played by stephan bodzin, dirty doering, turm 3, david jach, beatamines, fabian schumann, paco osuna, carsten schorr... nach releasen auf yippiee rec. und remixen zu vergangenen produktionen auf damm, versorgt euch der gebuertige hannover sascha wallus nun mit feinster clubware und seiner ersten ep auf damm records. sascha macht sofort klar wo hier die musik spielt und stellt nun mehr eine bereicherung für das ost-label dar. remixe kommen von mod.civil member, bene und dem neuzugang im hause damm records, rene degener, besser bekannt als part von jeckyll & hyde dj-team (echo records) aus dresden.

dust science is proud to present the second release from dadavistic orchestra, a collaboration between the black dog and 3 former members of fellow electronic pioneers the psychick warriors of gaia. dadavistic orchestras first release, >dokument .01<, showcased the two groups love for dadaism and all that it inspired. dokument .02 continues with this theme. where the first release was a double a-side of ambient electronic drone, dokument .02 is a six track album of beatless but very high impact electronics. each track weighs in at around 11 minutes of evolving, warm, and affecting analogue deepness. endlessly fascinating and continuously stimulating, these pieces are long, and yet highly economical.

this debut album, mysterious intrigue, truly marks kubas place in the electronic dance world. 9 cuts representing the realm of the deep & the divine. with perfect production for open air festivals, warehouse parties, or big club floors, you are guaranteed to move your feet & feel the bass.
first vinyl comes blue marbled, 2nd green marbled.

2011 is shaping up to be quite some year for d&b’s most famous imprint, metalheadz. after a clutch of releases from the frighteningly talented new generation of ‘headz artists, this latest 12” sees goldie’s legendary label welcome back one of its original and most defining artists, j majik, alongside his production partner of the last eight years, wickaman.j majik is one of the most important jungle/d&b artists of all time, with a discography that spans an astonishing 17 years and takes in almost every style and sound in the genre’s history. from early, groundbreaking jungle productions such as ‘your sound’ and ‘apache’, through house-inspired anthems such as ‘love is not a game’ and ‘solarise’, to the floor-flattening new school jump up of ‘dubplate killaz’ and the euphoric, vocal-led ‘crazy world’ – j majik is an artist who really has done it all.

finish copy featuring a embossed sleeve. very limited supply, do not sleep! zed bias teams up with uk house up-and-comer funk butcher, swamp81 pressure

played by dominik eulberg, adam beyer, ewan pearson, joris voorn, gabriel ananda, karotte, carlo lio, sebrok, martin eyerer, gregor tresher, monika kruse, stephan bodzin, troy pierce, darren emerson,.. ideal audio 019 again sees the coming together of two of modern technos super powers. having first stepped into the studio back in 2008 to bring us the mighty >diablo< (cocoon), dubfire and ideal boss oliver huntemann kicked off one of the most exciting production partnerships of today. the success of >diablo< encouraged the pair to continue their studio relationship - not an easy task with such hectic touring schedules.

trio techno cover, it was just a question of time to reach the point when wayne considers himself to be the one to create a musical statement in order to show what he thinks about all the current status of some parts of the electronic dancemusic circus. he still suffers from too much so called >minimal< in his eyes and he wants back the energy he is missing on many occasions… >you know, techno without bass is like f…… without screwing him in…< some might say he s too late with this song, but thats simply wayne! in his universe the meaning of time is different to what we all would expect. anyway, he finally checked out garage band on the mac he recently >lended< from somebody he does not even know, and here we go with his first very own song. lyrics in german only and heavily inspired by one of the biggest hits from the 80ies from the german cult-formation >trio<, but to make a long story short: its waynes message that the so called minimal sound is definitely over now: >always klick and always klack, i can not tell how much it sucks...<

big with: sebo k, ryan crosson, dario zenker, lee burridge, shlomi aber, seth troxler, lee curtiss, brothers vibe, reboot, karotte, dubfire, mathias kaden, ellen allien, ame, joris voorn, .. italian born alex picone has been an integral member of the bass culture family since the label launch. his thai ep, our second release, found critical acclaim from both djs and dance press. backed by its chris carrier remix, the ep gathered strong support from the likes of loco dice, luciano, tiefschwarz, dj hell, ame and more. alex was soon following his ep, with a remix for arnaud le texier on ivory machine ep from bcr005. again receiving huge praise and support from his peers. when hes not at the helm of the bass culture express, alex can be found releasing work on such highly acclaimed labels as cadenza, bosconi and tenax. whilst his output may not be as prolific as some, each and every release stands the test of time. this may be down to alexs unique and unnerving ability to cross genres, however we feel its simply down to the unrivalled quality of his productions. a quality that is once again in evidence on his, en pensant ep. four wonderfully varied original cuts and a summery phil weeks remix that range from the smooth as silk, vocal-lead title track, to the deep and elegantly twisted coco verde.

sampler 12inch from degos (4hero) forthcoming cd on 2000black >a wha< him deh pon? a1: late night fright - heavy track, growling synths with quick percussions and a deep kick drum piercing through. big! b1: love & hate you - slower beat, with a hypnotic synth line. awesome vocals and a funky, deep bass!! brilliant! b2: not in my disco - again with a hypnotic synth, funky and super deep bass! drums and percussion are excellent, shuffling throughout the song with feel of garage about them

bodyscrub is one of the most exciting & uprising talents of the growing neapolitan techno scene. with mind blowing releases on labels like phobiq and 1605 he was able to catch our attention, so we are glad to announce his first ep on driving forces recordings. with >hyperactive< and >regular< bodyscrub delivered 2 slamming & modern high quality techno tracks for the peak time. but that’s by far not all!

the partnership between artists john selway and dave turov spans not only across the atlantic, but it has also resulted in a series of successful colla-borations on their label csm. the debut release on the interpull imprint showcases their signature no-nonsense, dance? oriented techno. expanding on their previous work, >choo got it ep< carries with it a modern take of classic in? uences from chicago, detroit, and berlin. this release is marked by just as much stylistic skill as it is by their technical skill: both selway and turov put the highest production values possible into their releases. the a-side of the ep, >choo got it<, grooves hard with an upbeat rhythm and a bouncing bass line that refuses to let up. combining funky house elements and a raw driving techno pace, this is the kind of track that either gets you on the dancefloor doesnt let you off once you hear it go on. the b-side, >way to my heart<, presents a darker take on the ep with plentiful bass and restless energy. it provides a cavernous sound thats happy to shake your techno cathedral of choice

aah, how we have missed them! the fine young gentlemen that are channel x, two of stil vor talents most active producers of meticulously crafted and deeply energetic tech-house smash hits. and just in time for the open-air season they now come back with two very convincing pieces of dancefloor art. first up is >little symphony<, an epic space opera that takes it cues from early 90s techno and mixes it up with post-modern grooves and beats. the wide and open spaces are filled with some very hymnal string patterns that are given a final treatment with a reverbed and high-pitched vocal sample. contrast that with the rather jittery beat and a subbass as deep as the frequencies will go and you got yourself a substantially clear bit of techno that is best imagined when it is dark and only some beams of air tell you where you are. channel x do not produce, they direct and all of the sounds are their actors! on the flip things get more light-hearted and set for the daylight hours as well. >steamboat willie< is a heavily sample-orientated swinging piece of jack. the rhythm guitar lead the way on top of a clap-based loop that sets the basis for some very jazzy interpretations along the way. clarinets, trumpets, percussions, brass, effects and even some talking vocal samples are all allowed to join in this hedonistic big band that is at play. this is one for the sunshine, this is one for the smiles on the faces, this is one to feel instantly good about yourself and everything around you. two very different tracks on this ep, but both equally stand out for themselves

tokyo based production duo side b returns to kumo with an amazing track with some hookline youll not forget that soon. perfect temporary sounddesign and the additional remix by u.s leading technomate audio injection makes this release superbig

the new leena welcomes a very new guest to the mobilee family - belgian born jona - who having been discovered by get physical in 2005 has since had a series of strong releases on labels such as supplement facts, planet e and resopal. a born musician, jona originally studied the guitar and was heavily influenced by blues and jazz music, until he fell in love with electronic music and graduated from the school of audio engineering. his wealth of musical training has supported his desire to continually explore new sound perspectives and forge is own and unique sound signature, something not so common in the electronic music world of today. >this time< is a three track strong ep that takes brings together a variety of musical themes. whilst >drifting away< and title track >this time< both have grooving bass lines perfect to shake up the dance floor, >resonate< has layers of drifting synths creating more of a dreamy summers day atmosphere. a debut release from an artist we hope to be seeing a lot more of in the future….enjoy

the good the bad the ugly the evil is a full on and brandnew 4 track ep from our cologne artist roland m. dill. roland has worked here with a stronger live-set up resulting in tracks more organic. developing from within rather than being developed, the tracks seem to have a stronger hypnotic edge to them. according to the titels the track all show diffferents characteristic. starting with the evil this track is not very obvious but works very much by itself, whereas the good is a perfect intermezzo for djs who really build up their sets with a lot of skill. the ugly is a mental track... it has stunts, it screams, it sees no end... this is mandness on the highest level and also the bad is written in this veain.
played by: martin eyerer, umek, sian, stephan bodzin, patrick pulsinger, orde meikle/ slam, paco osuna, mihalis safras, dubfire, john digweed, deepchild, jens lissat, blind minded, sebastian russell, gow, zidan, scott byrne, danny tenaglia ...

how many people would have believed such a thing could work? would diva-like vocal grace and cool, calculated club sound efficiency not react like matter and anti-matter upon contact with one another? yet perhaps this is where the secret of her distant charm lies, the glamorously crafted cool, the vague elusiveness of aérea negrot. last year the venezuelan vocal wonder silenced any doubters with her first single >all i wanna do<, creating a new platform for her boundless range of musical expression alongside her career singing with hercules & love affair. now her second 12 inch is coming out on bpitch - just in time to set the tone for her coming solo album. the berlin sound wizard tobias freund is on hand once more to produce and mix ìright body, wrong timeî. he has commanded the mixing desk for a whole host of artists and labels from minus to warner over the last twenty years or so and made himself a regular fixture in the bpitch sound cosmos with his production work for ellen allien, dance disorder, heartthrob and indeed aérea negrot

the unclear concept is to produce a special music, to combine genres like deep, techno and electronic, trying not have a precise musical genre but experimenting always new sounds.

supported by: ame, dixon, djulz, martyn, basic soul unit, peter van hoesen, scuba, deetron, jimpster, luke solomon, lexx, arto mwambe, nic fianciulli, laurent garnier, fred everything, reboot, josh wink, alex dallas, catz n dogz, shit robot, benji b, karotte, dj nature, hunee, roland appel, tony rodriguez, meat, ewan pearson, .. mild pitch proudly welcome tim toh for their 10th release. tim first appeared on the international radar with his striking three-part series >join the resistance< on philpot records that instantly put him on the map and into the crates of djs worldwide. further releases and remixes for tiny sticks, ornaments and last but not least his remix for manuel tur on delusions of grandeur made it only logical to have the young pforzheim resident contribute an ep for mild pitch. >ménage à trois< sees the young german return with his very own distinct style that sticks out from a million. imagine kyle hall, omar s and maurice fulton riding a merry-go-round: this is not for everyon

diese keith hudson aufnahme von 1974 ist so etwas wie ein verlorenes schmuckst?ck, das wegen seines gesangsstil in den letzten jahren immer mehr an bedeutung gewonnen hat. untergebracht in einem sonnigen cover artwork klang entering the dragon mit keith hudosns unverwechselbarem vocal style zu seiner zeit wahrscheinlich ziemlich erschreckend, wirkt aber heutztage wie ein wendepunkt in der entwicklung von dancehall und hip hop. besonders highlights sind st?cke wie will you come out tonight , it was when friends started to talk about you und rage of love !

four veteran detroit creators, individually accomplished and respected. each, a producer / performer / dj with a long history of deep, inspired, electronic and accoustic music, so innovative, to spawn a genre all its own. soiree records proudly showcases these melodious, technological, architecs on the first installment of detroit: deepconstructed. drivetrain leads off with driven. multifunctional and intelligent this one was constructed from the floor up, genuine and raw. throbbing rhythm and harmonious pads generate the perfect ambience for the signature vocal proclamation. next up, dorian gigís, the james herbert theory is a courageously deep, tech flow. gigs solid detroit influence clearly takes centerstage. thick, fat chords atop a flanged hi-hat move the air while the syncopated riffs fill the groove. dwayne jensen returns from a long departure with i see the sun light. reflecting jensens untold late night, underground experiences.this crafted pulsating, solid house swing inserts a hypnotic vocal chant for total authenticity. new to soiree records, but a known novice and powerhouse to the cause, malik alston’s offering is dance jazz. showing off some extraordinary piano chops, backed-up by a mental sax riff, alstonís unyeilding bassline and acid blips will not disappoint the dance floor. detroit: deepconstucted is music undefined from a place where music does not compromise.

when some collaborations occur, it feels like fate has been paying close attention, planning something special. on one hand: bugge wesseltoft, pianist, composer and pioneer of electronic jazz, on the other: henrik schwarz, one of the most sought after producers of electronic music who has remixed stars from michael jackson to ane brun. this combination may not seem as radical as once it might, as in the days before bugges new conception of jazz, but the results most certainly are: this does not feel like your typical electronic jazz outing. its a super-group in microcosm. wesseltoft comes from a jazz background and has moved towards electronic music. he started on the ecm label with jan garbarek, and later collaborated with club music legends like laurent garnier and francois kervorkian on stage. schwarz comes from the chicago/ detroit techno culture, and performs at music festivals and in clubs on all continents. he has been moving towards the jazz and improvisation

summer, sun and ping! for 8 weeks, it has not rained, a constant 30 degrees day and night and again this track. in this year s summer ping! (leutral rec.) offers a small soft organs house number. la bella bella is the name of the track and promises not only a beautiful woman with an elegant swing of the hips on the dance floor. jamy wing (sonido / einmaleins / finebeatz) shakes the appropriate remix-cocktail with sun-ripened fruits from percussions and matching reduction.

cool, dark underground club monsters. being a top player in the music industry is not an easy task! but with 15years in the business and over 150 releases, 50+ remixes & 300+ compilation appearances the numbers of jeffs output speak for them self’s. jeff started creating music in 1994 and got hooked on it directly, but it took until 1998 before his first single was to come out on his own label maskros music. since that single he has released on labels like poker flat, night drive music, episode, treibstoff, kickin music, konvex konkav, plastic city, global underground, regular etc.

after a rather long creative break, boxer recordings and dusty kid have returned with a rather unusual acoustic near-death experience: >argia< not only is the title of dusty kids new maxi release, but also the name of a spider indigenous to sardegna, the most feared argia spider can inflict a painful bite which can be fatal to human beings.

in just a matter of months, life and death has swiftly established itself as purveyors of quality contemporary dance music, made by artists who would undoubtedly make anyone s short list of who i d like to invite to my afterparty . it seems only fitting then that with their newest release they ve recruited the undisputed kings of late night mayhem and madness for a paen tribute to that beautiful party after the party, the continuation of all things good and twisted.. the afterparty itself. not to take the issue of such a joyful celebration lightly, dop has gone on secret missions over the last 6 months, quietly (and often not so quietly) infiltrating afterparties worldwide and secretly extracting pituitary secretions from the rowdiest party goers at each of them. they then took these secretions, burned them in a special voodoo ceremony and immediately went into the studio to create a fitting tribute to the after-hours festivities we all hold so dear. once that was complete, friends were invited and even more deviants came to the party for some dirty late night remix action. clockwork (who s recently released it s you again on hot creations has already been the soundtrack to many an after party) are here, french wolf+lamb collaborator le loup is here, mas collective (who recorded on seminal nyc label strictly rhythm) is here and marius & david are here too.. everybody giving it their own special flavor. what an afterparty indeed.

remerc is no new face to the scene. he has been active for quite some time in the german techno scene and has recently remixed butchs track >muskatnuss< on the trapez ltd 100 anniversary compilation. he had his breakthrough in 2010 with the track >tiny calf< which ended up on the cocoon compilation >party animals< mixed by marco carola and nick curly. remerc opens his release with >ruhewolf<, a restless funkedelic rocker with a beat that juggles elements in a loose and totally cool way. the track is spiced up with elements of surreal bliss and could go on forever were there not the limitations of the vinyl. on the flipside we find an hanne & lore remix that tightens and fattens up the beat and pimps up the basslines. adding some twisted sounds ... making it a clubber par excellence. >just a bards tale< is a unique remerc track and stands out from all the productions he has done so far. here new wave coloured edgy vocals meet a post-detroit string-chord arrangement. sounds adventurous and daring? well it is to some degree... but recall >no more words< by carl craig from 1991 but executed in a dead modern way.

as the producer responsible for some of lil b and soulja boys weirdest, most inventive beats, and following on from a critically acclaimed, self released mixtape of instrumentals collected from his work over the years with various forward thinking hip hop artists, tri angle is very excited to announce the release of >rainforest<, the debut ep by clams casino. the five songs that make up >rainforest< find clams casino (aka 23 year old new jersey native, michael volpe) refining his ethereal, otherworldly sound, whilst taking it to a heavier and more intense extreme. what has set clams casino apart from most other hip hop producers is his skill in making records that sound just as good, if not better, instrumentally as they do with vocals, and if anyone needed it, >rainforest< represents the confirmation of this. its a record drenched in mysterious atmospherics, like a foggy memory of a far off exotic place, the details buried beneath the mist of distortion, but present nonetheless. none of the songs on >rainforest< have ever been released before, and in contrast to most of his other productions these songs have always existed purely as instrumentals, free of any vocal presence. >rainforest< is an incredibly powerful release which signals the beginning of clams casino coming into his own and operating as an important artist in his own right

after his last ep on stil vor talent in 2009, born-and-bread berliner sascha braemer is now back with three fresh tracks for the spring of 2011. in the meantime, his funky minimal jump-up tech-house has led him to release on labels as prolific as kindisch or dirtybird. things kick off with >belle<, a ferocious attack on your groove muscles and dancing bones. this tune glides as softly as the wings of an angel while shaking you around like a giant would a dwarf. the up-beat groove is based on a great cut-up vocal sample and some animating synthesizer stabs. sweet! then, >felicitous<, which is considerably slower than the previous two tracks. still, the vocal on this one and the deep electronic body come together perfectly to form a deep and dirty suckerpunch to your euphoria synapses. last up is >people< keeps the effected vocal approach and that really makes this tune. imagine a super deep bassline, some wonderfully syncopated hi-hat trickles and a constant groove to underline the power of the vocal. this track is club pop - so deep and yet so magic it will run shivers down your spine on the breakdown. sascha braemer seems to have put all his experience of peak-time club moments to early morning afterhour visions into his own transcript of signature sound. this is not be mistaken, this is simply on-point

with its corroded, live recorded sound and relentless machinedrum, le coq is a trip to the shadowy, not to say drunk side of dance music. as an acid statement this track is right on the money without ever submitting to any ground rules of vintage acid. truly envelope-pushing electronic wizardry with a dark edge. stripped down to a bare minimum, the flip side hollywood goblin evokes the linear pulse of early body music, while the lead synthesizer adds a touch of cabaret voltairesque arpeggio magic. universal rejection was established in stockholm, sweden in 2011. the label is the collective effort of a closed circle of friends sharing the vision of a parallel universe trough raw, down to the core electronic dancemusic. every new release is a code. it represents a piece of what universal rejection is, and proves that the label will be in constant flux while at the same time always remaining true to itself.

decabaret seconds release is a pure blend of finest detroit techno/electro. franki juncaj moving forward his dj 3000 moniker to focus on producing music delivers an electro stomper, >waiting in the dark< will give you thrills! second an aquatic electro mix by dj stingray from the drexciyan sea depths. aux 88 makes a top quality electro-techno bass remix. and the last but not the least tom linder from the detroit techno militia turns it into a techno floorfiller. detroit techno on top non-stop!

>supergravity<, a simultaneously gritty while ambient track of the highest order, recalls not only drexciya and the detroit underground in its prime, but the ambient techno hey day of artists like the black dog and the inimitable lfo. >atlas detection<, with its subsonic rumble and pins-and-needles like synths is music for the dancefloor at the ripest darkest hour. harnessing noise in the most seductive of ways, it is undeniable in its extraterrestrial appeal. >andolit swaras< displays the minds of minimalist composers, with its striking approach of having its melody lead the narrative it tells- as opposed to dancefloor traditions of rhythmic domination. it is intelligent and dream-like, sublime and filled with reverie, as random as the dreams that ones psyche presents. lastly, they give us a real bite into a slice of phuture hip hop. working with sensational, legendary mc for the jungle brothers, they twist hip hop into an acidic downtempo track that hits hard to say the least. its a dubsteppers dream on some level, but with a crafty psychedlic component that mesmerizes.

>meletis journey< has been tested on almost every continent of the planet and the feedbacks are simply fantastic. its a floor filler club anthem. dario d attis is on fire with his latest releases on purple music and this is not a hit this is the hit a 100% burner for the twentyeleven summer.

backchat titled ep is filled with three tracks, all spiked with steady beats, funk, deep melodic chords and an overall glamour house feel. this is not only very well produced electronic music, its also a journey through deepness and a modern take on the soulful side of the electronic music which exceeds the genre by far with a rich, colourful palette of surprising, individual sounds, butter-smooth chords, some of the most raunchiest bassline that you ll ever hear outside of drum n bass, cleverly constructed beat patterns that yet never fail to jack and swing and an understanding of dub that goes far beyond the random use of echo and effects. on vinyl – as we like our little record-shop around the corner.

after the untimely passing of ben bracket brydon in april 2009, his friends got together to pay tribute to him in the most fitting way possible, by creating a not-for-profit label that showcases some of the incredible music that he made. and what music it is, fierce, interesting and above all fun with an instantly recognizable production style. check it...

here is some more disco ammo from mdd. >me for you for me< may be based on a classic, but the crowd reaction when it was played at a recent warehouse party shows theres certainly still life in the old dog yet. john luongo thought he d nailed it when he put the breakdown before the verses? pff.. what verses? then theres >think< – not the usual sound we have come to know from al kent possibly – no strings? no percussion?? ah, but theres a squelchy synth. finally theres waltered states. this is possibly what it would sound like if walter gibbons and ron hardy went on a bender then made some edits together.

dubline records unveils their next release by the neurodub duo that runs the dubline camp - melamin & wicked sway. the theory behind this production outfit is balance. neurologically the human brain percieves information to be incomplete if it is not symmetrical. in a practice of endless work ethic the sound design interfaces perfected beats that have an even balance of elements. the process in which people follow music as a path is implied in the waking of the conscious mind while in it spirit. the thought process of their approach to neuro is always written for the peoples natural instinct to follow obvious paths of information that can be used to direct the appliance of listening as a being of light tunes in and drops out the appropriate information. thus by drawing attention to the information the focus remains to show the difference between the foreground and background. a focal point is intended to encourage the listener to always furthur the exploration of the information presented. using elements that are different to show that they are clearly different components of presented information and yet both also with similarity to those of the same reference. its simply easier for ones step towards enlightenment in the experience of being human to realize the thought process and recognize the ego, reminding at the expense of the thinking brain that its cheaper to die.

wonderland ghost is, not only due to its title, a gift for all friends of electronic dance music. the three tracks: >for you<, >the ghost<, and >what im standing for feat. toxic pearl< all exude the pleasure of working with the original beats and rhythms that rattle through baders music. these are elegantly arranged sound montages that relentlessly push into the ears of an enraptured dance floor, taking surprising twists and turns on their way to a land of pure musical fun

split release limited to 180 publicly available copies with medieval style seal with the future flash logo in green wax with matching green ink.
a revolution without dancing is a revolution not worth having!

so here we go again, dj mehdi and riton are carte blanche. cant stop, wont stop. the new ep is called white man on the moon, and includes smashing jack on the moon, and next single with you, featuring alexis taylor from hot chip on vocal duties. the new mixtape is called house party 2: the pyjama jam. and last but not least, the new tour is called carte blanche revue, its worldwide, its djing and tr-909ing, its rollerskate dancing, its popping, and its locking (for real)

the unique partnership is the brainchild of local dance music aficionado dj vidis. he teamed up with top lithuanian producer mario basanov in 2007 to form the most influential local production combo and to deliver what could be the freshest sounding and truly adventurous house music in lithuania and around. vidis and marios first vocal track and video >i ll be gone< featuring young but much promising lithuanian singer and songwriter jazzu became national phenomena on its own right. hitting number one in radio charts, not leaving mtv baltic top 20 for half a year, and becoming the most blogged and youtubed lithuanian music video ever says it all. and the single featuring british songstress kathy diamond as well as vaguely provoking black and white video cemented their reputation as local institution and the purveyors of top quality deep sounds. with duos debut album released december 2010 on their own silence music to big commercial success as well as a few singles being lined-up for early 2011 on top notch international labels like japanese endless flight, australian future classic, german best works, and british crosstwonrebels also remix work commissioned from soul clap, john talabot, andre lodemann, marcus worgull, and softwar the future looks bright and bold.

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in the context of electronic music, 12 years is damn near eternity, and though those who have lived it may not remember all the stops along the way, the ones who have kept on top of scott monteiths deadbeat music project will tell you he has been no slouch. through 6 critically acclaimed albums for scape and wagon repair, as well as countless singles, remixes, compilation appearances, and last years radio rothko dj mix, monteith has explored the art of dub in a staggering array of contexts, and staked his claim as one of it s strongest champions. and while the last few years have seen him concentrate on the more dance floor oriented side of things, his latest album and first release on his new blkrtz imprint sees monteith returning to his roots in the headiest and heaviest of dub business.

jb aka james braun, creates music as if it were sonic sculptures chiselled with kicks, snares, drums and synth-bass, is back with three new dance floor monuments for you to worship. *a. on massacre jb succeeds in creating a horror universe that can make even the most hardened detroit fan become insecure and frightened when standing alone on the berghain dance floor. but fear not, for its only music and if you flip the record, youll become entranced by the melodic *b1 retrace your steps. a musical odyssey back through time that literally retraces jbs own steps and makes you think about who you are and where you came from. *b2 slapper is musical meditation that yields unbridled joy and chilled out bliss…and makes you send eager kisses towards the sky where the benign, chubby gods of music laugh heartily and scratch their white beards and ample bellies while returning your kisses, mwah!, and uttering you ravey, little rascal! we will provide for you as long as you remember to appreciate us. please enjoy the new record from james braun. tartelet records 2011

sick new three tracker from ghostleigh and his mate brian barian. not much on info on its provenance, but anyone into the previous ghostleigh 12 inches (and they have all been killer if you ask us), will definitely dig this. not quite techno, not quite dubstep, not quite future garage. just a healthy mixture of all three. limited copies!

continuing on the passenger 140 bass quest we have a new signing to the label but certainly not new to the scene by any means! 601 has been bashing out the breakbeat / jungle hybrid for a while now and is one reason why passenger and label owners aquasky are revitalised by the scene.

subtlety is not the first word used in connection with most djs, but there is much more the métier of germany s gregor tresher than simply playing records, as lights from the inside attest: just as a painting or photograph appears to move if one stares at it long enough, with close listening the stratified grooves and melodies assembled on gregor s stunning third full-lenght artist album reveal an organic universe of shifting sound. meticulous attention to the latter element—melody—was of utmost concern to the frankfurt resident. not obvious, eight-bar earworms that would quickly exhaust their welcome, but musical lines that could repeat, develop and intertwine in different patterns. in this regard, lights from the inside harks back to gregor tresher s earlier releases, but as always his sound aesthetic continues to evolve in new directions.

its needless to add many words to the big success of >the elephants< original release. we however could not resist to have it remixed by some of the worlds hottest producers. and here they are: great names, great music!! go for it

a new name appears in the hispanic techno scene: architectural, label and author, all in one. but who is the mind that draws the plans with this new pseudonym. we still ignore it, but this one, who has wanted to give free rein to the creativity that beat under his skin, has sculpted the first tracks that you will be able to listen, from a solid matter base composed by pure sonic techno with minimalist touches from chicago, with detroit streaks and forged alloy derived from the most genuine soul. this powerful building begins to rise, makes its foundations and basic structure in these architectural series, that present us the impacts, snaps and warping that a real construction team realise with their hard work, exploiting a dark desolate waste ground, following the architects indications, who generate, in his mind, the entire project that will rise in our ears.this interesting project will be launched in classic vinyl, as well as in digital format. do not lose the opportunity to give yourself the first creation, of the new referent of mental techno of spain, it is going to set a lot to talk about..and to think

to remain a discerning platform for underground artists with integrity is easier said than done in todays music market. alphahouse vows never to forget its roots in the afterhours basements from whence it came. in that spirit, we would like to welcome two up-and-coming italians to the family with release number twenty. good friends alessandro stefanio aka buck, and andrea santoro aka santorini, both from puglia, proudly represent the new school of deep thinking producers from a country not generally known for such restraint. if you have been following santorini or bucks output of late, you will know that italy is more than just the land of shuffled techno.. there is a deeper music movement in the country, and these guys are two of the best.