eddie c is back with excellent sleezy disco house on endless flight! want to please on a1 is funky disco sampled house stuff. its all around dj tool. first chair on a2 is slow mo cosmic house. its for the fan of daniele baldelli to theo parrish. help me on b1 is typical eddie cs beatdown house and help you on b2 is like dub version. all tracks are simple but well done. its rare these days!

volt 002 various ideas features vakula, siamak amidi, animous, miruga and nasrawi. the compilation comes as a double-sided release, and can be found wax-cut only! this compilation is the second release for vinyl-exclusive label volt music. the tracks were hand picked for their subtle strokes of emotion, and smooth movements. although the music varies in genre, from deep house, dub techno, trip hop and atmospheric acid, the compilation comes together much like an artwork of different colors with one underlining theme.

comprised of eight tracks, periscope blues is the culmination of a mission gone wrong. music for the stranded, the lost, those backed into a corner with nowhere to go, or maybe a reflection of sad individuals panicking on a tropical vacation gone awry. somber yet very tense drifting off radar machine electronics that feel like a blistering sun beating down on decaying beach remains as time crawls on. that or the equivalent to working the grill summers at jones beach and stealing from the register just to get a little more…
pressing on grey coloured vinyl.

suburb return to our shores here at thema with a new clutch of tracks drenched in their trademark swirling soul and assured groove. embracing earnest vocals and a hand-played ethic in their music, thema038 cements the fact that these two are rising in the ranks of adventurous deep house producers.

cgi is proud to present the debut of 2 new duos who are experts at making their synths and sequencers sweat divine moisture. lyman-alpha forest is a new collaborative project between producers grey people (proper trax, finale sessions) and talk (deconstructure). as a duo they work to bring acid into new territories with their heavy, low-slung approach to producing melodic-and-spacious yet tight-and-focused slow-burning club-weapons. whether or not this is due to a stroke of compositional genius or if it is simply a side effect of the high levels of sizzurp found in the tap water in their hometown of nashville is irrelevant, but the effect is intoxicating all the same. travel 7 hours up i-65 and you will end up somewhere in chicago where afterburner spends long cold winter nights painting vivid synthesized tapestries as epic as the citys skyline. the duo of nicholas reed (windbreaker) and travis thatcher (voice of saturn) employ an aresnal of modular and analog gear to produce lushly cinematic tracks that chug along like classic moroder productions while simultaneously evoking the rich melodicism of kraftwerk. whether you listen to them at home in the headphones or on the dancefloor in the club, these tracks will take you on a wild ride.

i d been thinking about starting a label for a few years but it never really seemed like it could work. nowadays there is more coherence in my productions it seems like the right time. i will be releasing music from other artists as well my own stuff - underground house, techno and the rest, stuff with darkness and sexiness. hopefully it is music that will speak to (somebodys) heart as well as their feet. the first release is called no splice no playback and it is two tracks of house music. vinny (flamingo) is a basement thing, suckle (twenties) works in warehouses too. thanks for reading. -mosca

chewed up and spat out the other side of the uks acid house scene, neville watson was bitten hard by the house music bug and has not looked back since. his brand of deep, raw and jacking house has been released on labels like clone, dissident, rush hour and creme organisation. neville says: i kind of like music that sounds like it is all about to start falling apart at any given moment. there is plenty of clean music that i do like but as a rule i like it rough.
pressing on heavyweight 180 gram vinyl with sleeve drawing by craig richards.

this one comes from uk tastemaker and radio 1 presenter mosca, and is his first release of the year.

we who like to think of ourselves as disruptors felt that the time has come for a shift. a new path for chronicle emerges, carved out with a new series of 7 inch records limited to only 250 copies. our inaugural release, entitled words for silence, will be unleashed at our debut chronicle showcase on march 29th at berghain. as our way of giving thanks to our supporters the first 10 copies will be passed out in secrecy to attendants looming in the shaded corners of the club. words for silence features two driving tracks from aiken and the illusive ben gibson – two producers that have both crafted powerful eps for us and will be gracing the decks that evening along with nick dunton (65 d mavericks), boris, oliver deutschmann and mike dehnert among others. we could not be more honored to host this night, and look forward to unveiling more releases of this caliber for other special events/turning points. so watch out below… aikens *singularity* has a groove that beeps like a time bomb waiting to explode, washing over you with its sinful drones - while gibsons track *parallax* takes things a bit deeper with pastoral pads and fluttering hi-hats. together they create a balance of rhythm and energy that will be well suited for a number of unique moments while in the chamber.

what does radiation sound like? what do the effects of radiation sound like? what happens when a musician with why sheep?s imagination and skill tries to answer these questions? 11 march is the 3rd anniversary of the tsunami that hit the pacific coast of japan and set in motion the disaster at the fukushima nuclear plant. 31th march sees the release of why sheep? s radiation ep. radiation 1 and 2 with remixes by kare san sui surrounding, another why sheep? moniker.

limited to 200 copies. epic, rapid-fire club bangers from dj ford foster on new label bad mums. napalm dance-floor heat that packs a solid punch. real tools for the floor, for the body and for those who like it rough!

ltd 2014 repress
next minibar cocktail will be from mister cabanne ! after one year of highly grooving research on perlon with ark, karat, found sound and minibar with david glück as ultrakurt, the chef is back on his own with drinks for everybody. this new ep sounds like cabanne s found some new pumpin ingredients to shake the dancefloor. sounds are fresh, kick is deep. check out b side track which will show you the way to minimal thermosphere

upwellings is vincent raude, a professor of modern art at the academy of brest who has been releasing dub and reggae music since 1996 and has written music for contemporary dance and theater. he created his dub project lower groundz in 2004 where he experimented with reggae and in 2008 started his dub techno project upwellings under which he realized several 1s. his music was supported and charted by people like cio d or, laurent garnier, alexkid and more. upwellings music shows a great deal of recording knowledge and love for the details of electronic music. his a-side track zu zurich has a classic dub techno surface but we believe the skillful complexity on many levels will have us listen to this track many many times. there are things to discoverin >zurich< one might say. so it is no surprise that the flip side track >lower ground< shows more reggae influences which he uses in more abstract ways, employing vocal splinters he masterfully embeds in his recording.

red axes is niv arzi and dori sadovnik, two young men who have always lived in tel-aviv and have been making music together since the noughties. ballad of the ice is their debut album. their artistic travels have taken them from the rock scene to the dancefloors, and to creating an album. more than a summary, this lp is an invitation to discover a singular musical identity: a ballad of the ice, a song as light as love and cold as a tunnel, springy as a dance step and deep as nostalgia.

limited editon for this 12 that compiles different hidden gems from aybee in his different projects like orion 70 or working with the vocalist omega or dozie. technosoul in the best way.

talented chicago producer chris e. pants presents his disco credentials for inspection on this his debut release for file under disco. 1981 is an original slice of synth & piano led disco music that conjurs up memories of legendary producers like patrick adams, shep pettibone and chaz jankel amongst others. remixes come courtesy of fellow chicago house producer the black madonna who holds onto the disco vibes of the original while heavily dubbing it out for the dance floor. while on the flip, disco deviants, pete herbert & dicky trisco, take a more balearic inspired, hands-in-the-air disco trip that will please djs and beachcombers alike. some people call it disco.

2x12 inch lp in gatefold sleeve, including cd-copy of the album.
a few years ago, a-trak got together with the pioneering house/garage producer armand van helden to form the playful dance duo duck sauce, and they quickly scored a vast international hit with *barbra streisand*. now, nearly four years after that song landed, they are finally ready to release *quack*, their giddy and engaging debut album, which features singles like *radio stereo*, *it s you*, and, yes, *barbra streisand*. the album is not a typical dance album but a whole lot of fun: quack pushes the boundaries of house music and sampling into an absurdly visual listening experience, interwoven with skits, scratching and irresistible loops.

limited stamped whitelabel release.

mome is quickly becoming something like frances new house god. his earthy vinyls for housewax and ftwr got him a great following with record collectors and house djs alike. appearing on appolonias fabric mix, several boiler room sets, and his for one day ep at 1 on decks buzz charts, mome quickly wins the hearts of dancers and players.

hommage this is already the third release for our little baby s p i e l and as we are on a constant search for the more leftfield and not so deep house esque dance music it was a very happy surprise to find an amazing demo in our mail box by the swiss indie dance/ electronic duo mercury. the bern based act already made a name for themselves by releasing on the great gomma label and by doing remix work and collaborations with people like robert owens, byron stingily, tom trago,munk and two door cinema club. these three new tracks are a well crafted mix of electro, disco, house and deep techno.

reissued in conjunction with george morel / groove on. re mastered for 2014 from original mood ii swing dats. absolutely killer mood ii swing from 1996.

without further ado, h+p would like to impress you with no eres tu. some of you may remember mamacita s guest appearance on auntie flos future rhythm machine? here we proudly present her debut release. weve sat on this record for so long that we ve often forgotten how great it actually is! amazing 80s chicago house via santiago, chile. one of the summer. we were concerned about anyone touching the flawless original, but argentinian, ana helder delivers a blinding job, at once retaining the best qualities of the og, whilst making it her own.

n a rainy late september day in the mid eighties, 7 year old phillip lauer didnt know what to expect from that little new born g, who was referred to as his brother jacob. on the other hand, baby jacob wasn t very sure of what to make of this - back then still sporty - youngster either, who behaved like his boss. to make a short story long it took them almost 30 years to finally find out - behind the helm of the infamous pyramide 2 studio when conducting this fine piece of home made dance music: the brudis ep

like a noisy hound in your neighborhood keeping you awake.. awesome stuff on this fresh u.s. house label ....tip!

another mysterious release from the take the elevator camp. once again no info just mechanical rhythms, dry acidic synths and weird deathly vocals.. just the way we like it from this great designer label. highly recommended!

3th keep on releasing techno with an eclectic vision, although - for this output - each track has its different shades and rhythmic approaches. divided into four acts, it sounds like the journey continues after the previous appearance of lucindo on the label with *the twenty-ninth act*.
act 83 and 86 are both powerful tools that are lead by acidic repetitive patterns and distortions.
act 100 contains a raw and strong beat that travels through cosmic and epic soundscapes.
as conclusion, act 63 is characterized by emotional melancholic melodies and brain-dance music, accompanied by succession of rousing rhythmic evolutions.

each ep adopts the work of an artist translated to musical form.
when you dream where does the light come from? there is a light that has clarity as great or greater than the daylight vision, and a lucidity of color that s beyond how we see color now ... i m interested in the point where this meets the imaginative vision that comes from seeing what we want to think of physical reality as outside, because it has a lot to do all which how we create reality. - james turell
within the walls, lighting(s), james turrell built spaces of solid material. the aim is not to also penetrate the foundations, passing through space, leading us to consider the immaterial, the mind. divergent ways first four compositions much like the four first light compositions, have sought to externalise the imaginative vision making it apparent.

lucidflow chief nadja lind again teams up with uk producer paul loraine on making a difference. a track that will see them confidently build on the success of their former releases. for such a fantastic original, it was only right to draft in some esteemed remix talent like silicone soul, funkd v.

serious tracks from toni be here, going from the driven black haumea to the moodier electric oddity. the french producer has found his own touch, a perfect balance of deepness, emotion & groove. he delivers a true original deep house ep like almost nobody does anymore. a journey through the outer space, leaving behind trends & fashion.

eglo records are proud to present the debut release from melbourne based multi-instrumentalist/writer/painter/mastermind kirkis. deep fried and bursting full of colour, these two tracks act as a pre-curoser to the forthcoming full length lp *liverbleach*. an associate of the awesome hiatus kaiyote, kirkis is equal parts black hole and rainbow, like the spirt of frank zappa trapped in an answering machine.

the 30th anniversary edition of this legendary space disco album on audiophile clear vinyl! includes original happy birthday calendar plus expanded artwork, recreated from the original art.

deep space orchestras use of weapons label has always been a reliable source of analogue-heavy left of centre deep house, with each split ep, featuring tracks from a variety of like-minded producers, featuring a range of must-have nuggets. this expansive sixth release, with eight tracks spread across two slabs of wax, is no different. dso s beautiful and surprisingly fragile -mendoza- leads the way, with 7 citizens calming, alien house groover -fatum- close behind. arguably best of all, though, is other worlds -coldname eld-, a sparse and bassy concoction blessed with some brilliant, head high style pianos. it is, though, all good, with further impressive contributions from the detroit-included haku.

andy meecham is a man of many musical incarnations and has been since the early 90s. following on from projects like the now dormant bizarre inc and revived dub-disco duo chicken lips, it is as the emperor machine that he explores his most experimental sounds. to date there have been three full length albums on dc recordings after the project was initially started with the idea of creating music using just one synth, the roland sh-3a. the results lay out the staffordshire mans love of vintage synthesisers for all to see, and combine tough edged disco beats with more cerebral cosmic melodies into alluring soundscapes that bend your mind and drive your feet. as well as a slew of 12s and lps, the emperor machine has also turned his hand to remixes of giants like moby, daft punk and royksopp, and has previously taken a live and inspiringly psychedelic incarnation of the project to clubs and festivals across the planet.

now available exclusive at decks. the artist formerly known as 19.454.18.5.25.5.18 and albert van abbe are the two guys for me when it comes to faceless quality music. have a listen to their nice remixes and you will know what i mean and like about their sound.

following on from his 2012 autoreply debut the model steps up again with a precise, deadly-effective two tracker. as a producer he can never be pigeon-holed serving up his mysterious blends of deep, robotic, space- funk across labels like traum schallplatten, crosstown rebels and his own clone powered adult central imprint. night times the right time finds the romanian in fine-form laying down punchy drums with pulsating-bass, persistent chords and analog synth tension. flip the disc for wolf and you get a darker, dub-driven take over the same infectious, floor-shaking beats. long tracks, mastered to perfection and playable to the max - check it.

pavel khudyakov aka brain crisis. a young producer making a sound that teebee has described as *like aliens mining a colony out of metal* and the producer to watch in 2014. brain crisis *hands up* is proper rude bwoy skanker and has become one of the biggest tunes in calyx & teebees dj sets. on the flip brain crisis & teddy killers join forces for *local 2* a cold piece of d&b pressure. creating a track that is full of bruising bass, techno fear & frantic drums.

the third album of depeche mode construction time again (1983) was the first one to include talented band member and arranger alan wilder to the mix. the album was recorded in john foxx s the garden studio in london and mixed in the famous hansa tonstudio in berlin, the latter being famous for its delivery of classic albums by artists like david bowie, iggy pop, nick cave and u2. experimenting with brand new instruments like the synclavier that allowed sampling to be manipulated musically, construction time again was a groundbreaking record that included industrial influences. these influences would come to full fruition on subsequent albums some great reward movlp940 and black celebration movlp947. songs like *pipeline*, *love in itself*, *shame* and *everything counts* turned out to become classic depeche material.
exclusively remastered, pressed on audiophile 180 gram vinyl and housed in gatefold sleeve.

nach dem erfolg von -drink the sea- und der 2011 folgenden ep -we can make the world stop- (beide auf dem eigenen label glass air veröffentlicht) katapultierte sich die band auf die oberen ränge der tourenden live-acts im bereich dance-music. dazu gehörten schlüsselspots auf major festivals, wie coachella, lollapalooza und electric daisy carnival. the glitch mob absolvierten ebenfalls schon eine eigene headline-tour durch die usa, europa (koko, brixton electric) und australien und verkauften dort prestigeträchtige venues aus. im februar 2014 kam ihr neues album -love death immortality-, was neue territorien erkunden, weniger introvertiert, aber trotzdem die glitch-mob-essenz wahrend.
limitiertes record store day bundle bestehend aus 2x12 inch + 10 inch auf mehrfarbig marmoriertem vinyl plus downloadcode.

vincenzo returns to dessous recordings with something a little special. merry go round features the stunning vocal talents of language aka kaori kaneko, a haunting, drifting and highly affecting piece of music that sounds like nothing else.

announcing the forthcoming album ambient mixes.. …until the collaboration abum between sonic boom & sinner dc entitled maps get released, here are 2 colourfully mind-altering club version by the one & only pete kember, more usually known as sonic boom, founding member of alternative neo-psychedelia rock band spacemen 3 - a main influence for the like of my bloody valentine or slowdive & producer of the like mgmt and panda bear.

like a dream you dont want to admit, f.a.g. diarrhea cults ashes 2 ash is gut wrenching, punchy and frighteningly vague a dark, minimal collage of canned sound, bleak, unaccommodating lyrics and almost-there grooves

hand stamped sleeve!3rd outing for this new project from a well established uk artist! a darker take on the new uk techno/bass sound.

after one and a half years and diverse trips to labels like milnor modern or drop that records, taron trekka is finally back.

kicking off 2014 with another release full of house, techno, afro and disco,

quell has had an impressive run these past 6 years, having presented an impressive array of releases on premium labels like ibadan records, tsuba, cadenza, these days and 8bit. 2013 was about to be heavily marked by his debut lp on ibadan and few 12 inches on 2020vision recordings. now, in this early 2014 we are proud to welcome on board this great artist who provided us 3 monster tracks of pure rough house full of dubby elements, extreme grooves and vinyl sampled screams, be ready to smash the dancefloor!

this time around is the long awaited follow-up to the succesful probe album by roswell return. the original is a mesmerizing piece of minimal electronic music, heavily inspired by composer steve reich. more than 10 minutes of pure synth bliss. on the b-side syncom data take it into deep techno territory with a shuffling and ridiculously low-end remix thats both warm and unsettling at the same time. deep basslines keep pushing everything forward, while the constantly rising church-like organ brings a nervous mayhem quality to it.

the story behind this record begins in 2004 on newbury street in boston massachusetts. juice belushi founding member paul foley is dressed head to toe in 80s regalia, including vest, fingerless leather gloves, fedora and chain connecting nose-ring to ear pierce. its like a scene out of michael jacksons bad, minus the dancing. at his feet is a boom box blasting freestyle and 80s electro-funk, hes handing out mix cds. needless to say we were intrigued!

over a handful of singles and an album on bristol labels like immerse, idle hands and brstl, it is now time for jacob martin and matt lambert aka outboxx to make their debut on local talk. sticking close to what they do best, this ep is filled with house music infused with electronic soul.

after 7 years & 10 releases inigo kennedy releases his first full length on token: vaudeville, a project that feels like the culmination of all those years and all those records. heres the first taste of that album.supported by the untold, ame, luke slater, xhin and ben ufo