit rage-filled rhymes to tear down the world’s unjust establishments, no one had evoked brooding pathos or introspective anger quite like black moon. underground hip-hop might have been dominated by the sunny sound of g-funk when enta da stage dropped, but from then on the scene turned to the dark side. black moon was rising.

to feel. without it, without love, without anger, without sorrow, breath is just a clock... ticking.

reeko comes home again with his brand new ep, one step more in his tremendous discography and again a statement of modernism, soul and anger, all in one. four different flavoured cuts of meticulously crafted club tracks, dense, obscure, liquid, sometimes harsh and incredibly sounding.

god descended from heaven in form of a record to let the world be part of his anger.

decadent yet depraved, the debut album by belief defect, finds shelter and complicity in raster as home and label. familiar with the underground music scene and how its skeptical nature can also be an obstacle to overcome, belief defect abandon any claim or credit in an attempt to transcend the limits authorship imposes, avoid the boundaries or expectations earned or self imposed and find the clearest, most direct path to their music for themselves and the listener. at the core of the album is the music that inspired them, the conclusion of countless recordings listened to in their formative years that ultimately result in a life-long devotion to electronic music: from dance floor to primal anger and self-annihilating noise, to transcendental, ambient escapism and intense self-reflexive sonic layering. the result is a soundtrack for this apocalyptic time, an uncompromising reflection on the state of mankind and its uncertain future underscored by a sense of religious and secular demise referenced in track titles, samples, and soundscapes scattered throughout the album. yet, more than a political statement decadent yet depraved is an introspective journey, turning each listener into a spiritual soul-seeker staring into the abyss, reaching for some kind of cathartic truthfulness.

composed of members buckshot, 5ft, and dj evil dee, black moon simultaneously kicked off and defined the rap renaissance of new york with the release of enta da stage in 1993. whereas plenty of earlier groups had spit rage-flled rhymes to tear down the world’s unjust establishments, no one had evoked brooding pathos or introspective anger quite like black moon.

it’s split single time at studio barnhus as we come correct with two pieces of proper-not-proper house music for the daredevil deejay. jonathan fernandez is only 23 but has lived in glasgow forever - under his wheelman moniker and as head of label/party stereotone, our brilliant new friend has quickly become scotland’s worst kept secret. track comes overflowing with mind-expanding rave signal and ruff-ruff square bass for your face! hanky – secret new alias of one of stockholm’s most recent and most exciting dance music exports – delivers a chaotic yet steady “super-groove”, equally primed for the club floor and the anger management class. artwork by johan jonason, award-winning film director/artist and elusive lead singer of man tear. studio barnhus, 2017

los angeles based natan h and malta based artist owen jay return as gauss with their first ep of 2017. entitled resonator it offers more deep music with an electronic soul and is their fifth ep for their cultured label gauss ltd. the title track opens things up with a crunchy and impactful mix of weighty dub drums and spangled techno chords. it s a heavy track that builds in momentum and is sure to mangle minds with its skewed stabs and wiry electronics. shifted is a more fierce techno track with urgency in the kicks and a sense of anger in the coarse little snare explosions. more gurgling synths add weight and this one is a real stomper as a result. cutting ever more loose, odyssey is a mix of idm sound design, soulful synth smears and percolating electro tinged drums that are slick and futuristic. least squares completes this techno picture with spitting hits and claps, underwater chords and acidic sonar pulses that soothe the mind. this is an expansive ep that marks an exciting evolution in gauss s sound.

mathematics celebrates more than 20 years with previously unreleased adonis gems “after midnight” & “brothers gonna work it out” featuring the late great daryl pandy from 1987.the after midnight ep is greatly appreciated in these times of oppression & anger.

sneaker social club follow up a slew of experimental, bass-driven records including neil landstrumm s dragon under lp and 12-s from bass clef, luke s anger and throwing snow with another solid piece of club tackle courtesy of brighton based etch. staying true to form in the follow up to acclaimed releases on soundman chronicles, wisdom teeth and lapsus - etch returns with 4 breaks-laden tracks reminiscent of moving shadow s golden era, rife with brash and burly kick drums, scattered snares and capacious atmospheres showcasing a young artist firmly on the ascent.

warm fiction proudly announces the label s inaugural record from dublinÆs lerosa. across four tracks written in 2004, ranging from hybridized electro to classically-indebted driving techno, lerosa demonstrates not only a diversity of approaches and sounds, but an attention to subtleties and a patience in letting music develop.

to follow the lucy remixes of the descent chapter i, we assembled a collection of our favourite artists to provide their interpretations of tracks from chapter ii. across the remixes, 4 totally unique creators have re built pact infernal parts into unexpected shapes, each one showing a new side to their talent, developed through re-molding the pact infernal sonic ingredients.

absorbed by a parallel reality we come to the change. needs never before contemplated derive in new emotions. mix of excitement, agony, joy and anger. we digest the trip thinking about the next one. music as nexus.

a bona-fide nigerian prince and probably the only musician to have ever played with fela kuti, miles davis and bob marley, eji oyewole combined african highlife with western jazz to create a hybrid so that was as smooth as it was funky. his first album, charity begins at home was an angry tirade against corruption in nigeria. me & you is his ‘relationship’ album, a brighter and happier set of songs that sees eji all loved up, presumably with the mysterious ‘cameleon’ featured on the cover. eji’s flute is no longer a strident voice raised in anger. instead, on ‘me & you’ and ‘i’m a dancer’ it is a playful line of seduction. on the wonky and woozy ‘eniafelamo’ his sax is a post-coital salutation. even the one political track, ‘long live nigeria’, is a loved up call for peace, progress and trust. chilled, assured and dexterious, me & you is a sophisticated showcase of eji oyewole’s chops. ‘this is the beginning of an atomic musical evolution,’ he declares on the cover. ‘brothers and sisters, stay cool.’
(peter moore)

from his maverick techno beginnings as luke’s anger, the man born luke sanger has more recently evolved into the enigmatic duke slammer. the result is an irresistibly wonky alchemy of 1980s influenced boogie, acid, electro-funk and house.

the highly anticipated ep, what he says, written and produced by french techno artist, vlaysin, with remixes by italian producer ayarcana, along with los angeles artist, axkan, is finally here. this is the first release for omen recordings and it effortlessly chronicles the chaotic, dark, and raw characters of cutting edge techno.

for our 10th release we have one of our in-house artists, xpansul, delivering his first solo release on vinyl in a long time.
on benthos, xpansul takes his distinctive techno sound to the next level, exploring new ways whilst digging deep into his roots, resulting in an exciting and mature sound.
the drums are rougher, the grooves dirtier and the main dish, the synths, are carefully designed to express the emotions that inspired these tracks: restlessness and claustrophobia on blue vertigo, melancholy on oxygen toxicity, euphoria and anger on blackout and the burden of impatience on the bends. to close the ep, oxygen toxicity heliox mix, a dj friendly version of the original that results on a very emotional peak time techno track.
techno tracks to be played funking loud!

savage grounds return to lux rec for the third time, with their third record. atrocities comes after unpleasant music for unpleasant people, released in 2015, and over fences, 2014. it is, as much as the previous 2, the result of investigations in music, live, composed with a minimum amount of instruments. the duo, comprised of cco and daniele cosmo, worked with a roland 606, a roland 909 and a modular synthesiser. experimenting with fm modulation and loose sequences. the result is concrete noise, anger, ghostly voices, and above all, the sheer conscience of human failures. atrocities marks number 30 in the lux rec catalogue. it comes as a 12inch + 7inch package.

detroit isn t just a place. sure, it is a place, and those who physically live there know its triumphs and its tragedies far better than anyone else. but detroit is also a feeling, a sound, a philosophical home for those who connect with the futuristic, dystopian sounds of detroit techno and electro on a deep level. those tendrils of connection reach far and wide, bringing people from all over the world into orbit with the people and sounds of the city, connecting through the snap of a snare, the wiggly groove winding its way through the beat, the beauty in the sound of strings, the anger in a bubbling bassline.

nice price deal !!! electro techno new label from france... in the vibe of boyznoise: the midnighter comes here with his anthem and some electro techno hip hop weird banger!

jerome hill returns to super rhythm trax with four tracks displaying one of his biggest influences that of mid nineties chicago labels like relief and dance mania. its time for the has been slaying crowds for the last year with its own no nonsense take on cajmeres much sampled perculator track. a hefty dose of fun and playability is injected into this ep and all 4 tracks are designed for maximum body jacking and involuntary head nodding, each bringing something a little different to the table. support coming already from : annie mac/radio 1, justin robertson, john heckle, ben sims, mark archer, perc, groove armada, jd twitch, locodice, dj tlr, craig richards, wncl, james ruskin, pangaea, phil kieren, lukes anger, posthuman, bleaching agent

(7-inch) with their second vinyl release, hidden dragon, shetahr has become part of the kraak rooster. each song is a potential hit combining polished anger with naive childlike rhymes. be prepared, if you dare to crawl.

vinyl only. after releases on top notch labels such as witty tunes and mile end, young italian dj and producer niceteed debuts on my little dog with a solid vinyl ep. 2 tracks of underground music, which wobble in that fine line between techno and tech house. straight rhythms, dark voices and playful and malignant analog synths are the hallmarks of both songs.

this ep is the second part of a trilogy that neue grafik began with -pris- on the label beat x changers. the next and last ep of the series coming up on this label will be -the end of the replicant stories-. for the moment, are out :­ pris (a basic pleasure model) ­ roy (nexus 6 who killed is creator) like roy, batty said to himself: -it s not an easy thing to meet your maker-. the music on this ep is about anger, acceptation, love and complicated relationships with fathers. there is a lot of references to african roots, legends and to neue grafik s deep feelings for the city of paris.

classic hip hop album, 180gr audiophile pressing

first solo ep by annanan on ll.m. includes a collaboration with vocalist ennalow. 180g vinyl. first 300 copies have a silk-screened full cover jacket designed by alex ketzer. mastered by andreas lupo lubich at calyx mastering, berlin.

a industrial callous, caustic and fervently cruel ep. contort yourself has once again gathered the best and boldest from past and present for its fourth ep. to begin with we have the grimacing visage of volition immanent, an intense live act made up of parrish smith and mark van de maat (knekelhuis). behind rawkish distortion, splintered beats and acrid bars screams a boiled anger, a track spitting on the divides of punk and electronics. nastiness is taken up a notch as noise ne er-do-wells zombies under stress take over. static is bent and doubled across thick chords and collapsed clap in the 1986 -maan zal zijn before the raw and raging battery of in onze tijd. l.i.e.s. regular svengalisghost grapples with maan zal zijn, channelling the originals rage into a mechanical monster. the 12inch is bookended with bite as mark forshaw (tabernacle/berceuse heroique) closes with the tortured and torrential thump of submission.

the 05 poly 800 loop ep was born in the name of the dutch-hungarian friendship when dj overdose collaborated with the budapest based record label dalmata daniel, and hungarian acts, s olbricht & 12z. a wide range of styles release from dark and mid-tempo to hard-hitting electro. just how we like it from mister model man. the ep also features two remixes both of which are complete reworks of the originals. s olbricht (farbwechsel, opal tapes, lobster theremin) transformed path to wrath into a dark abstract techno wave that manages to end up light and romantic. meanwhile 12z, the newest mascot of nicolas jaar s other people label have made an experimental symphony from be(h)anger and this pathos covers the whole essence of this ep.

truly timeless dj-kicks release from moodymann on triple vinyl, housed in a gatefold sleeve.

nachdem der junge venezuelanische produzent durch produktionen für u.a. kanye west, fka twigs oder björk aufgefallen war und sein kantiges debütalbum *xen* von kritikern weltweit für seine sonderbaren und teils aggressiven widersprüche gefeiert wurde, handelt *mutant*, sein jüngstes album, von sinnlichkeit und spontaneität als möglichkeit einer flucht aus der starrheit der verhältnisse. das album feiert das chaos, mutationen, transformationsprozesse, zwischenzustände. deformation und zerstörung werden zu elementaren momenten von identität. das artwork stammt erneut von seinem freund und langzeit-kollaborateur jesse kanda.
das rote doppel-vinyl erscheint im 3teiligen klappcover inklusive downloadcode.

zehn jahre nach seinem letzten werk auf trevor jacksons output recordings meldet sich der französische electro rocker marc nguyen tan a.k.a. colder auf seinem eigenen label zurück. die 12 neuen tracks atmen die gleiche reduziert kühle grundstimmung aus post-punk und post-disco wie auch zuvor ein. als bonus gibt es eine zusätzliche matias aguayo version. das physische release des albums besteht aus der 9 track lp und einer 4 track ep, hier in der prerssung auf schwarzem vinyl.

zehn jahre nach seinem letzten werk auf trevor jacksons output recordings meldet sich der französische electro rocker marc nguyen tan a.k.a. colder auf seinem eigenen label zurück. die 12 neuen tracks atmen die gleiche reduziert kühle grundstimmung aus post-punk und post-disco wie auch zuvor ein. als bonus gibt es eine zusätzliche matias aguayo version. das physische release des albums besteht aus der 9 track lp und einer 4 track ep, hier in der pressung auf hellblauem vinyl.

there are times when the ocean is not the ocean - not blue, not even water, but some violent explosion of energy and danger: ferocity on a scale only gods can summon. it hurls itself at the island, sending spray right over the top of the lighthouse, biting pieces off the cliff. and the sound is a roaring of a beast whose anger knows no limits. those are the nights the light is needed most. - m.l. stedman

mental torments records has been found by dutch labelowner & artist mike drama, who is a well known character nowadays in the (hard)techno scene! bringing you the best (hard) techno that will put holes in your speaker similar to the impact of a 500 ton meteorite! and guarantee dancefloors shaking beats like earthquakes that mother nature even cant handle!so, for all those who cannot sleep at night.., who can only survive by injecting dangerous drums into their system on a weekly basis - mental torments will be your saviour!

at its very first start, the new label founded by conrad van orton proposes a vinyl of his own with two original tracks on the a side, november and captivity archives. and two great remixers such as vsk and the mysterious annuled user on the other. just as the needle starts to mark the passage, the classic four quarters give life to a beat that between one step and another compresses catapulting reality in a classic industrial scenario of mid-autumn where the clear sky gets marked by black and deep plots. a background noise accompanies the whole programming part of the drumming that gives off a relentless pace. on the a side captivity archives reconfirms the industrial nature of cvo with a look towards distant galaxies ..... with the needle still hot we turn around the record to the b side. here we find the vsk remix with a more ambient and crystal clear sound. to the original drum, vsk, choose an equally technical percussion. all home made. last but not least the contribution given by annulled user. trademark? techno! .. and there is nothing here to mess about with. 4/4 dry, hard which feel anger and rebellion desire. the kick, fairly present, is ripped apart by some demonic filters. the 5.30 min of annulled user are a reminiscence of the 90s.